
·S6 E18
"Phish" w/ Josh Sharp RE-RELEASE
Episode Transcript
Happy New Year.
We hope everyone had a lovely holiday season.
We promise we will be back next week with brand new episodes.
But today we are re releasing our twenty twenty five episode with Josh Sharp because he is taking his one man show Tada to London this February, and you can find tickets to that at Josh sharptada dot com.
That's Josh Sharp Tada dot com.
And you can also find tickets to our two San Francisco Stradio Lab shows on January twenty second and January twenty third.
One of them is a stand up show and one is a live podcast show with special guests at linktree dot com Slash Stradio Lab.
The link is in our Instagram bio or you can find tickets on the SF sketch Fest website.
They're both part of the STEPS Sketch Fest twenty twenty six.
And you can also see me George Severes do stand up in London on February twenty third at the Soho Theater.
Okay, we promised we will be back next week with brand new episodes.
We love you, Happy New Year.
Talk sud.
Speaker 2Okay podcast starts now.
What's up everyone, you are listening to Stradio Lab.
We are in New York City live from Times Square.
Speaker 3George still reelings, you're not allowed to speak.
Speaker 2Sorry, Josh is being silenced.
He said, somethings poetic right before we started recording, and I said, not on my watch.
Speaker 1I actually am.
It's like one of the most beautiful things I've ever heard.
Do you want to say what it was?
I said, you know, we're getting prepared.
Usually we'd explained the podcast of the guests.
This time, none of them have ever listen.
Sorry.
I just had a moment in the middle of that sentence where I remembered I'm being recorded.
Speaker 2Do you ever?
Speaker 1I was just like I was truly on autopilot.
I was like, all right, I should like try to be charming anyway.
So I'm Andy Cohen and welcome to watch what happens live?
Speaker 2Or this is not how you act?
What the hell whatever?
Speaker 1Keep going?
So I would saying, I said, you know, I said to Josh, you know, you know the drill, like you know how this works.
And Josh said, oh, I know the drill.
The drill is a warm bath.
The drill is a warm drill.
And then of course Josh wisely said that apples that's the title of Fiona Apple song.
And here we are and here we are.
Speaker 3So now that we've covered that, what I think is, can I say something briefly so the listener remember one thing and I'm done.
Speaker 2Remember to the listener.
Speaker 3Every beginning to you is actually in media stress to us, like you are seeing your hosts, your friends in the middle of something, and that is keep in trying.
Speaker 1Yeah, you never know, I'm not going through.
Speaker 2People don't give us enough credit for when we say podcast starts now, it actually started ten minutes before that.
Speaker 1People don't give us enough credit for pretty much most things that we do.
People don't realize that everything we do is an insturmountable mountain that we are in the middle of, bleeding from all holes and trying to climb.
And at the peak it says, I heart music.
Speaker 2I have to say that this run of recordings we have been, you know, it has I'm like, oh, is this what it's like to be Julia Roberts.
Speaker 1You know, it's sort of like.
Speaker 2That like club Club, Another Club, airplane, airplanes.
Speaker 1Julia Roberts famously Club Club, Another Airplane.
She's during the midnight DJ set she's going to the gay bar, she's performing at Fort Lauderdale Pride.
I'm mixing metaphors and that's okay.
What if they booked Julia Roberts at Fort Lauderdale Pride and she did, like the monologue from Pretty Woman that but it was never explained.
Speaker 2We actually need to talk about do gay guys care about Julia Roberts at all?
Speaker 3What the hell?
Speaker 2It's a valid question.
Speaker 1I think I think she is.
Speaker 2Not disrespected enough actually identity for gay guys to actually care that much.
Speaker 1Visit.
You are so right.
She has never had an underdog narrative.
Yeah, she she has been that girl from the beginning.
Speaker 2So everyone's like, yeah, she's good, like she's beautiful, she's amazing, But there's not that emotional.
Speaker 1No gay guy is saying, my favorite actress is Julia Roberts, even though of course, when push comes to shove, she is one of the great American actresses.
Speaker 3You know what they're saying, this will be brief and then okay, Josh, they're saying Aaron Brockovich is my favorite actress.
They're not saying Julia Roberts.
Speaker 2Says because Aaron Brockwick is an underdog.
Thank I'm done.
I'm done, I will talk.
We can hate our guest today.
Speaker 1Yeah, I'm like so annoyed.
Speaker 2It's like we like, so what what What our listeners will understand is that the podcast actually starts ten ings before and what our guest he doesn't understand, is actually it started like way before he even got here, Like what.
Speaker 1The third co host?
Speaker 3Do you think you're just like just to sit here to cook, to cut one to cock.
It's like I should get to come in at that point, but I just think, or give me, let me key grip or something.
Speaker 1You're ignoring the like do you want to check the shots?
Speaker 3I would love to.
I love to checking the gate.
I die to check the gate.
Speaker 1I think I do think there is something very particular about not having a role, you know what I mean, like being in a liminal space between roles.
Before we started recording, you were the role of friend.
When we introduce you, you will be in the role of guest.
Right now you are nothing nothing.
Speaker 2But is that sort of sensory deprivation in a way, like are you finally free?
Yes?
Free?
Speaker 1Well it's free, but in another sense, you keep in a subspace if you were actually you're trying to touch.
If you're actually feeling liberated, you would be basking in the silence.
But I can see you wanting so badly to have a different role.
Speaker 2Well, you know, what's he's asking for us to to say?
No, Piggy.
Speaker 3I hope I've never brought in.
Quite frankly, I hope we look at this.
I think perhaps the whole episode exists in this.
Speaker 1You know, we used to have the We used to have the bravery of the hutzpah and the punk rock sensibility to do that.
Speaker 2Josh, what happened to our punk rock sensibility?
What?
No?
Speaker 1Because as soon as you said that, I went up with iHeart.
Literally as soon as you said we should do the entire episode like that, my instinct was like, well, we can't.
We should bring him in soon.
Whereas if this was twenty twenty, if this was May twenty twenty, I would be like, that is so fucking badass, Like, let's do it something really funny.
Never introduced a topic.
Never promote what you're here to promote exactly, which I'm not going to say.
Speaker 3No, Nora, we'm not on yet.
Speaker 2Well why would we promote when our guest doesn't even hear.
Speaker 3I'm not here, I'm not on, I don't exist.
Speaker 1What were you gonna say?
Speaker 2Last night, somebody said they'd been listening to us since twenty sixteen, and I was like, well, darling, we haven't been on since twenty We started in twenty twenty.
Time is a flash.
Well there is something about all right, all right?
Twenty twenty was just twenty sixteen again.
Yeah, and twenty twenty four is just twenty.
Speaker 1Sixteen again, Like we're just doing twenty sixteen.
Speaker 2It's gound hog day, but for twenty sixteen sixteen drag.
Speaker 1Yeah, there's it's time to to twenty sixteen.
Speaker 2What do you make of this?
Speaker 1Yeah, Josh, be careful, Please be careful.
That was hard to set up.
So for anyone who's not watching on YouTube, where our numbers are plummeting, by the way, what Josh just did is.
Speaker 2Well, they can't plumb because they were never high.
Speaker 1Excuse me, they were never high because we never promoted it, because we are sort of above it, and yet it's out there, and yet it's out there.
So what Josh did for anyone not watching is he took the mic and actually physically moved it away from himself.
So that even if he's tempted to participate in the conversation, he can't physically.
So now he's sort of evoking a kind of meditation state.
But it's actually it's actually being so jittery that it's almost like an argument against meditation.
Speaker 2It's sort of like, oh damn, this guy really can't sit still.
Speaker 1Yeah, it's like, oh my god, is he okay?
Speaker 2Yeah, don't let him is a hard no self harm incoming.
I think we should bring in our guests.
Please, welcome to the show, our dear friend and whose show is having a run Josh Sharp.
By the time this is out, you will know all about it.
Speaker 3You'll be all over www dot Josh Sharp today dot com site absolutely and where is it?
Speaker 2Until all of time?
It's on the internet, sweetheart?
Where is where the show at.
Speaker 3The Greenwich chiuse some me all know what is the Barrow Street?
Sweeney Todd in the Pie Shop, But it's at the Greenwich House Theater and beautiful West Village and locks and.
Speaker 1You're playing Stonewalls.
You're playing Sweeney.
Speaker 2I'm playing Sweeney Yeah, and missus love it and rap you're playing.
Speaker 1Just to be clear, this is one of those you know like John Proctor is the villain and Juliet this is one of these contemporary reboots of a classic musicals that is the hero.
Yes, like it's more kind of like woke and LGBT.
Right, so it's.
Speaker 4About right to end at tea.
Yeah, there's no, there's no A.
No, I know A can I actually being not an issue with Q?
Speaker 1Oh?
Is your issue is a queer or is a question?
Speaker 2Yes?
Yeah, but here's queer, right, but sometimes it's questioning.
But this included I'm.
Speaker 1Sorry, this instinct is so anti Q, like Q is this all encompassing thing that is like what isn't Q but.
Speaker 2Q being questioning?
It's like I'm questioning if I'm even Q.
Like that's such a crazy meta narrative.
Show me someone who isn't question exactly if the letters and you're not Q questioning you haven't seen the matrix yet, Yeah, the point of being under the umbrellas that we see the matrix.
Speaker 1Yes, it's like the implication that if you're LGB or T you have this certitude.
Yeah you're like, oh, yeah, I'm firmly B, I'm firmly G.
It's like, no, you're not.
Speaker 3The Q is like underneath all of them.
Yeah, yeah, it's the bedrock.
It's the bedrock, Honey, it's the bedrock.
Q is to be queer, which is to be LGBT?
Speaker 2I M plus.
You know, the question is the bedrock.
The question is the bedrock.
Speaker 1The drill is a warm bath lead single, The question is the bedrock, Josh, I have a question.
Speaker 2I have a queue when it comes to bed.
Speaker 3Rock me, bitch, go ahead and bed rock me up and down.
Speaker 2I'm not a rock, your damn bed with this one.
Let's go.
Speaker 1Insert.
I can make your bedrock here.
Speaker 2I you know, the punk ok sensibility is of course complicated because at this point you are trying to promote a show that actually you have been working on.
