
ยทS14 E4
The Alabama Murders - Part 4: The Protocol
Episode Transcript
Pushkin previously on Revisionist History.
Speaker 2People had an idea of what had happened.
When a person gets something in their mind, you know, it's kind of hard to change.
Speaker 3I can't remember how soon they figured out that he that, you know, the preacher had finished the job and all that, but it was, you know, it was pretty obvious, pretty quick.
Speaker 1Senate does it.
The timing makes a lot more sense.
He shows up after they've left, Stabs calls, stabs and calls.
Speaker 2I mean, there's no sense in even having a jury if you if you're going to be able to overturn the jury, if a judge can overturners.
Speaker 1I don't know how much Tom Hafflan explained to you.
Speaker 4But he just told me you were okay to talk to.
Speaker 1Oh, that's very kind, and we're just.
Speaker 4We're very John Parker's very very dear to me, and I'm just very protective.
I wouldn't want to do anything to hurt he or his family.
Yeah, but other than that, I'm willing to talk.
Speaker 1This is Tom Perry Junior, Big Guy Beard from Demopolis, Alabama, who on the third Saturday of every month for years and years, would spend a day on death row in Donaldson prison just outside Birmingham.
I called him up because John Forest Parker's lawyer told me, if you want to understand something more about Parker, talk to Tom Perry.
Speaker 4I want to tell you something, Malcolm.
Then I don't need to take over your interview now.
But I'm no, I'm no really do Gooder.
I'm just an old God has fallen short every day.
I just happened the Lord uses me in the penitentiary setting because of my my shortcomings.
If that makes sense.
Speaker 1Now, you're I can't resist almost everyone I've been talking to you with a story so far as Church of Christ.
I am not in your Methodist what I don't understand why you're not Church of Christ.
What's going on?
Speaker 4I don't know.
I'm just maybe I like the cocktail too much of the Church of Christ.
Speaker 1In this episode, I'm going to tell you about what happened to John Forrest Parker after he was sentenced to death, and give you a meditation on a phrase from the Jesuit priest James Keenan that I have come back too many times sin.
It's a failure to bother to care.
This is the story of someone who bothered to care and someone else who couldn't be bothered at all.
My name is Malcolm Gladwell.
This is the Alabama Murders, Episode four.
The protocol.
In the time that you were doing ministry at Donaldson, how many men that you were working with got executed?
Speaker 4I believe I've been with thirteen, maybe twelve.
Speaker 1Yeah, Perry got involved working with people on death row through a mentor of his.
Ben.
Speaker 4Shehad like when I first went back, Big Ben Sheriff says, now, look, if you come back here and you start coming and these guys ask you to go all the way with them, you got to be willing to go.
And if you're not, I understand, but don't come back.
And I said, what's all the way?
He said, well, you know, bet, if they're executed, if they have living family, they don't necessarily want their family to watch them die or to be their only member.
But we need somebody there that loves them.
And if they ask you to be with them, you need you can't.
You need to be willing to go, and if you're not, just don't come.
And at the time, we had had an execution in Alabama in a very long time.
And I said, sure, Well, you know I didn't know what I was getting into.
But I mean, and like when I say at twelve or thirteen, Malcolm ten or eleven of them, I was praying with their families at the time they died.
Speaker 1What that's a hard thing to go through.
Loose thirteen thirteen men?
Speaker 4You like I want.
I want to tell you the honest to goodness true.
I don't want to we joke.
He gally call it, you know, stupid Christians, but uh, I don't.
My one little witness I'll give you is he gives you the now.
When it's over, I usually have need somebody to drive me home, But up until then, you just have the strength to do it.
But it's so hard you wouldn't believe.
And it affects you.
Speaker 1John Forest Parker was one of those thirteen and maybe the one closest to his heart.
Speaker 4And no, man, I love John Parker.
I sure do miss it nuts.
The only reservations I have about doing this is you know that fifteen years it kind of makes me miss him a little more.
Speaker 1The jury in John Parker's trial voted ten to two for life without parole, but under Alabama lot at the time, a judge was allowed to override a jury's recommendation, and this is what the judge, INGA.
Johnson did.
Johnson sentenced Parker to death in nineteen eighty nine.
He was remanded to Donaldson Prison and placed on death row four ourselves in two blocks of twelve, and there Perry began to visit him.
Making the two hour drive from Demopolis to Donaldson.
