Episode Transcript
R and B Money.
Speaker 2We are.
Speaker 1Thanks take VALENTI.
We are the authorities on all things R and B.
Ladies and gentlemen, what's going on?
I am Tank and this is the R and B Money Podcast, the authority on all things R and B.
We're excited today in R and B Money.
Speaker 3Uh family member loved one.
Speaker 1Uh just you know, you know I lost a lot of fans doing some work, you know, with with with this young lady.
It's very very talented, multifaceted boss lady.
You know this is let's just get it to who she is.
First, ladies and gentlemen.
From the Preachers kid, Yeah, he's on.
Speaker 4I'm not come on times.
Speaker 1Huh sing a song writing producer because we got to put comedian in there.
Stylist contore, you see what I'm saying.
Interior design Huh you need a bag, she's probably already got it.
Resell it to you, turn up.
Speaker 3Yeah yeah yeah.
So can can we just get this out the way?
Speaker 1Yes?
Go?
Speaker 3Would you like to apologize Devlin?
Speaker 2I don't think my dad's still don't with you, you know.
Speaker 5When I see that nigga, listen, we don't we don't need the full explaint.
Speaker 3Would you like to apologize Devlin.
Speaker 1I stand on my character.
Speaker 4You did your work.
Speaker 1I listen and they really had me doing worse.
Speaker 4Yeah, and he he was like I can't, And I was like, I can.
Speaker 1Come on, come on, guys, I can't get Jesus Man for this.
I can't.
I can't.
Just like they hit it kick.
I don't understand is this movie about abuse?
Domestic abuse?
Like it's like you're losing me and them kids.
I remember getting off the plane one time and a little kid going, I'm like, no, no.
Speaker 3It's not it's.
Speaker 5I want to know whose parents had him watching?
It was whatever it was, it was a movie.
It's the movie that became this classic in.
Speaker 3Schools and churches.
Speaker 1Yeah, they play it in schools and churches.
Speaker 3Apparently it's you know, their lessons is to keep you away from the R and B singer.
Speaker 1Your RB.
Speaker 3I don't know why you laughing right, I'm not I'm not defin.
I'm not Deflin either.
I got paid to bel.
Speaker 2Can I tell you my bros want to And I have to say this every time someone tries to, you know, make a jab in my bro, they like yo, I still don't like take over the movie.
I'm like He's one of the nicest people I've ever encountered in life, Like he's my bro for real.
He's loving like this was hard for him to do, but he just did his job.
Speaker 4So job well done.
Speaker 1Thank you, thank you, thank you, thank you.
Apologize, so get out of my comments.
I don't care what I post.
Speaker 4Somebody Bishop's baby.
Speaker 2They still think my daughter is Bishop's baby greatly.
It just wouldn't you do when you do the work you do well, you know what I mean?
And it's the mean people that stick with people because when you be nice in movies, they forget you.
Speaker 4What I don't know.
Speaker 1Keep getting booked to be the villain?
Speaker 4Me too?
Is that a thing?
Speaker 1But you know why?
Why Because we have so much pent.
Speaker 4Up because we want to be the nice person.
Speaker 1Always a nice person, all the time.
So we always have to pack those don't you know what I'm saying.
We always have that packed away.
It started away for when for when we hit a breaking point, and I enjoy using it, you know what I'm saying, Like when it's time.
Speaker 3So what would I be if I'm an actor?
Speaker 4Then yes, every day.
Speaker 3It's how you live your life, So what would I be?
Speaker 1Like?
Speaker 3It's super nice.
You might get.
Speaker 1Jay not so direct.
If you could just you could beat around it a little bit.
Speaker 3Uh.
Speaker 1And we also want to point out this is Army Money, the Army Money podcast.
You know what I'm saying.
And sometimes people, you know, we'll go into their their style bag, the money bag, and and just you know, just just help with the aesthetic.
Speaker 3You know, the the shirt.
It's big money, it's big money talk.
Speaker 2I knew where I was coming and uh said, I I just don't want to wear anything.
Speaker 3I don't want to put it on.
Speaker 1And nobody pulled up with the money, you know, I mean they might have the money in a pocket.
Speaker 3With the money, you got to wear it.
Speaker 1You know, you're super stylish.
You are too super You're you're super super.
You've been on it.
I learned my style a little later after, after Jay burnt half my closet up.
Speaker 3But you yeah, he did it.
Speaker 1I love telling this story because it's true, speaks to what you listen to.
What happened is he walked in my closet when we were you know, when Jay was like, officially, you're you're the managers, you're the guy, You're the only guy.
We're gonna trust each other and we're gonna take this ride, right, And he walked in my closet.
All right, but let's just start getting everything together.
You're aesthetic.
Let's you start really tapping into the music.
So he walked in my closet.
Look, and he's like, we should we should burn.
Speaker 4All of the all of this, gotta go all of that forself.
Speaker 3And I was like, that's what friends arefore.
Speaker 4But bro, that's a real I mean you've been shot.
Speaker 1No, No, he's right, that guy be fly.
I was, I was, I was church.
I look church good.
There's a difference.
We had to get into the streets.
Speaker 5I mean, you could be shop at church, you could be shop a church.
Speaker 1But he had to get me, you know, he had to get me to Italy.
He do you know what I'm saying.
Speaker 3He had to get me the wrong He got you there.
Speaker 1You understand I'm saying.
He got me there.
Speaker 2And so now just now you can't get back even like you do your casual fly stuff.
Speaker 4So the fact that you stepped.
Speaker 1In and no, you know, Jay is fresh.
Speaker 3He's fresh, always fresh, fresh since he was a baby.
Speaker 1That's Jay.
It's it's not a it's not an over the top style it's just always really cool, nice.
Speaker 4Ship, really nice.
Speaker 1Always Chris, you know clothes.
I feel we are going to go back in time, but I just want to start at the style part because you're always very stylard, come with some fly.
Speaker 3Always what is where?
Did where did you get that from?
What did that shot?
Speaker 2I think with my grandmother and my mom, because my my grandmother has always been I mean, like till she left this earth, she had her Gucci bags.
Speaker 3And she was to match it.
Speaker 4I mean, come on a Alfa Williams show, Okay, Alfa Williams with sharp and my mom was the same way.
Speaker 3And I think also shout out to Pam.
Speaker 2Shout out to my mama, Pam, Mama Pam.
We know we know love pair who can who can't love Mama Pans?
Speaker 4You know what I'm saying.
Speaker 2But I do feel like with starting my career early at what twelve, like we couldn't get off the plane looking crazy, like we had to have makeup done, hair done, have on the right fing it.
You know, we had to carry ourselves a certain way because we knew with being in the public of course want to blogs and stuff and Varozzi, but you know, we had to be on point, So I think it taught me to be that way.
Like and my mom was also one of those people that was like, you never know who's gonna see on the way to the mail bats.
Speaker 3Never know.
Speaker 4She would tell me that.
I was like, well, who's gonna be out there?
Mom?
Speaker 2Just when I'm about to ride my bike, I don't see nobody but the ice cream man?
Speaker 3But pull up.
Speaker 4I guess.
Speaker 2So between my mom, my grandmother and my mom, and you know, starting this thing early with DC, I was I was kind of trained to want to always make the effort to be on point with my style.
Speaker 1And last question in the present before we go back to the past, do you think that that's missing now in today's and entertainment?
Speaker 3Are its just in music?
Speaker 1I think as it pertains to a female R and B artist.
Speaker 3Good question.
Speaker 2I mean, all right, let me let me let me serve it to you this way.
So with social media, like people are able to be themselves on their platform, on their pages, they can, however they want to show up style, the way they talk, that's who they are.
So I feel like the cookie cutter way that the labels might have, you know, wanted.
Speaker 4Us to look or well, this is what's hot, this is the new trend.
Speaker 2And then the style, the style of shows up to the photo shoot, the album shoot with this one rack of what everybody's wearing that's not happening anymore.