It actually does have a week's long run and the months even months, which is one of the longest weeks we have, you know, I know, I know, And so it's sort of I feel sort of mixed.
I'm doing a bit about the show and sort of misleading bits only.
I mean, I don't care, we can do whatever, but.
Speaker 1You want to sell no tickets.
Speaker 3I want to sell it.
Well, I think the bits sell the tickets, you.
Speaker 1Know what I mean, But only if you then follow up with what the show is like, you're not belaving like, but seriously, the shows about this and this and this.
Speaker 3I think they want that your people.
Speaker 2I don't fucking know what our audience thinks.
We started in twenty sixteen.
Yeah, that's true.
Speaker 1Yeah, they're dealing with mentally.
They're saying, get that orange cheeto out of the way.
Speaker 3They're saying get that cheat out.
Speaker 1Pantsuit Nation Rise saying, you're saying, hey, at Pantsuit Nation, I just discovered the podcast Radio Lab.
These really amazing LGBTQ plus guys, and they talk about politics, media, cultural criticism.
Speaker 2They would.
Speaker 1Off you.
If you think we need to get this orange cheeto out of the White House, you better give it a.
Speaker 2Look like described like and subscribe.
No, I don't.
Speaker 3I don't have a strong feeling I.
Speaker 1Feel I feel I highly doubt that.
Speaker 2I feel like we.
Speaker 3Will talk as we or I guess the strong feeling is that we will talk as we that like for us to do a sort of you know, if we naturally do, what's the show about?
Speaker 2Great?
Speaker 3If we don't, yeah, sure they're gonna get it.
They're gonna go to josh up to dot com no matter what and find out what it is, but I guess canonically it's the off Broadway one man show that's so many of our our peers and ancestors have done before us.
Speaker 2You are stepping into a rich tradition.
Speaker 3It's my iteration on that, you know what I mean?
Yeah, And there's a bit of a Medican seat within it, so that it's not just me, you know, into the microphone for eighty minutes.
Speaker 2And yet that is valid too.
Speaker 3And I love some of those ye for me and my own punk rock sensibility, I said, I can't ultimately only do.
Speaker 2One of those.
Is there sort of a thing happening?
Speaker 5You know?
Speaker 2This is something I wonder do you sometimes get suffocated by the punk fok sensibility to not do the thing that is the thing that everyone does?
Speaker 1Yes?
Speaker 3And this is deep therapy talk of like how much are you?
How much are you trying to explore an non exports space, and how much are you just like standing in your own the way of your own success?
Speaker 2You know what I mean?
How much are you going?
Speaker 3This should be weirder, wilder instead of you know, ultimately.
Speaker 1Just how much are you producing something and it's good?
And how much?
And yet you have the instinct to take a dump on it, to give it a twist, And.
Speaker 3For me, it's often not even taking a dump on it as much as it is what if you made it harder and more inaccessible and in a way that gets me going?
But then I'm like, does anyone put you like this?
Speaker 1Know what I mean?
This is really hard to tell.
Speaker 2It's complicated.
It's complicated, And we've answered that question as we're now normal on this podcast.
Speaker 1But are we?
Is this episode normal.
Speaker 3Already abnormal?
Speaker 1Yeah, we haven't introduced you.
Speaker 2We haven't.
We haven't even done the interel we kind of.
Speaker 1Did, we started, Well, what if we just sit in the space between introducing and not welcome to the podcasts?
Sharp, Sam, he is a so pants sutonation right now.
You need to, you know, sort of access this current state that we're in where there's no democratic.
Speaker 2You know what you need?
Speaker 1You're still you're still nostalgic for Hillary, you.
Speaker 2Guys, I just think if you didn't vote for Jill startin like, we would have a different country.
Speaker 3Do you know what Sam needs to do that he's not doing?
What question?
Speaker 2You think I'm not on the fucking bedrock?
You don't think I'm not rock's bottom on this.
Speaker 1Bed, Sam, Are you not questioning?
I'm questioning everything.
Speaker 3See, I'm asking the question and that was declarative, isn't That's so you're not questioning?
Speaker 1Question mark.
Speaker 2I'm not an exclamation ever seen any And so let me say, are you not question Are you not questioning?
Speaker 3What about me makes you think I'm not?
Speaker 2Oh?
My god, you're not?
Am I not doing it?
Speaker 3At all times?
Speaker 2You're doing an improv exercise.
And don't think I don't know that you think I don't know that that's a name.
Speaker 1But my rooms, I'll honor my roots, late and my present to snake a flag and say I know this.
I can't think of anything more toxic and masculine.
Speaker 2I know this anything more g quite frankly, Yeah, yeah, g.
Speaker 3I thought you a document g HP Certitude of the GA.
Speaker 1You know what I mean, the g.
Speaker 3The the wisdom of the l Oh my god, you guys.
I just figured out what GQ stands were gay questioning.
When you're subscribing to GQ magazine, you're subscribing the gay question.
Speaker 1Yeah, that's what it's all.
Hot guys.
Speaker 2That's awesome because it was like, like, are you turned off by this.
Yeah, for so many people, GQ was gay question.
Speaker 3It was somebody of our community to get that and go, I'm receiving this modality different than my peers.
Speaker 1No, you're getting the GQ and you're saying, I have received the subliminal messages you are sending me, and I will be a bath room in fifteen minutes.
Speaker 3And you're going, Wait, you don't all receive this this way, like that moment that makes you realize you're the other queer to queer, you know, it's like, you're right, it's gay questioning, it's kay questioning.
Speaker 2I actually think this is.
Speaker 1One of the smartest things I've ever realized, that GQ is gay question.
Speaker 3Yeah.
Yeah, the drill is a warm bath q's gay question, because.
Speaker 1That's more Kim Petra's I'm sorry to say I fast on that one.
G Q is gay Questioning is a little more slow off Miami.
Speaker 2That's true.
Speaker 3That's been done at Rosemo.
Speaker 2Yeah.
Whatever that's good.
Speaker 1Also, whatever that's good is a track as well.
Speaker 2Whatever that's good, respect, respect.
Speaker 1GQ's question, GQ's gay questioning.
Speaker 3And all of this will be addressed in my show.
Speaker 2Which is Josh Sharp Sharp to da ta da tada, which doesn't stand for anything.
Speaker 3It's a word on its own.
Yeah, are there multiple a's in tada?
Is it like it's gonna be t a hyphen da?
All owercase?
Speaker 1Did you ever think of naming it toada for and it's like a puff?
Speaker 2Oh God, call my lawyer.
Is it too late to change?
Oh?
Speaker 3No, I've made I mean, see that version of the show.
I'm selling out the garden, Like what have I done?
Speaker 1You have to have a pun in the time.
Speaker 3Okay, I've got one to ghettoize myself at this at the famed Grinwich House when I couldn't be playing the Garden?
Speaker 2Did you ever think it was sort of going Chelsea Handler mode and calling it to darfour?
Almost every day I wake up and consider going to their mode, and I'm waiting.
Speaker 3In the day that I do.
It's over for y'all when I go Chelsea.
Speaker 2I have seen you go Chelsea Handler mode in private spaces, and I have burns from it.
Speaker 3You have to keep some things to yourself as a person in the public, in the demi public, you have to keep some things for yourself, you know.
Speaker 2Yeah, of course whole because these one hundred to two hundred people that know who we are.
They'll take everything.
Speaker 3Oh they'll take they'll I'll rip you limb from limb.
Are you kidding down to the bone?
Speaker 2I saw what they did to Britney spears like a whale at the bottom of the ocean.
Speaker 3Every bit of the ecosystem that is the Stradio Lab fan base comes in in their time, the Predators, the Mitoplankton, all of it comes until you are not but carcass.
Speaker 1They have been plotting since twenty sixteen.
Trust Trust, you don't think we know what the what The riots the January sixth started as it was literally in the Straighter Lab discord.
Speaker 2It will literal if you called your fans pantsuit nation.
Speaker 1There's a world in winch is the world and which that's another feeling of Apple world.
There is a world in which dot dot.
It's actually one of those Fiona Apple tracks that's so long, you know how her album titles are so long.
But then people abbreviate it as there's a world in which dot Yeah, there's like that.
It's like it's like a poem she wrote, and then she did a little drawing next to it, and it's dedicated to one of her dogs, the one that has a terminal illness, the one they all If you don't think, if you don't think every dog has a terminal illness, I don't know what to tell you.
Don't tell you clearly are not cute.
Speaker 2Because not one moment, to be honest, like being a dog is a terminal illness.
Speaker 3Yeah, like let's start there.
The moment you have a dog, you're like, okay, clock stick in yeah, the Sands of Time, The Sands of.
Speaker 1Time talk about dog like, is someone not comfortable when they don't have a role a dog, Like when that dog is between friend and guests, they're just like, but please give my life.
Meeting the hat is the entire thing is cue.
Cats are obviously the most cue.
Speaker 3I mean they're just like, well they derive ultimately like certitude from the questioning.
You know, they really the bad rock is strong in cats.
Speaker 2We know this.
We know this.
We know this, we know this, we know this.
When I meet like a person with a puppy, like, there is something sort of old show Girl where I'm like you just wait, yeah, yeah, like oh god, I've seen it all.
Oh god, yeah, you don't know what's about to happen.
To your life, and it's it's funny to be so young and to be able to have that perspective and have this fun and be so lucky and to be success.
Speaker 1I have a dog, I was old.
Should we do our first segment?
Speaker 2Oh my god, at last the bath has been drawn.
Speaker 3I sink in deeper.
Speaker 1I sink in deeper.
Speaker 2Today.
Speaker 3Yeah, get these to the Grenwitch House.
Get the abound at the Greenwich House seven times.
Speaker 1A week, seven times a week.
Speaker 3Because maybe too many times we were discussing this off mic, but I could bring it on.
Speaker 2I've never done one of those runs.
Speaker 3And I'll be curious to thee something this is.
Did you read Jack Novak's New Yorker piece when the special based on the show was coming out.
Speaker 2Yes?
Speaker 3Something I loved was when she talked in about it, and this is good the cube the New Yorker integral to the topic we'll be discussing later.
She talked about how she realized that doing an off Broadway run was her birthright.
