
ยทS4 E11
S4/E11 | Escape
Episode Transcript
Thirteen Days of Halloween Penance, a co production of iHeart three D Audio Blumhouse Television and Grim and Mild from Aaron Nanke.
Headphones recommended, Listener discretion advised.
Speaker 2What is it a map?
It doesn't look like any map I've ever seen.
I know for a fact someone uses to escape.
Well kind of, we just have to crack the code.
Concentric circles, maybe the different cell blocks?
Are they around?
I don't know.
What about these symbols?
This one in the middle looks like an eye.
Hmmm, we're gonna need help.
What about our neighbor frip.
Yeah, I wish, but he's made it clear he doesn't want to be involved.
I'm sorry.
I don't have more to offer.
It all seems so complicated, but it can't really be right, Like if the staff used these to get around.
Some of them are dumb as bricks, especially the guards.
Speaker 3What is it?
Speaker 2Well, it might be a suicide mission, but there is one more person I can ask, no, no, no, no, am I crimes?
Speaker 4How do I get back?
Speaker 2Crimes?
Speaker 4I have to get back.
I need to get back.
Speaker 2It's me Saury.
Speaker 4Saori, Wait, tell me which one?
Which one?
Are you?
Speaker 2Same as always, God crimes.
What happened to you?
They just locked you up like any other prisoner.
Speaker 4Happened to me?
What happened to me?
What happened to me?
Every time I think I have it and lose it and then.
Speaker 5I've lost them, I've lost I've lost it.
Speaker 4I'll never be allowed to leave, I'll never be able to go back back.
Speaker 2But where do you want to go?
Back to crimes?
Speaker 4Where?
Speaker 5How can I say?
How would I tell you?
If I can't show you?
It's just I've just lost again.
The kid hold it?
The kid hold it?
Speaker 4Please?
Please sorry me help me?
Speaker 2Let's say I can.
Will you do something for me?
Speaker 4Something?
Speaker 6Anything?
Speaker 4Nothing?
Speaker 2Right?
Speaker 6Some?
Speaker 2Any none?
If I get closer, will you stay calm?
If I hand you something, will you promise to give it back?
You have to promise or I can't help you.
Speaker 4Mm hmmm mm hmm.
Speaker 2Have you ever seen anything like this before?
It's that yeah, yeah, the Pendleton.
Speaker 4Yes, yes, that sounds right.
Speaker 2Can you tell me?
Is this really a map?
Speaker 4The map?
I see I have one?
Right?
Speaker 5He put my keys, put my podcast, they took them, They took everything.
Speaker 7Hey, hey, hey it's okay, it's okay.
Speaker 2Just focus now.
This is very important how does it work?
Speaker 4How does it work?
Speaker 2The map?
Do you know how it works?
Speaker 4The map?
No?
Speaker 2No?
Did you before?
Speaker 4No?
Speaker 2Okay, do you know who does?
Speaker 4No one?
Speaker 2No one knows.
Speaker 4They did.
Someone did along long time ago?
What hell?
Everybody forgot it?
Speaker 2But wait?
If no one knows how it works, how do you use it?
Speaker 4The white rooms?
Speaker 2White rooms?
Speaker 4There?
The doors?
Speaker 2What kind of doors?
Speaker 4White doors?
Speaker 2Where do they go?
Well?
Speaker 4I was supposed to where I went?
But where I still land?
Where I will be and never leave and never be alone, never alone.
I will never be alone again.
I will never be alone again, never alone.
I will never be alone again.
Speaker 6I will never be alone again.
Speaker 2Have you ever seen one of these white rooms?
White rooms?
Doors glowing with light?
My second day hear I ran through one behind the cafeteria.
At the time, I wasn't really sure what I was seeing, But now I wonder if that's a portal to another part of the pen or maybe out of here.
I know where one is?
Really where at the end of the hall?
Speaker 7What?
Speaker 2How do you know that I used it to get here?
I always do?
But why have I never seen it?
I don't know.
I can only ever seem to find it at night and what You just waltz through, no problem except that it is loud inside.
Okay, it's settled, then we go that way.
I just have to figure out how to break out of my cell.
Let's see what we have to work with your pillo.
It's where I keep the extent of my earthly possessions.
Besides one esoteric map that may or may not be too cryptic to use.
There's this key I built in the machine shop that probably does open anything, but works wonders at scraping away mortar.
