
Music Production Podcast
·E403
Toru - Host of the ProducerHead Podcast
Episode Transcript
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All right, Julian, welcome to the show.
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Good to have you here and kind of turn the tables on you.
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Yeah man, I appreciate you making the time.
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It's great to be here with you.
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Yeah, I had a lot of fun when we spoke on your podcast, Producer Head.
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And we spoke even before that just to kind of get to know each other.
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And it was nice to learn about you and learn about the show and kind of some of the behind
the scenes stuff that we were talking just about a minute ago.
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And here we are on the other side.
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Welcome.
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Yeah, man, thanks.
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It's nice to be here.
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Yeah, and it was so fun having you on.
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I'm sure we'll do it again before too long.
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Yeah, I mean, it's almost a year ago now.
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That was, uh, I have your show up here and I think it was September.
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It wound up going out of 2024, right?
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Yep.
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September, 2024, number 15.
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And you've been cranking away, man.
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Um, I just saw you just put out, I think like number 33, right?
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Yeah, we did, man.
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And yeah, I mean, I appreciate you saying that, man.
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And I'm really I know it's really kind of corny to say, but the time really does.
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I did not realize it had been that long since we had put that together and put it out.
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So, yeah, it really is.
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It's kind of weird how that happens.
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But yeah, I appreciate that.
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And, know, your show has honestly been a huge like just like model for me.
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Like you've been at this for years.
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And I think I hope everybody listening like realizes just like.
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I don't even know, man.
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I the quality is such a subjective thing, but the fact that you've really just
consistently put out episodes every month for years is something people should just, that
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alone is really an achievement.
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So I appreciate it, you know?
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Thanks, man.
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I love doing it.
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I'm sure that's what's motivating you too.
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It's so great to get to talk to people talking to you right now.
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And yeah, to be consistent is really just the name of the game.
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So much of this.
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I know that's something you preach to a lot about showing up.
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Like sometimes even when maybe you don't want to, or maybe you're tired, or maybe you feel
like I don't have any ideas.
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I don't know what to do.
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But when I started doing the podcast,
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I mean, for a long time, I did every week an episode.
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And I guess it was about a year ago.
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went to every other week just to let it breathe a little.
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I felt kind of bad too, because I'd have like all these awesome conversations with people
and have no time to really promote it or make clips of it.
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It'd be like, onto the next one, onto the next one.
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And it'd be like, man, but these like really great things are just flowing by.
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It might be a lot for people to try to take in like an hour or two of conversation every
single week.
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I mean, I can't keep up with podcasts that are like that that I love.
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Yeah, I mean, there's so much wrapped in this for me, man, because it's like, I it's
really cool that you found a cadence in a week, every other week, it sounds like right
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now.
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And I've like, think as you're aware, like I've been doing something similar and that
really just came from a place of like, it is like a philosophy that we share in terms of
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consistency and just really not trying to avoid burnout, like because I didn't want the,
and I still don't want the podcast to become my life.
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I want to make sure that I'm a musician who has a podcast and not a podcaster who's like a
hobby musician.
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You know what I mean?
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And that's really important to me.
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So I think starting out in a place that was like, okay, I know the way that I am.
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And like, there's a lot of pressure on like productivity and releasing things at a rapid
pace, et cetera, et cetera.
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But the reality is, is I'm really fortunate.
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You know, my friend, you know, shouts to Matt Diaz, who's helping me produce a lot of the
episodes now.
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But when I first started it for the first year or so, I was completely doing it on my own.
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So you're and there's so much that goes into it a long video as you know to edit it down
and stuff and so I was just like I don't want to burn out.
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I just want to make sure this thing keeps going and I think I don't know.
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I also think that the weird the productivity trap is just
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it makes us so output focused and then we start to treat ourselves almost like factories,
We're we're like, treat creative work like they're widgets, you know, like we're building
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cars or something where like the model and the map and the blueprint is there and we're
now just gonna, all right, we're just gonna hit this over and over again.
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And music and even podcasting, if you really, in my opinion, if you really want every
conversation to be unique.
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to that person, you need to take time to help that become a reality by spending time in
preparation and appreciating who that person is ahead of time.
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So I do think that there's a really, there are things that you can do to make your process
run more smoothly, but I think orientating a creative process with the guiding principle
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of efficiency is a dangerous proposition in my opinion.
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Yeah, and sometimes you have to if you want to keep up with some sort of grinding out of
stuff and what you said about being a podcaster who was a musician, you want to be a
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musician that's a podcaster, I can relate to that a lot.
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Because there are times when, and especially when I was doing it every week, I felt more
like someone that talks about making music.
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You know, and like, it's not like my inner doubt and self-critic needs more fuel.
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And then I would start thinking about that like, man, I haven't put anything out or just
keep talking about it.
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So the only way to sustain that was to kind of almost like factory it up, you know, where
I'm going to do the same thing every time.
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And like you, I've got uh excellent help, Animus NVIDIUS, shout out.
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He'll be editing this one and he does work as perform module.
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Does great work.
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makes this much more possible.
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um And it allows me a little time to like think about it too, because if you're just
churning it out, you don't even have time to like evaluate what you've done and reflect on
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it.
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You're just next one, next one, next one.
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So having a little space sometimes is nice.
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I do like to um kind of like factory things a little bit sometimes.
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I'm recording some songs with my band right now.
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just four songs like for an EP and for that there's like kind of like a template we're
following and that's been cool to help move that along but once we get these four done I
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want to like throw that template away and okay let's let's try a new way of doing things
or or modify it at least a little bit reflect on it just to keep things fresh like you
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might have mentioned burnout maybe before we spoke or maybe just now I forget but it's
real like when you're
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pushing yourself and you're trying to be creative and dig deep all the time.
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Like, you can burn out on it.
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You run out of steam.
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And yeah, man, and I agree to your point.
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think a hundred percent, like I do think that certain parts of what you do benefit from
being more thoughtless in a sense, right?
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That you kind of create like kind of automatic things over time.
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Those things are just going to naturally change because what you're going to want to do is
going to change.
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kind of think about everything in terms of just energy, right?
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Like you wake up and you have a certain amount of energy that day.
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How are you going to spend it?
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You know what I mean?
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And, and if you can kind of, I
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think before you build a process, you kind of do have to observe yourself as honestly as
possible and watch how things go and notice that.
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And it's a tough thing to do, but that also takes time.
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And that can seem at odds with productivity.
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But I don't think that it necessarily is.
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think it has to do more with like a short term versus a more kind of long term infinite
kind of end view about things that like, if I really am somebody who just wants to be
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making music, there's really no end to this, you know?
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And so with that in mind, I think it's really important to just be like, yeah, like I'm
not trying to win a race.
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There's no end to this.
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There's never going to be a day where I'm like, oh, I've got production and guitar figured
out.
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That's never
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going to happen.
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If you feel that way, you've become just uninterested, right?
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It's not that you've actually figured it out.
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And I think when you, in my opinion, it's just like, if you kind of like take that truth
of like, there is no end to this thing.
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When I finish this one, I'm just going to do another one.
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Then it becomes more interesting to think about how you build like your machine if you
want to think about it that way, you know?
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Yeah, I like this concept of building a body of work.
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That's just what it is.
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It's just building a body of work, putting stuff together.
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And over time, you just have a lot of stuff.
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And it's not so much like I'm trying to get to this or that.
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I'm just making, making, yeah, just, I don't know, moving forward as much as you can
and...
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Like what you said about like being honest with yourself about like your time and your
energy is pretty true.
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Because sometimes when you plan things out a little too much, you might think like, that's
when you come up with these crazy ideas, like I'm going to go to the gym for two hours
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every day.
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And that's so hard to do that.
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That's like, you're dedicating your life to that really.
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when, if you went for 15 minutes, that would be such a substantial increase from where you
are.
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So.
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I gotta make like an album in the next two months might be a little too much, but if you
just, I'm just gonna spend a certain amount of time and create and create, create.
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That all adds up, it's little drops in the bucket.
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Yeah, 100%.
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actually kind of inspired by you too.
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It's like I started, like how you're doing these little episodes where you're just kind of
speaking a little bit of your philosophy, you know, by yourself into the audience.
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And I really think that's, I know, cause we both share also like kind of a love for like
reading those kinds of things too.
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I know we've talked about and honestly, I don't know if I've thanked you, man, but I've
read at least two books that you recommended to me since we talked last year, I read the
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Andrew Wong book and I read one of the Matthew Dick books, the story worthy book.
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Both of those I've recommended to several people and I would say to everybody,
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like both of those are very much worth reading if you're into this at all.
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And yeah, if you're listening to this, like I would almost consider it required reading,
you know, to an extent.
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And...
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Sorry, I didn't mean sidetracked but yeah, I do think there's like because of like seeing
that it made me be like Oh I you take in all this stuff in the same way that you listen to
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music and you want to make songs taking in all of those words from other people makes me
just like I want to somehow reorganize this in a way to realize because a lot of it has
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helped me but the way that it's helped me is maybe not even the way that those people
intend, know and so what I've tried to do through writing is like and Sharing it in the
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same way that you are is kind of doing these
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short episodes where I'm like trying to distill the thing that it is, you know, and I
think you probably know even better than me, writing is words is so hard compared to music
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to me.
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Like you really, when you start to do that, you really understand like how hard it is to
be clear or communicate a very specific idea to people.
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And so I guess I'm saying all that to say that like,
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I came across this idea of frequency, the idea of drops in the bucket, right?
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So it's like, I think it is...
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m
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especially in music or creativity, it's like an infinite pool, you know, and like the the
common kind of thing that happens in music a lot or in the producer community, I guess I
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would say is it's like music theory.