And I read that and went actually, low key same and now here we are.
Speaker 1No, it is sort of whin are you going to be chosen?
Speaker 2Yeah?
Speaker 1And and I.
Speaker 3Was already working on this show at the time, and I read that, I was like, wait, it should be one of those.
Speaker 2It turned a page for me quite literally.
Wow, that's nice, hute, Like, what's.
Speaker 3The journey for this thing you're making?
I said, it's that.
Speaker 1It's that Wow.
Speaker 3And then and then and then the producers abound.
Speaker 1Oh there are so many producers.
Speaker 3Oh God, to have a Mike and a Carlely.
God, you'd be lucky to have a Mike or a Carly.
Some people have both.
Speaker 1You're sneaking in the more traditional promotion.
I see.
Speaker 3Do you see how we're doing it in such a que way.
Speaker 1That's such a cute.
Speaker 2It's very sort of the Little Women reboot.
Speaker 3Yeah, and which is non linear.
Yeah, oh yes, nonlinear.
It's gerwig as fuck the way.
Speaker 1I love the Little a little bit.
The Little Women reboot.
Speaker 2It's so good.
Okay, what else would we call it.
Speaker 1It's like, oh, there's a new miniseries that's great expectations, Like, oh, they're rebooting great expectations.
Speaker 2I'm being normal, So, Josh.
Speaker 1Our first segment, as you well know, is called straight Shooters, and in this segment, we ask you a series of rapid fire questions to gauge your familiarity with in complicity and straight culture where you have to choose one thing or another thing, and the one rule is you can't ask any follow up questions.
Understand how the game works.
Speaker 2Now's the time where Q becomes illegal.
Sam, this is sort of the forties.
This is yeah, okay, Josh A watched pot never boils?
Or can you watch my spot while I go to the toilet?
Uh A watched pot never boils?
Speaker 1Roy G Bibb or boy please give, Boy, please.
Speaker 2Give French Revolution or n y C stench pollution n y C stench pollution.
Speaker 1J W.
Anderson or d W from Arthur, d W from.
Speaker 2Arthur good one though, okay, pimple popping bids or simple topping tips.
Speaker 1Popping bids, shopping at n H and M or choke on an eminem oh.
Speaker 2Choking on an M and M.
Okay, defying gravity or implying you're mad at me, implying you're mad at me?
Speaker 1No smoking or relax I was joking.
Speaker 3Relax I was joking that before that was a particularly good round.
Speaker 1Thank you.
Speaker 3So many of them evocative.
A question will not be asked, but a statement will be made.
So many of them colon evocative.
Speaker 1That's another exact.
Speaker 2The reviews are in so many of them evocative.
Speaker 1So many of them colon evocatives.
Wow, that's actually Kim just trying to do Field to Apple, but she like sort of doesn't quite get there.
Speaker 2Yeah.
Honestly, if Kim Pucher's have a song called evocative or a cockativeative, Cambridge does like she does, like her sort of like literary horror album.
The medium is the sensual massage.
That's that's good.
Speaker 1You could The medium is the massage she is writing down Well, Josh's stream, she's on the live stream.
She is on the live stream, and she's pressing hard face.
Speaker 2She's being like, seriously, you guys, you gotta vote.
Speaker 1Kim has been listening since twenty sixteen.
Speaker 2Yeah, that was who I talked to last night, was Kim.
She came out to me and she was like, I've always loved you since twenty sixteen.
Speaker 1So, Josh, wee rank each guest's performance on a scale of zero to one thousand doves.
But now it's plays in the Grass and lading on album.
Speaker 3Well and Walt Whitman of course, no, oh, he is the original cruising queer.
Let's say that all y'all, all y'all, Sniffy's Queen's.
Speaker 2Give it up to Walt Whitman.
Speaker 1He invisaged Sweatman would have absolutely gone off on.
Speaker 2No, he was literally like creating a location, being like it's the creek with all the boys that are shirtless white.
Speaker 3Literally, the original Sniffies was blades of grass.
Speaker 1Let's say wow, the original original Sniffers with plates of And that's a perfude genius track.
Speaker 2Exactly.
I'm fast, I contain multitudes of Sun's whole.
Yeah, exactly.
Oh, I'm seeing our coffee all flying in coffee.
Speaker 1Thank you so much God.
Speaker 2Oh this, oh my god, this so this I say this.
Hey, cheers, cheers, cheers.
Girls.
Speaker 1Damn now you're left out speaking.
Oh my god, under your breath speaking of this, has Aaron told my favorite thing?
Is that part?
Speaker 3Yeah, well, I love just to put sort of like a three year delay on lexicon for the most Yes, yes, it's like, but the things that are happening now in conversation for the most part.
Speaker 2First of all, it's all all a cart.
Speaker 3If you're slavishly devoted to every bit that the kids are saying, oh, it's pathetic.
You pick what works for you, but often I'm putting them in a little lock box.
Twenty sixteen, I'm putting them in a lock box and I'm saving them for three years from now.
And that's one where I'm like, finally, let's do.
Speaker 1I think I'm ready to do that part that Sam has a theory.
Speaker 2I have a really exciting theory that I think you're gonna like, I think yos Queen is about to come back.
Speaker 3See that's what I mean.
We're getting the port raum.
Like absolutely, I'm down for that.
Speaker 2Like when I heard I because I'm in a hotel currently and they have like in the elevator, they have all these like fake buttons that have like letters on them and then some of them are highlighted and it says yos Queen, And I was like, that is the funniest thing I love ever seen.
I love it.
It's so back.
Speaker 3If you looked at my phone, the amount of alarms are set, it's all alarms for four years from now.
Remember to bring back this.
Speaker 1Do you know what I mean?
Speaker 2Well, you're like an archivist.
Speaker 3You're laying it's overheating.
It is hot to the touch my device because of how many long term alarms.
I have set to remember these things.
Speaker 1So give us an give us sort of an idea of what types of things are you seeing maybe in the coming year, Oh that are going to make a comeback?
Like I'm like, okay, so, Yas Queen, what else from that era?
I mean, are we talking boob pillows are coming back?
Like a pillow that has that's good line drawings of boobs?
Are we talking or is it?
Speaker 2Like I wonder if there's this is sort of akin to yos Queen.
It's a little further back, but like is bacon core?
Speaker 5Like?
Speaker 1Oh?
Speaker 3Being like, can I have to say I've always loved yas Queen with an M at the end?
Speaker 2Queen?
Speaker 3Something about that is really right to me?
Q answer queen, Queen.
Speaker 2Are question?
Speaker 1It's not queen or queen?
Actually that is the spectrum, is QQQ?
Queer questioning Queen?
Speaker 3Yeah, funny, I know where you start and I know where you're end.
And I won't say them because I know them and you should know them.
Speaker 2Should what do we think is coming?
Or no?
You want know?
You go something?
Now?
Speaker 3I was gonna I was gonna go what do I think is coming back?
But I don't have the answer in my head right now.
Speaker 2And this is one of those that's a question that Q is so answer based that I do think is somewhat illegal for a podcast when when you're asking a question that that requires an answer.
Speaker 1Well, I also think there needs this.
Speaker 2We could dissect answer the question.
This idea is fruitful because I do love like obviously question.
Speaker 1By the way, dick Sect is another Kim Petra's track, dick Sect, and it's sort of about, you know, analysis of texts.
Speaker 2Also, this is another dick one, so they wouldn't yours is probably better?
Speaker 1No, if you know her work, she's gonna have two dick ones in a row.
Speaker 3Do we Diximal System?
Speaker 1Yeah?
Speaker 2Okay, Ideology Spot that's the lead single and actually that has a little musicality.
Yeah, that's kind of nice.
Oh that's good.
Speaker 1So my thing here's where I'm struggling with trend based stuff is like trend forecasting is over, you know what I mean, And yet I know, I know, I know, but it's like, but that's that's the bind we find ourselves and you want to engage in the JOI de vive of trend forecasting and the like gay guy play that is like this is coming back.
This is so five years ago.
Speaker 3You know what you're doing.
You're not trend cast forecasting.
You're doing the ultimately queer act of reading the vibe.
You know, you're catching a vibe.
Yeah, and as ques, we are trained to catch a vibe.
You're you're reading GQ and you're catching a vibe that only is for you, your message, that's only for you.
Speaker 2Is it just me?
Speaker 1Or is this gay questioning?
Speaker 2Yeah?
Speaker 3So I think you're catching a vibe, you know how?
Speaker 1Wow?
Okay, okay, should we get into our topic?
Speaker 2Sure, Josh?
What topic did you bring today?
And what straight about it?
Well?
We have the New Yorker.
Speaker 3To think, Wow, it's not the New Yorker, though, Has anyone done the New Yorker that would be good?
Speaker 2Well?
Actually New Yorker tod Well, we did toads, but mostly the New Yorkers.
Speaker 1One of our recent guests is a staff writer of The New Yorker.
Speaker 3Her topic, did they write the article that I'm going to rep sadly nod too bad?
Speaker 2Actually I should know that.
Speaker 1Yeah.
Speaker 3Really, there was a few topics I was considering, and then there was an article today about the band fish, and I found myself crying at it.
And then I was like, maybe we have to talk about fish.
Speaker 1Let's shout out.
And then the LGBGQOS creator who wrote.
Speaker 2It, Amanda pet Troy, Oh, yes.
Speaker 1There are music critic.
Yeah, yeah, no, she's she's great.
Speaker 2So I think I think we should get into fish.
Speaker 3So fish, But I've learned in our prediscussions are off my thoughts now on that this is a This is a really foreign topic for you and a mostly foreign topic for you.
Speaker 1Yeah, yeah, what do you know.
Speaker 2Let's start there.
I would say there are certain things to make you give an A.
Speaker 1No, no, totally.
There are some a's are easier than others.
There's something very comforting to me about knowing that certain things are like not for me, not for me at the base level, but then on top of that, also not for me to criticize or judge or respond to.
Speaker 3Like fish is something I love about the space.
It's sort of hermetically sealed.
And yes, and.
Speaker 1That's exactly it.
I actually there was a time in my life where I felt musical theater was that, but then late in life I have actually become involved.
I think I.
Speaker 3Profound similarities between profound similarities.