So it kind of makes me feel like, Okay, I love that people are being individuals and they're able to be creative.
And if they the type of girl that want to put on the short dress and maybe wants to wear the baggy jeans and maybe the crops, however you want to do us this, do it.
But I just feel like social media has allowed the freedom for people to be themselves and not be that could you know how when it was to do the album packaging photo shoot, whatever was.
Speaker 3Hot to there used to be an album cycle.
Speaker 5Yeah, literally an album cycle and the rollout and the whole thing, like what you had to either like get.
Speaker 3In shape or you had to write whatever it is.
It's like, like you said, they would.
Speaker 5Bring you the full thing, the full gamute of whatever is the hottest stuff.
Speaker 2Whatever was hot at the time at that moment, which kind of I think didn't allow people.
I mean, you could you remember I forced y'all on the first album, the first DC album at the time, I loved wearing.
Speaker 4Shades on my head for what I don't know.
I never put the mockers on, but anyway.
Speaker 3But just on the top of your head, on the top.
Speaker 2Okay, I threw a whole I didn't throw a fit, but it was like, no, like I really this is my thing, Like I want to just add my thing to it.
Speaker 4And it made the photo, it made the album, the cover of the album.
Speaker 2And I just was like, this is just my little piece of me that I want to carry into this moment, you know.
So I feel like now people are allowed to be more of themselves.
And whether that's more casual or you looking like you run on the runway every time, you freaking you don't why my cousins so much comfortable?
Speaker 4It's crazy, Like is this even a loud.
Speaker 2Definitely, And you know what, it's because I'm having a conversation with my brothers and we talk and.
Speaker 1Uh, well, the reason I asked you that question is because I mean, I guess in with social media there there has been an effect on all of that.
But I think, excuse me, you all were so respected and revered.
Speaker 4Very polished in your clothes all the things.
Speaker 1Yeah, you understand what I'm saying.
It was like it was, it was it was great styling, it was all of these things and you know, great music to go along with it to where you did necessarily have to exploit yourself as a woman.
Speaker 4Oh that's where Oh is that the question?
Oh, are you trying to give me in trouble?
Speaker 1No?
No, I'm not trying to get you in trouble.
I'm just saying that.
Yeah, times are where they are, and so in order to be heard sometimes nowadays, you got to be seen first.
You know what I'm saying.
Speaker 3And I understand time.
Speaker 1Yeah, I understand the I understand the shift.
Yes, I'm just saying.
I'm just asking from from your standpoint, is is there a way to get back to, you know, being heard, respected and love in nice?
Speaker 4So there's the second part of that question.
Speaker 2So with the freedom of being who you are and how you want to be seen, right, because some women feel perfectly okay with you know, showing up with barely anything and that's just who they are and they don't give That's what's who they are, and I can't judge that.
Speaker 3Right.
Speaker 2When we were coming up, right, I remember watching videos Duxie when she first we first started being friends, there was a lot of music that she wasn't familiar with, you know, with being raised in Africa, so she didn't.
Speaker 4Really know some of our key R and B artists, right.
Speaker 2So I was playing her the Tony Braxon videos, the Janet Jackson videos, and Whitney Houston videos, and I was like, the one thing that she pointed out.
She was like, they're all covered and I said, yeah, I said back then, like you can look at the Tony Braxon video and she had on a turtleneck dress and it was still giving sexy and body and you know what I mean.
You were focused on her vocals because you couldn't help but too, but you were like, Yo, this woman is sexy and she's feminine and she's all these different things and I want to be that, you know what I mean.
Or Whitney Houston, she would also, do you know, she would be in a white button up blouse with a pair of jeans on, sitting in a chair singing her thoat off.
Speaker 4You know what I'm saying.
Speaker 2Janet Jackson did that one of the baddest routines with a black tied up T shirt and a pair of jeanses.
She stood up on that chair and almost and didn't bustle shit open, Like I mean, that was impressive, But we were so focused on the artistry and all of those women were very different, but they didn't.
Speaker 4I am really trying to worry with this.
Speaker 3Why did you ask how you gonna pull this on?
See Toya for city councilors.
Speaker 2I'm saying, but like it was different, But Okay, we saw Janet Jackson, and if we've seen Janet Jackson on the cover of her album with a dude hold in her titties, we've seen all of these different things.
Speaker 3They were small moments.
Speaker 2There were small Here's the other part of that.
There's a personality that's allowed to be seen on social media that we didn't see what was going on behind closed doors with Jim.
We didn't see what was going on behind closed door with Tony or with anybody Marach.
We didn't know.
We knew what they allowed us to see.
Now with social media, if there's some ratchet behavior going on to match the outfit, then we go, oh, that's.
Speaker 4Who that person is.
You know.
You know what I'm saying, it's the mystery is gone.
Speaker 5But that's what the Internet, did it did?
We always talk we talk about that, right the.
Speaker 3Internet.
With freedom comes freedom comes freedom.
Speaker 4And you got to allow people to be themselves.
Speaker 5But sometimes freedom is also a prison right because now you're now you're playing into Yeah, what you think everyone wants to see are what you you see?
You know, the numbers jump off of what they're reacting to.
Speaker 4Everybody wants to be reactive.
Speaker 3Everybody wants to be reactive.
Speaker 5So you become now within your freedom, you become a prisoner.
You become a prisoner to those likes, to those analytics and not realizing that forever and you know, I'm sure you'll grandmama said it, My grandmama said it, My people said it.
Everyone loves to watch your train wreck.
Yeah, no matter what part of the world, what hood you come from, you've heard that in your lifetime, and now we're literally living it and seeing it, because yes, if somebody's gonna crash, you're gonna be like this.
You can be on the other side of the freeway and be like, man, why is it traffic and people are slowing up to see what's going on on the other side.
And now we're faced with that within you know, from the Internet, and from social media, and I think the music business really suffers from because we've always been reactive and now it's a magnifying glass on the reactions.
So when you walk in there and you go to a label and they're like, oh, well, what's going on with them?
Speaker 3Oh she got three baby daddies.
She makes songs about how these niggas a ship.
Speaker 1Yeah, yeah, yeah, listen to this one.
Speaker 3He got forty seven bodies.
Speaker 1Yeah, yeah, he getting out next week.
Speaker 3He need your forever.
Speaker 1No no, no, no, no, no, he beat.
He beat forty forty nine of them.
Say he'd be too extras too, Yeah, this one of ones he didn't do.
He beat those two.
Speaker 3We're gonna put this out my.
Speaker 5Next week, Like this is that's where we at.
Yeah, it's a cold place, bro.
But it definitely has trickled down to female artists with them having to show more of themselves from a body.
Speaker 4Sense or you're boring or playing and safe.
Speaker 2Yeah, And I remember being told that a lot too, like you don't never really, you don't show nothing like you you're always trying to be politically correct or you always you know, it gives it gives safe, it gives square and I'm like, but I don't.
It's not like I'm going, oh, I don't want to be this kind of way, like this is y'all know me.
Speaker 4That's how I carry myself.
That's how I was raised.
Speaker 5And your music is not.
You don't make wratch your music because that's here's my other thing.
If that, if that is who you are, that's fine.
I want to hear the music that's connected to that.
Now, if you're you know, if you're quote unquote safe, your songs are probably.
Speaker 3A little more safe.
Speaker 5Yeah, you know what I mean, And I understand it, but like throwing it because I've watched people try to throw artists into the fire where one thing doesn't match the other.
Yeah, And if that's the case, you either you probably just don't want that artist or you don't want to be in that type of business with that artist because at some point that's going to implo it's nothing.
Speaker 4You can't live a life.
Speaker 3But for so long, definitely not.
Now, all right, let's get back to the beginning.
Speaker 1Well, let's go to the beginning when Texas, when did you know what church for you in m what mother on the mother's board came to you and said, well, girl, you can shows.
When did you know you had something?
Speaker 2Betty Hollands, Come on, Betty Hollands, come on.