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A lot of people start making beats and they don't or they start playing an instrument and
they don't really have a grasp on music theory or they don't if they don't come at it
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through like an invention, a conventional academic way.
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And I was one of those people.
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And so I started to kind of chip away intentionally at finding like things that I could
learn to improve my understanding.
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And so I realized that there are a lot of people that almost are like, music theory
removes the romance, in a sense, for music, you know what I mean?
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Like, there's no magic if it's like theory.
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And I think that's interesting.
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And there's a lot of people that like, want to learn it, but don't know where to start,
because it is so vast.
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It's like trying to learn a language or like trying to learn math or something.
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So I would say...
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You pick the most specific thing that you can.
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You know, you be really, really specific and then you make everything based on like time
and not about like how far you get.
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You don't say like, okay, I'm going to sit down to work on this and I'll stop when I'm
done.
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That's, that's a recipe for never, for never like doing anything more than like one time,
you know, when you're trying to learn something new.
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So.
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Jerry Seinfeld has the example when he's talking about writing.
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I think he's like a really cool uh person to think about and steal from when it comes to
creative process and consistency.
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And he talks a lot about like, if you're starting something new, like writing, for
instance, just literally five minutes is your timer that day, the first day that you sit
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down.
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And when you do that, like, even if you don't write anything, that's okay, but you can't
do anything else.
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You have to commit to sitting there for five minutes with your pen and your pad.
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And for those five minutes, you're going to try to write and whatever happens at the end
of the five minutes is what happens And then you come back and you do it tomorrow I think
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a cool bonus thing about that that he says is whatever you write that day like because it
feels so good You know when you come up with that musical sketch or you write something
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you have something down He's like don't share it with anybody You know you just close it
and walk away and walk away with the satisfaction of knowing that you kind of have this
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secret that you did this And you come back tomorrow, you
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And so I think if it sounds, I always say if it sounds too small or it sounds too easy,
well good.
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Because if you haven't done it yet, you really don't know what your threshold is for
tolerance of pain when it comes to this kind of work.
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And you have to commit.
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to just doing it.
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So I would say start with an amount of time that seems silly, like really easy.
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So if five minutes even sounds too big, then make it three.
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Keep going until it's small enough to start.
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Yeah, because five minutes compared to nothing is a substantial change.
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And you don't really need to make these grand, if you try to do these like grand heroic
efforts in the beginning, you might do it maybe even a couple of days in a row, but it's
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really hard to sustain.
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But if you just start building the habit first, I'm going to do it a little bit every day,
then you can increase the amount of time and the amount of energy you put into it.
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That's a lot easier than
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going from zero to a hundred out of nowhere.
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I think athletes are a great example and I think your reference to exercise is a great
example.
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If you've never lifted weights before and you try to walk into the gym and bench your
weight, you're gonna hurt yourself and you're not gonna go back for a long time.
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And the same thing is likely to happen with your creative work if you try to go in too
heavy right away.
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Yeah, and if you're starting at zero at that, like a walk around the block is a huge
upgrade from where you were.
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Yeah.
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And that's, it sort of speaks to like, I feel like what's inside of what you're saying to
a little bit is just a little bit of honesty about where you really are in comparing
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yourself and understanding your own progress and not like where you are in relation to
other people.
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And that is, you know, things that, you know, like,
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I'm a big fan of Neil Brennan and he always says, you know, people always say comparison
is the thief of joy Well, not if you compare down, you know, and so if you Stop comparing
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yourselves to people that are not really adequate comparisons or work That is not an
adequate comparison to your work because even that distinction instead of you're comparing
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yourself to the person You know if you're making music compare your music to the music of
other people not to those people and What their lives seem to be like to your life and
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that's like a very subtle
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little bit important distinction, you know, and something that I used to do, especially
starting out was when I was making music and I was like, my God, this is so bad.
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You know, I was like, I couldn't, was like, man, I was like, nobody can ever hear this.
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So one of the most helpful things that I did is I would go to an artist that I was
listening to, and then I would go find their earliest music that I could find.
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I was like, what's the first stuff they did, you know, and that's the stuff that I used to
listen to all the time when I got started.
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Then that was just what I was listening to is everybody
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earliest work and that helped calm me down a little bit so I couldn't recommend enough to
kind of like I guess it's the idea of right sizing your comparison to be more critical and
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not to like kind of broadly expose yourself to like the Billboard top 100 or like Rolling
Stones greatest albums of all time you know
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Yeah, or even hear like the demos of the music you love and hear how it sounded.
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I love like those Beatles anthologies when they're just really like these barely fleshed
out ideas or that documentary they put out.
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Was it called Get Back?
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It was called Get Back, yeah.
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About the Let It Be sessions and it's like nine hours of them like trying to figure it out
and...
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it's great.
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It's on, I think Disney plus.
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It's like a couple parts, but you see him struggle.
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And it's funny too, because you'll hear say like Paul McCartney trying to write get back
for instance, there's one example.
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And it's not really sounding like much, but you know what it's going to become, but he has
no idea.
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And he's looking for it he's like,
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going through the fog and trying to find it.
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And every once in a while he hits a note and you're like, oh yeah, you're getting there.
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Like warmer, warmer.
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You kind of like rooting him on.
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But I mean, he's an incredible musician, obviously, but it is really cool to see him in
that first few stages of like, I don't know where this is.
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And it's kind of the same way we all do it.
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We're fumbling in the dark until we kind of grasp something a little bit and then we keep
nurturing it.
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But there's so much of a leap of faith and
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Um, to see some of the greatest ever in that stage too, where they don't know what it's
going to be.
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And it might not even sound like much yet.
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It might sound like garbage throw away stuff, but then you start to hear it come out of it
and you're like, wow.
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Like, look at that.
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This like amazing song that everyone knows and loves started with him just kind of like
pounding on one note on the bass, dumb, dumb, dumb, dumb, dumb mumbling.
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And now
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That's fun that empowering, you know, because, yeah, we all start there.
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Exactly, man.
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And I think it again is just another good piece of evidence for like, that's why you
cannot or you can try.
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But that's why I don't think it's a great idea to think about like efficiency being your
guiding principle.
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You know what I mean?
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Because you're like, as you said, you're like kind of fumbling through the dark, you know?
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And so I think about creative process, not less in terms of the order in which you do
things, but more like if you're fumbling through the dark, you know, how do you
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create a good set of flashlights and develop the experience to know where to point them
over time.
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And that is what, that's the kind of thing is like I don't think that it can be learned
outside of experience.
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Like I couldn't recommend enough again, like the reading that we talked about.
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However, until all of that learning that you do while you read is entirely hypothetical,
right?
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Until you sit down and try to like really make something that's bad and like stare it in
the face and listen to it, like that is like the best lessons you're gonna learn and that
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will recontextualize everything that you've read.
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Until then, it's all just kind of stuff floating in the air, you know?
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Yeah.
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Yeah.
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And all this stuff, like I talk about on the podcast and with friends and read, like I
understand it intellectually, but that every time I go to do it, it's still hard.
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And no one I know has ever said it was easy.
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And there's always this like, I'm lost.
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I don't know what to do.
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can't, all that doubt comes in.
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It's, just part of it.
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You know, it doesn't go away.
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doesn't matter how well you understand it and how much you know, it's just your mind and
you got to work through it.
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It's still hard when you get there.
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um
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Like that's the thing is like let it be is some of the last music they did together as the
Beatles right and there as you're describing He's still fumbling through so all having
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Abbey Road behind you does not absolve you of the struggles of the creative process You
know and so I try to Did it okay
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Let It Be After.
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Beatles nerd, look out.
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Okay.
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No, but yeah, because I wasn't sure.
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No, I appreciate you saying that.
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So but even if you take that out, no.
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And so pick another one.
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So if we go rubber sole, right, if we go back one more, right?
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Yeah, like none of that.
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Like, you know, you have all of the acclaim that you could and all of the experiment of
really cool stuff they've done, right?
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Revolver and everything else.
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so it's I just think I don't know a way that I try to reframe it for myself that hopefully
is helpful to somebody else is I
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When I hear those things, I just try to be like, oh, this is an indication that I'm on the
path, you that I'm doing the thing.
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You know, it's like, if I'm on this road, these are the things that I see, you know, these
are the buildings that are here.
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These are the voices that I hear.
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It's the same kind of thing instead of because then if you expect those things and know
that they're going to come, they don't have as much power to like derail your, your motion
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or your attempts, you know.
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Yeah, when you were talking about like the episodes of the podcast when you're kind of
writing about or talking about your philosophies and stuff and I'm thinking about the ones
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that I do like that, I don't always know what I'm going to say until I start saying it.
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I mean, I might have an idea.
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There's a little spark, a little, and it's almost the same thing as if like, I like these
chords, you know, but I don't know.
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where I'm going really until I start talking about it.
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And maybe that's like kind of like the way talk therapy works too, where you have to just
start trying to take these weird amorphous thoughts you have and then turn them into
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actual language.
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And in doing so it's like focusing the camera a little bit, but it doesn't happen by
sitting on the couch thinking about it.
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You know, I have to put the pen to the paper and I have to, or
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whether it's talking, I have to start saying it or writing it until, and it's kind of the
same thing, the fumbling through the dark, like each sentence is like kind of pushing away
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some of the fog and the mist in the air until I can kind of find what I'm getting at.
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But I do a lot of learning in those episodes because I'm trying to sort through what I
think about it and try to solidify it and give myself even like a little.