Perry would go with his friend Ben Sherrid.
A handful of others would join them.
When Perry first met Parker, Parker wouldn't come out of his cell.
Speaker 4Sometimes we would take food, and if we took food, John would come out to eat.
You know, we had really good food.
But then his first chance, he'd go back to his cell.
But if we didn't have food, John didn't come out.
Well, of course we learn as I developed my relationship with him.
You know, Reverend Senate is who hired them.
So he did when you said religion and preachers, and he wanted nothing to do with it, because you know, he still equated that with Reverend Senate.
Speaker 1Then Perry met Parker's mother.
He told her that her son wouldn't leave his cell.
Speaker 4She said he didn't come out and said, no man, She said, next month we went every month.
She said, you tell him his mama said better come out.
So I had and told him that.
He said, I'll be there.
That he never missed.
The next month, he never missed, and he and I became very very good friends.
And he can find it a lot in me.
Speaker 1So what was he like?
Speaker 4Now you understand, Malcolm, I do believe that the Good Lord changes people.
John was very intelligent, very well read, heck of a nice guy, just a wonderful person.
He's just the kind of guy you wanted to hang out with.
He told me.
He said, you know, since then I've come in here, I've learned to read better and write better and do things better.
Speaker 1In prison, he was sober and off drugs for the first time since he was twelve.
Speaker 4Spoke very open, with openly with me about his crime, and I mean I remember one thing he said, and he he was adam it with me.
This was very difficult for John because he knew they were going to give him last words at his execution.
And he said, you know, I didn't kill miss Stennett.
I said, yeah, I know that, he said, but I was involved, and that's a horrible thing I was involved in.
And he said, I've been in prison, probably not long enough.
But he said, but I didn't kill him, And he said, we snapped out of it.
You know, they told us that, you know, Reverend Sennet came home and killed her.
I don't know.
Are you aware of that?
And he and he said, well, I mean, he said, I remember hitting her.
And it was like a light bulb went off, like what the hell are you doing?
And he said, but that was horrible.
And I'm not sure I've been in prison long enough.
Speaker 1Yeah, And you said, was your were you was?
Was the ministry part of your visiting explicit?
Or how much of how much of this were you trying to bring the message of Jesus to these men?
Speaker 4Or it was that was that was absolutely central?
But you gotta understand.
I realized quickly that our ministry, more important than any words, was a ministry at presence, the fact that you showed up every time that prison would let you.
On the third Saturday, we'd go and they'd let us stay two or three hours, but on twice a year we would stay for three.
We'd go in on a Thursday evening, well, going on Friday morning, stay all day, and then go on Saturdays, stay all day and go on Sundays and that's called a three day WEEKI and we would do that twice a year.
Speaker 1Tom, you, this is a commitment.
Speaker 4It was a tremendous commitment.
But I talked to my wife about it.
I had young children at the time, and my wife says, you know, look, I have to say, it makes you a better person, a better day, and a better husband.
So go forward.
Speaker 1Their visits went on for twenty three years as Parker's appeals wound their way through the legal system.
Finally, his execution date was set six pm June tenth, twenty ten.
Parker was moved to home in prison in Atmore, in the far south of the state, near Mobile.
That's where the state's execution chamber is.
He was put in a special holding cell.
In the days letting up to his execution, he filed two last appeals in his final week to the Alabama Supreme Court and then the US Supreme Court.
Both failed.
On his last day, he skipped breakfast, but chose a dinner of fried fish, French fries, and iced tea.
He gave his mother his gold watch, a mirror, seven stamps, and a box of pictures.
He gave his two nephews, his belt, and his wallet.
He died by lethal injection at six forty one pm.
Tom Perry was there with him.
Speaker 4And then you know, he was finally gone.
But then after that, I have to get back on that van and I go back to the hotel where about the other people had been in there praying with his family, and I have to go in and tell him, you know, John's gone.
He was peaceful, he didn't appear to suffer.
Speaker 1He didn't appear to suffer.
We'll be right back.
To understand the particulars of John Parker's execution, you have to go back to nineteen seventy seven in Oklahoma City.
In the mid seventies, the Supreme Court had just lifted a long moratorium on capital punishment.
The court had been concerned that existing methods like the electric chair violated the constitutional prohibition against cruel and unusual punishment.
Watching someone die on the electric chair was like watching a horror movie.
Public scrutiny was high.