Baptist Church, baby, yes, real Wood Baptist Church.
And she would do this thing during service where the children's church, the children's board would be singing and she would pass the mic around and it got to me, I ain't get it.
Speaker 4The church just felt like it was my time.
Speaker 2I was waiting coming my way and baby, and I think.
Speaker 4In that moment, I was like, this is what I want to do.
And I remember my like, oh I was about six.
Speaker 2Oh wow, okay, I was about six yeah, yeah, yeah, yeah, yeah, I was ready and I just from that point on, I think she saw my confidence and the love that I had for music, and she just continued to allow me to lead through the songs.
And then she sent me to Japan with like.
Speaker 3Wait, yeah, how did you go from the church.
Speaker 4The church mic?
Speaker 2And then she sent me to Japan at the age of ten to represent the US in this big world choir they were doing.
Speaker 4She sent me, thank you, miss big Famous, How I love it.
She still lived down the street from me.
Speaker 3Wow.
Speaker 1That and so that was the that was the light bulb in your head.
Speaker 2It was, but my confidence was different back then, Like y'all know how I get shot on the mic.
Speaker 4Now I what You couldn't tell me nothing.
Speaker 2The one thing I knew I could do a thing, and I just wish I could get that confidence back.
Speaker 4I would do anything to have that confidence back.
Speaker 2And from there, like I started being in the school plays and going out for the lead roles.
You couldn't tell me nothing.
And then somebody told me I was off, and it.
Speaker 1It is Betty moment, because that's.
Speaker 3If well here that turns you up, though, turn me up.
Speaker 1I was like, how doing to Betty?
Speaker 3You was off?
Speaker 1Baby?
Speaker 3He was, yes, off, And I was like, so with them, okay.
Speaker 5From a confidence standpoint, because in this business, it's that's pretty much the major key.
Speaker 3The major key.
Speaker 5It's definitely be a key, but no, but the confidence that's key.
You can't let anyone affect your confidence in this because tomorrow can be your day.
So most of the time, because we're in a subjective business, we all know that wh're all opinions.
So people don't even realize how many no's you gotta go through.
Speaker 4Oh my god, I talk about that all the time.
It's so many nos.
Speaker 3To get through the right.
Speaker 4Yes, yes, facts.
Speaker 5So if your confidence ever waivers, that shit can throw you off completely completely.
So at what age does someone tell you that where they throw like did you have that moment where they where it was like like you said, someone told me.
Speaker 3I was off?
Speaker 4Well, yeah, once I started going to.
Speaker 2Voice lessons and I became a part of DC, it wasn't your local talent show no more.
Speaker 4This wasn't the stage play.
This was it was the business real you know what I mean?
Speaker 3And how old are you at this point?
Speaker 4I'm twelve at this point, twelve maybe going on thirteen?
Speaker 3Okay, yeah, yeah, And.
Speaker 2I think you know to hear the other voices around me, and especially I mean we're talking about b I don't sound like that.
I don't sound like that.
Ain't how I sound?
Speaker 3Is that?
Speaker 4Does that mean I'm not good?
Or does that mean it's just different?
Speaker 3Like right?
Speaker 2And you start questioning because this isn't me watching Whitney on screen anymore.
This is someone in my face and I'm hearing the power.
This is someone in my face and I'm hearing the power in her thought and I'm going whoa.
And it didn't turn into competition or anything like that.
It turned into Wow, I'm looking at this person with an amazing gift and I'm getting to experience I'm getting to experience it, Like how can I better myself?
Or you know, like I know our tones are different, We're never going to sound the same, but like how I need to work on I need to work on myself, you know what I mean?
Speaker 4I need to work on myself.
And I think I had a moment of wow, is am I ever going to be good enough?
Speaker 2So I'm going to play my position that I've been given in this and and take advantage of this opportunity.
And the position I was given with solo is was soprano.
So I just worked on that.
I found my lane in the group.
I played my part.
But I played that part for so.
Speaker 4Long that I never really.
Speaker 2I never really put the effort to make the other parts of my voice, like to grow that, you know what I mean, because I was so busy at sharpening the soprano, so I became insecure in anything else and to to even hear my voice stand alone, because I'm just here for the harmonies, you know what I'm saying.
I'm just here to play my part as a as a soprano in the harmony.
The thought of hearing my voice alone again or being a solo artist was, Oh my god, the anxiety.
Speaker 3But when you look back on that.
Speaker 4Time when that was never a problem, at the edge of all I want to hear is myself.
Speaker 5But then the flip of that is what it helped create in you.
M hmm, because of the rehearsals, the time is spent, the criticism, you know what I mean, what this builds because what I find too in are in the industry that we're in now, where we're at now, this current moment and it's time is.
Speaker 3The work ethic is so different.
Speaker 5Yes, I think that people think you just have to live in the studio and whatever comes out of the studio is what it is more so than it is the rehearsals, the voice training, the endurance training, you know, like running there And that's why I was about to go to There are stories about y'all development and what it took to get y'all to a space where what I would call unfunck withiable.
I remember the first time I saw y'all group and I was like, this shit is crazy.
These girls are cooking, singing, dancing, not missing, they note not missing, they steps like that.
Speaker 3Shit was really really cool to watch from.
Speaker 5From the female sense, because obviously I was in a kid group, so I came up through that whole brook pane, you know, military style rehearsals, but it was always very male based for that type of stuff, that type of structure where you saw what was created through that, and I just always respected it.
I always respected it because you can for me, I.
Speaker 3Could see the work.
Speaker 5I could see the work that y'all had put in from the rip like, oh no, no, they're different, different, they really rehearsing.
Can you give us a little bit of like the just the regiment because I think, like I said, people get confused.
It was on what this shit really takes to have a thirty year career, a fifty year career, a lifetime career.
Speaker 3Yes, in this.
Speaker 2It was no games.
You know, we didn't get to do the proms and the homecomings and the kicking it with our friends.
Of course there was time for that, but we eight slept impeded this industry like we were.
Speaker 4It was NonStop.
Speaker 2We would wake up, go to rehearsal, then we would have individual voice lessons.
Then we would have group voice lessons, and then we would eat and then we come out of that and we go into another rehearsal, and then we'd work out, and then we go into another rehearsal, and.
Speaker 4That was our day.
Speaker 5Then you slept it all over again, all over again.
For how long before y'all ever even put on an album.
Speaker 2We started that, I mean they had been girls time, had already been doing their thing four or five years before me, I think for sure.
So when I got in, I got it in at twelve, So I mean from it's all we knew.
Speaker 4We didn't know anything but.
Speaker 3That.
Speaker 2There was no like, oh I'm gone, you know, I'm going to movies.
I'm gonna take a family trip.
Speaker 1Nah.
Speaker 2It's like, especially when we were trying to get our deal, it was non stop.
Remember showcases.
We were having showcases for labels.
So when that got amped up, then it was time to you know, do more rehearsals, and we go to Atlanta and we you know, we'd rehearse.
Speaker 4There and have a vocal coach there, and it just it was non stop.
It was non stop.
And the debut album comes out at how I was sixteen, So another four years, yuh yeah, but.
Speaker 2But I will, I will one thing I'll take away from that experience, man, that whole thing if you if you stay ready, you ain't got to get ready.
I remember, I don't care if we were in the airport.
I remember being on an airplane getting woke up like out our sleep, like.
Speaker 4Come to the front plane.
Speaker 2What of course you never asked that, but it was like, okay, we sang the national anthem on a plane as people are trying just to have rehearsal, singing in front of people on the spot on we were singing like hotel lobbies like wherever, whenever, like we had to be on point.
We would sit around and practice our harmonies all day long.
Speaker 4We were fine.
Speaker 2We used to listen to Boys to Men and InVogue all the time and be sitting by the boom box like this show, note this, show, note this, And we would do that all day every day, just harmonizing, getting the blend together, and you know it just it just it was life.
We didn't know life outside of that, you know what I'm saying.
