Episode Transcript
Hey Morgan, Thank Morgan, Wait a minute, I want to talk to you.
Oh well, if anything kind of my conscience?
Yes, what do you want to talk to me about?
Speaker 2A right son?
But he leaves the Fairway construction job.
My bid should have won.
Only my bid was lower five five hundred dollars.
That's the third time under bid me on a big contract.
Not you always figure you'll did just a little less than mine.
Speaker 1That is itself.
Speaker 2I'll come You've landed every big construction conflict the last two years.
I'll come in on dynamite.
You don't expect me to tell you, don't have to tell me.
I know you've got a stooge planet in my outfit.
I don't know who he is.
When I find him, I'm going to take him apart, just like I'm going to do to you right now.
Thank you, man, Stick around and find out.
I mean, it's like show you Morgan, look out, dynamite leading with your skin.
Speaker 1Okay Morgan, Okay, that's enough.
Boston Blackie the peakmaker, Tony j Now.
Speaker 3You stay out of that.
Speaker 4Yeah, it's private.
Speaker 1So had enough, Dynamite.
No, I told you I'm gonna tear you upon waiting.
Speaker 2I tacked this guy's case.
Speaker 3Oh yeah, I can't myself.
Speaker 1Okay, okay, but I'll be taking care of this come some other times.
Speaker 3That's your story in Morgan.
Speaker 2I'll get even with you if it's the last thing.
Speaker 1You ever do.
And now on to good comber Is Boston and Luckie.
Speaker 3Enemy to those who make him an enemy, friend to those who have no friends.
Speaker 2Is this the Tommy missus Thompson, This is the lovable mister Thompson.
How are you, darling?
I'm sorry, sweet, I was stuck here at the office.
I should be home in about half an hour.
Speaker 1Good just call to say I'm leaving.
Now.
What is it?
Did you land the fair?
Speaker 3No, Morgan?
Speaker 4Yeah, yes, Dynamite.
There's something crooked going on with that Morgan.
Speaker 1You just can't stand by and let him get away.
We'll take it easy, Sheila.
I know all that.
I had a run in with him today.
I've been working on a couple of angles.
Speaker 4But while you're working the angles, Morgan gets the cut.
Speaker 2I know.
Speaker 1How much longer can this go along?
Well?
I know all that, Sheila.
I told you I've been working a couple of angles.
Speaker 2When I'm set, that'll be the end of Jack Morgan, So what are you doing here?
Speaker 1Who's there?
Came into your office?
Speaker 4Huh huh works work.
Speaker 2Dynam I thought something in the contractor put that and office worksy work.
Speaker 1Worth reading for?
Oh?
I look like he say, uh, what is this?
Flux?
Three walks three?
Speaker 2If they found dynamite Thompson murdered in his office?
Speaker 3Donamie Thompson, you're kidding, I ain't, but.
Speaker 1I got see dynamite Thompson?
Which is I work?
Now when you get there a part not call him back?
Do you good?
Speaker 2Bing Parnay, I gues you don't have to hang up the phone kind of mean, I might try to hang you What he wants like, I'm busy?
Well I want yeah?
What a why Saturday?
Speaker 1My friend?
Speaker 2The question is what do you want?
I just thought about dinamand Thompson being killed Men's office, and my instinct told.
Speaker 1Me that you want me to help you find a killer.
Speaker 2Now go tell your instinct what a liar he is, and I get out of here.
You're the one who's gonna need help.
Speaker 3Okay, but you know my instinct is not enough.
Speaker 2I know you that should be sufficient for most people.
Yeah, but look, I really came here to give you some the tabe Thompson killings, all right, mastermind, so give and go.
Thompson got into a street fight yesterday afternoon with another contractor named Jack Morgan.
Morgan is a jerk with a business reputation to match.
I see when I broke up the fight, Morgan said that he'd come back and finish the job.
Speaker 1Is that all, genius?
Saturday?
I just handed you a Grade.
Speaker 2A suspect and you don't say I could have sworn it?
Well, aren't you gonna pick him up?