The court said that states could only bring back the death penalty if they found a more socially acceptable and legally rigorous way of applying it.
Speaker 5So at that point, there were several things going on First of all, there were journalists who were threatening to litigate so that they could see the next execution, and Oklahoma and other states such as Texas were very concerned about that.
They thought they these executions would be videotaped and displayed to the world.
Speaker 1This is Deborah Deno, who teaches law at Fordham University in New York City and is one of the countries leading legal experts on capital punishment.
Speaker 5Number two Ronald Reagan, then Governor Ronald Reagan a few years earlier, had sort of made a pronouncement of why don't we just execute inmates the way we put horses down?
Speaker 1In case you're wondering, this is what Reagan said.
Being a former farmer and horse razer, I know what it's like to try to eliminate an injured horse by shooting him.
Now you call the veterinarian, and the vet gives it a shot, and the horse goes to sleep.
That's it, you know.
Speaker 5I think there was a pressure to have a method that looked more humane than electrocution and lethal gas.
Those were the pressures that that was on the state.
Speaker 1So from the beginning, you know, these are states terrified of journalists being able to videotape what's happening, So their concern is really with what this looks like to the world.
Speaker 5That's right the perception world, Yes, absolutely.
Speaker 4So.
Speaker 1Oklahoma City, nineteen seventy seven, a state senator named Bill Wiseman takes up the court's challenge.
He wants to find a way to make capital punishment more humane, and one day he gets a call from the Oklahoma State Medical Examiner AJ Chapman, who has heard about Wiseman's crusade and has an idea.
He gives Wiseman a rough outline for what would come to be known as lethal injection, two drugs in sequence.
First a sedative like a barbituate to put the prisoner to sleep, then a paralytic something to immobilize them.
Later, Chapman added a third drug, potassium chloride, which is the main ingredient in chemical fertilizer and which in elevated doses causes hyperkalemia, which is like flipping the powers switch on your heart.
Wiseman took Chapman's idea and put it before the Oklahoma State Legislature.
It passed by an overwhelming margin.
I'm reading now from an editorial in the Vista the student newspaper at Central State University in Oklahoma.
Lethal injection is not only less traumatic on the prisoner, but it would also be easier on witnesses, for they would not have to endure the grizzly site of roasting flesh, bulging eyeballs, or squirting blood.
But Chapman's protocol was never tested.
I mean, how could you test it.
You're trying to kill someone.
Everyone you would experiment on would die as a result.
No one really knew how it worked.
In his memoirs, published years later, Chapman argued that knowing the precise method of action didn't matter, since quote, the properties of the drugs were extremely well known.
The three drug combination was just a variation on a protocol that was being used for anesthesia every day in hospitals all around the world.
But of course that isn't quite true, is it.
It's not the same procedure that's used for medical anesthesia, because the intention of medical anesthesia is to keep the patient alive, and the intention of lethal injection is to give those same drugs in doses so large that the patient dies.
That's actually totally different.
Did Chapman how much thought did he put into this three drug protocol.
Speaker 5You know, I mean that's a question for him.
I do know that they came up with this in the course of an afternoon.
Speaker 1We reached out to Chapman for an interview, but he declined to talk to us.
The Oklahoma protocol would become the method of choice in thirty other American states.
It's even with a minor variation what countries like Canada use today for euthanasia.
But how exactly does it work?
I know this seems like a pedantic point, but it is the settled position of the United States, in fact of most of the world that a mark of a civilized society is that its punishment is humane.
You can't torture people.
Even if you've decided to kill a prisoner, you have to do it the right way.
So, once again, how does lethal injection kill people?
Speaker 6So I was given a stack of autopsies of prisoners executed and here in the state of Georgia.
Speaker 1Joel Zivitt, an anisesiologist at Emory University in Georgia.
Speaker 6There's an automatic autopsy that was that's performed on these prisoners.
Interestingly, by the way, the cause of death that's written on the death centerficate is homicide.
Speaker 1Because he's an anestesiologist, and lethal injection is basically the homae subtle version of anesthesiology.
As if it was approached by a group of lawyers who had a client on death row.
They had a technical question, could he tell from looking at the blood work of executed prisoners whether they were conscious at the point of death.
The operating assumption behind lethal injection was that they were unconscious, that they would be fully anesthetized when the potassium chloride hit their heart.
But did we know that for a fact?