And there was no break.
Speaker 3But what.
Speaker 4You ain't got to where right?
Oh whow that taken hurdle?
Speaker 2But I think that That's why we've been able to have long careers, to be okay with a little criticism here and there.
Speaker 4You know, a lot of the criticism that we were getting came from a place of love and.
Speaker 2Wanting someone wanting us to see us at our best.
I think now we all know how to differentiate between you know, the two you know, and also we know how to keep our business to ourselves.
We were training to do that.
We ain't gonna pop off unless it sen a song.
This is very oh you want a response, but the dow'm come out.
We learned how to keep We were talking about the mystery and how to keep that.
We had to watch the Michael Jackson, you know, if there was a tour DVD at out or tape, you know, something like that.
We were watching Mike all day.
We will watch Jannon, we would watch Shaka.
Speaker 4We would I mean, we would watch the greats all day, all day long, studying, studying.
Speaker 5Them, studying, and y'all were connected to some things that were that were also great that a lot of a lot of people may not know.
I know, because I'm from there, y'all, I got some Bay Area roots.
I mean, yeah, I mean what I mean shout out to my brother Dwayne Wicks, because that's how I first heard about you.
Yeah, through Dwayne Wiggins from Tony Tony Tony for people who may not be familiar with just the you know, the governn but even even in that, those steps to get y'all to where y'all were going, that moving moving to Oakland, moving like as kids, She's gonna uproute, move to Oakland of all places and listen and what I know about Dwayne, Dwayne will have you in the trap absolutely.
Speaker 1Hey, Dwayne and Dwayne, you know that gets you with the whole.
Speaker 3You know, incense and candles in the whole.
Speaker 5You know you think that nah, nah, they from the streets, They from the deep deep Oakland.
Speaker 3They from the streets of Oakland.
Speaker 5So I already know that y'all were experiencing something completely different.
How did that also play into right, because you're now signed to another artist.
Were you able to experience some of what was going on with their group or was that something completely different from y'all?
Speaker 4Completely different?
Speaker 2We were sheltered from a lot now although we were there and whether we were in the hood or not or whatever, we didn't really know.
I mean, we was in the house.
He was in the house practicing and learning harmonies.
We didn't get outside at all, you know what I'm saying.
We maybe to go have dinner every once in a while, but we were babies, so they knew to keep us out the way, you know what I mean.
We were even they were even super careful about who they put us on tour with.
Just all of that, because we were so young and and very sheltered and protected, and there were chaperones.
Speaker 4It was as it should be, kids on the road, you know.
We Oakland went first, Atlanta was during Freaknik time.
Speaker 6Who was in the house was we just knew.
Speaker 1So when do you think when do you think you regained at least enough confidence to say, and I don't want to skip over anything, but to say I can do this on my own.
Speaker 4Mmm.
That came later.
I'm still I'm still fighting with that a little.
Speaker 1Bit, after all your solo success, after everything Sea.
Speaker 4People don't realize how the seeds that they plant, especially into children, the words that are said, even if said with love.
Speaker 2I think I have very now that I have kids, I'm very careful with.
Speaker 4The way that I talk to.
Speaker 2Them and the things that I say to them because as an adult, I remember, you know what I'm saying, and this, we were kids in an adult industry, so kidsts and even if we're exactly and you know, we were getting I think we got.
Speaker 4Dropt from the label at one point.
We got it.
Speaker 2Just the rejection started early with us because we were, you know, wanting to get on.
We were wanting to put out an album and all these different things, and everybody wasn't feeling it.
Speaker 3So rejection.
Speaker 2We got our nose early, and that can do something to you.
It can do something to you, and but it also I feel makes you stronger.
I do feel like I am stronger and able to push through a lot of things because I know, even with some of the nose that I received, I'm still here and I'm still my gift.
Nobody has taken my gift from me.
They can't do that.
Speaker 4But it does have augh it had it can it can be a mental mental funk.
Speaker 1So what sounded like you had?
Speaker 4But I'll tell you when it started.
Speaker 2So I after after uh DC, I honestly didn't know what it what it was that I wanted to do.
I was being a solo artist, was nowhere what I would be I would argue you down.
Speaker 4I might have gone off on you if you said anything to me about what.
No, that wasn't an option.
Speaker 2And then I found myself here in LA working with Chris Hicks, Terry Ross, Dave.
Speaker 4Young Ties my guys, and you know, they were like, yeah, let's you know, let's let's do a little something, you know whatever.
Speaker 2So I did a few of these records and Dave was helping to build my confidence up in the studio.
I would love him forever for that because he was my teacher and he was very patient with me, and he knew, you know, what I was going through mentally, and he just he was like, your tone, your tone is crazy.
Speaker 4Your tone is crazy.
You need to just just like.
Speaker 2Understand that you can stand alone, like you can do this.
Speaker 3And I was like, you know, I can, this is so or whatever.
Speaker 2And so we just kept working together and ended up, you know, Chris ended up shopping me a deal and getting me signed a capital and everything was fun and all until I had to start performing live really and that's when the anxiety, the panic attacks, the that's when it got real.
Oh yeah, it got real.
I would have panic attacks in the bathroom.
I was scared to go on stage.
My voice would literally be shaking, like to be out there alone by myself and not have my girls up there with me.
Speaker 4You know I didn't.
Speaker 2I didn't know how to play that off.
Wow, I didn't know how to play that off.
And it wasn't until I got on the Mary J.
Blige tour, That's what I say.
It wasn't until I got and I thanked Mary at the BT Awards, like just a few weeks ago, because I don't under I don't think she understands what she did for me and giving me that opportunity and allowing me to just be a part of something so amazing, and watching her on stage every night, like one thing about Mary is going to be from her soul.
Speaker 4She not worried about whether it's on, it's off.
Speaker 2Is this that she is telling her story and that's.
Speaker 4All that matters.
She getting it out.
Speaker 2And I learned so much from watching that.
I came from this, you know what I'm saying.
Which is great too.
We see, we see how that performs.
But to watch someone just go out there and pour out their soul every night, it made me go.
Speaker 4Let your hair down, a get your freedom back.
You know what I'm saying, like, trust yourself, trust your gift.
You're here for a reason.
This woman would have you opened enough for her if you sound like a dying goat, like you're here for a reason.
Speaker 2And I just feel like in that moment and allowing God to showed up, he did.
And every night I got stronger and stronger and stronger, and I just I started to realize, Okay, this is where you're supposed to be, and.
Speaker 3How long is your set?
Speaker 4At that point, myself was about twenty five minutes.
Speaker 5Oh you got right into it too, because people don't realize it, like twenty five minutes sounds short, but for a new artist, because you also weren't doing any old records.
Speaker 4You were just doing no no album.
Speaker 1Yeah, so you're giving them twenty five minutes of new music.
Speaker 4And a few dance for tens.
Speaker 3Come on, come on a little bit.
That's not that's not easy.
Speaker 4Yeah, it was a lot.
Speaker 1I saw you on that tour you did, and I was like, and it was when you were you were singing uh uh, what's what's it called?
The between the two you were singing tour and I knew what notes were coming up?
Speaker 4Why does everybody know the note.
Speaker 1I knew what notes were coming up, and I wanted to see how it played out line.
Speaker 3And I was like this, see and.
Speaker 1You went into the heavens and got to it and lived there.
Speaker 3So you did you?
Okay, so that's another question.
Speaker 4Did you know that they'd be looking for that note?
Speaker 5But did you purposely do that in the studio like I'm about to show these motherfuckers I can sing.
Speaker 2Dave said, where do you want to go with this?
Because this is the bridge so you can't give me this.
Speaker 5You got to give me that, and they don't really give that anymore.
But you know, whatever they give you this now.
Speaker 4He gave me a little bit of something, David.
You know Dave.
Speaker 2So he gave me a little bit of hood.
He did something and I was like, we're going there.
He was like yeah, So he gave me a couple of takes of it.