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nice piffy sentence or two that I can write down somewhere and remember the next time I
get stuck and say things like, um, create recklessly or decide recklessly.
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Like this one I like to do a lot where it's, it's not so much about what decision I make,
just that I make a decision, choose and go, not make sure I get the right one before I go.
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You know, ready, fire aim.
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Yeah.
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00:24:06,222 --> 00:24:07,473
So wow, that's interesting though, man.
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So you, for those pieces that you do, you just sit down and start recording and then you
kind of edit them based on where you go.
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I think most of the time what I'm doing is I'll start writing something.
305
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I'll get the idea, you know, the idea.
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I get excited, right?
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And then I start writing down things.
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A lot of times I wind up with a lot of different bullet points.
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Yeah, a lot of it's talking.
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Sometimes I wind up actually writing them out too.
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It sort of depends just on...
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if I'm able to get the words out or not.
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Cause sometimes you sit down and talk and you're like, uh, yeah.
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So, you know, uh, like, um, it's kind of, and then it's like, okay, let's write it down.
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Let's try to get it down.
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00:24:51,038 --> 00:24:59,538
But sometimes you, I don't know, maybe you just have like a nice cup of coffee or
something and the words kind of come once in a while, you just get in those moods.
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So if that's the case and I can recognize that I might just go off the bullet points, but
that has to be edited too.
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You know that and you can.
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tell my edits usually when the camera gets a little closer, a little further away.
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It's like the little trick I learned somewhere watching somebody about video editing that
if you need to take a pause out there, just like move the camera up a little bit, then
321
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move back a little bit.
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00:25:25,712 --> 00:25:28,590
little YouTube veteran trick there I like it yeah
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Yeah, that stuff though, so much like creativity is like, don't know where the idea is
going until I get one part of it down first.
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I need to get that beat first and then add the guitar part to it or get whichever, you
know, order I decide to do it in.
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But every single next thing is a reaction to the last thing I did.
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And a lot of it's just trusting, like I'll make a good decision.
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and move forward and this decide recklessly idea for me is hopefully my taste comes into
play.
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And if I make a kind of lousy decision here, maybe the next decision will make up for it.
329
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But I'll get a lot more stuff finished and done.
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If I go that way, then if every single time I get to a choice, go, okay, now here are my
options.
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What's the best one?
332
00:26:25,261 --> 00:26:26,221
Oh, I could do this.
333
00:26:26,221 --> 00:26:26,962
I could do that.
334
00:26:26,962 --> 00:26:28,582
And of course.
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00:26:28,596 --> 00:26:38,897
Every single option is infinite, nowadays especially, because I really can find every
single sound in the computer and every, you know, that we're not limited by anything
336
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anymore.
337
00:26:39,946 --> 00:26:49,282
Yeah, and so I think that's a cool example of how you can kind of make your process more,
you know, mechanical in certain ways, right?
338
00:26:49,282 --> 00:26:57,807
In terms of like making decisions ahead of time or giving yourself a time limit on certain
instruments and wherever you have, you're just gonna move on to the next thing, you know?
339
00:26:57,807 --> 00:27:04,711
Because I do think just like, but the thing, the distinction is like making those kinds of
choices.
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if you want to call them efficiency, okay, or productivity, okay, but they're actually
more in service of your energy and your mood and your interest than they are in like the
341
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efficiency of creating products faster in a more streamlined way.
342
00:27:20,328 --> 00:27:23,768
And so again, it's like, I really do believe in those things.
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00:27:23,768 --> 00:27:33,888
I think it's like where it can be, where you can get yourself into trouble is losing sight
of what the guiding principle or the underlying philosophy of that is, you know, why
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you're setting it up that way.
345
00:27:36,878 --> 00:27:42,798
Yeah, so much of the thrill of making music is uncovering it and the next thing.
346
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so if it's like, oh, I made this part, I'm adding this and like, I'm going so fast that
it's just like, wow, wow, wow.
347
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Every little thing that happens compared to the analytical stuff when you're like, okay,
so, or the theory, you let that get too much in.
348
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start overthinking things, you start questioning decisions and wondering if I'm doing it
the right way or not.
349
00:28:06,772 --> 00:28:19,378
Um, and even like technical stuff too, there's been times, especially when I first got any
kind of recording gear, started getting like probably much more aware that if I position
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00:28:19,378 --> 00:28:27,491
the microphone here compared to here, like a couple inches on my guitar, it changes the
tone completely.
351
00:28:27,492 --> 00:28:33,334
If I move it at an angle on the amp, like it goes from like really bright to like much
bassier.
352
00:28:33,602 --> 00:28:35,083
These, all these things are so subtle.
353
00:28:35,083 --> 00:28:42,065
So I got really like, okay, I've got to make sure I got it all mic'd up right and checking
it and deciding if it's the right way.
354
00:28:42,065 --> 00:28:45,367
Meanwhile, I have nothing to compare it to yet.
355
00:28:45,367 --> 00:28:54,010
I don't know if I need a thin guitar or a thick guitar, but I'm worrying about all this
stuff and not making a lot of progress.
356
00:28:54,010 --> 00:29:03,594
But I just kind of came to the decision that my gear, like moving from like four track
cassette recorders to like.
357
00:29:03,854 --> 00:29:16,209
you know, more modern stuff, even before computers, but it was just going to sound so much
better than my four track was that it didn't even matter if I made all the wrong choices
358
00:29:16,209 --> 00:29:21,081
in mic placement and EQing, it's still going to sound so much better.
359
00:29:21,161 --> 00:29:23,788
So I just decided to let that go.
360
00:29:23,788 --> 00:29:26,503
I was like, I'm just going to work, worry about recording the songs.
361
00:29:26,503 --> 00:29:28,124
I had so much more fun.
362
00:29:28,124 --> 00:29:33,486
And I learned so much more because now instead of trying to figure out
363
00:29:33,486 --> 00:29:42,346
how to get the guitar to sound a certain way, I was just recording it and then being like,
oh, okay, so because I recorded it that way, it sounds like this.
364
00:29:42,346 --> 00:29:50,266
And then maybe a few songs down the road, I was like, oh, I want it to sound like that old
one I did on that other song, so I'll put it in a similar place.
365
00:29:50,426 --> 00:30:01,826
Instead of maybe making like one song where I tried to get everything what I thought would
be perfect, I made like 10 or 15, trying all different things and...
366
00:30:01,826 --> 00:30:04,565
got so much more out of it and had so much more fun.
367
00:30:07,464 --> 00:30:17,409
One of the big things is we do everything right in music in terms of like the kind of
things that you and I both do and to a lot of people listening also, right?
368
00:30:17,409 --> 00:30:23,872
So it's like, I think it's important to keep in mind some people dedicate their lives to
being like in studio recording engineers.
369
00:30:23,872 --> 00:30:31,115
Some people dedicate their lives to being mixing engineers and some people, know, et
cetera, et cetera, mastering and so on.
370
00:30:31,115 --> 00:30:36,918
So it's like, man, like keeping that in mind, like, Hey, like, do you want to be that
person or do you want to make music?
371
00:30:36,918 --> 00:30:37,378
You know?
372
00:30:37,378 --> 00:30:40,458
It's like, a way, it's kind of like, you know, do I want to be a podcaster?
373
00:30:40,458 --> 00:30:41,618
Do I want to be a musician?
374
00:30:41,618 --> 00:30:50,318
You know, it's like, do you want to be somebody who makes songs or do you want to be
somebody who like has the best sounding guitar in a song that people aren't really
375
00:30:50,318 --> 00:30:53,498
connecting with or a song that you don't really care as much about?
376
00:30:53,498 --> 00:31:03,298
So I think it also speaks to that idea of like, are you doing music for academic purposes,
you know, and trying to hit like certain kind of like fidelity thresholds?
377
00:31:03,298 --> 00:31:07,298
Or are you trying to like make a song that you really
378
00:31:07,298 --> 00:31:13,673
I don't know that captures something for you that hopefully you'll share and connect with
other people in a similar way.
379
00:31:14,710 --> 00:31:17,112
And there's value to all that stuff.
380
00:31:17,132 --> 00:31:20,905
It is nice to learn and to understand and to study that.
381
00:31:20,905 --> 00:31:25,509
And sometimes that's what I'll do if I'm not feeling particularly inspired.
382
00:31:25,509 --> 00:31:34,206
I try to learn how to use a whatever device or how to place a mic or what happens if I do
this or that.
383
00:31:35,387 --> 00:31:38,610
For me though, the goal is to just like create stuff.
384
00:31:38,610 --> 00:31:43,438
So if I'm in the middle of that, like I'm playing around with microphones and trying to
385
00:31:43,438 --> 00:31:47,038
get a sense of how they sound and I get inspired to make music.
386
00:31:47,038 --> 00:31:56,158
I'll drop that and I'll be like, okay, that this inspiration is way more precious and
exciting for me.
387
00:31:56,298 --> 00:31:59,898
So I'll worry about like moving the mic around the room later.
388
00:31:59,898 --> 00:32:06,218
You know, I, if I'm like trying to get the mic to sound nice on drums and all of a sudden
I come across a beat that inspires me.
389
00:32:06,218 --> 00:32:10,758
It's like, all right, just leave them where they are and record that beat and go from
there.
390
00:32:10,890 --> 00:32:12,027
Yeah, I think...
391
00:32:14,034 --> 00:32:24,603
One of the things that I like from that Rick Rubin book a lot is he says like, and I don't
know where this comes from for him, but the idea is like, as an artist, your job
392
00:32:24,603 --> 00:32:33,260
essentially is to, when you get those strikes of those moments of inspiration, that you
follow those because you don't really get to choose when those happen.