I got news to you.
I already got Morgan in jail.
Speaker 3You wanted an arrested to kill a wall by yourself?
Speaker 1You don't get excited, like, don't worry.
Speaker 2Morgan has an alibi for last night with checking on it now, what is his alibi?
He says he was with Dewitch, Sloan and Simeon Palmer the entire evening from six o'clock on to midnight.
Speaker 1Loan and Parma, Loan and Farmer.
Speaker 2What's a shop operator like Morgan doing with a couple of millionaire playboys?
Speaker 1There is money boys.
They put up the door for his construction jobs.
Speaker 2If they say he was with them, we let Morgan go and we start looking for another suspect.
Speaker 1I just thought of Paul Brunt always Branston.
Where does he come into that?
Speaker 2Another contractor who's been fighting Morgan and Thompson for every job in the last three years, and Brent till Thompson.
I didn't say that practically.
Speaker 1I just asked if you thought of them, that's all.
Speaker 2If Morgan's alibi holds up, you'll need somebody inspected.
Speaker 1That don't tell me what I need.
You don't need a thing, and that includes brain.
Can I talk to Morgan?
Speaker 2I've already talked to him.
He doesn't know anything.
You two have so much in common, you see, Brent, I'll see Morgan.
Speaker 1You know this.
I'm serious.
I want this.
Speaker 5Maybe you put too much of a charge and that all that's what you're ruining A foundations to cut across the corner, not run good.
Speaker 1And inspect the Fatiday.
That's Paul, Brent doing all the yellows.
Don't care.
Could I go with your third No?
Speaker 2I used to have a practice.
Speaker 5An say, what's that staff of me?
I don't want any plunking legs around here?
Speaker 1All right, Brent?
What do you want my first job?
Speaker 2I'm off for I want to talk to you, Brince.
See me when a whistle blaws on?
Pic I saw, am I I want to talk to you now?
Speaker 1Ah like that this?
Yeah, that's right.
Okay with the people.
You and I have got things to say to each other, but not here.
Let's get out of here.
Let's messter.
Speaker 3I don't think you want to stand.
Speaker 1You got a job if you want to.
Speaker 2I'm Faraday of homicide and somebody wasn't too busy to do a job.
I'm Dynamite Thompson Jinnaie.
Yeah, come on, brance, let's go.
Okay, put in different directions.
Speaker 1Say you're wrong.
Speaker 3Let's say I'll know.
Speaker 4You're bunce go pass sure, get go, run out of the way running.
Speaker 1What happened?
Things like them run?
As I mentioned Dynamite France flew up.
Speaker 2Waiting cars thirty four That is off for car thirty X.
Maybe I wasn't for a Pino cooperating his car thirty kids.
Yeah, hey, we'll look over there.
Oh my gosh, karma to bust the through that fence into the ravine.
Speaker 3Come on here, come on over.
Speaker 1Here, I'm coming.
Speaker 2The cars at bottom all right, bottoms up, mut be somebody in it.
How do we get down there deep as the cliff.
We're careful, we can make it way.
I'm not going down there.
Speaker 1Come on, you're always wanting to find bodies.
Let's go.
Speaker 3I don't want to find bodies.
Speaker 1That guy.
I'll stay up here and watch.
You're going down with me?
Okay, okay, but take it easy, don't worry.
I want to get down there in one piece.
Follow me right way.
Yeah, careful, hey, watch out for the rock.
You'll start a land slide.
Hey, careful, we can cramp onto that tree.
Prance kicking out of your side.
Okay, I got it, get it.
You're right pretty like stand up to your tea.
Yeah, yeah, I'm okay.
Good.
Speaker 2Let's see what there is in missus Kerr.
Yeah, they're always looking for a body.
We hit the jerk, but we got two bodies, not one.
I still remember the street Pride Morgan.
Speaker 1It's not a live blacking.
But there's no reason to keep me here at headquarters.
Speaker 2I didn't kill Dynamite.
I was with Clone and Palmer from six o'clock on.
Speaker 1He broke up after midnight, and that's kind of a long meeting.