Speaker 1Actually I would say anything involving the Winter Olympic other than ice skating, anything abong the Winter Olympics for me is that like I don't relate to it.
To me, the Sumber Olympics or ancient Greece, that's my culture.
Winter.
I've never found out what Bob sledding is or losing or anything like that, Like, nor do I think it's good or bad, Like it's not for me to judge.
Speaker 3You don't watch cool runnings, don't even know what you're talking about.
What formative text to me, the nineties Disney Family comedy Jamaican Bob.
Speaker 1Sled Team Team.
Speaker 2That's that's what.
Speaker 3Really implanted her because I was gonna say, I agree with your sentiment, but as soon as you said Bob sledding, I said that I know intimately that me too.
Speaker 2It's so important running.
There was a lot of child media about Winter Olympics.
There was a lot of ice skating movies.
Yeah, you already accepted ice skating.
Speaker 1I've exempted ice skating, of course, at my point being that I have, I had.
Speaker 3The record show we've exempted ice skating, and Sam and Josh have accepted Bob sledding under the cool Runnings.
Speaker 1Claus and by the way, Bob Sledding is another track off of sledt Up Norway, which is her winter theme slud pop oscla.
Okay, So the point being, I have known Fish is one of those things that you're born knowing.
You are born knowing that fish exists, and that the thing with Fish is that people follow them on tour and it's like a culture and you're either a part of it or you're not.
Uh, And that's it.
Speaker 2And I pretty much know the same thing, except I did listen to a comedy podcast about Fish Scott Ackerman.
Speaker 3Yeah, I didn't listen to it, but he is a fan.
He's a fan, and and he's talking to someone else who's not a fan and sort of explaining it.
Speaker 2Harris, we're doing our cover.
Speaker 1Of the We're doing our cover.
Speaker 2Harris Wittles is the fan, and he's teaching Scott Ackerman to like it.
Speaker 1So you like, listen and what it and uh, was it compelling.
Speaker 2To it was compelling?
Speaker 1I mean I never know a lot.
Speaker 2Actually I never learned to.
I never like downloaded an album and listened to it, but I did hear a lot about it.
Speaker 3Well, And the truth is I'm going to be a lot more cue than Wittles.
I'm not here to convince you to like it, do you know what I mean.
I'm here for us to swim, swim, to play around in this pool.
Speaker 2I would I don't.
Speaker 3Quit say I like it anymore.
What made me weep today was just remembering my former self, like remembering the me who was obsessed with them.
And actually I can still I'll go like every two years and sort of have a nostalgia trip, but I'm not an active participant in this space anymore.
Definitely, I remember being the only gay person in the room of twenty thousand, Like it is just literally a decidedly straight space.
Yeah, but upon processing, there are some like queer elements, but done in a very straight way, you know what I mean.
Like we said, there's like a drug and a party culture, but also none of them are grooming or bathing.
Speaker 1Well, there's also a community based element to it that is very like queer co op pot luck.
Speaker 3Absolutely that it does feel like it's a space for a certain type of straight person who is like this society is not for me to like jump over, while still never once dabbling in GQ.
Speaker 1I mean it's a safe space.
Speaker 6It is a space space for straight yes, you know, boy on girl and girl on boy oriented people to do a lot of the other broader cultural que that we do.
Speaker 2You know, I sometimes do feel bad for these types of straight because they don't have much.
Speaker 3Well, there are a few scenes a lot of their musical I'm real listening, like there's like like hardcore is like such a straight scene, but also really weirdly very gay to Australian rugby.
You know, men who become so masculine they double back around and they're like, oh yeah, I'll like grab my buddy's cock.
But I've I've never once had sex.
I've never once thought a single sexual done.
I've not done an iode of GQ, you know, just like there's there's places for them, you know.
Speaker 2I just realized we need to reframe the entire gay straight thing and now it's not gay straight anymore.
Speaker 1Oh okay, so the entire pre now it's Q and A you're.
Speaker 3Either question or answer.
So the new podcast is called a e O LAP called Lap Old McDonald had a farm ah.
Speaker 1By the way, Q and a parentheses.
Queaf and Ass is also another track off of Kim Petris lap Pop Cambridge.
So I, first of all, of course love this, thank you.
It begs the question in defining Q and A, are we creating another binary that is even more rigid?
Speaker 3What's the space between Q and A exactly?
Speaker 2Like?
Speaker 1What is?
You know what it is?
It's a yes, And it's a statement that ends in ellipses like it's like the Q ends in a question mark, A ends in in a period.
It's sort of the liminal space.
Is the amper sand whoa, it's already in it.
Speaker 3The options are Q, A or and that's true and no one's even seeing And as the third option.
Speaker 1It's right there.
Speaker 3Yeah, but we needed to be expensive because it can't just beca.
We can't make it a you know, A try on me anymore.
Like it's like, you know, we can't we can't make it three.
That's that's the same.
I guess you're on the right path, but we have to find a way to break apart it as the third.
Speaker 1And isn't the amber stand in assigning it the role of the third option?
Aren't we othering it?
Do you know what I mean?
Speaker 3And it is the continuation literally and is the ellipsis?
Yeah, dot dot dot and what else you know, say more on that?
Yeah, say more on that.
But the end is say more, right, and so the idea of like always exploring, say more, you're you're seeking, You're seeking.
Speaker 2That's the end.
Speaker 1Here's a question for you though, absolutely that the queue literally seeking more?
What is it?
Speaker 3And I guess what the queue is inherently asking for is the A.
You at a certain point stop talking to get the A.
Maybe the end is just you know, we're just we're we're riding the way.
Speaker 1It's interesting you think the A is the more limiting option the cue.
There's actually something about the queue that is like demanding an answer.
Speaker 2The que has to stop for the A to exist.
Speaker 1Yeah, yeah they Oh my god, the Q.
Speaker 2Has to go.
The C is going, Oh okay, I guess it's me now.
Speaker 1Yeah.
The Q is an accusation.
Accusation, thank you, THANKQ.
And by the way, you're well dash c U M, which is another track off of Yeah, slat Pop Cambridge.
Speaker 2That's that's slut Pop Manners Edition.
Yeah you're welcome slip Pop Dear Abby or whatever.
Yeah, it's like like that's that's the track on it called that's my Tossed salad fork.
That's that me tossed salad fork.
Speaker 1That's that me tost salad forks featuring Sabrina Carpenter.
Speaker 3Actually, absolutely absolutely, it's an interpolation.
Oh the way this has my lips chopped, that's when you know it's good.
Speaker 2The lips start chat.
Speaker 3That's when you know it's good.
Watcher listeners.
That was to the watchers.
Okay, so call them listeners and watchers.
Speaker 2We don't do.
Speaker 1Okay, so you love we don't.
That was so a of you.
Yes, and he gave me a cue.
Speaker 2I had to give an A like he was literally being like done to my head and I said.
Speaker 1No, but this is I'm really it's like you think the A is the oppressive one.
No, the Q is what is oppressing the A.
It's giving me a declarative statement.
Speaker 2I mean many straight people would argue that is true.
Speaker 1Yes, it's that is It's it's like the straight peop are the ones that are oppressed, done done.
Speaker 2Hits end, which is why they take refuge and fish.
Speaker 1Why and I not to be so uh standard Q and A.
I do want to sort of go back to basics and I kind of want to give you a platform.
It talks a little bit about Fish.
Speaker 3Yeah, I do feel like a lot of like being a closeted high schooler in rural North Carolina, it was a big part of developing my personality, not just Fish, but just like like like driving to Ashville and seeing third tier jam bands at the Orange Peel was how I was like, I am a person.
You know, I exist, I've been intro and I've been brought on.
Speaker 2You know what I mean.
Speaker 3It's like that, really, so I would this is the primer.
Let's try to make it as succinct as possible, and we're gonna go We're gonna little women reboot it.
We're gonna go out of time.
I'm not gonna I'm not We're gonna start in the middle, as the podcast does.
Speaker 1Josh, I just want to say if you if you start in the beginning, I would tell you to get out of your care and leave the idea that you would come to this podcast and do linear storytelling as though you are, like.
Speaker 3It's insulting.
I even it's insulting to the cubes and cut this part of the episode because it's insulting.
Cut this part of the episode and put it at the end.
By the way accountability.
Keep this part of the episode.
Cut the part where I said cut it, but keep it.
Speaker 1And the idea that you're coming in and you're saying, you know, a normal person would do linear, but I'm gonna doesn't a waste like you.
It's like very Sam Smith saying, am I the first gay person to win?
Speaker 5Yeah?
Speaker 1Exactly, Like it's like, not this category to being different.
Yeah, not even other people do what you're doing.
It's called conversation.
Like, no one is actually going exactly, so we're so right.
Speaker 3So what what you know about them is sort of tapping into when the Grateful Dead ended because Jerry died in ninety five, Fish, who was already like a really burgeoning popular band, had started to like play arenas, became like mega successful because their fans were like, we need to fuck to them.
Speaker 2But actually they were rather different.
Speaker 3They're very similar in cultures but different in musical construct.
They both improvise, so they do a lot of improv which you all know as not to uc B training.
I celebrate and much more freeform.
It's actually more of a jazz style than a UCB.
Amy Pohler told you the rules, so you know what I mean.
Like it's it's very it's very free forming, but it's very yes andy okay.
And so thus there's this culture of people who are chasing the dragon because not only do you hear a song more than once, and it can go very different directions.
You know, you're trying to see Sandino do the perfect chessboard, Herald Honey preach into the damn choir, you understand.
But also they then sort of extrapolate that on creat a broader culture where like for them, the shows are very long, like four and a half hours, so they're like an experience, and if you could see them every night for a week, they don't repeat a song, so you just hear every show is literally quite different structurally, and then also even if it were the same show played twice, which they never would do, they like embrace the energy of the space and let it go different places.
But musically, The Grateful Dead was basically like a folk band who then were like, it's pretty easy to just like take LSD and riff on these two churts.
They sort of started as a prog band, and we're writing these intensely composed, like crazy epic suites that were psychotic, and then finding out how to improvise within them, which is like a weird nashing of dualities so musically, but also if you told me this is unlistenable, I'd be like valid.