393
00:32:33,260 --> 00:32:37,204
And anybody who does this knows that sometimes like it just happens.
394
00:32:37,204 --> 00:32:42,207
And to your point, like when you're in that place, like you can get distracted with some
kind of technical thing.
395
00:32:42,778 --> 00:32:49,803
the more that you can kind of develop the awareness of like, this is happening right now
and just following that through until it's over, you can always come back and deal with
396
00:32:49,803 --> 00:32:51,034
the mic thing later.
397
00:32:51,034 --> 00:32:59,099
And I think something that Dan says, Dan Giffin, is he has sessions that are
specifically...
398
00:33:00,906 --> 00:33:06,289
kind of creation oriented, you know, creativity and others that are more like kind of
admin stuff.
399
00:33:06,289 --> 00:33:08,720
I think he described it as like kind of left right brain.
400
00:33:08,720 --> 00:33:09,300
Right.
401
00:33:09,300 --> 00:33:11,731
So he'll have sessions where he'll like I'm making music today.
402
00:33:11,731 --> 00:33:12,401
Period.
403
00:33:12,401 --> 00:33:15,683
And then I'll have other sessions where he's like, I'm organizing samples.
404
00:33:15,683 --> 00:33:17,444
I'm you know, I'm collecting things.
405
00:33:17,444 --> 00:33:19,305
I'm I'm searching for samples.
406
00:33:19,305 --> 00:33:21,846
I'm I'm researching, et cetera, et cetera.
407
00:33:21,846 --> 00:33:22,076
Right.
408
00:33:22,076 --> 00:33:27,368
And I think again, like all I agree like all that stuff serves you.
409
00:33:27,368 --> 00:33:30,923
But doing it in a way more holistically that serves like
410
00:33:30,923 --> 00:33:35,104
whatever your higher level kind of vision or goal is, is really important.
411
00:33:35,104 --> 00:33:45,506
And it's a hard thing, like admittedly to maintain because it's easy to get distracted
when you have like a buzzing cable, for instance, and you're like, where is that coming
412
00:33:45,506 --> 00:33:46,126
from?
413
00:33:46,126 --> 00:33:51,427
And so it does take some practice and all of those things to your point are incredibly
valid.
414
00:33:51,428 --> 00:33:58,429
And it is like kind of figuring out the way that you kind of structure and budget that
time around it and your intention around it is.
415
00:33:59,467 --> 00:34:01,268
really what makes the difference, I think.
416
00:34:02,284 --> 00:34:04,616
Yeah, it's part of what makes it so hard.
417
00:34:05,157 --> 00:34:17,427
The more like housekeeping stuff, like whether it's organizing files or making sure things
are neat and here and plugged in and rearranging stuff to be more efficient.
418
00:34:17,427 --> 00:34:18,628
Those are all important.
419
00:34:18,628 --> 00:34:30,764
um Sometimes I find myself using those excuses, those as excuses to not do the work too of
just knowing like you need to like try to make something because
420
00:34:30,764 --> 00:34:32,815
I don't know if I'm going to make anything.
421
00:34:32,895 --> 00:34:35,596
Like I could try and come up empty handed.
422
00:34:35,596 --> 00:34:40,708
I might not like what I have or whatever, but I know I can like get my wires neat.
423
00:34:40,708 --> 00:34:44,200
You know, I know I can dust the table.
424
00:34:44,200 --> 00:34:45,780
Like that's going to happen.
425
00:34:45,780 --> 00:34:53,263
This carpet will be vacuumed like never before, like professionally because it's easy to
do that.
426
00:34:53,464 --> 00:34:57,225
But the making part is a little bit more of an unknown.
427
00:34:57,285 --> 00:34:59,316
So I do know that.
428
00:34:59,862 --> 00:35:05,808
Myself, I'm very easy to fool like that.
429
00:35:05,808 --> 00:35:07,089
Like I'm being productive.
430
00:35:07,089 --> 00:35:08,651
I'm reorganizing the studio.
431
00:35:08,651 --> 00:35:09,802
I'm vacuuming the house.
432
00:35:09,802 --> 00:35:17,820
And really what I'm doing is like, I had a whole day to make music and I was looking
forward to it all week and now I'm scared of it.
433
00:35:19,050 --> 00:35:24,923
I know, I think it's really, I feel like what you're describing is like the press field
resistance, right?
434
00:35:24,923 --> 00:35:29,765
It's funny how that can really sneak up on you, right?
435
00:35:29,765 --> 00:35:34,567
Because to your point, you're like, no, I'm cleaning, I need to clean, this is dirty, I
should clean it.
436
00:35:34,567 --> 00:35:38,889
But it's like, hey, what you're actually doing is avoiding it.
437
00:35:38,889 --> 00:35:44,362
And again, I think it also takes experience and some humility to kind of admit that to
yourself.
438
00:35:44,362 --> 00:35:49,017
Like, oh, wow, I'm subconsciously avoiding
439
00:35:49,017 --> 00:35:58,214
doing this thing that I know that I like want to do but something and I'm allowing myself
to get distracted and pulled to these other things and I think sometimes those technical
440
00:35:58,214 --> 00:36:10,404
challenges even you know outside of cleaning like technical stuff mix ideas or which
compressor should I use etc etc like those things can be disguised as like productive
441
00:36:10,404 --> 00:36:18,970
worthwhile things in times where you're like promised yourself that you were gonna like be
working on some kind of project you know so to your point they all
442
00:36:18,970 --> 00:36:28,430
do matter and they all you need to do that but only you know individually whether or not
you're avoiding it or not nobody can tell you that
443
00:36:28,780 --> 00:36:42,159
Yeah, yeah, and Steven Pressfield in this book, War of Art, was probably the first time I
ever read about this sort productive procrastination and heard it.
444
00:36:42,159 --> 00:36:44,341
He gave it the label, resistance.
445
00:36:44,341 --> 00:36:50,644
Resistance is the force that is trying to prevent you from doing creative work.
446
00:36:51,365 --> 00:36:52,666
he likes to...
447
00:36:52,766 --> 00:36:54,907
give it this sort of personification.
448
00:36:54,907 --> 00:37:00,329
Like there's the muse and it's a spirit that comes to you when you're working and there's
resistance.
449
00:37:00,329 --> 00:37:01,510
It's like good and evil.
450
00:37:01,510 --> 00:37:08,093
And I think whether or not that's true, it's good to have these labels for things so you
can just identify it quickly.
451
00:37:08,093 --> 00:37:11,114
Like, no, look, this is resistance.
452
00:37:11,154 --> 00:37:19,277
Like, what do I want more to have like a body of work of music or to know that like I went
through my life with clean dishes.
453
00:37:20,118 --> 00:37:20,854
Right.
454
00:37:20,854 --> 00:37:23,075
Like my carpet was vacuumed.
455
00:37:24,576 --> 00:37:30,529
So to have it, and that's part of where this whole talking it out too, for me helps a lot.
456
00:37:30,529 --> 00:37:42,155
Then if I can start saying this stuff and documenting it and keeping track of it, then
instead of these sort of cloudy things, I can throw out something like resistance and know
457
00:37:42,155 --> 00:37:45,096
what that means and let it go and move forward.
458
00:37:45,547 --> 00:37:57,004
Yeah, I agree that the naming is so important and like to be fair, it's like you can be
super specific and classify them in like really fine buckets.
459
00:37:57,004 --> 00:38:02,778
But the reality is that is kind of a waste of time when you realize that it all bubbles up
to, I'm just avoiding this.
460
00:38:02,778 --> 00:38:04,669
This is all just resistance, right?
461
00:38:04,669 --> 00:38:13,435
You can get really specific, but when you just make the high level categorization, you're
like, oh, and then you can kind of let it go and get back to what you're doing.
462
00:38:14,135 --> 00:38:15,096
And so.
463
00:38:15,324 --> 00:38:17,135
It is really funny how that is.
464
00:38:17,135 --> 00:38:26,813
I think to your point, documenting writing is to me just like, I've learned for me like
the best way to avoid those kinds of things.
465
00:38:26,813 --> 00:38:30,906
Like, I don't think it's possible to like eliminate them from your life.
466
00:38:30,906 --> 00:38:32,357
Like they're just always there.
467
00:38:32,357 --> 00:38:36,059
But I think having a consistent writing practice creates.
468
00:38:37,096 --> 00:38:44,805
It's sort of one of those flashlights to me of being like, helping be aware of like, like
this is what's happening in my life daily.
469
00:38:44,805 --> 00:38:53,095
And then I can be aware of like how I'm avoiding things, not doing things, neglecting
things, maybe spending too much time on something, you know?
470
00:38:53,095 --> 00:38:54,190
m
471
00:38:54,190 --> 00:38:58,713
m What does that look like for you, the consistent writing process?
472
00:38:58,713 --> 00:39:00,165
It's like a journal.
473
00:39:01,108 --> 00:39:05,471
Yeah, so it started for me with a, you're familiar with the artist's way.
474
00:39:07,193 --> 00:39:10,996
So yeah, Julia Cameron.
475
00:39:12,018 --> 00:39:23,668
And so that was one of those books that was recommended to me like a long time ago when I
was like first starting like to take the production piece of music more seriously and.
476
00:39:24,264 --> 00:39:33,858
I was somebody too, especially before that where I was not, you know, my initial gut
reaction was very like, this is very woo woo and et cetera, et And that, but really like,
477
00:39:33,858 --> 00:39:35,409
that's one of those books you don't really read.
478
00:39:35,409 --> 00:39:38,551
It's like, it's actually like a workbook more so than it is reading.