Speaker 2Yes, we have them every week, Clone and Palmer may be big shot millionaires, but they still want to know where every penny goes.
Speaker 1They're still millionaires.
Case.
You've got a point there, I think so.
Speaker 2But I can't understand why it should be so difficult to locate them.
After all, they're not just a pair of chumps.
Speaker 1Relaxed, Morgan, Milks time, relaxed.
I got nothing to worry about.
Speaker 3You have funny to worry about.
Speaker 1Blanking, Well, Luca's here.
Yeah, what do you know about Paul Grant?
Oh?
You want to see him?
Jarney?
That's right?
What he's say?
He didn't?
Speaker 2He got away and I got a dragnet out for him.
He won't get far.
Wait a minute, Hell yeah, what was that Cooper?
Speaker 1Oh?
Speaker 3Okay, all right, Morgan, I got moos for you.
Speaker 1They found floaning Farmer.
That's right, A patrol top picked him up.
Speaker 2Okay, So they were found and they said I was with him last night and now you can let me go.
Speaker 1No, Morgan, now I can knock you up?
Speaker 4Right?
Speaker 1Did they lie about being with me?
What's the story of Arney?
Speaker 2Blackie, Floan and Farmer was from dead but their car was driven through a fence.
Speaker 1Into a ravine, but.
Speaker 2They were shot before their car was pushed over them.
That's show Morgan back to jail.
See I hold and inspected.
You say you went to talk to Brent and he ran away.
Yeah, but don't you get the same idea.
You're going to jail to say, I'm not thinking of running.
Speaker 1I don't have to.
Someone killed my alibis.
I think it's Brent.
Speaker 2I was thinking the same thing.
Sure, Listen, Brent didn't like me, and he knew I was spending the evening with Sloane and Palmer.
Speaker 1Well, how did he know that?
Speaker 2I called him at his office.
I told him Clone and Palmer were with me.
That was at seven o'clock.
An hour later, according to the time in the papers, Thompson was shot.
Wait a minute, you trying to say that Brent kills Thompson's flown and Palmer.
Don't you get it, Inspector.
No, Brent knew about my fight with Dynamite Thompson.
He killed Dynamite and tried.
Speaker 3To dependent on me by getting rid of my alibis.
Speaker 1Only tried, he succeeded.
He showed a job on't you?
Speaker 3Uh?
Speaker 1But here, what do I do?
I don't know.
Speaker 2But until Brent is in the long arm of the law.
You don't have a leg to stand them.
Now back to Boston, Blackie.
Blackie steps the fight between two building contractors, Jack Morgan and Dynamite Thompson that night while calling his wife in the office, Drynamite is shot to death.
Paraday arrests Jack Morgan for the murder, but Morgan has an air tight alibi.
He was with Simeon Palmer and de Witt Floane, two millionaire playboys who are backing him financially.
Paraday attempts to question another contractor, Paul Brent, but Brent escapes.
When Paraday returns to the office, he learns that Sloane and Palmer have been murdered.
Morgan is without an alibi, but Morgan accuses Paul Brent of engineering the whole thing, killing Dynamite Thompson, and then pinning it on.
Speaker 1Him by destroying his albibi.
At a return to our story.
Speaker 3Paul Brent has.
Speaker 1Just eded his girlfriend to touch him.
Quick made me close the door.
Nothing maybe, Paul, what is it?
Speaker 2Tell me?
The police were asking me why I think I killed dna By Thompson, But I got away.
Did you don't be a fool?
I was here with you last night when Thompson was killed me, why did you want away?
Because then I'd have to tell him I was with you.
I'd find out we're married.
Speaker 1I don't know what that means.
Speaker 6It is stupid reason I'm supposed to stay single.
Speaker 3Right on the nose, I don't care.
Speaker 6You tell them, Paul, tell them you were here that we're married.
Speaker 1No, no, not yet anyhow, you gotta let me stay here until think cool off.
Yeah, that's right.
This is one place nobody will look for them.
Speaker 4I suppose they do.