One book the mirrors.
It's interesting, actually I should read some of it to you.
This necklace, yeah, the pen returned that to me, but it's not mine.
I had one really similar, but the other half of the moon, I think it's mine.
Really wow, that's uh oh well, hey, please take it back.
You don't want it.
I'm just keeping it in my pillowcase.
You might actually get away with wearing it here.
Let me.
They also returned my juicy fruit.
Do you want a piece?
Maybe later?
I think you are forgetting something.
Well, there's just cold.
I was given fifteen sixty, but as that was a product of my own deduction, I'm starting to think it's as worthless as the key.
No something else?
Speaker 3Come here?
Speaker 2Okay, closer, closer.
Speaker 8One, Bobby?
Speaker 2Oh, right for my haircut for maximum security.
This place can be pretty lax.
Hey, you don't think we could?
Could we use this to pick the lock?
Yeah?
No, Well, at least I'll be able to keep my hair out of my eyes.
Anything else not that I can think of, looks like this?
Is it?
Speaker 9Oh shit?
Speaker 2What?
Well?
It may be crazy, but I have one idea for the come or maybe the book.
Speaker 10Lock up two minutes.
Speaker 9Everyone in your cells.
Speaker 7Hey, no problem, boss, happy to oblige.
Speaker 2Right, Rodriguez, but quietly.
Speaker 4When loves of which.
Speaker 10You Calcutta, it's Martinez, Eureka, Ready as I'll ever be?
Speaker 11Which way over here around the east corner.
I can't believe this has been here the whole time.
You want to go first?
For good luck, I'd rather follow you.
Here goes nothing.
Speaker 2Hey, I'm here.
Where'd you go?
Speaker 12This way?
Speaker 2I can't see you?
Speaker 1Follow my boys?
Speaker 7It's so loud.
Speaker 2Almost there?
Speaker 13Now?
Speaker 2What are you?
Okay?
Speaker 7Yeah?
Speaker 2Why are we in the bathroom?
There's so many baths.
I'm never really sure where they will lead.
This is a lot nicer than ours.
They even have toilets.
Maybe this is I don't know, the executive.
Speaker 9Wing, carpet, wallpaper.
Speaker 2Or definitely not in sea block anymore.
Which way.
Yeah, I'm gonna say this map is useless.
We're just gonna have to pick a direction and try it.
It would help if we knew what we were looking for.
Okay, here, do be damned.
If we see this ax again, we'll know we've made a circle.
Run hide.
Speaker 14Sh you want to get out of the closet.
Speaker 2Okay, there are practically a million doors here.
How about this one, the kitchen, the laundry.
Speaker 7What's that?
Speaker 2Uh?
Speaker 7Trash?
Speaker 2A swimming pool?
Feel like a dip.
Maybe we can swim to safety.
Uh No, not me.
You can't swim.
I just don't like water, did jim?
What they call the recreation area around here?
Don't you recognize it?
Hmmm?
I don't think so.
I could have sworn I saw you here once, really from a distance, but I don't think you saw me.
What's that the Panoptogon tower and all seeing eye in the the eyeball on the map.
If that's the tower, it's right in the middle, and maybe from the top we can see a way out.
I can't see inside one way glass.
It's probably crawling with guards, but it might be our best chance, or our only chance.
I'll go if you call well, no one on the first floor.
That is the longest spiral staircase I've ever seen, thirteen fourteen.
What are you doing counting the steps twenty fifty ninety one to fifty?
I can't believe it.
They aren't watching anything.
There's no one in here, and why would there be.
There's nothing to see, no outside, no sky, just more and more rooms and corridors and cells.
Speaker 7This is fucking hopeless.
What does the map say?
Speaker 2The map?
You mean this fucking paper weight?
What do you want to do now?
I feel like I fucked this all up.
We almost had everything we needed.
We could have made it.
We should have.
I should have waited till I knew more, until I had a plan, a real plan.
This was slap dash, it improvised, impulsive.
I took our one chance and wasted it.
We are not dead yet.
Come on, let's go down and look around some more.
On forty nine, on forty seven, I'm sorry that was pathetic.
There's really no precedent for this situation, but that's just like me to completely lose my cool at the dumbest possible moment.
Mercurial my mother used to call me.
Really, I feel like I'm getting better.
If nothing else, my time here has taught me a little bit of patience.
It's been a hard lesson to learn.