479
00:39:38,551 --> 00:39:44,513
And it kind of, if you, it's the classic thing, it's like, you kind of get out what you
put into it.
480
00:39:44,674 --> 00:39:49,796
But one of the fundamental core practices in that book is what she calls morning pages.
481
00:39:50,056 --> 00:39:53,657
And so the idea is like a stream of consciousness.
482
00:39:54,181 --> 00:39:57,973
for like, for three pages.
483
00:39:57,973 --> 00:39:58,893
So it's not a timeline.
484
00:39:58,893 --> 00:40:01,034
It's like you're supposed to fill three pages.
485
00:40:01,034 --> 00:40:04,016
And you're supposed to do it like first thing in the morning.
486
00:40:04,016 --> 00:40:07,117
So that was like kind of my introduction to it.
487
00:40:07,117 --> 00:40:09,459
I had never really spent any time.
488
00:40:09,459 --> 00:40:17,002
I mean, it's funny, like looking back, it made me realize, there were times in my life
where like I was interested in this, but I never committed to it in some way.
489
00:40:17,002 --> 00:40:20,724
So I started doing that.
490
00:40:20,800 --> 00:40:23,660
pretty religiously, even when I had finished going through the book.
491
00:40:23,660 --> 00:40:28,280
I was for a period of time, I think I did that book in like 2019.
492
00:40:29,000 --> 00:40:36,900
And I was writing like seven days a week, you know, and in a way, I mean, you know, we had
the pandemic in there for part of that, right?
493
00:40:36,900 --> 00:40:47,060
So it's like, it's so it's, yeah, so I would say like, what's really interesting about it
is if you at the very beginning, I was very
494
00:40:47,956 --> 00:40:57,022
when it was like purely morning pages and I was in that stage, you know that feeling
everybody had like when you get up and you're like kind of your brain is like between
495
00:40:57,022 --> 00:41:02,586
being asleep, you maybe like are starting to forget dreams, but you can kind of still
remember them.
496
00:41:02,586 --> 00:41:05,948
You're getting into your day, you're starting to think about what you have to do.
497
00:41:06,296 --> 00:41:12,593
If you just really, the only rule in that is that you're supposed to just not let the pen
stop moving, right?
498
00:41:12,593 --> 00:41:16,675
And so the things that will fall out of you at those points in time,
499
00:41:17,277 --> 00:41:21,228
are are just like things that you know are there.
500
00:41:22,974 --> 00:41:25,125
But they go so quickly.
501
00:41:25,125 --> 00:41:29,686
I have to imagine there's hundreds or thousands of thoughts that we have in a day.
502
00:41:29,686 --> 00:41:30,946
I'm just making these numbers up.
503
00:41:30,946 --> 00:41:34,267
But it's got to be thousands, really.
504
00:41:34,267 --> 00:41:36,208
Depending on how you define a thought, I don't know.
505
00:41:36,208 --> 00:41:38,468
But let's say you have thousands of thoughts a day.
506
00:41:38,468 --> 00:41:41,239
Most of them come and go in a way where you're not going to remember them.
507
00:41:41,239 --> 00:41:46,511
And so for me, what I've learned is I don't necessarily officially do morning pages
anymore.
508
00:41:46,511 --> 00:41:48,731
I still do three pages.
509
00:41:51,551 --> 00:41:54,336
I do it at this point usually five days a week.
510
00:41:54,336 --> 00:41:58,234
try to give myself the weekends off because I can be a little obsessive with stuff.
511
00:41:58,234 --> 00:42:03,042
So, but I also, there are times where I go through it I'm not writing and I notice.
512
00:42:03,042 --> 00:42:04,330
oh
513
00:42:04,330 --> 00:42:09,093
that I'm like in other, in work that I'm doing, like, like there's like that built up
energy.
514
00:42:09,093 --> 00:42:10,914
There's something that hasn't been released.
515
00:42:10,914 --> 00:42:14,926
And so getting back to that is a really important thing for me.
516
00:42:14,946 --> 00:42:25,512
I would say the reason that I try to encourage, and this is one of those things I want to
try to find a way to do one of those individual like rants about, which I guess I'm kind
517
00:42:25,512 --> 00:42:32,696
of doing right now, but it's like basically like every, everybody has at least two voices.
518
00:42:33,032 --> 00:42:43,120
inside of them and one is kind of like the CEO PR person and the other one is sort of like
the weird like creative like product person that's like kind of in the background right
519
00:42:43,120 --> 00:42:52,612
and so the other thing is I tend to believe like thoughts become words become actions
become habits and so on right so
520
00:42:53,022 --> 00:42:58,615
the CEOs and PR thoughts are usually the thoughts that kind of get executed, right?
521
00:42:58,615 --> 00:43:08,479
And those other thoughts in the background by that more creative or wild person is they
don't get written down and they get filtered out by the CEO, PR person.
522
00:43:08,479 --> 00:43:15,372
When you start to write those ideas down, it's the closest you can get to seeing your
thoughts.
523
00:43:15,372 --> 00:43:18,464
It's like a mirror for your insights.
524
00:43:18,524 --> 00:43:23,036
And when you start to do that, the more frequently you're able to do it, the more quickly
525
00:43:23,036 --> 00:43:26,608
you're gonna be able to see patterns in your own life.
526
00:43:26,669 --> 00:43:31,472
So, and again, like connecting it to like kind of that like breaking it down really small.
527
00:43:31,472 --> 00:43:35,935
When I first started that back in the day, I was really intimidated by like writing.
528
00:43:35,935 --> 00:43:38,336
I had no writing practice at all.
529
00:43:38,336 --> 00:43:42,839
So the idea of writing three pages sounded like, I was like, that's a lot, you know?
530
00:43:42,839 --> 00:43:47,182
So I started with like a really small notebook where the pages are really small.
531
00:43:47,182 --> 00:43:50,464
And those were my three pages to start with.
532
00:43:50,464 --> 00:43:52,859
And then over time, I was like, all right, I'll step it up to
533
00:43:52,859 --> 00:44:02,417
bigger book now you know and so now I just use a little notebook but it's like it is so
it's the closest you can get to seeing your thoughts and when you start to like let those
534
00:44:02,417 --> 00:44:12,035
like little kind of like more creative or like what what you're more like kind of polished
version of yourself or with a more polished voice would dismiss
535
00:44:12,298 --> 00:44:18,551
When you start to just let those things exist and you write them down over and over again,
you start to just like think about them differently.
536
00:44:18,551 --> 00:44:27,535
And I would say that like things that I've done in music, I think the podcast, even like
reaching out to you back when we first met, like all of those things started as just like
537
00:44:27,535 --> 00:44:30,136
little ideas, like, hey, what if I did this?
538
00:44:30,136 --> 00:44:35,029
You know, because for a while starting a podcast seemed like who would I talk to?
539
00:44:35,029 --> 00:44:37,860
Who would want to talk to me, et cetera, et cetera, you know?
540
00:44:38,292 --> 00:44:41,014
But that's like that CEO telling you like, this is crazy.
541
00:44:41,014 --> 00:44:45,537
You know, like that's not gonna, that's not, what are you, who are you to do these kinds
of things?
542
00:44:45,537 --> 00:44:50,000
And so, but it wasn't like I wrote it down one time and the next day I had a podcast.
543
00:44:50,000 --> 00:44:53,903
It's like, you know, it builds its kind of strength and volume over time, you know?
544
00:44:53,903 --> 00:45:04,260
And so what you learn through watering that like, to call it secondary doesn't really feel
fair, but to call it like a voice that maybe just gets less attention or is dismissed more
545
00:45:04,260 --> 00:45:07,792
quickly as somebody that's like maybe in the clouds too much.
546
00:45:08,660 --> 00:45:13,508
will change the way that you see things and do things if you give that attention.
547
00:45:13,508 --> 00:45:18,454
And so I couldn't recommend enough that people give it a try to some extent.
548
00:45:19,330 --> 00:45:21,211
That's a cool experience.
549
00:45:21,351 --> 00:45:23,952
I have a similar thought about the mind.
550
00:45:23,952 --> 00:45:27,023
It's almost like when you're dreaming, right?
551
00:45:27,023 --> 00:45:30,034
Like things go crazy, right?
552
00:45:30,034 --> 00:45:31,355
There's no logic.
553
00:45:31,355 --> 00:45:33,046
There's no one in control anymore.
554
00:45:33,046 --> 00:45:39,358
It's like the kids are out playing and they've got their imaginations and that's why your
dreams are so insane half the time.
555
00:45:39,358 --> 00:45:48,692
But when you wake up, it's like you said that CEO side, that kind of like orderly adults
comes into play and you know,
556
00:45:48,692 --> 00:45:50,203
straightens you out a little bit.
557
00:45:50,203 --> 00:45:58,067
But in those like groggy moments, it's like, yeah, the kids are still on the playground
and the adults are like not really aware yet.
558
00:45:58,067 --> 00:46:00,288
And they're still kind of getting away with it.
559
00:46:00,408 --> 00:46:03,920
So it's a very interesting time to capture your thoughts.
560
00:46:03,920 --> 00:46:14,276
And like, in my case, when I'm like taking a shower in the morning to get ready for work,
it's like, most of the time still dark out.
561
00:46:14,676 --> 00:46:16,679
A lot of interesting things go through my head.
562
00:46:16,679 --> 00:46:18,578
And a lot of times.
563
00:46:18,670 --> 00:46:20,491
problems get solved.
564
00:46:21,292 --> 00:46:24,253
Ideas for what I'm going to teach at school happen in there.