Speaker 1Don't worry.
Speaker 2I wasn't followed.
I made sure of that.
If you don't say anything, nobody will know.
Speaker 6Of course I won't say anything.
But what if somebody else should walk in?
Speaker 1Well, that's the chance you will have to take, poor Paul.
Are we doing the right thing?
Speaker 2You'll figure it out.
I stay here and there's a chance I leave and I wind up in jail.
How are we doing the right thing?
Mamie?
Speaker 1Still the half of the fact.
Speaker 4You can't miss it?
Speaker 2You do no, all right, you can take your finger off the hooking ready, I know there's nobody on the phone.
Speaker 1You don't have to impress me.
Speaker 6Well, you can't hate a gal for trying to make the place look busy.
Speaker 3What can I do for you?
Speaker 1Well, I am looking for your boss.
If your boss is Paul, Yeah.
Speaker 6Yeah, he's my boss.
Speaker 1Good, I know you your boss and black and keep your si No, No, I mean.
Speaker 6Secondary Betty Coffin.
Speaker 2I see.
Speaker 6I'm sorry.
I can't help you.
But mister Brennan around and let's kind of sudden a little while ago.
I don't know when i'll be back.
Speaker 3Oh wait, I'm gonna be a lone Sam.
Speaker 6I don't know where he went.
Speaker 1Has he called him?
Speaker 6No, And waiting for him to call and is like waiting to see your prince Charman to come riding buying a white horse you don't happen to own a way for you?
Speaker 1Yes, but I traded it in for a great and vertiboy.
Speaker 6It could be the same thing anyhow, Blacky, like I was saying, waiting for brent a calling is like waiting for a million barks.
Speaker 1Why is that?
Speaker 6Look last night we were supposed to work late, so we stepped out around five o'clock and it don't come back for.
Speaker 1The rest of the evening.
Speaker 3Yeah, he told me to go out and get a sandwich.
Speaker 6We'll be working the rest of the evening work.
All I did was sit and read a couple of old magazines.
Not a letter that's type, not a single phone call.
You don't even call to say he ain't coming back, say so eleven o'clock.
I figured I waited long enough.
Speaker 1So on home is not always on appsing mine only lately?
He can love with you, Betty, Oh you putney p sear.
Speaker 6Her name is Mimi.
I don't know her last name.
Speaker 1He lives in the suburbs.
Speaker 3Sometime uh huh.
Speaker 6Whenever he calls it, he gets a number themselves flaky.
Speaker 4Why are you so.
Speaker 6Interested in my boss?
He may be mixed up on the mountain dynamite Thompson.
Do you think mister Brent killed Thompson?
Speaker 1I don't know, buddy, what do you think?
Speaker 4Oh?
Speaker 6I ain't hate to think.
I only type the letters and answer the phone.
But Brent wasn't exactly It wasn't talent.
Donam my Thompson?
Speaker 1What was the trouble?
Speaker 6I said, Blassie, I only type letters and answer the phone.
Speaker 1Okay, Benny, thanks and so long?
Speaker 6Yeah, what's your right sail wire?
Speaker 2I can't I'm going to see Thompson's widow maybe I can find out from her who blasted Dynamite.
Speaker 6I telled Blackie Brent didn't kill Dynamite, it was Morgan.
Speaker 1He's kill me.
Speaker 6He killed my husband.
Speaker 1Are you sure, mister Thompson.
Speaker 3Oh, I don't have any real evidence, but.
Speaker 6I know Morgan killed.
Speaker 1Tell me why you think he had reason to care?
Your husband?
Speaker 7Morgan has been understting Dynamite and several country if I knew that, If you want to know the truth, Dynamite been doing well at all when Dad was living in a cold water flat in the train.
Speaker 3The train now, yeah, there's none ever a couple.
Speaker 1Of minutes, how you stand it?
Speaker 7Anyway, Dynamite go set up and decided to do something about Morgan.
Speaker 1Uh huh.
I saw Morgan knock him down yesterday afternoon in the Truth Fighter.