All the best lessons are You are really remarkable, even if this escape ends up a huge failure.
I'm glad we got to do it together.
Me too.
I can't believe this, but I I don't even know your name.
I'm cy Si.
Yeah, you know, like ci Ah right, I'm Lily Lily, like the flower Lily.
That's nice.
It's a nickname, really a translation.
Don't tell anyone, but my real name is Sayuri.
Wait what.
Speaker 6Hey?
Speaker 4What are you doing?
Speaker 15You can't be in here?
Speaker 9Shit is way get back there.
Speaker 7This is the same hallway as before.
Hurry, that's my axe on the wall.
Come on faster.
Wait what are these doores even?
Say?
C nine one one, B twelve forty seven A fifteen sixty?
Wait what the store fifteen sixty?
The code locked?
Speaker 13Shit?
Speaker 2But what if we have to hurry?
This is insane?
Speaker 7But what if the key I made good?
Speaker 2God of incomprehensible mercy.
It's another white room.
Speaker 3Go through.
Speaker 2Hey, I made it.
Come on, Lily, where'd you go?
Speaker 12Are you there?
Speaker 2Hey, Lily?
Speaker 11Help me?
Speaker 7I'm stuck.
Speaker 2Fuck fuck fuck?
Speaker 13Okay, okay, maybe she found her own way.
Yeah, yeah, yeah, maybe she's just on the other side.
I just have to make my way through.
Okay, maybe maybe over.
Speaker 2Oh no, no, summi, maybe this out?
O?
How does anyone now?
Okay?
Okay, go slowly?
Speaker 9No?
Speaker 5No?
Speaker 2Where am I moment?
Speaker 1Please?
Speaker 2Front office?
Speaker 4Hold?
Speaker 1Please?
Speaker 2How did I just one moment?
Please?
Speaker 7Front office?
Speaker 15Are you still there?
Speaker 2Just another moment?
Speaker 15Please?
Speaker 2Thank you for waiting.
Speaker 15Now do you have an appointment?
Speaker 2Miss?
Oh?
You're asking?
Do you have an appointment to see him?
Him?
Speaker 7Why?
Speaker 2The warden?
Speaker 7Of course, the warden.
Speaker 2I found.
No one sees the warden.
Speaker 15Not without an appointment.
But he has a free minute.
Now if you can be quick about it, I run office.
Yes, all right, let me put you on hold.
Please through the door now.
Speaker 7Please thank you.
Speaker 9I'm not an office.
Speaker 2Are you still there?
Speaker 15Okay?
Speaker 2Please continue.
Speaker 8Statistical analysis of the last fiscal years suggests an overall two percent decrease in the retention of staff within the facilities and.
Speaker 3Perstruction two percent.
Speaker 8However, oh dear it seems that there was an oversight in a collection of data from the outset, calling the validity of the entire survey into question.
Speaker 3The entire survey is based on the officer's analysis of the analysis.
Speaker 8Will need Oh dear, you're.
Speaker 4Not gonna like them.
Speaker 3Just tell me a.
Speaker 8Full review of the review process between all department heads and we both know.
Speaker 4What that means.
Speaker 3Wait, don't say it.
Speaker 8You'll need to assemble a new subcommittee to investigate the incongruity.
Speaker 3No anything, but is there really no other word?
Speaker 4Please?
Speaker 3I'm begging you.
Oh my sorry, so sorry?
Hello, Please come in.
Speaker 8First things first, we'll have to submit the applications to request the properly.
Speaker 3My apologies.
Did we have an appointment?
Speaker 2No?
Speaker 3I please have a seat?
Speaker 7Uh?
Speaker 2Where right?
Speaker 3Please?
So what is this about?
Speaker 2Okay?
Speaker 3I I should know, But the truth is I've been a little behind schedule since.
Oh well, honestly, I'm not sure there is any tax to catch up.
So we don't have to do what we can while we are.
But why don't we start with you?
What is your resident number?
My resident number?
You should have been given one during your requisition before there was a full accounting of your personal effects not to self investigate review process to verify standard procentures with requisition offers in regards to best practices.
Yes, they did explendid and the number it was alpha?
Speaker 2Something was I expected to remember that?
Speaker 4M How about your name?
Speaker 3We could cross reference ALPHA residents by name.
Speaker 2Well, that's the thing.
Speaker 7It's Siuri Martinez.
Speaker 3Martinez, Martinez, MARTIEZ.