Speaker 6So I just I read the autopsy, read the first autopsy and kind of was going through it and saw this finding that was surprising, which was that in this first one that I read that the lungs were what's called heavy.
Speaker 1This had nothing to do with the question he'd been asked to answer.
It was completely unexpected.
Speaker 6As part of an autopsy, the lungs are removed from the body and just flopped on a scale.
And all these lungs were heavy.
Why were they heavy?
They were heavy because they were full of bloody, frothy fluid.
And this bloody, frothy fluid could not have gotten into the lungs after death.
Speaker 1If you're dead, your heart has stopped working, so there's no way for fluid to get pumped into your lungs.
It had to have happened while the prisoner was still alive.
Speaker 6And what was assumed, I think by me and others I hadn't really thought about it was that the body would be essentially Christine, you know, there wouldn't be this kind of destruction of organs within the body.
But when I went through the whole list, almost eighty percent of the time, so eight out of ten times, there was this finding of this frothy, bloody fluid.
So you could cut into the windpipe and the fluid would be just frothing right in there without being pardon me, too graphic.
So the question then was how did it get in there?
I conferred with a lithologist colleague of mind.
We kind of puzzled over this for a while, and it occurred to us that you know, what we think, what I think is that it's actually the way the penta barbitol is prepared.
Speaker 1Pent To barbitol is the first of the drugs used in the fatal injection protocol.
It's the sedative and it has a high pH.
Speaker 6This is sort of basic chemistry.
The pH scale goes from one to fourteen.
Seven is neutral.
The other thing important to know about the pH scale is that it's a log scale, so it means that every time you move one number, you're going up by a factor of ten.
You know, for a reference, the Richter scale of earthquakes is also a log scale.
That's why an earthquake of four and a half, you know, you kind of you know, will maybe shuffle the ground underneath you, but an earthquake of eight and a half will split the world in half.
So it's a huge, powerful difference.
Speaker 1The body's normal pH is between seven point three five and seven point four to five.
If you drop below seven or rise above eight, you'll probably die.
The pen to barbitol is between nine and eleven.
Now, when pent to barbitel is used in ordinary medicine, this fact doesn't matter that much.
The dose is pretty small.
It burns a little, but the body compensates.
Speaker 6But now imagine giving ten times that quantity and pushing it into a small vein.
It travels rapidly to the heart, where the heart comps it immediately into the lungs, and it tears the lungs apart.
Basically, they get burned from the inside and then the separation of air and blood.
There's a very fine layer of tissue there that gets destroyed and the blood just pours into the lungs.
And I'm sorry as I'm saying this, it's awful, and this is what this is how lethal injection actually kills you.
It kills you by burning your lungs up, and you're also paralyzed, so you can't complain that this is happening.
And then to finish you off, of course, you know you're probably begging for the potassium at that point, because that finally stops your heart and stops this process.
But in the meantime, you know this has been gone on for a few minutes, so the last thing that you know, you may know, is that you're on fire from the inside and the blood is filling up your lungs as you die.
Is this too graphic?
Speaker 1Of course it is, But that's the point, because the reason lethal injections started in the first place was it Even the proponents of the death penalty were eager to find a method that was humane, that didn't involve fixing metal plates to someone's head and frying their brains with a of electricity, and Zevit's point is that this is not actually more humane, it just looks that way.
Death penalty advocates were trying to satisfy the constitutional prohibition against cruel and unusual punishment, but their innovation only spared the suffering of the witnesses to an execution, not the subject of the execution.
The whole thing was an illusion.
But even that's not the issue.
The real issue is that the lethal injection protocol was dreamt up on the back of an envelope, and until joel' vivid came along by accident fifty years later, none of the people who championed lethal injection could get around to wondering just how their preferred method worked.
And it's not like the evidence wasn't available.
In many states, there's an autopsy on everyone who's executed.
The autopsies were just sitting there in a drawer somewhere, hundreds of them, and in almost every case they were characterized by the same inexplicable finding.
Here's what I don't understand.
Nobody noticed this till you.
Speaker 6Apparently not.
Speaker 1Isn't that astonishing.
Speaker 6Astonishing?
Speaker 4Well, I don't know.
Speaker 6I made a guess though, you know, I guess it's astonishing, but you know what you have to be.
You have to be curious, I suppose, or care or or I mean, what's astonishing to me is the fact that it was noticed every time by pathologists.
No one said anything.