Speaker 3I don't mean that way.
Speaker 7What do you mean the last night of Dynamite calling when stuck he said he'd been working in a couple of angles and when he was Senate and.
Speaker 1The Jeff Morgan any idea what the angles might be?
Speaker 2No, can you think of anything that's happened to Dynamite in the last week or two that might be connected to his murder?
Speaker 3Well, I don't know whether this for help.
Speaker 6But one night last week and ten of night was out late.
Oh, mister de Witt's Sloan called him here.
Speaker 1I might be significant so.
Speaker 6That he and his pardon were Simon, do.
Speaker 1It's Loan now?
Speaker 3I am sure you know, no ten sitting.
Speaker 6He can't help him.
Speaker 1Maybe he can.
Speaker 6I just heard Sloane was sound dead in an auto action.
Speaker 3It was no accident.
Speaker 2It was not right.
Speaker 1But when he made that phone call to this house, he also made a connection in this case.
And then.
Speaker 3I will get you to say that is Coronda.
That's right.
Speaker 1I'm way.
Speaker 7I have a party waiting here.
Speaker 6Yeah, one mom on your car.
Speaker 2Yeah.
If you just step into my office, black hee, I'll see what I can do.
Speaker 1It'll be a great house for all care.
Nice.
You're as busy out there as you get used to it.
There we goes now got white.
Speaker 2If you wanted a list of suburban calls from Paul Brent's office during the past month, the numbers and the names under which they're listed, all that I know the calls were made to an operator and not dialed.
Speaker 4Ah.
Speaker 2It's a tall order, but we'll do our best.
After all, this is a case of murder, isn't right?
You may have read about it, donamite Thompson.
How about that list Corral?
Speaker 1Oh?
Yes, yes, cart black names.
Yes, it's the Corral.
Speaker 2Will you please get me a list of all the suburban phone calls made from Paul Brent's office during the week.
Speaker 1I like, i't to hear a slow phoney.
I'll give you four to one that you haven't caught Brent yet.
Okay, blanket are a big, fast handler.
What do you want?
Speaker 3I think i'd know where to find Brent?
Speaker 2Who told you?
I found out that he had a girlfriend named Mimi.
He lives in the suburbs, and he called it from his office.
I had the phone company check all the suburban calls made by Brent from his office till I found one belonging to a young lady and me me, he's very simple.
Do you mean to tell me the phone company gave you that information?
Speaker 1Oh?
I forgot to tell you.
I told him I was getting it to you.
Speaker 4Now.
Speaker 2I'm going to get Brent and I'll meet you and Morgan at his construction company in about an hour.
Speaker 3Ryott Morgan's construction company.
Speaker 2Why not, I'm going to let these two contractors construct a leather case, and I saw one and lagging coming in a front end of maybe not a while, but never have enabling.
They got in his car right behind us.
The get cars them right.
Speaker 1Now, so that will be killed and my slows down.
Blackie catches me.
Speaker 2And I go, want trial for dynamite murder?
Speaker 1Which way do you want it?
Speaker 4Maybe you will be ill.
Speaker 6Maybe I don't say that's killing inheritance to the just single out slows out?
Speaker 5Stop the car?
Speaker 2Who late for that?
Speaker 1Maybe three?
Stop?
Get hands off the wheels, pay the little bull and crack up.
Get the hands off the wheels.
Speaker 2Okay, expect I don't help any way I can.
Speaker 1So what do you want me to do?
Speaker 2We're gonna have to wait for Blackie to come in me.
His car stopped outside.
Hi minute, I go, he's bringing Brent with him?
Good or here he times out?
Speaker 1Your hurt the car craft?
Speaker 2You're like, okay, right, so.
Speaker 1Hright, saint alright?
All right, Brent Trando arrest for the matters of.
Speaker 2Thompson's flowing on par Christy.
I didn't kill them.
That was allowsy tricks, Brent trying to frame me.
Speaker 1That was how paying Morgan.
You killed Diamonds.
I said that's better.
Brent.