I get there's a high bird hurdle to get into it, and then when people do, you're down bad for it.
Yeah, And it's half that part of straight people's brain, like baseball, where you're like, I need to memorize every statistic.
Speaker 2There's a there's an obsession.
It's obsessive.
Speaker 3It's obsessive, but and there's a there's a lot of in culture stuff, as we know from Yas Queen.
Speaker 2That part.
Speaker 3There's all of these things that only this culture knows that are fostered by the band to the audience and vice versa.
Speaker 2I like literally do gags with the bands.
I have a cue that demands an a what's their yaes queen?
Oh great point.
Speaker 3And I know actually that one of one of the people in this room is more actively in fish.
So you can gut check me at any point would you say it's would you fec driving to a frenzy?
Is that their Yas Queen.
That's one of the big ones, one of their most epic songs has this sort of undecipherable lyric that's just sounds that people are always starting trying to figure out what it actually is and then they've never explained it.
But people have a lot of theories of what they're trying.
Speaker 2To say why, And it's.
Speaker 3Definitely a shorthand for like knowing the band.
Speaker 2Okay, so okay, So for like a you're like there for four plus hours, you're like doing drugs and you're like, I'm crazy.
I've never been anywhere like this, like where part of what feels straight to me about it and I'm down to be wrong because I'm just shooting in the dark.
Is it sexless?
Are people hooking up sexless?
That's interesting?
Sexless wouldn't agree sexless?
Speaker 5I don't think fish is that straight?
Speaker 1Oh interesting?
Wow?
Speaker 3Well, but I think of the amount of straight people, which is profound and overwhelming, you know what I mean.
But you're right, there are a lot of overlaps because it's it circles back this thing.
Speaker 1I mean again, any type of any subculture is exacterently to be so basic but apparently queer because it is like outside the main street.
Speaker 3But you're the most successful indie band of all time, you know what I mean.
It's like they can they can sell thirteen nights in a row at the Garden and aren't on a label.
You know, nobody listens to their They've never had a pop they've never had a radiohead ever.
Speaker 2So which is that is what's.
Speaker 1Most intriguing about them to me is like everything else that is a subcult you can at least point to.
Like the one time they were mainstream.
Speaker 3They had a very brief moment of trying it yeah, and the record did like okay, but didn't do anything.
And then they turned in the next record.
This guy referenced in The New Yorker, I'm like, here's the next one.
And the in our person was not just like this is a bad direction.
Speaker 1He was like, I.
Speaker 3Refuse to even try to do so.
And they're like, all right, well never wine.
They didn't even give notes.
They're like, no notes, cut and run.
Speaker 2Okay, Okay, here's my theory ready, Okay they are It's not like a band in the classic sense.
It's a theater show about a band in a way.
Speaker 3Yes, I mean one of his early pieces, this guy was writing sort of like this like fantasy musical that he did dissertation stereophonic fantasy, Yeah, exactly, And so I think there's always and he's now since written musicals, like a lot of it is drawing from that space of like narrative world building.
Speaker 2You know, characters, there's characters and songs.
There's like you know, yeah, you're not there.
Speaker 1There's a certain state of play.
Speaker 3Profoundly, oh god, profoundly a state of play.
There's a lot of that because again they're like one improv is like we're playing together.
And then they then wanted Also they have a light Sky who's like known in the business for being the best at what he does.
Because you see most big arena stadium shows, they're programmed to hell, you have like ninety thousand pre program cues.
He goes in with I think normally like four and improvises the rest of it.
And so he is working these massive lights and improvising with him.
So then sometimes they're doing things musically and he responds to it or vice versa.
He'll do lights and they'll go, we should play along to that.
Then they extrapolated that to the audience.
There was a time they literally would throw four big balls in the audience, each of which represented a band member and only play when an audience member touched it because they're like, we want you to play us.
And that's become a thing where I'm always like, how do we make you as active a participant in this as we are?
That literal sense of play, that's.
Speaker 2A sense of play.
I like that.
Speaker 3It reminds me of like me at over the eight, like there's something No, it's very over the eight coded which and then there's all these facts you would know or do you know that?
Like in the Y two K not to bring it back to twenty sixteen, but in the nineteen ninety.
Speaker 2Nine was right exactly.
Yeah.
Speaker 3Do you know that they did a concert on New Year's Eve that was the biggest attended New Year's Eve event in the world.
There was it in a U.
Speaker 2In Florida.
Speaker 5It was a big Cups American I.
Speaker 3Was gonna say, a seminal like reservation in Florida.
And they had like hundreds of thousands of people there and they played ninety They played all night.
They started at ten and played until like eight am the next morning after the sun came out.
Speaker 2That that's rave culture.
Speaker 1That's rave culture.
Do they wear diapers so here's my question.
Speaker 5The first New Year's they played at the Boston Garden, eleven they went backstage and like eleven fifty three they came out.
Speaker 2Divers folks, they're wearing diapers.
But that was as a bit.
Speaker 5It was there, like first ever New Year's game.
Speaker 2Yeah.
Speaker 3Now they do gags every New Year's and it's always a big surprise because they literally do like a theatrical thing as as part of the show.
So people come every New Year's being like, what's the gag going to be?
And they actually like make a you know, like an opera or whatever.
Speaker 2Oh yeah, well this is really shocking.
Speaker 1I'm like getting frustrated that all these people are having more fun than me.
Speaker 2Well, that's what I actually do.
Speaker 3That's something I realized too when I actually the part that made me cry was him thinking about his sobriety.
He was talking about a sobriety really poetically, but when did he become sober?
The band like busted up because he became so drop.
I mean many reasons.
I think the operation got too big and they had like fifty people to employ, and then it was like, oh, you have to keep doing this, And then the league guy was like doing opiates and heroin and stuff, and so like that became unsustainable, so they like briefly broke up.
And when was that two thousand and four?
Speaker 2To have a fact check?
Speaker 1This is tough.
Speaker 2I feel like that you this is tough because you're literally now being no.
Speaker 3I'm this is I have have the right as you have.
It's become an a podcast.
I have to have the right as you have to.
But this is what media needs.
Fact checkers in the room are we talking about?
I mean, this is twenty sixteen.
If we fa udo fact checked me, like we should that cheeto.
Speaker 1If you haven't, if you haven't heard of Cambridge Analytica, you're only getting half the story.
Cambridge Anaclitica.
Speaker 3Oh my god, that's.
Speaker 1Batter the best one out of out of slaptop Cambridge literally Cambridge Anaclitica.
Wow, oh my god.
Speaker 3Been like two years after the breakup, he got arrested with like heroin and pills in his car, and apparently it was just like everybody says, like the the most kind and gracious person to ever be arrested, because I think he was like finally, thank you, thank you.
Speaker 1Yeah, And then he tells the story.
Speaker 3About then he was on like he managed to avoid jail by doing basically house arrest and like got an apartment next to the jail and couldn't.
Speaker 1Have a car.
Speaker 2Got it.
Speaker 3That was apparently they like worked it out with a judge where he was like, I'm gonna do two years of community service and I'm gonna live by the jail and and he said it was like the most like beautiful, humbling experience.
Because he's still Vermont, he's a rock star.
People are coming up, like Trey from Fish.
He's like, I'm scrubbing toilets and being like thank you.
And then he said his kids would come and visit him on the weekends and they look back and say it was the best part of their lives because before that he was on tour and doing drugs.
Speaker 2And he's like this part where I cry to that that's prettyment.
Speaker 1I mean, that's beautiful.
Speaker 3But then it got me just thinking about the time of my life when I cared about this stuff and I don't anymore.
And that's you know, that's what changed.
Oh, that's a great question.
Speaker 2He became gay.
Speaker 3That's I became gay.
Honestly, I became gay.
And I said, wait, there's a different version of this, and it's Blinn.
Speaker 1And I can have sex there.
Speaker 2Yeah, you can get your dick sucked if you do this in Berlin.
It's literally all the same things.
Speaker 1Yeah, it is kind of a bummer.
Speaker 2I've been thinking about what gay takes from me, what she takes away from me.
Where now I am just like, well, I could be doing this, like I could be getting into this niche subculture, or I could go somewhere and probably have sex.
Oh well, these are connected.
Speaker 3The part I was going to say is I do now, looking back, love and appreciate it even more now that I think they're even lamer.
That it's like an uncool space because so much of queer spaces are about the currency of cool.
Speaker 2It's an arms race.
Speaker 3It's an arms race for cool, and that theirs is basically everybody agreeing, like so you're lame, like I'm lame, and it's having so much that it's like, it's so that that is admirable.
Speaker 2We should bring that to our Q spaces.
Speaker 1We should bring up some Q spaces.
Speaker 2But then, but we you and I try to do this when we celebrate what we call Philly.
Speaker 3Yeah, that's true.
Speaker 2Can we explain this theory to George, not real Philly.
This is I don't know, just to warn there's.
Speaker 3About to be Coastal elite, but in a way that doubles back and becomes praise.
So this this Australian rugby, right, So this is so straight it's gay trust us.
Speaker 1Coastal Elik is one of the tracks that.
Speaker 3Like Coastal a lick my cock, my cock.
Speaker 2Kat Constall that's featuring kt Tonguel.
Okay, so Philly is a real city.
That's what this theory is based off.
Yeah, and Philly.
Speaker 1Rules, Philly places to go.
Speaker 2And I specifically love the gay bars in Philly because they have this like they remind me of like when I was twenty one and going to like sort of a lame gay bar in Chicago and like dancing and let me just go in music with like my girlfriend.
Speaker 3Can I introduce something that we can all use because I love to use this conversation lame, open prent sees, complimentary, close prent sies.
We're not saying it pejorative, lame Okay, good, this is lame as in good.
Speaker 2And so now that I'm so, when you go to Philly you kind of experience these types of bars and they're too big for some reason.
The liminal space, you're unwatched, you're not in the arms race.
It's you're not the arm face at all, and you're finally free.
Speaker 3Not a single there, No one could care.
Speaker 2They're putting Bruno mars on.
Literally, that's the liminal space, and you're.
Speaker 1Dancing to it.
Speaker 2And so now whenever we're in a space that is uncool, we both bond on really enjoying that and we say, yes, it's Philly there specifically, where the can we dox them?