Speaker 4And that's what y'all got.
It's kind of like what happened with good to me?
Speaker 1No, no, no, we get that.
Speaker 5But because I also I remember that, I remember the notes, you know what I mean?
Like like you said, everybody remembers that.
I think for me it was more so, Oh she got something to prove.
Yeah, maybe even if you you know, unknowingly did it.
I wouldn't lead a bit until that was That's what That's what I felt hearing that record, like, oh, she got something to prove.
Because I'll be very honest with you, I didn't know nobody else could sing.
Speaker 1Just is what it is, right.
I can't beat nobody but me.
I take the truth.
Speaker 5I didn't know nobody else could sing, So I remember I think I was.
I don't know what city I was in, and did they have heard harmonies.
I'm from the streets.
I don't hear no harmonies, so.
Speaker 1No, I heard the harmonies, but it was still you didn't know anybody could do that.
Yeah, that wasn't so listed on the package.
I'm at a hotel some random city.
I don't know if it was an event.
Did they have like some I feel like I'm right.
Did they do a promo where they like hung something on the doors of hotels of yours?
Speaker 3Yes?
Speaker 5See, I remember the first time I saw it, I'm like, she can't say, don't fight me for it, but this is my first I gotta be you know me, my first time seeing.
Speaker 3It, I'm like, cute girl, from what is this?
Put this on my door?
What is this?
Right?
Speaker 5And I'm sure I wasn't the only person who did you.
I'm sure I was the only person who did it because we just we ignorant to the fact of you know, we go off of what was presented to us.
So for me, I just thought, that's my natural thought.
Then I hear this song and I'm like, what.
Speaker 3The fuck she cooking?
Speaker 5You came out as a solo artist first, as in the group, but as a solo artist before auto tune, before this auto tune thing.
So what was on that record was how you sang that?
And I was a believer from that point on.
Thank you from that point on.
But at first, yeah, I was like, she's just a you know, cute girl in the group and this girl and that was the younger say now.
Speaker 1And then I guess before we get to that next album where we come in, there was this movie called The Preacher's Kid.
Speaker 3That you still don't apologize.
I tried to get you to apologize.
Can Devilin apologize?
Speaker 5I don't even know where Devilin is, Yes, you do.
I don't know that jacket he had on too.
I'm sure he probably still got that Jack.
Listen, listen.
I had a hard job managing this guy after he played Devil, because I didn't manage you when he played Devila.
He was just talking about There was people who still remember Devlin.
When I took Tank on as an artist, when he took me on as a manager.
Speaker 2I remember there was an agent was like, I was you know how I go for you, bro, And I was like, no, like my broken I mean, he was like, I'm not signing to him.
Speaker 4I don't like it from the movie.
Speaker 5I was like, you really did a great job though, like I'm trying to get you a pot of but like real ship, you did a great job in that movie because it affected everything.
Yeah, and just not everybody, but everything.
There were people who saw you as that.
Speaker 4People were like and they couldn't un see.
Speaker 1It, like, dude, is mean, I'm serious.
And then on this album covers, he's just on their buff.
Speaker 4Look at me, fudd, He's not in the world.
Speaker 3I mean, nigga.
Speaker 1So we're doing this movie and and I think the coolest moment in shooting this film was that nope, which one I think that came off cool to everybody else, But the personal moment between me and you that we shared that we unintentionally shared was was in the bedroom after the fight, after I beat you up, I hit you and then started apologizing and then just started talking about how the industry Oh.
Speaker 2My gosh, yes, and I was there.
They only did like one taken at didn't And.
Speaker 1We had a moment connected so personal between the both of like we were having a conversation.
Speaker 4Toya not as the character and uh Angie and.
Speaker 1We got to crying and wooing like they they had hurt y'all the scene was called for in real life, we were hurt why right.
It was to the point to where she was missing lines, was just crying and I was like, you know, trying to say your part goes like and they still owe me.
Speaker 3Right and we are crying, real tears.
Speaker 1In laughing, real emotions in this scene to the point that, oh my god, to the point to when they said cut, we stop crying like we were just we were we were just it was it was a release of some real ship that we was going through at.
Speaker 3The same time.
Speaker 4Yes, we connected.
Speaker 2I think that's when we connected as friends like brother and sister in that very moment, Like this is bigger than this movie because.
Speaker 4I remember the day was like I got a song for years that two thousand and.
Speaker 5Nine, Yeah, like yes, like nine, yeah, yesh, yeah that's right before we start working on the now ur Never album.
Speaker 1Yeah yeah yeah, because I was kind of in limbo again because you know, sex, Cleve and pain.
It came out and I had done on you know, the cool stuff with sex, love and pain.
But then I was you know, starting to starting to drive, starting to drive again, starting to dry up on me.
Background wouldn't acting right, and you know, and but you know, all these things, but that moment and then I was like, I was like, I got some music for you.
We should we should do some music and and now we can get into the first of all, you kill Preacher Skid.
Speaker 4You did?
Speaker 3You know what I'm saying, I did amazing.
Speaker 1You're such You're such a bar for female solo artists.
You're such a bar.
And when that bar is missing, you know, like who is who's gonna help influence and help inspire and help like keep that thing.
Like like Big J used to get to get on me.
It is like he's just like, man, you don't put out enough music.
I was like, what do you mean He's like, you just don't put out enough music, like people need to see you, they need to hear that, like there is need to be programming tuned, that that frequency needs to always be available so that people know what it is, so that the real is never missing.
You know what I'm saying.
And to me, that's what you represent.
Every time I've ever called you on stage, cook cook on demand?
Every time?
Can I get my show back?
If I can get my show back, ye, he's gonna get to it.
You know what I'm saying.
Because if she's saying one more so at the pair and so even to this day.
You know what I'm saying, you're missing.
Speaker 3You're what a good time?
Speaker 4Well, first of all, can we just I have to do this.
I have to do this.
Speaker 1Okay.
Speaker 2I know y'all know me as like cis and whatever, and we probably had conversation about like me having more kids and what.
Speaker 4Do I want for my future, especially going through what I just went through.
You know what I'm saying, And I'm like, do I want more kids?
I don't.
Speaker 3I don't.
Speaker 4I feel like I love my two that I got on too, and I'm through.
Speaker 1But this record, y'all just drop.
Speaker 4Right.
Speaker 7Y'all was singing to the US across the world, every unite, come forward.
Speaker 2Y'all were singing to our services that the damn song just something to the clitoris.
Speaker 3Yeah, oh yeah, that song.
Speaker 2I was like, y'all put some spirits on.
It's y'all put something in the spaghetti on that.
Y'all did that on purpose, And I don't like it.
Speaker 1It wasn't on purpose.
It was crazy.
Speaker 3It was actually accident.
Speaker 4You don't accidentally come up.
Speaker 5With the record, have been the record, had add the record, had been sitting with us for a minute.
Speaker 3That's it.
Speaker 4Why would you do that?
Speaker 1Well, because here's something you don't know you need something until you actually need it right, And you don't actually see the full value and potential in a thing until you until you need it right, until you're trying to fill a void and you look back like.
Speaker 3That, that's what I.
Speaker 1It fits perfectly.
Speaker 3Right.
Speaker 1And so you know they sent us a song.
Shout out to Will Getton, send us a song or coasie for you, well for me for you?
Yeah, And I'm like, Jay, play it for me.
I'm like, I'm like I like it, but in my mind I'm coming off of when we fuck.
Speaker 3We got fucking with me, dirty dirty, Yeah.
Speaker 1How much fucking can we do?
Speaker 3Man?
Speaker 1We flushed positions a few times.
You know, we're running into overtime right now with all this fucking.
And as I'm finishing the album, I'm like, what's missing?
And I'm like, wow, we just went you know, number one?
We have the number one song for two years in the road, seventeen eighteen.
We've got to have some of that essence here.
We can't little flex.
Speaker 4Little life, Okay, it's necessary.