Speaker 3You killed Dynamite, Thompson, try to make Morgan here take the raft.
Speaker 1You know that Slone and Parma would alibi for him, so you kill them to You're crazy.
Speaker 3I don't know what I was talking about Saturday.
Speaker 1He's right, Brent doesn't know what you're talking about.
Speaker 2What Blackie, what are you saying Rempton killed Dynamite, Thompson or do it Sloan or Simian Palmer?
Speaker 1Morgan?
Speaker 2You killed Dynamite, Blackie.
I was with Blown and Palmer at the time Dynamite was shot.
Speaker 1No, you meant the master.
Speaker 3You killed Dynamite and killed them both.
Speaker 1Now you not?
Speaker 3Why should I kill my own alibis?
Speaker 2And why should I kill.
Speaker 3Dynamite in the first place?
They weren't your alibi?
Speaker 1Oh yes they was.
Speaker 2You weren't with him at the time of Dynamite's death, But you said you were knowing they were already dead and couldn't deny.
Speaker 1It and figuring it.
Kind of stupid, isn't it, Blacks No, No, not.
Speaker 2When I found out that Sloane and Palmer were getting ready to ditch you and start putting money into Thompson's coming.
Speaker 1That's a lie.
Oh no, it isn't.
Dinahmane.
Thompson's would have.
Speaker 2Told me the Sloane had called her house and indicated he in his apartment wanted to do business.
Speaker 1With her husband, and I can prove it.
Speaker 3That's all I wanted to know.
Speaker 1Okay, Morgan, let's go.
Speaker 2Oh no, you're not gonna get me.
Speaker 1I think I have this.
Speaker 3That's nice Blacky for everything.
Speaker 2But he didn't know is that I couldn't tell anybody where I was when Thompson was killed, so I had no alibi.
Speaker 1Ami.
Yeah, I'm also glad she wasn't hurt when I cracked up my car while ago.
Speaker 2Yes, it's me too, okay, fair name when Morgan comes to lock him up with all right, as you know, it was Morgan, not Brent.
Speaker 1He who did the killing.
Speaker 2Brent's secretary took me to the whole thing.
But Daddy good right, But you hit a date with her the night of the murder.
Remember a date with Betty.
Yeah, you were supposed to dictate to her, only you never showed that.
Speaker 1She waited to the office for you till eleven o'clock.
No Brent, no letters, no type, no phone calls.
Speaker 3How does that make Morgan the killer?
Speaker 2Morgan told us that Brent knew that he was with Flowing Palmer because he called Brent at his office and told him just that.
And I said, how could he talk to Brent?
And Brent wasn't there and there were no calls at the office.
Speaker 3It's because, say, my secretary.
Speaker 2Was working later, you would never have known Morgan didn't call me.
You're so right, well, I I gotta get her a present.
Speaker 1She deserves it.
Don't want to get her Brent both Now I would suggest a white horse.
Speaker 2I'll let's step.
Speaker 1That's right book.
Speaker 5Our first stuf is a temple of Buddha and I'm the theater of the Orient.
Speaker 2But it's delightful.
Speaker 1Dancinger.
Hurry, Madidas, hurry.
Speaker 3We don't want to miss anything.
Speaker 1So there's no restam there now as we get out of the best too for it.
Speaker 6You came thoo me, Homer posted you want to see those dancing girls.
Speaker 1It's just all right, Matidas.
Speaker 5We can lead now.
Speaker 3Oh well, what's back?
Speaker 6Is young man in front of it?
Speaker 1He's a I know he slept through the better part of this tour.
Speaker 6Blay looks waiting.
Speaker 1I'm showing that when I'm looking your town, A young man.
Speaker 2Wake up.
Speaker 1We're kind of down home steps Wilder.
Speaker 3I'm sitting to the shoulder waddle.
Speaker 1I give up, all right, young man he thought.
Speaker 6Umber like a kid.
Speaker 4Oh, Homer, there's something wrong with that young man.
Speaker 1He was like the filters.
There is something wrong with him.
Speaker 4They had a knife in his sad he's been murdered.