Speaker 3I feel like we should dox them, but this is again doxing complimentary.
Sometimes we go to Metro, which is my favorite gay bar, but because there's some newer girls in the neighborhood who the quote unquote cool people want to go to, they're not going to Metro anymore, and it's Philly.
Speaker 2It's phil I love Metro is now Metro.
We go there and I talk to it.
Speaker 1I'm one of the girls who is no longer going to Metro and haven't been.
Speaker 2Actually docks them.
What the actually an animal?
Because of cool the cool list.
Speaker 1But it's not even just that.
It's like a return to like Christopher Street for me to like it's.
Speaker 2A real I would actually jus number one.
Speaker 1Welles is obvious number one, and that's not even that exists outside of the cool uncool spectrum.
That's that I'm even going to, Like Julius, I just went to the Monster.
I'm going to pieces.
Speaker 3Here's the monster and going to pieces.
Speaker 1I've been to pieces recently.
Speaker 2What queens are you seeing?
Speaker 1I don't remember what her name was, but she was okay.
Speaker 3It's a great trag show.
Say more on that.
I don't remember her name, but she was okay.
Speaker 2That is such a.
Speaker 1Great That wasn't the ax, but there was something about because there is this when it comes to uncool gay spaces, if it's long enough ago, then you are basically like wearing an act up T shirt and pretending it's the eighties.
Speaker 2Metro is that part, you know, It's like, but I think that.
Speaker 1Is that part.
It's like, it's is yes, Queen Kitchen is yes.
Speaker 2Queen Metro is that part?
Speaker 1And that and that's the final frontier, because when are the cool gay guys gonna suck at the fuck up and go to Hell's Kitchen?
Speaker 2Well, when it doesn't take a fucking hour to get there, That's why let's start with Christopher Street, and let's start with Josh Sharp to Josh dot Com blocks from christ I'm loving how this start there with what we get these gay guys to do, bring back Duplex, bringing back Duplex that do you know how much of the scene that you love?
Speaker 3The podcast Cabal is born of Duplex In anyways.
Speaker 1First time I ever did a half hour of comedy was at the Duplex.
Speaker 2Thank you.
Speaker 1Le split a bill with my friend Julia Claire.
We did half hours together and the show is called George Severis and Julia Claire Colon.
That's a stretch that love love it, love love it.
Speaker 3It birthed Aaron and I mean UCB did.
But when we were like what if we like broke out at UCB, we hosted our variety show at the Duplex.
Cole was running there, like the hit show at the Duplex for a long time.
Speaker 1Was cool.
Speaker 2Col was like paying the bills at Duplex.
Speaker 1So, by the way, if you want to learn more about that, Jeffrey Self's book of Essays, Jeffrey describes the Duplex era and working with Oh I would love first essay.
You don't even have to read the whole book.
Speaker 2So Christopher Street.
Yeah, but this is to the Philly, this is the.
Speaker 1Philly of it all.
Speaker 2Yes, and yeah, so Philly the non cool gay guys is a movement that we actually do believe in, and so we're trying to push.
Speaker 3That and not to be binary about it because actually, now I'm gonna sort of do the oppositehere.
I'm gonna say, like the in between space is what I don't like.
But in these kind of things, there are certain places that are actually cool.
You're at a certain like warehousey Rave, and you're like, you've nailed the cool assignment.
Yeah, Then there are the Philly spaces where it's like you are owning your uncoolness.
Speaker 2It's these places that think.
Speaker 3They're cool and they're not that are living in the what is the you know this thing in relief when it comes to gay space, I mean, is it now the amper sand is bad where I'm like you need to just be it.
Speaker 1Or not it?
Speaker 2Can you describe what a place that thinks it's cool but isn't feels.
Speaker 1Is that Hell's Kitchen?
Then is Hell's Kitchen the medium?
And that's why it's we don't know what to do with it because there is.
It is Hell's Kitchen is attempting to be the gay spot, like that is its goal.
Speaker 3It's there's a tackiness but without any camp.
Yeah right, yeah, And there's there's sort of a and I'm not against basicness, like as we know, basicness can be there's beauty and simplicity.
But there's a time that has no queue.
So I should say there's a type that has no cue.
There's the type of basic where it's like, oh, you haven't considered anything outside of the lame and that that you've like considered it all and gone.
What if I embraced the basic?
You are only there no cue?
Speaker 1And in this narrative, is Philly only there no cue?
Or his Philly considered?
Wow?
Speaker 3Don't you feel like Philly has sort of considered I think Philly has considered Yeah.
Speaker 2I think Philly has seen what cool could be and said I'm good.
Speaker 1Yeah.
Speaker 3I think they ride with my friends.
Speaker 1Yeah.
Speaker 3Yeah, it's like I don't need to do all that.
There's a maturity to Philly.
There's a maturity to Philly.
Well, birth our Nation.
You see that big old cracked.
Speaker 2Bell, you see that belt Nation came out of that hole, you know, there's a maturity.
Speaker 1You know what it is?
Big cracked bell, it's my bell, It's Lana del Rey.
Speaker 2American Standards, competrious Philly.
Speaker 3Cracked my bell, crack my bell, open bitch, slapt pop Philly, Philly.
Speaker 2Now that I want to, Oh my god, that's amazing.
Speaker 1Do you think Philly is Lana del Rey dressing normal but not as an ironic hipstery thing.
It's like she has decided she has seen what cool is.
She's been dressed by all the big designers, and now she is shopping at Target.
Speaker 2I know, don't Okay, I think Philly is almost Kelly Clarkson.
Speaker 1Kelly Clarkson, Yes.
Speaker 3Here's the thing that I think is wrong, but I'm gonna say it.
Or is Philly Tate McCrae.
And then you go, wait, you know Arca, We're like I knew, I like something about totally oh you're friends with ARCA.
Speaker 1But I think that is more.
Speaker 3I didn't you didn't give friends with Arca to me?
Don't you think that that is that's the maturity.
Speaker 1No, that is the maturity.
Interesting?
Okay, yeah, because Kelly Clarkson is not totally right either.
I'm trying to think what is right Natalie and Ruglia.
Speaker 2Katie.
Speaker 1I mean, is it Adele?
Oh?
Speaker 2Maybe Philly is Adele, but that's because I don't identify with Adele.
Speaker 1That is tough.
I do identify with phil what's keeping you?
Speaker 2Yeah?
Speaker 1What is keeping?
Speaker 2I'm just like, actually, yeah, I mean she's fine, like it's it doesn't inspire hatred or love.
Speaker 1But you don't.
Speaker 3What about Bruno Mars because I feel like I ride for Bruno.
Speaker 2You know I used to.
Speaker 3It's a hot take, say that you remember the Sarah this is the Duplex Sarah.
I say he was better for than Lady Gaga.
Would be like song for a song, name me a Gaga song, and there's a better Bruno song.
Speaker 2I don't say by that.
It was just fun.
Speaker 3Yeah, I've sort of agreed with it, but I do ride for Bruno.
Speaker 2No, I think I think Bruno is is properly Philly.
Speaker 1I think that is a good.
Yeah, I think Bruno is Philly.
What is pink?
Speaker 3Oh it's midwestern about Yeah, there's something midwest.
Speaker 1I think they're gonna go ahead and play pink after the Bruno in Philly.
Well, they're gonna play it.
But she doesn't.
She doesn't symbolize the whole city is Philly.
Roupol's drag race.
Speaker 2Mmm win twenty sixteen.
Speaker 3Yeah, Peak, Rupols drag Race twenty sixteen.
Speaker 2It's season eight.
Speaker 1It's bringing out the signs that say vote dot.
Speaker 2Or yeah, it's it's Bob winning after Violet vote dot org.
You know what I mean.
You know, it to me is an essential.
Okay, here's another.
Okay, I'm tying it to Fish ready, good okay, Philly.
Speaker 3And if you read it with joshup Toada too, if you pull that trifecta, that's gonna be funny.
Speaker 2Well, this is this is on you potentially something that is always a the whole show has been a.
Speaker 1Sign of Philly.
Speaker 2Like a true, tried and true sign of Philly is walking around with shot glasses that are in like neon.
Oh yeah.
When I see that, I say, I am safely mark my location as in Philly, marked as say, from Hartly test tubes.
And I actually think Fish is also they don't do shot classes and test tubes, but the culture is similar.
Speaker 3Absolutely, absolutely they do nitrous.
They do They're sucking out of the balloons from the dentist.
You know what I mean, that's the that's the shot glass of the fish scene.
Speaker 1It's sucking Byllons is another track on Slap Pop Philly.
Speaker 2What about Philly?
Speaker 1Is you think?
What about Philly's balloons?
Do we think?
And now we're back to Fiona Apple.
Now that's nonlinear question asking that's you are amper standing Boots with that one part that.
Speaker 2Well, I just want to know what, like, are you going to try to incorporate something to symbolize to your the attendees of your show that you're there in Philly.
Well, the Christimer Street of it all.
Speaker 3It's so easy to do a two show night where you're seeing Josharp Toda and then Hollybox Brains at Pieces, you know what I mean?
Like, you could see an incredible queen or George would call them okay, and I'm not that's not a sub tweet at the queen I named earlier.
Speaker 1I'm just you know, subtit by the way.
Speaker 2Yeah, sub my tit did.
Speaker 3You could see an incredible Pieces drag queen post show any night of the week.
You could go to Duplex and sing Roses Turn any night, both before and after my show.
Yeah, so it is sort of right in the peak neighborhood for the monster at all.
Speaker 2You know why Fish doesn't connect with gay people?
Like, how do I say this?
There's no like I know there's a lead guy, but like he's not a diva.
Speaker 3No, And it's a collective even though he's profoundly the lead guy.
Speaker 2It's with a lot of like we I have built.
Speaker 3This machine and we're all evil parts.
Speaker 2Yes I'm the architect, but you know gay people need like a hierarchy.
Speaker 1Well, yes, there is something almost anti anti branding and anti capitalist about the whole machine because, for example, with The Grateful Dead, you might not know anything, but you know the Teddy Bears, the Rainbow the Rainbow Bears dancing around, Like.
Speaker 3Do you even know the Fish logo?
Speaker 1Do I?