Let me see, let me see.
Oh oh well that's odd.
Speaker 2What what's on?
Speaker 3You said it was under alpha?
Speaker 2I think so.
Speaker 3Well, then we have a problem here.
Oh dear, what is it?
Two five one alpha one beta, both with the resident number s AE one five six zero.
You said Rodriguez or Martinez Martinez.
Speaker 2It's always been Martinez Martinez Martinez.
Speaker 3Oh dear, I see what happened here?
This can't be you books shouldn't of course signed off one doctor Raymond?
Speaker 4But why.
Speaker 16Run of there?
Speaker 3Can you get doctor Raymont on the phone?
Speaker 4Please?
Speaker 16But sir, every line is already on hold.
We can't take another call, let alone make one.
Speaker 3Oh bother, I do apologize.
We'll have to hurry this along.
Speaker 2Are you going to tell me what's going on?
Speaker 3HM?
In this world, miss Martinez, there are certain feparencies oddities.
Cases you couldn't call unnatural, because all are in some way of nature, but its most capricious tricks to form.
There are too many descriptives to choose from, some societal, some spiritual, some scientific of them all, I prefer the term anomaly.
Time and time again, history has shown that public life functions at its most harmonious with the minimum of these anomalies in its midst And that is what our facility is for.
Perhaps rather assuredly during your time here, that the pen is not like other places.
That is my design, as far back as anyone remembers, and indeed long before I myself held this office, the directive has been clear.
To detect, to locate, to procure, to study, to rehabilitate, if possible, but above all, to separate these disruptive elements from the rest of society.
Excuse me.
Speaker 2Saying that's true, Then what does it have to do with me?
Speaker 7Are you trying to say that I'm one of these cases?
Speaker 2Then what makes me anomalous?
Speaker 3Maybe you, maybe her, maybe neither of you, except for the fact that you shouldn't be here together.
Speaker 7So it was a mistake, a grave one.
Then let me go, Let us go.
Speaker 3I wish I could.
Speaker 2You're the warden.
Speaker 7Are you in charge?
Speaker 3You know the last time I left this desk, Miss Martinez, me neither.
I am not in charge.
The system is, I am, but its implement less than an extremity, not its head, not even an armor toe, a single nerve operating amidst a chain that cannot be broken, at least evolve from the inside out.
You may feel that your liberty has been stripped away.
You must, but know that mine has long been dead and buried.
Speaker 16Sir Section C is calling a ten to seventy four, possibly too two.
Speaker 3Ten seventy fours.
Oh dear, do we have the filesport?
Speaker 16I'm looking, but there's some confusion on the name.
Seems like a filing air between two primary cases.
Speaker 3We'll need to completely change the agenda just one moment.
Speaker 16Well, I don't think now.
Speaker 2Is that's about me?
Isn't it?
Speaker 4Or he or both of you?
Speaker 2They're coming, I'd say, they're on their way to throw me in my cell.
We're solitary again or worse.
And then what mm hmm.
Speaker 3You may have heard it's impossible to escape this place.
Idious bye and bye.
Everyone gives up.
But that doesn't mean you have to.
Speaker 2I thank you, but I don't understand.
Why are you doing this?
Speaker 3Because I know it's hopeless, But why should you believe that just because I said it?
Speaker 7Pendleton with its million fucking doors, Oh.
Speaker 2You can't escape, but you can follow a million stories and land on your ass right in the middle of a what even is this place?
Speaker 6Say?
Speaker 12Really, where did you we got away?
Speaker 2I did too.
Listen, we gotta talk about something, you and me.
I think I know what you're going to say, that you are and you are, but we're not not what the same like I am me and you are you unless I've got it backwards.
Either way, it's nice to find you again.
Yeah, I guess we'll circle back on that.
Okay for now, maybe we still have a chance.
But where are we?
Is this a water treatment plant?
Speaker 14Seems like a solid guess, feel like a swim now?
Speaker 8Whoa?
Speaker 2Well, we can fit at least for the moment.
If this gets into a wade through sewage, crawl through shit situation, I'll make it.
If it gets above neck deep, you might have to leave me behind.
I would never What was that?
Speaker 9Hide control?
Speaker 7Go ahead desalination?
Speaker 4Now is did side you?
What you are going to runs?
Through that pipe.
What if you get stuck?
What about windsor tide comes even tied?