Speaker 1I was like, we can't not have any of that here.
Got to make sure we have that that presences.
Gotta be a little head at least a little bit.
And cosine Re sends me the song and I didn't realize it was the same song.
He says it, and I said, at the time, I need this kind of song.
I'm like, this motherfucker is a monster is He's like, He's like, he's like, big bro, I'm telling you.
You know, the guy's a big fans of yours and they want this record for you is fire.
And I called Jay, I'm like, Jay, remember that song that did you let me hear this song?
He said, yeah, Nigga, I'll let you hear that song.
Look at us the song, I said, Nigga, it's crazy.
He's like, Nigga, I told you crazy.
I said, I'm gonna tell you what's gonna be even crazier you On the second.
Speaker 4Verse, someone retirement jay I.
Speaker 3Said, it's time, he said, he said, chief.
Speaker 1You know, it's just I said, I don't.
Speaker 3Want to hear nothing.
Get over here, get come sing I already.
Speaker 4I know the way y'all cried on that record, Like.
Speaker 2The way that there was like what women want and desire.
Of course, you know you like it us sometimes you like whatever.
But it was a very like the sensitivity that we need from a man.
The even though y'all didn't sing the lyrics slow or anything like that or any of that, the passion, the what we want from a man to feel loved, to feel.
Speaker 4Y'all held us in that record.
Y'all are literally spooning us, if you will.
Speaker 5No, it's es central my first time, my first time hearing the record because we didn't write the record right record in, which is even more foreign because right, y'all, I just you know what I mean, we just we do our own record.
So that's why the record was even that.
It was just it was such a special record I just couldn't get away from.
But a big part of why I couldn't get away from it because I was just like these niggas wrote a record that's sensual.
Speaker 3And nasty at the same time.
Speaker 5But it's like but sweet and it's and it's not like it's not overbearing.
It's the only thing right because you know, you'll see the comments here and there, obviously just the word fuck in itself.
It's just, you know, just it gets It gets people.
It's gonna it's gonna cause a reaction.
Speaker 1And anybody that knows me, when I do music or anything I've been a part of in music, I don't want to do it.
Speaker 3If there's no reaction.
Speaker 1There has to be a reaction, you know, I right reaction.
You put that on and when you get the right reaction, you got something.
What's crazy is that he don't even know is that the the I guess what did you say?
You said?
The the there's a yeah, a wine.
Speaker 4And a cry.
Speaker 1Which he delivered better than me in the original version.
Speaker 4But his voice j nation.
Speaker 1So so when he when I recorded my verse and and my hook and all of that.
He then came and recorded his, And then when I heard his, I said, oh he cooked, he he cook crock pot.
He ain't coming out like this.
He put it out like I said.
And I heard his hook.
I said, I got it.
I hear it.
Speaker 3I hear where he has a wine.
Speaker 1I said, I got to be there, turning ship back on, ship back on, pull pull it up, put it up, because this is not happening.
Speaker 4Was you coming off as was you going in there?
Speaker 1No?
I I wasn't.
I just wasn't pulling hard enough.
Yeah, he tugs like I was.
I was.
I was going through the motions like he was really pulling.
And I was like, oh yeah, okay, see what we're doing.
Yeah yeah, turn this ship back on, pulling.
Speaker 3Tell my grandkids I made tank seeing his.
Speaker 1Part, you made chicken go back in and redo his verse like that was that was.
Speaker 3My damn about that damn and almost made to you last.
Speaker 4Check my damn hair.
This song on the plane at night time.
Speaker 3Yeah, I heard the song on the playing at night time at nighttime.
Speaker 2You know, I get when you want you're taking the knife flights, yeah, and you're just listening you.
Speaker 4Yeah, I ain't got nobody even.
Speaker 3Laying to go to your boss.
Speaker 1You know.
Speaker 3That turkey leg.
Speaker 4Yeah, that thing for me, and it made me feel like I got in your comments.
Speaker 1Yeah he's back.
But that was perfect.
It was it just lined up the right way.
Speaker 4It aligned everything I told you.
Speaker 1And the movement you know, continues from there.
But back to you.
Speaker 5So, how many how deep are you into the show at this point?
How many episodes are you in?
Speaker 1Oh?
Speaker 4Man, I don't even know.
Speaker 2I think we're uh somewhere around six or eight.
Were pulling out every Tuesday.
Speaker 3Okay, every Tuesday, y'all.
Make sure y'all tune in.
Speaker 4Leave it to LaToya.
Speaker 3Leave it to LaToya.
Speaker 4It's cute.
Speaker 3So I have a question, Yes, sir.
Speaker 1First, this this this, uh, this is what you have leaving to LaToya happening at the moment.
Really, what do you what do you see as next?
Speaker 2I want to be on the writer producer side of more music and film.
I like, seriously, I have some ideas.
I've put them on paper and everything, and I'm about to start taking meetings.
So I want to be on the other side of the camera.
I want to really dive into also design.
I love fashion, I love I love interior, Deckcord, like I could do that.
Speaker 4In my sleep.
Speaker 2So I'm this conversation.
Having a storefront ain't easy though.
It's a lot going on in the world, and it's like and with online and with social media Instagram?
Speaker 4What why am I parment?
Speaker 2Anyways?
I just feel like I want to I want to dive deeper into like things that I've really always wanted to do.
Speaker 4It might be scared to, you.
Speaker 3Know, do so would you design your own line?
Like, yeah, I would, Okay, I would, Yeah, top five R and b artists yours, yours, yours mind.
Speaker 5You're not saying what people rank in the you know, Oh she puts such and suching no, no, no, yours.
This is who you enjoy personally, that you believe.
Speaker 1School, whatever, okay, whatever.
Luthor gotta start with Luther, Big Luther, little Luther.
Both okay, both.
Speaker 4Yeah?
Anita Tank Wow, you bro he did the day in Britain and produced.
I ain't saying right here, you know what I'm saying.
Speaker 2He definitely, Oh, Tony done got me through a lot.
M hm, Tony, tell him to talk to me, talk to me to who should have gotten through some heartbreak?
I'm like, oh dang, it's one.
I'm gonna throw Jasmine in there, Jazmine selling.
Speaker 3Yeah, yeah, I.
Speaker 2Can't add Jobasy because Jodasy is in there.
Like you said, artists, but I want to say, artists.
Speaker 4Make the bad sex us fine, Jos, I can't let you Jodasy.
Speaker 3How he's a child of Divante?
Speaker 8Yeah, mother, father, Well, clearly, I'm telling them my lines is structured forehead.
Speaker 1Wow, top five R and B songs.
Speaker 4Rude.
Why would y'all add me that?
Speaker 1Because you want to know.
Speaker 4That's not cool like we would like to know.
Speaker 1And then I know that can change every day, it can fluctuate.
Speaker 3Jams man, what is your jams your jams R and B jam R and B jams.
Speaker 4Yo?
Okay, if only for one night?
Speaker 3M hmm.
Speaker 4Okay, what's the name of the song?
Speaker 2Uh?
Speaker 3What first true?
Speaker 1Eve?
Speaker 4What's the something?
Speaker 1And it's they never knew something that they never knew and it's much more, it's much more than they ever knew, much more than much much more than they can be called.
Speaker 4I think so.
But that's my nama too, okay, okay with that title.
Speaker 8Sorry, Oh, this is a hard one.
Speaker 4You know what, I can't stop playing right now?
Speaker 3Talk about it?
Speaker 4Funny, how time fly?
Have you all listened to that jan record?
Speaker 1They were just playing it?
Where was I?
I cannot remember where I was this song?
No, we were on the boat yesterday in Miami on the key on the river boat.
Shout out the key on the river.
I'm gonna throw that out.
And and brion who is who swears he's an R and B archaeologist, which he's really good.
He's really good.
He's a really good R and B officionado.
And he he he got the ox from Jordan, because you know, Jordan had us my nephew.
I'm sure he was playing all ratchet.