Speaker 2That?
Is?
This is so cool?
I literally don't.
What is this?
Is that?
Speaker 3Maybe this speaks to it because something else they talk about the article is at the time they were getting big, they just talked about how much when like most bands, when they finally have like access, they would like make use of things.
But they're like, oh, finally we have the freedom to do say not that all the stuff we.
Speaker 5Want to do.
Speaker 3Yeah, for thirty years they've demanded that every venue they're in, any forward facing ads to the audience are covered, so people go early and cover with curtains any like billboards or advertisements in the space.
Speaker 2They're like, you should not come in and see like a coke ad.
Speaker 3Yeah, that's cool, and every venue does it because they sell a billion tickets.
So there's things like that where they're like, oh, you at a time when you be like, what's my brand deal, they're like, how do we eliminate brands from this magical space?
Speaker 2Slay No, that's cool.
Slay kind recurs too, don't but that is happen the ones Lady Gaga could never.
Speaker 1Well, first of all, Aeo lab or I want to go back to the logos for Mattress.
But I do think that's a big part of why it's so siphoned off from the rest of culture is because because there's like no advertising a bit, it's literally like by word of mouth, and if you know, you know.
Speaker 3And even then you need a guide and even you know, like even if your friends like listen to Fish, they'd have to be like, but let me make the playlist, yes, or else you will go you will not get it it.
Speaker 1Community building Where else are we seeing that.
Speaker 3Yeah, yeah, other jam bands also, you know, weirdly, they've sort of invented festival culture, right, Like that is massive, the Coachella of at all.
I mean also, you know Jane's Addiction.
Did nobody wants to have that conversation?
The originator of Lallapalooza.
Speaker 2I didn't know this.
Speaker 3It was originally a festival that Jane's Addiction started in the nineties and then became Lolla Ploza.
But at the same time, Fish was showing throwing festivals that are only Fish and a one hundred thousand people come.
There's no other bands but Fish, but they do like build a village and there's like art and installations and weirdo shit happening.
Speaker 2When bonn a.
Speaker 3Rou started, which sort of started the modern resurgence of the last twenty years of festivals, because they knew because it was more of a jam band festival at its inception, they went to Fish just people were like, how do you do a festival?
And so Fish top Bonnaroo and then now we have Coachella.
Speaker 2Wow, you know what I mean.
Speaker 3Yeah, So there's so many weird things where it's like it's crazy that Fish is that girl until Billy Joel did the Billy Joel.
They were the band that had most played the Garden.
Speaker 1That's crazy.
Speaker 3They played there like one hundred times and sold out every show.
Whoa, I'm getting back checked again and I'm appreciate about it.
Speaker 1And if only we could do that to the Cheeto and chief, Oh my god, if only you.
But he won't come on the podcast.
He's afraid.
Have you tried, Yes, yes tried.
Could you imagine we haven't?
Speaker 2What topic do you think he'd do?
I think what if he did cheetahs?
Speaker 1And it's like charming because he's making fun of himself and he's like really self aware.
It's like, I mean, what what topic would he do if he was really self aware?
I guess he could do cheetos.
He could do like apprenticing business business.
Speaker 2I think it would be funny if like one day he got bonked on the head and like woke up and period, just as a physical gag.
Speaker 3Yeah, just I know there's more, but just period.
Well, if he gets bonked on the head, I'm on that part.
Speaker 1I'm that part that part.
No, he gets bunked on the head and wakes up, He's like, I want to do a run of my show.
Speaker 2If you got bonked on the head and then was like, oh my god, isn't it weird that I'm doing this, Like isn't it crazy?
Like that would be really funny.
Little cartoon birds flying around, dizzy eyes.
Speaker 1Holds a press conference.
Never mind, it's so good.
Speaker 2That's in your new hour, right, Yeah, here's mine.
Speaker 1Never mind, Wow, that's really good.
Here's and that's the title track from Fiona Apple's new record.
She recorded it all at home with her dogs.
That's the sound the dog with the rest.
Speaker 3The dog she had at that time, rest in power.
Speaker 2Power, that time, that time, at that time, that time.
This is Trump Pop.
That's that's good.
Instead up that part.
Speaker 1Maybe if Trump got bunked on the head, he would release Trump Pop Miami.
Speaker 2This is Trump Pop.
That's good.
That's really good.
Speaker 1Get your bunks out January sex.
Speaker 2Oh, that's good.
Speaker 1Terror in my anus.
Speaker 2Ifs rolls off the.
Speaker 1Tongue, rolls off the tongue, that's another track.
There we go, rolls Royce off the tongue.
That's a Kim Petra's track.
Lick my cheetoes.
Speaker 2Way to be brought in.
I can't wait for the intro to be over guests, Please welcome to the podcast.
Philly's favorite comedian, Josh Sharp.
Yes, I'll be playing the Philly Theater.
Speaker 1Oh, I love that.
Speaker 3Josh to the Big Philly Theater right downtown.
You can't miss it.
It's just under uptown and it's gonna be amazing.
Speaker 1Have you ever been to Denver?
Actually you can't ask some of that, George.
I'm sorry to be so cute, but I'm going to Denver.
Uh, there's no way around it because I'm seeing ryle O Kylie a Red Rocks.
Speaker 3And when you posted about that, I thought you were kidding.
Speaker 1No serious, that rules, And so we've been looking for where to stay and whatever.
Speaker 2And they're doing like the twentieth anniversary of black Light Tour or whatever.
Speaker 1I don't remember if it's it might be, But you guys need to get into Riyla Kylie Moore.
Speaker 2That's like it's such a like like a.
Speaker 3You know what I mean.
Speaker 1Ryle Kylie is one of I actually recently had this experience with Gossip that Todo's band, where these are things I think everyone knows and everyone stands and then you realize no one I saw Gossip.
I posted it literally got one reply, I.
Speaker 3Feel the same about the Knife, another band from that era.
Speaker 1Knife.
Speaker 2But so many gay guests have.
Speaker 1Know so many games I don't know.
Speaker 2They are like girls at the raves and yeah, it's all good.
It's all good anyway, fever Ray.
That's yeah, yeah, let's right, that part.
Speaker 1I actually don't know.
I'm coming clean.
Speaker 3You should like Jenny Lewis at all.
Speaker 1No, it's band.
Oh, it's really good because.
Speaker 3There are there is a class of gay guys not you.
We now know who know Jenny Lewis and don't know, right, Kylie.
Speaker 1It's it's like gay guys that know Caroline Polo Chepe but don't know Chairlift.
Speaker 2Thank you.
And that is a that is a part.
That part that is such a that part.
Yeah, what you just said is such.
This is why we need it back because that is the response to that.
My whole body screams that part.
You know what I mean.
Damn, that's so that's so Walt Whitman of you so true.
My whole body screaming that part as I take loads in the Brooklyn Navy Yard.
Speaker 1War Titman is another track off of Slup Pop Cambridge.
Speaker 2Back to Slip Pop Cambridge.
Speaker 1Slow Pop walden pond.
Actually it is coming out soon.
Speaker 2Damn.
Speaker 3How many of the grasses did I get out of a thousand?
Speaker 2I don't know.
Speaker 3If we said it, we got we went on.
So we are sort of still in that segment.
Speaker 2Oh it's still non linear.
Speaker 3Well we're liminal.
Speaker 2We're still in that secon.
Speaker 1Yeah, we can't.
But I think because we're so liminal, we can't give you a number.
I think that's your score?
Was bear emoji?
Speaker 2Understood?
Yeah, score was bar emoji.
Speaker 3That's well, damn, that's what that is.
Speaker 1That's either good or bad.
Speaker 2That's either good or bad.
Speaker 1What if you named your child either oh?
Speaker 2Either?
Speaker 3Oh that's good to hear.
You have to hear the mother yelling.
Speaker 1It out either and it also it is Actually you're gonna have a mother.
Speaker 2I am the mother.
I am the mother.
Come through, RuPaul, come through, RuPaul.
Vote, I am the mother.
Clack clack clack clack clay clack vote.
That's why try vote.
But seriously, you guys, get out there.
Speaker 1But seriously, you guys, please vote.
Speaker 2Should we do our final segment?
How well I've lost track of Yeah, lemon and so nonlinear?
You tell me where we are?
Speaker 3Where are we at time was yeah, we should do our final any lingering fish notions.
Speaker 2I mean we're really.
Speaker 1Asking us just things that's very cute things.
Speaker 2Yeah, it is cute.
Speaker 3I just want to know if there's anything that you needed addressed that didn't know I know, and I do feel like it was a touchstone for us.
Yeah, you know, it didn't need to be the bedrock.
Speaker 2It was a touchstone.
Speaker 3It was a touch if we're just making different sort of geological rock.
Speaker 1Base touch my stone.
Speaker 2By the way, it was like a limestone layer, you know, goodstone bank.
Speaker 1There we go, Oh my god, an the Limestone Festival in Bloomings, Indiana.
Speaker 2You're literally just like, I sort of like fish.
Speaker 1Can I ask something basic?
What is the backstory of the name fish spelled with a pH?
Speaker 2Great question?
I don't know, do you know that I do, of.
Speaker 5Course a couple of different stories.
But when they first started, so they started eighty three, and when they first started.
Speaker 3At Goddard College, at Goddard.
Speaker 5College, which had thirty three people in.
Speaker 1Every year when they graduated, whoa.
Speaker 5They wanted to be.
That's why they wanted to be, and that's why it's on the age people.
Everyone was just like, what.
Speaker 2Oh, and then it became Fish.
This is news to me.
Speaker 1I'm learning they wanted to be Fish do anything that's ahead of their time, because I'm thinking of that very pitchworky band that is three exclamation points.
Speaker 2Yeah, yah chi chick Chicha's it.
Speaker 1That's so Fish.
Speaker 2I love to learn that because even though I'm so tapped out of this scene, because it was like the thing I obsessed over from years like seventeen to twenty two.
Like I think even.
Speaker 3Now, if you played a live Fish recording, I would know the song and I probably could tell you the year and maybe month of it, you know what I mean.
Like, it's still a part of my brain that knows every single thing about this band.
So to learn something new, that's huge.
Speaker 2That's that's huge.