565
00:46:24,253 --> 00:46:37,460
um They've said, I've read at least, our brain works on problems like when we're sleeping
and as we take breaks from things.
566
00:46:37,921 --> 00:46:43,664
It's true of practice they found, they've studied music students that never take breaks.
567
00:46:43,664 --> 00:46:47,288
They play for like four hours and nonstop compare them to
568
00:46:47,288 --> 00:46:51,822
people that play for the same four hours, but take a 10 minute break every once in a
while.
569
00:46:51,822 --> 00:46:56,926
And there's something about the brain that kind of absorbs and processes.
570
00:46:56,926 --> 00:46:59,507
And that happens, think, during our sleep too.
571
00:47:00,389 --> 00:47:04,452
And ah capturing that on paper is, I mean, great.
572
00:47:04,452 --> 00:47:13,559
I've done this a little bit in the past, definitely not as religiously as you're doing it,
but you don't have to do much of it even to see the results.
573
00:47:13,559 --> 00:47:16,842
Maybe going back to some of the uh things we said earlier about
574
00:47:16,842 --> 00:47:18,983
even a little bit helps a lot.
575
00:47:19,103 --> 00:47:24,905
Just if you can't do the three pages, maybe you can do the three minutes or something.
576
00:47:24,905 --> 00:47:27,566
But you're not filtering that.
577
00:47:27,566 --> 00:47:30,167
Like you said, it's the idea of the pen moves.
578
00:47:30,167 --> 00:47:35,109
And even if the pen is saying, I don't know what to write, I don't know what to write, it
has to be moving.
579
00:47:35,589 --> 00:47:37,697
And things come out in that.
580
00:47:37,697 --> 00:47:38,477
Yeah.
581
00:47:38,477 --> 00:47:44,037
Because the emphasis again, kind of like we're talking about before on the creativity,
it's not about what you write.
582
00:47:44,037 --> 00:47:46,877
It's about taking the time to write.
583
00:47:46,877 --> 00:47:47,317
Right.
584
00:47:47,317 --> 00:47:49,537
And so it's also like we're not talking about handwriting.
585
00:47:49,537 --> 00:47:52,036
We're not talking about punctuation, grammar.
586
00:47:52,137 --> 00:47:56,457
You know, we're not talking about complete ideas or sentences like you may read it later.
587
00:47:56,457 --> 00:47:58,897
I mean, that's the thing is like you never really ever have to read it.
588
00:47:58,897 --> 00:48:00,617
It's just about getting it out.
589
00:48:00,617 --> 00:48:05,300
But if you read it, it may not even make sense later, you know, and that's OK.
590
00:48:05,300 --> 00:48:10,452
The point is not like you're not writing something for anybody but for yourself.
591
00:48:10,452 --> 00:48:26,179
But I know it sounds so I realize like it sounds very woo woo but it is like a very it's a
very therapeutic and informative process because it's it's just you're essentially having
592
00:48:26,179 --> 00:48:28,580
conversations you don't have the rest of the day.
593
00:48:30,466 --> 00:48:33,827
Yeah, you're acknowledging what's going on up there.
594
00:48:34,988 --> 00:48:43,391
Like you said, think, man, I bet hundreds of thousands of thoughts a day is a low
estimate, right?
595
00:48:43,391 --> 00:48:45,412
It's nonstop chatter.
596
00:48:45,412 --> 00:48:47,783
mean, meditation will show you that too.
597
00:48:47,783 --> 00:48:55,976
If you sit with your thoughts, the real, this type of meditation I've done anyway, is all
about just noticing that you're doing it.
598
00:48:56,357 --> 00:48:57,407
Focus on your breathing.
599
00:48:57,407 --> 00:48:59,808
You're, all right, let's just follow it.
600
00:48:59,808 --> 00:49:02,420
Next thing you know, you're somewhere else.
601
00:49:02,420 --> 00:49:06,582
And the whole trick is to be like, yeah, I was supposed to be thinking about breathing.
602
00:49:06,582 --> 00:49:07,422
Okay.
603
00:49:07,422 --> 00:49:13,605
And to just see that you're doing it and let it go and not necessarily identify with it.
604
00:49:13,866 --> 00:49:20,709
like those crazy thoughts you might write down in your morning pages, it's not meant to be
truth.
605
00:49:21,450 --> 00:49:24,242
It's just, this is what's happening.
606
00:49:24,242 --> 00:49:29,004
And you kind of, um, give it some light of day.
607
00:49:29,066 --> 00:49:32,128
to see what is going on in there.
608
00:49:32,408 --> 00:49:35,510
And from there, you can do a lot with it.
609
00:49:35,890 --> 00:49:45,536
You might get your ideas or you might decide, yeah, maybe it's not so crazy that I reach
out to this person or I start a podcast and see who will talk to me or all that kind of
610
00:49:45,536 --> 00:49:46,656
stuff.
611
00:49:47,177 --> 00:49:48,087
You give it a shot.
612
00:49:48,087 --> 00:49:56,686
Because if you let the CEO mind, like you said, think of what happens when companies get
613
00:49:56,686 --> 00:50:02,826
too big and the only goal is to increase profit and they get safe, right?
614
00:50:02,826 --> 00:50:06,786
They only do things that have worked before.
615
00:50:06,906 --> 00:50:13,926
Whereas the whole reason they got there in the first place is because they had someone
that dared to dream and dare to risk things.
616
00:50:13,926 --> 00:50:17,986
And now here we are with the CEO in charge, it's like, well, I don't know if we can take
that chance.
617
00:50:17,986 --> 00:50:22,346
It's going to be, and that's what we kind of do in our brains a little bit.
618
00:50:22,346 --> 00:50:27,387
Yeah, and it's like, I don't even mean to bash the CEO, like, like entirely.
619
00:50:27,387 --> 00:50:28,348
Yeah.
620
00:50:29,011 --> 00:50:29,603
Yeah.
621
00:50:29,603 --> 00:50:30,143
job.
622
00:50:30,143 --> 00:50:37,967
That's, that's their job, but they, you don't want that to be the only one that gets a
say.
623
00:50:37,967 --> 00:50:39,677
It's kind of like the inner critic too.
624
00:50:39,677 --> 00:50:41,568
Like it's got a job.
625
00:50:41,568 --> 00:50:46,970
It's protecting you, you know, don't make a fool of yourself idiot, but don't let it be
the dictator.
626
00:50:47,031 --> 00:50:48,821
It's not the only one that's in charge.
627
00:50:48,821 --> 00:50:55,422
has a vote, but yeah, hear it out, but let it go if you need to.
628
00:50:55,422 --> 00:51:01,915
And if you think like, you know, given our context, it's like, if you think about this,
you know, like a mixing console and a bunch of faders, you know what I mean?
629
00:51:01,915 --> 00:51:08,998
And all the different voices that exist in your head, you know, and like, just be aware of
what the levels are of each of those voices.
630
00:51:08,998 --> 00:51:10,039
You know what I mean?
631
00:51:10,039 --> 00:51:15,732
And sometimes like some of us have them literally on mute, you know, and others on solo,
you know what I mean?
632
00:51:15,732 --> 00:51:25,086
And so just being aware of like what that balance is like, I think is a really, is
something that I think is hard to get to without
633
00:51:25,947 --> 00:51:37,286
writing as like part of a practice you know around because other people it's not other
people can't necessarily show you because it's like again it's it's inside you know
634
00:51:37,624 --> 00:51:40,696
Well, I think most people don't do it too.
635
00:51:40,736 --> 00:51:43,878
At least that I'm exposed to.
636
00:51:43,878 --> 00:51:45,479
I'll speak for that.
637
00:51:45,479 --> 00:51:54,244
Like, I don't know too many people that do that kind of stuff or spend time meditating and
thinking about their thoughts.
638
00:51:54,546 --> 00:51:56,626
You know, like everyone's busy.
639
00:51:56,967 --> 00:51:58,178
No shame to them.
640
00:51:58,178 --> 00:52:04,492
But the more artistic people I know do things like that.
641
00:52:05,133 --> 00:52:07,574
You know, the creative people definitely do.
642
00:52:10,162 --> 00:52:18,556
A lot of people I think who are, you know, quote unquote, like successful in conventional
terms are very structured in how those things happen.
643
00:52:18,556 --> 00:52:21,898
I think like from the outside, it looks like, they just have it.
644
00:52:21,898 --> 00:52:24,329
But I think like, I think you're a great example.
645
00:52:24,329 --> 00:52:33,023
I think I said this when we spoke before, we're like, you know, you are somebody who has
created a bunch of different kinds of very tangible projects, right?
646
00:52:33,023 --> 00:52:36,264
And have built a very real audience around what you do.
647
00:52:36,264 --> 00:52:40,096
And I think it's like, you understand, like, I mean, as we've talked about neither of us,
648
00:52:40,096 --> 00:52:48,235
is excused from the struggles of creativity and having bad days or days that don't work
out the way that we kind of intended when we got up.
649
00:52:48,510 --> 00:52:53,092
That said, I think you understand sort of like that 80-20 kind of distinction, right?
650
00:52:53,092 --> 00:53:01,046
Like these are the important big pieces for me to knock out in order to keep these things
happening and not getting lost in like, is this mic in the perfect position?
651
00:53:01,086 --> 00:53:04,687
And that is, that is really like kind of like the secret.
652
00:53:04,687 --> 00:53:08,509
That's not a secret in my opinion, is that like, there are no shortcuts.
653
00:53:08,509 --> 00:53:11,410
It's just like, don't try to do everything.