Oh yeah, that was all ratchet.
But then it was time to go and to the R and B and uh, brionn seized controls and he started that Janet Jackson and it was just it was just a little dark outside.
Speaker 2Yeah, that'll take something from it'll do something.
Speaker 1I still do it, Yeah, still do it.
Speaker 4The way it come in?
Did she give you French at the end?
Is that French?
Speaker 3I don't know.
Speaker 4I don't care.
Speaker 3I don't care.
Speaker 4Oh my gosh.
And isn't it a continuation of less?
Wait a while, No, I thought it was.
Speaker 2I thought she didn't want to do it in less way a while, and she said, let's wait a while, and then it was like funny, how time flies.
She ran back into the nigga and was like, you know what I mean, I'm ready.
Speaker 1The way you're putting it together, it makes sense.
Speaker 4I thought that as a young girl.
That's what I said to myself.
Speaker 3Should have been listening to that as young girl.
I was, you know what you know?
Pam, pam my mama, let me listen what I thought.
I thought it was hot out.
Speaker 4I only wanted to be to.
Speaker 3The truth about it around truth, truthful bottle.
Speaker 1Oh my god, I couldn't check that song.
Speaker 2I still can't.
It's a voice man song.
I don't know if it's A'll make love to you or if it's.
Speaker 4We belong together?
Is that the same?
Into the role?
Which one?
Speaker 3Is it that's in of the round?
Start staying, that's end of the rod?
Speaker 4But or is it I'll make love to you?
Speaker 1Which one you tell?
I don't know, guys, the one that starts together.
Speaker 2I'm touring five A and B five five am b okay five baby, I'm not really I have to be done.
Speaker 3Got five.
You're doing six of everything.
Speaker 1We're letting you get away with.
Speaker 3Girl get away?
Really do all right?
Speaker 1R and B Voltron, who are you taking the vocals from?
Who are you taking the styling from, the aesthetic, the appearance, and who are you taking the performance from?
To make the complete?
You're complete?
R and B artist, where.
Speaker 4Y'all kidneys ship from?
Speaker 3Thanks you for coming, I chief, I'm gonna ask him.
Speaker 1There's me and Rubenson in there.
He's like, and then we can.
And then Jacob's like, yeah.
Speaker 4Damn man, and I don't want no trouble for saying what I gotta say.
Speaker 3There ain't no trouble.
Speaker 2You know what I'm saying because you know I'm about to say two female artists who are totally different, but who you get?
Speaker 1So let's started.
Who are getting the vocals from?
Speaker 3Jasmine?
Speaker 4Come on, come on, I'm getting them from Jazmin.
I said in front of that.
I fan girls.
Speaker 2She performed the essence this past year and I literally was like, Ian girl.
Speaker 3I'm pick up your goddamn feelings.
Speaker 4I'm gidding.
Speaker 3I was like, is she talking to me?
Speaker 2I felt like I left feelings over there, pack them up, says, put them in a doggy bag.
Speaker 4I might have left a few who.
Speaker 1You're getting the styling from esthetic.
Speaker 5Flyesh Rihanna mm hmm, every fly, very fly, every fly fairy.
Speaker 4Yeah, she didn't like Rihanna.
Speaker 2I love her because she just do her and like she don't miss especially like remember she was disrespecting the sidewalk for us every day like she would every time she walked outside.
Speaker 3It was like.
Speaker 5She was modeling.
Why while pregnant like she was, she was still you know what I'm saying.
Like I was like, oh, okay, okay, the belly isn't necessary.
The belly is it is, it is.
Everything is part of the vibe, you know.
Speaker 3And she just got a.
Speaker 1Effortless She just got a certain she got an ownership everything.
Speaker 4The confidence is because what.
Speaker 5It comes down to is the not giving a and she don't like we talked about with a Mary J.
Blige, Mary gonna give you her no matter whatever it is, what it is.
Speaker 2And she's my emotion because you didn't.
You got to add that emotion, Mary.
Speaker 5Emotion make you cry sometimes That's what Age Town talked.
Speaker 3We're gonna add emotion to that emotion.
Who do you get the feeling?
Speaker 1Okay, got you?
Speaker 4Who do you get Mary?
Speaker 1Who do you get okay, Okay.
Speaker 2You feel like she been She will mispronounce a word in the song.
You don't care what she meant that in this dancery.
Speaker 1This I don't even know.
I don't even think that they've even made a dancery.
Speaker 4I still don't know.
Speaker 1It has something to do with the stiff leg dance and the bob that's what that's what everybody does.
Speaker 2That in the danswer when she said I should have left your ass alone time ago and wind that down.
Speaker 1I've seen it.
Speaker 3Listen.
Speaker 1I've seen it live, yeah, and live every.
Speaker 2Not when she started rolling around on the ground during normal drama or stumping or having a full out tantrum, I'm like, hour.
Speaker 4Y'all not, this is crazy.
Speaker 1It gets spiritual.
Speaker 4I'm in church.
I'm having a full blown experience.
When I watched mary.
Speaker 1Last one performance, I got two you sorry.
Speaker 2It would be, it would be, it would but listen, okay, Because people gonna argue me that Michael isn't pop.
Speaker 1Michael isn't pop.
Speaker 2Yeah, I mean, Michael Jackson is an R and B.
They'll say he's a pop artist.
People will argue me down and say that Michael Jackson isn't an R and B artist, He's a pop artist and all these he all thinks.
Speaker 5Christ that what no, no, no, that Michael Jackson is R and B.
Speaker 4He is.
Speaker 5We not even go to the all things Michael Jackson's R and B suard theare R and B Gary R and B is Let's well, let's say this, R and B has encompasses so much and I think that I think that.
Speaker 1It was ours R and B.
Speaker 3Was ours still ours.
Speaker 1No, That's what I'm saying.
And a way for them to take a piece of that.
Speaker 3That's where the word pop I get it.
Speaker 1I will know what pop is popular, but popular a way for them to own that space.
But you know it was crazy, you know how he owned them.
He called himself the king of it.
Speaker 4He sure did.
Speaker 1Absolutely.
But think about this though, like even even if we talk about a guy, a guy named a guy like Bruno mar R and B, R and B singer, R and B singer.
You know what I'm saying, justin Timerlake, but R and B singer pop takes it out of not here at R and B money, not here at all, not here at R at R and B money.
Michael Jackson ess Orange Joseph all the Hey, what other name you?
Speaker 4R and B, R and B period, all the middle names.
Speaker 1Yeah, talk about it.
Speaker 3Before you get to Jackson.
Michael Jackson.
Okay, so you got Michael Jackson.
It's an R and B artist.
Speaker 2I'm gonna say, to watch Beyonce perform.
Speaker 4I'm sorry, I don't.
Speaker 2And that's why I said I had to have I went.
I had to say Michael, and I had to say.
Speaker 1B went to Miami and the Rose and I was still affected.
Speaker 3I still she was like walking over and ship ship.
Speaker 1It's just it was.
Speaker 4Just like she likes to splash around in water.
It was just the power that she brings.
Speaker 1It was a levels of performance that I'd never ever seen before.
Speaker 2I'll be watching on stage sometimes she don't know this, but I'd be like, we used to do that.
Speaker 9Where you learned that, where you learned that, you got some upgrades that.
Speaker 3Used to do that level of college.
Speaker 2It's just but it came from it came from affecting your craft and working and when some of us wanted to go to the movies, when some of us wanted to go when we did have our off time, she was in the studio, sitting there by herself writing the record.
Speaker 4She was in the car when we I never forget.
Speaker 2We was at this little like indoor play, jungle gym situation or whatever, having our fun my kids were supposed to.
Speaker 4And she set out on a hot ass car and was writing to a track.
And I remember going to be at was she in the car?
I'm going in and see what you know?
And I went and set in the passenger seat and she just wrote this record, and I was like, we'll be out here trying to have fun in this girl she's she is on it.
She lives this like this, she wants this bad she is.