It's not like a pathologist said, wow, look at this finding and brought it to that I'm aware of, like when I first had the In my job as an antecycologist intentivist, I look at autopsies, but I don't, you know, it's not I don't make a living at autopsies.
So to be sure that I was seeing what I thought I was seeing, I sent it to my colleague of mine, Mark Edgar, who's a pathologist.
I said, look, I've got this list.
I'm not telling you what this is, okay, just tell me what you see, you know, what do you see?
And and he came back and said, well, all these you know, that's all these heavy lungs, like there's all this pompiliar demail, Like what what is that?
Like he saw it immediately without prompture, Like believe is evidence free, right, So the people who believe this, you know, were immune to evidence or immune to.
You know, I don't know an impartial appraisal, so and I was surprised.
I was.
I just didn't think of it.
Speaker 7You know.
Speaker 6It's like the failure of imagination, where you just couldn't imagine it.
But now that it's been seen, of course, you can't unsee it.
Speaker 1Zivitt wrote an academic article describing his findings, thinking he had to share what he'd found with the world.
Speaker 6I've had trouble getting this published.
So it's now available as something called a pre print, so it's easy to find as a pre print, and it goes over this.
Speaker 1I certainly, why have you had trouble getting it published?
Speaker 6Because people don't want to publish it.
You know, it's like it's something that I can't place.
You know, it's so I don't know, grizzly unusual that put it in the medical journal, you know, it just doesn't can't seem to find the journal for it.
Speaker 1We are now at the second stage of the failure cascade indifference.
We'll be right back.
Let us tell the story of John Parker's execution a second time.
Tom Perry was there.
Remember he pledged that he was willing to go all the way.
Speaker 4Section day you know.
We started.
We went in early that I think John was executed around six.
But we go in and it's just a good day.
John's family was close to us.
We tell the family any time you need a minute, and you don't want us here.
It's probably about five or six of us.
I think they limit the room to fifteen people.
On the visting we caught the visiting yard, but it's just a little room.
In fact, my Christian community air conditioned and put in new chairs because it was so uncomfortable.
It was these big metal picnic tables of these little round metal benches that were just tortured.
We bought some chairs and tables and put air conditioning in, you know, so the inmates can have some comfortable They visit, but we just visit.
We sing a little bit, then they say we're getting two louds, so we have to quit singing.
But we just talk and visit and get to know some of John's family that we had not met before.
So John and anybody else can have a soft drink anything they want.
One thing I will tell you that I think goes unsaid.
The death squad, the officers that perform it and act more.
They do everything in their power to make it as dignified.
Anything they could do for John and any of the twelve or thirteen I've been with, within reason, they would do to make that last day as good as they could for the inmate.
They don't get enough credit for that.
I mean, there's certain rules they can't break, but anything they do within reason they do it.
But anyway, so we go, and then you can tell when the clock starts getting and we'll have, you know, we'll do some serious praying and then we will call it circle up.
That's something we would do on our weekends.
Before we leave.
We make a big circle and we pray out for you for me with the song.
Surely the presence, Surely the presence of the Lord is in this place.
I can feel his mighty power and his grave.
You know, I can hear the brush of angels wings, I see glory on each face.
Surely the presence of the Lord.
Speaker 1They sang that a couple of times together for a prayer.
Then they made their way to the execution chamber.
Speaker 4We're over here, and the Senate family's over there, and John's in the middle, and there's glass and I can see them, but I can't hear them and they can see me and John's in the middle, and you know, and then he looks up at me, you know, and he says, you know, I love you, brother, and I thank you for everything you did for me, and you know, take care of my mom and dad.
I promised him I would continue to communicate and follow up with him.
Speaker 7And.
Speaker 4And then he says, with the Senate family, I'm sorry I got involved in this situation a hundred times.
I wish they're gonna taken him back.
I was strong out, I was young, and I was stupid, and I hope that you know, what happens today can give you, you know, some peace.
And then when they started, you know, he was a lethal injection and he rolled his hand that that's sort of a symbol.
We get to hang with him, but when we split up, they won't let me more physical contact.
When we leave, and as we go, we you know, that was our that was our deal.
It means I love you, So that was our sign.
And Cairos, you know, I love you brother.
He rolled his hands up on there and did that, and then you know, I watched his uh bottom jaw.
I remember it just seeing it start quivering and it, and you know it was.
It takes a lot longer than you think.