Speaker 11You know there's only one way out of this, your choice to make it difficult tide?
Speaker 2Yeah?
What about that valve?
Speaker 9Got them control?
Speaker 4Prepared?
Speaker 2Descaling?
I'll be with this.
Speaker 9What exactly do you think that's gonna do?
Speaker 2Why don't we find out together?
Speaker 4Back up?
Speaker 2That's it?
Speaker 9What did you think would happen?
Speaker 7Flush them out?
Speaker 4Nut yet?
Be scally?
Speaker 7What initiate?
Be scaling?
Speaker 2Shit?
Now get over here and we'll make it.
Speaker 9Step otherwise you can wait there and drown.
Speaker 2Is this the end?
Looks like it?
Speaker 8You know?
Speaker 2There is actually one thing I forgot to mention?
What no time?
Just pass me your necklace.
Speaker 7Okay, now now close your eyes tight.
Speaker 2Whatever happens, don't open them until I say so, Okay, got it closed.
Speaker 9This is it.
Speaker 7I'm counting to five.
Speaker 2Perfect one mana tru manaa mana mana mana.
Speaker 8Happening?
Speaker 11Just get your eyes close.
Speaker 2A scaling solution, And dude, I guess that was a bluff.
You can look now where did they go?
What was that a gift someone gave me?
Seems more like a curse?
That too, Come on, God, that's cold.
I don't know how I'm gonna do this.
You might want to take your shoes off.
Speaker 7Is the water getting deeper or is the pipe getting smaller?
Speaker 5Maybe?
Speaker 7Both gneeze, waist, shoulder, neck.
Speaker 2We're going to have to swim for it.
Speaker 7I I'm not sure I can hold on to me.
Speaker 2We'll go together.
Speaker 7Okay, okay, big breath.
Speaker 9You'll be Yeah, I'm fine.
Speaker 2Did you see it?
What the lights up ahead?
I didn't see any light.
Speaker 7It's some kind of opening.
Speaker 2I'm sure of it.
Speaker 7Whatever happens, swim towards it.
Okay, whatever happens.
Speaker 8What do you mean?
Speaker 7Eyes open, straight ahead, Swim.
Speaker 2As fast as you can.
Speaker 9You got it.
Speaker 2You're you're not.
Speaker 11Gonna hold on.
Speaker 2You'll be faster alone.
Speaker 13We both will, okay, Hi ready, okay?
Speaker 3Three?
Speaker 2Two h.
Speaker 1H h.
Speaker 6I see ye see shall bye, see see show bye, see see show bye, see fallow Save God.
Speaker 2Show guy, See fellow.
Speaker 6Save God, Show guy, say fellow, Save God.
Speaker 12Show Lily, Lily, m hm, Lily, can you hear me?
Speaker 2I can see it.
There's good life.
Speaker 7It's it's the outside.
Speaker 10Oh yeah, I see.
Speaker 2Guys.
Speaker 1Thirteen Days of Halloween Pennance, starring Natalie Morales.
Episode eleven Escape written by Alexander Williams and Matthew Riddle, featuring the voices of Alex Bowling, Tara Buck, Jay Jones, Raphael Corkil, Rachel Rosenbloom, Anam and Noah Feinberg.
Directed by Alexander Williams.
Executive producers Aaron Manke, Noah Feinberg, Chris Dicky, Matt Frederick and Alexander Williams.
Supervising producers Trevor Young and Josh Thain.
Producers Jesse funk, Rima Ilkali, Noami Griffin, Chandler Mays, and Casby Bias.
Script editing by Lauren Vogelbaum, Story consultants Ben Bolan and Matthew Riddle.
Casting by Sunday Bowling CSA and Meg Mormon CSA.
Production coordinator Wayna Calderon, Production assistants Jenna Johnson and Winona Lowe.
Theme music by Rose Azerti with vocals by Anna Hummler, recorded at This Is Sound Design Studios in Burbank, California.
Engineered by ross Erronel Special thanks to Romelia Osorio, Nathan Rule, Glen Nishida, and Rob Mosca.
Thirteen Days of Halloween was created by Matt Frederick and Alexander Williams, and is a production of iHeart Podcasts, Blumhouse Television and Grim and Mild from Aaron Makee.
Learn more about the show at Grimandmild dot com.
Slash thirteen days and find more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple Podcasts, or wherever you listen to your favorite shows.
Happy Halloween,