Speaker 2It is no surprise to me that she is the icon that she is now a lot of other things went into that, but I will say her work.
Speaker 4Ethic is I ain't seen.
It's monstrous.
I ain't seen.
Speaker 2I like it, and being around it made you feel guilty if you weren't like.
Speaker 4Wait, I'm not doing something right.
Speaker 1Wait it was.
Speaker 3She didn't have to say anything to hold your account.
Speaker 4No, No, she did it.
Speaker 3She just did it by example.
Speaker 4She led by example.
Speaker 3Wow.
Yeah, that's that's it.
We gotta get back to.
Speaker 2That used to sit in with me while I was singing my parts.
You know, normally the lead singer once they've done their role or whatever, you coming and seeing your foul lines and they go off and do whatever.
He would sit in the booth with us on the flo or in the corner and you're like, nah, try that again, blah blah blah.
And the support she would give us, even in the roles that we played in this Wow, I'll never forget that.
Speaker 4I'll never forget that.
She never stopped, She hasn't stopped, she won't.
She's unstoppable for real.
Speaker 3That's great.
Speaker 4Yeah, anything that has her name on it, anything that has to do with her will be great.
Body means necessary, even if it means sacrificing at all.
Well, and I saw that firsthand.
Speaker 1M hard work, dedication, all that means.
Speaker 4Don't ask me no, don't sh.
Speaker 3It like, don't I'm not.
I feel like I'm being threatened.
Speaker 1Oh the lean threaten.
Speaker 3Well fuck it.
Then we got this part of the show.
Speaker 4Tell us sure.
Speaker 3It's tight, Yeah, gonna bust about of gonna bust about up.
Listen.
Speaker 5So this part of the show it's called I ain't saying no names.
I ain't saying no names.
It can either be funny or fucked up.
Are both funny and fucked up.
The only rule to the game is you can't say the names, so nobody that's a part of the story can be mentioned that.
You might say the occupation, you might can dibble, dabble around, whatever you got to do.
Speaker 3But you cannot say their name.
And it's that simple.
Speaker 1Just give us a good story, man, story, give us.
Speaker 3Let's get behind the curtain.
Yeah, keep here in the curtain.
Hell, you know the velvet rope.
You know all the cool ships you grew up in.
I didn't go to Japan at ten.
Come on, what happened in your pan?
Happen you still know the niggas from Japan?
Speaker 4Come on?
Speaker 3You know what passed?
Pass me?
Speaker 1Some of that?
Speaker 3Maybe a snack you want to snacks?
Speaker 1Man, Maybe to cook or something.
Man, I mean they've be saying we've been on here eating chips and all this kind of ship.
Yes we do, we got we be snacked up, baby sna get you get your chips ship snacking cold mm hmmm, Snacky Robinson, snacky Jackson.
Speaker 3I don't know bo Maddine the motherfucker right now because we're chewing.
Speaker 5I know Boba shout out to boat because both madded them ucker right now.
Speaker 2Okay, So I remember I had just started this show and I was super excited about the role.
Speaker 4And first day of work call time was like four am.
Speaker 3Crazy.
Speaker 4So I'm barely up, I know my lines.
Speaker 2I'm nervous as hell because I'm working with some like, I mean, amazing actors, and I mean the director was crazy.
Speaker 4I mean just the lineer was nuts.
Speaker 2So I go on on set and I'm in the makeup trailer.
Crack, Dawn still got sleep in my eyes.
Speaker 4It's a whole thing.
Speaker 2And so the main actor walks in and she's losing it on hair and makeup, and I'm just watching her, like this is.
Speaker 4Just how we get down this.
First of all, it's early, it ain't even six.
You just wallowing out the lake, you know, and it's just breakfast.
Speaker 2I ain't even got my breakfast ordered taken yet, and you are wild.
Speaker 4And so that that's where it started.
Then, you know, I get on set.
Speaker 2I'm getting mic going through the you know, the proper rehearsals, all the stuff or whatever.
Speaker 4And uh, I noticed her energy is a little different.
Speaker 2On set, and so when it was time to like roll when I tell you this, lady's past on everybody, to the point where she started throwing set chairs and being violent and clearing everybody off the set and just like it was like losing it on everybody.
Speaker 4She didn't want nobody to mic her.
Yeah, it was like, don't touch me, get your hands off of me.
Speaker 10And I was just like, and I'm like, yo, I am about to have to do like all of my scenes are with her, like sh all of them, every single one of them.
Speaker 4And I'm like, what if I signed up for?
Speaker 2So she proceeds to kick everybody off set, but then you hear her.
Speaker 3She kicked out the director, cut.
Speaker 4Every She was like, get out, get away from me.
It was like that moment and then they left.
Everybody left.
But then you hear her at the distance going I'm so long.
Everybody has left me and abandoned me.
And I was like, what the fuck is happening?
And I'm on the phone with my agent like bitch, why didn't you?
Speaker 3What is that?
Whatever?
Speaker 2But the sad part about it was because eventually she got it together and we started our scene, moved on the day, kept going, they kept going like it was nothing like this was the norm.
Speaker 3So, and it was the my million dollar question, is she's a black?
Speaker 7No?
Speaker 2And that was the sad part about it, because in my mind, I'm going like, had this been a system, she would have been third.
Speaker 3And AA went to Instagram and talked about it.
Speaker 4You know what I'm saying.
She would have been black balled had she carried on like this.
Speaker 3Have you noticed that it's called blackbald?
Speaker 4Of course, everything black isn't good, it's what is being.
Speaker 2And that's how they made us feel like when you're black, anything it's wrong or it's bad.
We got a starry check but we've already started to work on that.
But it's such a powerful word that it makes you feel away.
You have a reaction to it.
Speaker 4But yes, she wouldn't have had no job.
Speaker 2But when I tell you, I was like, I remember we did also did a scene after and she wild out in the car and I was in the passage to see of the car.
Speaker 4And she was using her hands and I said, oh, is she gras me?
Way moment a wind?
Speaker 1She hit me first moment.
You only needed a grade, you know.
Speaker 2And I'm going and you got to keep professional under these circumstances.
Speaker 4But as a black woman, I'm sitting here watching her carry on like this.
No one I couldn't do the same thing.
Speaker 3Nobody's saying anything.
Speaker 4Everybody just the tank from I was like, this is not.
Speaker 1Roll.
Speaker 4The cameras show what if people need to see.
Speaker 1And that's I ain't saying no name ladies and gentlemen, Yes, yes, ladies and gentlemen.
This has been absolutely special.
You know you know how I feel about you.
You know I love you to pieces.
Speaker 3I love you too, bro.
Speaker 1Uh, it's family, it's.
Speaker 3Love, it's everything.
Speaker 5Now we we are extremely thankful.
Yeah, like of course you would just look at it like these are my guys, But no, no, no, no no, because we know how busy you are.
Speaker 3We know that you yea.
Speaker 5When the baby's getting involved and you got to make plan like that's appreciated.
Speaker 4I moved things around for y'all.
Speaker 2Y'all ain't never not showed up when I call, so I'm gonna always do the same.
Speaker 1Thank you for performing at my birthday party.
Speaker 3To yeah, yeah, he came to the trenches.
Speaker 1That was a time, and they saying as loud as they could when they fucking.
Speaker 3With you before I came on the time.
Speaker 1Thank you, and you know you know we are were less than the phone call the way always.
Speaker 2Thank y'all always being there.
Yeah, y'all have seen me at my worst.
Y'all see me at my best.
Speaker 4And y'all are always the first ones to call when when she hits the fan.
Speaker 1So thank you, ladies and gentlemen.
Ladies and gentlemen, I am Tank, I'm Jay Valentine and this has been the R and B Money podcast, the authority on all things are and be with one of the coldest, one of the coldest of the time, Flyer the Beautiful inside and out LaToya.
Speaker 3R and B Money Money.
Speaker 1R and B Money is the production of the Black Effect podcast Network.
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