654
00:53:11,511 --> 00:53:18,924
Understand what's important to you and understand what the important parts of that thing
happening are and work according
655
00:53:20,696 --> 00:53:21,547
Hmm.
656
00:53:22,694 --> 00:53:27,740
Yeah, you can do anything you want, but you can't do everything you want.
657
00:53:28,265 --> 00:53:36,535
I do think like, you know, saying no is an important part of it and just something that I
have to remind myself like a lot of the time, like there are times where...
658
00:53:37,838 --> 00:53:38,675
.
659
00:53:38,675 --> 00:53:41,477
like this is a cool idea, but I can't do this right now.
660
00:53:41,477 --> 00:53:49,710
So like it gets written down somewhere, you know, but I'm like, okay, this, I'm being
honest, like if I, if I do take this on, then what am I willing to put down?
661
00:53:49,710 --> 00:53:50,690
You know?
662
00:53:51,051 --> 00:53:59,274
And I try to think of, I think we talked about him before too, and this might've been
offline, but with Cal Newport, who's written like, you know, books around like creativity
663
00:53:59,274 --> 00:54:07,848
and kind of anti, he's like, he's a really great nerdy guy, but really, really, again,
somebody who's written a lot and has very, like has a
664
00:54:07,848 --> 00:54:13,363
of clarity around his philosophy and thoughts and so his his book called Slow Productivity
665
00:54:14,036 --> 00:54:22,720
He's like, you shouldn't, he's like any more, like he's like three high level objectives
or goals is a lot, right?
666
00:54:22,720 --> 00:54:24,841
Any more than that, you're probably not getting even done.
667
00:54:24,841 --> 00:54:29,303
And even even three is a lot more than people kind of think, you know?
668
00:54:29,303 --> 00:54:37,187
And so the way that I've been thinking about it for me is, you know, music, like making
music, my catalog, the second part is the podcast.
669
00:54:37,187 --> 00:54:39,158
And the third part recently has been practicing.
670
00:54:39,158 --> 00:54:44,020
Like I'm really trying to like help like rev up chops and I wanna have a gig and so the
third leg
671
00:54:44,020 --> 00:54:45,311
kind of performance.
672
00:54:45,311 --> 00:54:48,913
So like those are the three things that I try to stay focused on, right?
673
00:54:48,913 --> 00:54:53,523
There are smaller, I'm talking about this with people, say it's like a pinata thing.
674
00:54:53,523 --> 00:54:55,677
So like those are the three big things.
675
00:54:55,938 --> 00:55:01,302
If I break each of those up, those are comprised of kind of projects.
676
00:55:01,302 --> 00:55:09,467
And then those projects are comprised of like actual like actions I need to take, you
know, and figuring out how to structure those in time.
677
00:55:09,467 --> 00:55:14,010
But if something I'm doing is not laddering up to one of those three things, then I'm not
doing
678
00:55:14,010 --> 00:55:16,933
what I said was important to me, you know what I mean?
679
00:55:16,933 --> 00:55:25,602
And so those are the things that I try to like reflect on and when I make my list for the
day I'm like okay these things I want to do because they're helping me achieve one of
680
00:55:25,602 --> 00:55:26,903
those three things.
681
00:55:28,440 --> 00:55:29,721
Yeah, that's a good way to think of it.
682
00:55:29,721 --> 00:55:34,855
Yeah, like working on even one big thing is a lot.
683
00:55:35,677 --> 00:55:38,499
Did I see this clip, maybe it was from you.
684
00:55:38,499 --> 00:55:47,106
um Somebody saying that think of like the number of things you think you can do and like
subtract two from it.
685
00:55:48,328 --> 00:55:48,698
No?
686
00:55:48,698 --> 00:55:49,668
Okay.
687
00:55:49,909 --> 00:55:50,710
Something like that.
688
00:55:50,710 --> 00:55:55,273
Like if you think you do five things and try to do three, if you think you can only do
three things, do one.
689
00:55:55,327 --> 00:56:02,870
Yeah, and that's the thing, man, is like start smaller and like, you know, give yourself
like some real evidence about what you can accomplish.
690
00:56:02,870 --> 00:56:03,801
You know what mean?
691
00:56:03,801 --> 00:56:08,883
And not in a way where you're judging yourself in comparison to what you think other
people are doing.
692
00:56:08,883 --> 00:56:14,565
Like if you compare yourself to as a podcaster to Tim Fairs, that's not fair, right?
693
00:56:14,565 --> 00:56:16,196
It's not you're not in the same place.
694
00:56:16,196 --> 00:56:19,337
You're not in the same level of resources, etc, etc.
695
00:56:19,337 --> 00:56:19,518
Right.
696
00:56:19,518 --> 00:56:23,349
So you really do have to be careful about how you do those things.
697
00:56:23,349 --> 00:56:25,270
And I think, again, like right sizing that.
698
00:56:25,270 --> 00:56:29,273
understanding what your goals are, what do you want?
699
00:56:29,273 --> 00:56:33,235
Are you saying that you want things because this is what other people seem to want?
700
00:56:33,235 --> 00:56:35,897
You know, or is this actually your goal?
701
00:56:35,897 --> 00:56:43,923
You know, and I think like just developing that clarity is so helpful in like kind of
being like, okay, some of that stuff is just noise.
702
00:56:43,923 --> 00:56:44,643
Like I get it.
703
00:56:44,643 --> 00:56:49,867
Like that would be cool to like be able to talk to that person or it would be cool to
drive this car.
704
00:56:49,867 --> 00:56:53,189
But is that really like what I'm doing right now?
705
00:56:53,189 --> 00:56:55,220
Or does any of that have to do with like this?
706
00:56:55,220 --> 00:56:56,614
task at hand.
707
00:56:57,570 --> 00:56:57,840
Yeah.
708
00:56:57,840 --> 00:56:59,882
Yeah.
709
00:56:59,882 --> 00:57:09,780
And I like, like when I think of the podcast too, the real beauty of it is just doing it
as its own reward.
710
00:57:09,780 --> 00:57:14,984
Like if we were just having this conversation and it never got published, it's valuable to
me.
711
00:57:15,305 --> 00:57:16,306
I'm learning a lot.
712
00:57:16,306 --> 00:57:24,493
thinking a lot about stuff and I'm evaluating myself and figuring out like how you work
and what I can take away from that.
713
00:57:24,493 --> 00:57:26,604
Like all this stuff is like seeping in.
714
00:57:26,824 --> 00:57:29,345
It wouldn't matter if this didn't go anywhere.
715
00:57:29,345 --> 00:57:33,377
The fact that it can is just bonus really.
716
00:57:33,878 --> 00:57:36,819
And I love things like that.
717
00:57:36,819 --> 00:57:42,422
like, you know, even just like making music, it just makes me a better person.
718
00:57:42,443 --> 00:57:46,104
I've learned how to be calmer, more relaxed.
719
00:57:46,104 --> 00:57:47,385
I've learned how to have patience.
720
00:57:47,385 --> 00:57:50,346
I've learned how to work with other people.
721
00:57:50,687 --> 00:57:56,430
It's done so much aside from just the music itself.
722
00:57:56,674 --> 00:58:00,135
just the reward of finishing something, which is a whole other layer.
723
00:58:01,096 --> 00:58:08,378
finding things on those levels, even like making packs for me has been so rewarding
because I have all these sounds now.
724
00:58:10,859 --> 00:58:11,950
That's great.
725
00:58:11,950 --> 00:58:18,272
And the fact that people want them or want to use them or make music with them is again,
it's like bonus material.
726
00:58:19,050 --> 00:58:20,128
Yeah, man, I...
727
00:58:20,168 --> 00:58:29,582
I really share a lot of that, that feeling that you described in terms of like this
conversation in and of itself for the participants is worthwhile, you know, and that's why
728
00:58:29,582 --> 00:58:38,377
we share it because the interesting like kind of paradox is like there is only you, you're
the only you, but you're also just like everybody else.
729
00:58:38,377 --> 00:58:42,238
So if this works for us, it's going to work for somebody else.
730
00:58:42,238 --> 00:58:42,949
You know what I mean?
731
00:58:42,949 --> 00:58:45,050
And so I do feel really grateful.
732
00:58:45,050 --> 00:58:47,881
mean, I think we've had a similar experience.
733
00:58:48,061 --> 00:58:50,082
Obviously you're having spent much more time in this
734
00:58:50,082 --> 00:59:01,182
space, I didn't I mean, it's so obvious in hindsight, but the amount that I've learned
through the podcast of like having people on and their willingness to share the things
735
00:59:01,182 --> 00:59:03,342
that they figured out.
736
00:59:03,342 --> 00:59:10,242
And some of these people I had already known in person, some of them I've since met in
real life after the fact.
737
00:59:10,242 --> 00:59:11,750
And so it's just.
738
00:59:11,750 --> 00:59:21,315
in a world where like I think music production, especially because of how technology is
advanced and because of the accessibility in our in our own rooms, we do so much by
739
00:59:21,315 --> 00:59:22,126
ourselves.
740
00:59:22,126 --> 00:59:31,981
So it's been this really nice way to just genuinely get time one on one with somebody and
just talk in depth about random things that come up that are very specific to what we
741
00:59:31,981 --> 00:59:34,152
experience as musicians.
742
00:59:36,049 --> 00:59:45,108
When did you get like your permission slip in the mail to do your podcast or your
certificate or your degree that gave you the right to make this podcast?
743
00:59:45,108 --> 00:59:46,117
The producer head?
744
00:59:46,117 --> 00:59:50,599
So I just signed up at Phoenix University for the podcast Acceleration.