Speaker 1Yes, it does take a lot longer than you think.
First, one hundred milli leaders of a sedative.
After the sedative, Alabama's regulations require that quote, the team member position at the condemned inmate's left side, will assess the consciousness of the condemned inmate by applying graded stimulation as follows.
The team member will begin by saying the condemned inmates name.
If there's no response, the team member will gently stroke the condemned inmate's eyelashes.
If there is again no response, the team member will then pinch the condemned inmate's arm.
John Parker, John Parker, Stroke, Stroke, Pinch, Pinch.
Then comes sixty mili leaders of row coronium bromide that's the muscle relaxant.
Then one hundred and twenty mili leaders of potassium chloride that's supposed to stop the heart.
Remember what Tom Perry said.
Speaker 4It was tasteful.
He didn't appear to suffer.
Speaker 1Well, yes, and no, he didn't appear to suffer.
That's because he was strapped down to a gurney and sedated and given a paralytic so he couldn't struggle or cry out even if he wanted to.
But of course he suffered.
His lungs were burning up from the inside, and he had a long, extended moment of absolutely excruciating pain.
Speaker 4Of course, his parents break down and they hugged me, and then I walk out.
Then I basically I have a very good friend.
He kind of takes me and takes care of me because I break down after I talk to the family.
But did that kind of describe it for you?
It's a hard, hard day in many ways, it's a joyous day up until because you just see this goodness everywhere up until as far as John was concerned.
Have you ever seen a picture of John?
No, I haven't told him.
I've got It's funny.
I keep this from my office right by my license.
Speaker 1You keep that that memorial right here, and I've got next to your license.
Speaker 4Yeah, actually in the frame.
I stick it in the frame and I keep it here.
So well, this is this is uh you can see me a much younger version.
Yeah, I think it was June of twenty ten.
This is John's father, pe D Parker, his mother Joan Parker.
That's his brother Bert and John in the middle, and that was the day of his execution.
The institution took the pictures for us.
That means a lot.
They don't give them three or four pictures in the entire family, one of me and their family photograph.
I mean that.
That's why I cherished this.
Now, Malcolm, I'm trusting you because I don't want anything to degrade or insult John's memory.
So please don't do that.
I will not John Tom Hefflin told me you were okay, or I wouldn't have spoken to you because I would be heartbroken.
Yeah, something defamatory about John.
No, no, no, don't please don't do that.
Speaker 1Yeah, don't don't be You should have no concern.
Speaker 4Yeah, And I'm trusting you now, Malcolm, not to do that to John and his memory.
Speaker 1Tom Perry was the one who bothered to care.
If you're wondering why people get so upset about the death penalty, it's this.
It's that the people who are in favor of it like to believe that it represents some great symbolic manifestation of society's judgment, but in fact their method of choice is something that some guy dreamt up in an afternoon, and no one ever got around at checking symbolic manifestations of society.
Judgment should not be dreamt up on the back of an envelope.
And if you're wondering why we're spending so much time on this, it's because the story of the long day in maw of the Elizabeth Senne case is about to get worse, much worse next time on revisionist history.
Speaker 4Thank you.
Just got home from work and you know they come And he said, well, mom, can you come?
Speaker 1He said, the police are here.
Speaker 5Then I went to at Moore, which is where Holman is visited with Kenny.
Speaker 3That morning we were still waiting for the Eleventh Circuit's decision.
Speaker 6What is taught either at nursing school or as an emt or as a doctor cannot be lifted into the death chamber, like it's not the same place.
If these people are not patients, you know, they're not collaborators to you.
Speaker 7It's been a great deal of media covering, both local and national, about what happened in Kenney Smith's execution chamber.
Much of that coverage has seemingly been openly sympathetic to Smith in his cause, even with some going so far as to advocate for the abolishment of.
Speaker 4The death penalty.
Speaker 1Revision's History is produced by Lucy Sullivan, Ben the daf Haffrey, and Nina Bird Lawrence.
Additional reporting by Bend, Daph Haffrey and Lee Hedgebeth.
Our editor is Karen Schakerji, fact checking by Kate Furby.
Our executive producer is Jacob Smith.
Production support from Luke LeMond, Engineering by Nina Bird Lawrence, original scoring by Luis Kira with Paul Breinerd and Jimmy Bodd.
Sound design and additional music by Jake Krsky.
I'm Malcolm Verlan.
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