Speaker 3For me in all of my as someone literate in the lore, I didn't know that part, that part.
Speaker 2That part, that part, well, that's just like how we want to be called Aeo Lab and people kept saying Stradio Radio.
Speaker 3Lab, and so you just became Stradio Lab.
Speaker 2Yeah.
Speaker 1The first time we ever sold out one of many.
Speaker 2One of many, just slippery slope a many.
But seriously, guys, how down the barrel.
Speaker 3This episode has been you know, because you guys sold out.
Now, yeah, you resisted that urge to make this one punk.
And it's just so clear and cogent and literate.
First time listeners would know every single word.
Speaker 1Oh yeah, no, this is the blueprint.
Speaker 2This is the blue It's gonna be the FYC episode.
Yeah yeah, this is well, you know, everything you touch becomes a four year consideration.
That part, okay, we should do our final segment.
That part, Josh.
Our final segment is called Shoutouts, and then this segment would be amash to the grand straight tradition of the radio shout out, shouting out to anything that we are enjoying, people, places, things, ideas, I actually seasand one you're in Times Square shouting out to your squad back home.
Speaker 3What's made about that is I'm literally in Times Square right now.
But it's twenty sixteen.
Speaker 1That's the part, Yes, it is.
Speaker 3What part that's the same.
It is Time Square, So that's the same.
We're coming to your life from Times.
Speaker 1We are coming to your life from we are no cap no cap is that coming back?
Speaker 3No, it's too fresh, but it couldn't like three.
But I'm more warm on bet being something by the way, I'm doing for you.
Speaker 1By the way, no fap is another track of.
Speaker 2I'm bitch.
People will get that.
That's bet.
When you said profoundly earlier, I was trying to think of a pun and the only thing I got was pro pound me?
Speaker 1Because the hell is wrong with you?
Because ideas like that on the table.
Speaker 2Well, because I was like, if I say pro pound me, no one's going to be like, that's profoundly.
Speaker 3We would know that.
Speaker 1Oh I see what you're saying.
Yeah.
But also there's so many lyrical directions there, like I am pro pound me, I am pro the idea of you pounding me.
Speaker 2Yeah, yeah, I'm definitely proper and.
Speaker 1Being pounded pro pound pro.
I'm a pro pound me?
Speaker 2Yeah?
Speaker 1Wow?
Should we do okay, how do we do it?
I'm like George, I don't have one.
Oh yeah I don't either, Josh, I could do one.
Oh you want to go first?
Speaker 2You need that.
Speaker 1I already we always think of them on the spot, but of course I just had one come to me on the spot.
Speaker 3Okay, go great, And this helped, you know.
I came into early on the intro.
I should come into early on the clothes.
Yeah, don't you feel as if it bookends for the for the listener, and especially the watcher.
It gives a bookend.
Speaker 2Yeah, yeah, yeah, Okay, shout out to Love on the Spectrum.
It's the greatest show on television.
I'm so happy it's back.
Speaker 3These are my absolute friends, y'all.
This is the friends cast to me is Love on the Spectrum.
Talk about a warm bath.
I'm spending time with David, with Abby, with Tanner, with Connor.
I'm love in my life.
Speaker 2All of the new people are so good.
Speaker 3I was weeping like I'm reading the New Yorker Fish article watching this season of Love on the Spectrum.
I wish every person would watch that show.
I think it is so that part the best, you know what I mean?
Yeah, so, shouts out to all of them.
I would love to meet or work with any of you.
Please find me, run up to me in a public space with a weapon if you need.
Speaker 2I want to know you.
Speaker 3I want to be friends with you, and I want to celebrate you most of all.
Speaker 1Whooo.
Speaker 2I have also been I started season one like two weeks ago, and I love it.
It is the best.
Yeah, I am very fish about it.
Speaker 3Where it's like, I have such earnest admiration for the show and the people on it, and they're so funny.
Speaker 2And it's it's it's it's really nice.
They're so funny.
Speaker 1Okay, I have one.
Oh, thank God, what's up?
I'm gonna keep going with via television theme.
What's up, television viewers.
I want to give a shout out to this very particular state that I can will my brain to be in.
It is it.
It is a version of the Sunken Place, but it is I think as little Mourgeois de vive, and I have been accessing it every night over the last calendar month, when every night I am watching Family Guy on Hulu dot com.
Speaker 2To me, I am on.
Speaker 1Season I didn't start from the very beginning, but regardless very I started, I'm on season eleven.
I'm watching it.
I am letting it AutoPlay, and I am fully watching Family Guy by myself on my computer in bed.
Speaker 3As God intended, I am.
Speaker 1Shutting off any part of my brain that is reacting to anything, and it is washing over me the same way honestly a warm bath wood.
I think when I am ready to comment on what I'm seeing, I will activate.
But for now, I am in this very special brain state that I think leminals very liminal and is very ampersand and I think rather than judging myself for it, I am going to sit in it and see what comes of it.
Speaker 2Wow, whoop, that is crazy preactivated.
Yeah, I can't.
Speaker 1You want to see people, If you want to see people look shocked, if you want to see the light drain from people's face, tell them you've been watching family guy people on all communities.
We're talking gay, straight, all mainstream, old young.
I've never seen a reaction like that, And I've done many things that that are you've done considered a taboo thing?
Speaker 2Okay, what's up freaks, losers and perverts around the globe.
I would like to give a shout out to you know that thing when you wake up and you're like really stressed out and it's like three am, and you're like, why am I awake?
And then you lay there.
I want to give a shout out to getting up and saying, you know what, enough, I'm gonna do stuff.
I'm gonna get up and I'm gonna fucking do stuff until I get tired.
And I find that this is a much more productive way stuff I'm well, one.
Speaker 1I'm reading, jerking it.
Speaker 2Sometimes I'm jerking it.
Sometimes I'm having a beautiful water.
Sometimes I'm journaling.
Sometimes as soon as I write down like everything that's running through my mind, I'm like, oh that's it, Okay, time for bad you need to download.
You basically just have to like walk around and be like, okay, enough, just laying here, and then I have a book.
I've got a life for my books so that i can read it without waking up Misha, And it is an amazing, amazing feeling to just lean in and honestly, sometimes when your mind is racing, you actually are having good ideas and you just have to roll with it because you can't you can't know when the spirit of creativity is going to enter you.
So when you wake up at three am, just roll with it.
XXO.
Speaker 3I'm an adherent of this, but it's a practice they can't you can't always follow because it's happening in a space, a liminal space where your mind is not always your mind.
Speaker 2So there's times for the next.
Speaker 3Day I forget that I know this is the north Star, and I'm so frustrated to not have, you know, pointed pointed my sled Dogs towards it.
Speaker 2By the way, I just.
Speaker 1Read on Billboard that limb Anal Billboard limb Anal Space has just premiered and it's the lead single of sled Pop cambridgem.
Speaker 2Anal Space Space.
Speaker 1That's good.
Wow.
Speaker 2If anybody out there has a lot of time and a photoshop account, we would love for you to make an album cover with the track list of all the tracks that we have.
Na please, I.
Speaker 3Want the tracks be www dot Josh Sharpteda dot com.
That on this graphic that you will share far and wide on the dot com and then dot com dot perfect.
Speaker 2Okay, perfect, Well, everyone go see Josh's show and.
Speaker 3Tickets on sale now.
Speaker 2Tickets recently on sale at the moment this episode is coming.
Speaker 1Out Josh Sharpteday dot com.
Speaker 2Yep.
Speaker 3And you know I need this stradio.
A lot of freaks there, honestly, And I'm going to say this on this podcast and and no else, y'all will get the show more than every other podcast audience.
Speaker 2We know that the girls know you're going on Exploration Live and you're saying that exact same ship.
Speaker 1You're go to the Daily and you're saying Michael Barbarrow, your listeners are gonna absolutely freak.
Speaker 3You know, the daily listeners will hate my show.
And I will tell that to Michael Barbrow.
I'll say it to his face.
I'm here to talk about the topic of the day, but not my show.
I do not want your listeners there.
Say to Barbarrow, do you think you could turn him gay again?
I think he's got some cues.
I think some cues.
Speaker 2King.
Speaker 1He's like Amberson coded.
He is so down.
Have you had him on?
Speaker 2Yeah?
Speaker 1Actually no, Well we had him on, but it was a bad episode ended up.
Speaker 3Yeah, this was mutually agreed upon from both parties.
Speaker 2Yeah, yeah, we told him to funk off.
Is this known or can't?
Speaker 1I cannot?
Speaker 3I don't know.
Speaker 2I don't know what y'all podcast Queen's be doing.
Y'all have, y'all have a community.
Y'all are the fish.
Speaker 3You know there's a y'all are fish.
Speaker 2Y'all are.
Speaker 1Well.
Speaker 2Michael Barrow.
It's an open invite.
Speaker 3An open invite.
Actually, Barbara, you can come to opening night.
I'm gonna save you a ticket in the front waiting for Govment style.
Speaker 2If Barbarrow comes, reserved for barbar Oh, that'll be nice and every night you look and he's not there and you're like.
Speaker 3Fuck, I guess this one's just for me.
Speaker 2Well, Josh, thanks so much for doing the podcost my god a blessing, an absolute blessing, and to be in the IRL kind of way.
Speaker 1Thank God.
And I just want to say thank you everyone who has participated in the week of Stradio Lab six episodes and one live show, Endless Opportunities and Endless Fun and Endless play fish Style.
Speaker 2Thank you well, Bye bye podcast and now want more.
Speaker 1Subscribe to our Patreon for two extra episodes a month, discord access and more by heading to patreon dot com slash Stradio Lab and for all our visual earners.
Speaker 2Free full length video episodes are available on.
Speaker 1Our YouTube now Get back to Work.
Speaker 2Stradio Lab is a production by Will Ferrell's Big Money Players Network and iHeart Podcasts.
Speaker 1Created and hosted by George Severes and Sam Taggart.
Speaker 2Executive produced by Will Ferrell, Hans Sonny and Olivia Aguilar.
Speaker 1Co produced by by Wang.
Speaker 2Edited and engineered by Adam Avalos.
Speaker 1Artwork by Michael Failes and Matt Gruff.
Theme music by Ben Kling.