745
00:59:50,599 --> 01:00:03,905
But no, yeah, man, to that point, that's why I just, to anybody listening, like, I just, I
think one of the biggest light bulbs for me was just like, the more that you dig into
746
01:00:03,905 --> 01:00:14,670
stuff and get, you and you get nerdy about musicians or writers or filmmakers, whatever it
happens to be, at some point, I just was like, wow, these are just people, you know, and
747
01:00:14,670 --> 01:00:15,740
they just like didn't give
748
01:00:15,740 --> 01:00:29,113
up and so much, whether you like experience like the material external success and
recognition, I think like what you learn and experience through just trying to do stuff
749
01:00:29,473 --> 01:00:36,155
is, I don't know, it's just, it's hard to put words to that.
750
01:00:36,155 --> 01:00:39,936
And so what I've learned in just committing to do this,
751
01:00:40,926 --> 01:00:44,549
because of what it is to have a podcast, know, like this is the fun part, right?
752
01:00:44,549 --> 01:00:46,761
We just get to like talk about this stuff.
753
01:00:46,761 --> 01:00:52,486
There's like, you know, like the scheduling and like the outreach and there's, you know,
the organization and the social.
754
01:00:52,486 --> 01:00:57,750
It's like, there's a lot of things that are less glamorous than just having this
conversation.
755
01:00:58,452 --> 01:01:03,315
But by committing to the process overall and just be like, I'm gonna just keep doing this
because...
756
01:01:03,934 --> 01:01:08,656
I feel great after the conversation and when it comes out, I'm like, man, you know, this
is cool.
757
01:01:08,656 --> 01:01:11,578
And somebody sends you a message and goes, Hey, like I learned something.
758
01:01:11,578 --> 01:01:12,298
This is really cool.
759
01:01:12,298 --> 01:01:15,730
I didn't even know this person's music existed and now I'm listening to it.
760
01:01:15,790 --> 01:01:18,031
Some people have like collaborated as a result of it.
761
01:01:18,031 --> 01:01:21,873
You know, it's like stuff like that is just like, how do you put a price on that?
762
01:01:21,873 --> 01:01:22,339
You know what I mean?
763
01:01:22,339 --> 01:01:26,235
And I'm just another dude who just started a podcast, you know?
764
01:01:26,456 --> 01:01:27,246
Hmm.
765
01:01:28,227 --> 01:01:40,550
Yeah, I'd say that because I think for a lot of us, feels sort of like we're being
arrogant almost to like, cause like, the hell am I to do this?
766
01:01:40,550 --> 01:01:44,511
And who the hell am I to like put a song on Spotify?
767
01:01:44,511 --> 01:01:46,252
Who am I to, right?
768
01:01:46,252 --> 01:01:54,614
Like it feels like you, somebody needs to ordain me first and give me the permission.
769
01:01:54,678 --> 01:01:57,139
let me into the club or something.
770
01:01:57,540 --> 01:02:02,083
But you just sort of do it.
771
01:02:02,083 --> 01:02:03,304
You just become it.
772
01:02:03,304 --> 01:02:05,646
You declare it yourself.
773
01:02:05,646 --> 01:02:11,130
You adopt it as an identity and that's what people that do podcasts do.
774
01:02:11,130 --> 01:02:12,731
That's what people that make music do.
775
01:02:12,731 --> 01:02:14,092
And that's what I am.
776
01:02:14,092 --> 01:02:23,158
And I've found like, and I think you have too, that you get kind of surprised sometimes
where
777
01:02:23,968 --> 01:02:28,562
You can sense that some people are like, happened to when I started doing live packs,
right?
778
01:02:28,562 --> 01:02:31,694
Like I didn't know much about Ableton Live at all at the time.
779
01:02:31,694 --> 01:02:37,068
I just figured out how to use the sampler and I was putting stuff in it and making
instruments.
780
01:02:37,069 --> 01:02:41,412
And I decided to just make them available for people to download.
781
01:02:41,592 --> 01:02:45,995
And people thought I was like some sort of Ableton Live expert.
782
01:02:48,658 --> 01:02:50,339
I was like, I don't know.
783
01:02:50,339 --> 01:02:53,261
just, they'd ask me questions about other stuff.
784
01:02:54,018 --> 01:02:57,371
really sure but sometimes I'd figure it out.
785
01:02:57,371 --> 01:03:00,253
I'm like, oh let me see if I can figure that out for this person.
786
01:03:00,253 --> 01:03:03,805
I can't believe someone wants to know an answer from me.
787
01:03:04,486 --> 01:03:14,183
And through that process I started to learn and I was showing up trying to make them
consistently and you know next thing you know you're like I actually do know a lot about
788
01:03:14,183 --> 01:03:15,074
this now.
789
01:03:15,074 --> 01:03:20,337
I do know something about putting on a podcast or whatever.
790
01:03:20,468 --> 01:03:23,627
Yeah, and bring us the present day, you're an Ableton certified trainer.
791
01:03:24,278 --> 01:03:32,733
Yeah, the thing that really gets me, I think the most is like I teach this Berkeley online
class, Sampling in Ableton Live.
792
01:03:32,733 --> 01:03:36,745
And I got people in the class that are getting degrees that I don't have.
793
01:03:37,346 --> 01:03:40,128
And I'm a teacher, like I don't have a music degree.
794
01:03:40,128 --> 01:03:43,520
And like, here you are going to Berkeley and taking this class.
795
01:03:43,520 --> 01:03:45,891
Like, it's kind of funny.
796
01:03:45,891 --> 01:03:50,792
And sometimes that really fuels the imposter syndrome too.
797
01:03:50,792 --> 01:03:51,955
Mm Sure.
798
01:03:51,955 --> 01:03:58,259
what are they going to realize that I'm just like some idiot that's been, you know, just
running his mouth about this stuff.
799
01:03:59,000 --> 01:04:02,694
But there's no certificate that comes in the mail.
800
01:04:02,694 --> 01:04:08,666
There's no, you know, official doctrine that you can now be a podcast or Julian.
801
01:04:08,666 --> 01:04:09,827
Congratulations.
802
01:04:09,827 --> 01:04:12,549
You've, you've paid your dues or something.
803
01:04:12,749 --> 01:04:16,852
And so much of it, you just have to go at, just do.
804
01:04:16,852 --> 01:04:19,530
And I think that's.
805
01:04:19,530 --> 01:04:26,195
If we all had to go through that, we'd probably have a lot more of the same.
806
01:04:26,195 --> 01:04:30,998
We'd be all trained the same way and do things the same way and everything would look the
same.
807
01:04:31,178 --> 01:04:38,864
But because we don't, that's why we get like variety and like the stuff you do, even
though we're talking about similar topics, it's different.
808
01:04:38,864 --> 01:04:44,628
The stuff like you mentioned, Dan Giffin's Ableton Producer podcast, like his is
different.
809
01:04:44,628 --> 01:04:47,169
He's got a different feel to it.
810
01:04:48,742 --> 01:04:56,370
Like all the podcasts I have even if they're almost like the same genre they there's a
different feeling it's just because the personalities
811
01:04:57,998 --> 01:04:59,965
And that's like our secret weapon.
812
01:04:59,965 --> 01:05:05,201
all, luckily, are unique and weird in our own ways.
813
01:05:05,482 --> 01:05:06,002
Yeah, man.
814
01:05:06,002 --> 01:05:14,056
And to your point around permission, I think I do think Andrew Wong's book is like, I
mean, even if you never read it, I mean, the title is Make Your Own Rules.
815
01:05:14,216 --> 01:05:19,318
And when you read that book, I mean, I have so much respect for his his like his
everything.
816
01:05:19,318 --> 01:05:27,042
I mean, it's crazy how hard he has worked and continues to work and what he's the way that
he's developed.
817
01:05:27,522 --> 01:05:29,763
And his whole thing is, just that.
818
01:05:29,763 --> 01:05:31,644
Like there was no blueprint.
819
01:05:31,644 --> 01:05:35,379
There were people that told him he was crazy and wasting his time that he
820
01:05:35,379 --> 01:05:41,104
should have been like working at YouTube, helping creators grow their channel instead of
just continuing to build his own.
821
01:05:41,185 --> 01:05:46,250
And so, you know, it's, is, it is, there is nothing harder.
822
01:05:46,250 --> 01:05:50,685
I, in my opinion, like it is really hard to recommit to that every day.
823
01:05:50,685 --> 01:05:52,316
You know, there's.
824
01:05:53,673 --> 01:05:59,215
I like Seth Godin's attitude about certain things and he says, you know, like he's like,
make the decision once and you never have to make it again.
825
01:05:59,215 --> 01:06:00,296
You know what I mean?
826
01:06:00,296 --> 01:06:03,045
And so I think that's an interesting way to think about it.
827
01:06:03,045 --> 01:06:11,891
I also, again, I'm, you know, I keep beating this drum on like writing, but I do think
writing is a good way to remind yourself of like, Hey, like I'm doing this, you know,
828
01:06:11,891 --> 01:06:16,163
whatever it is and like, and really, and really committing to that.
829
01:06:16,163 --> 01:06:23,747
And that it's, it's a hard thing to do because really what we're presented with through
socials and stuff all the time is there's a lot of like these models.
830
01:06:23,747 --> 01:06:27,355
that are just implicit in what we're seeing in terms of the way that people behave and the
way they do it.
831
01:06:27,355 --> 01:06:29,819
So we kind of feel like, we should do this thing.
832
01:06:30,426 --> 01:06:31,306
But.
833
01:06:31,782 --> 01:06:43,225
It is like the more that you, the more directly that you can connect with whatever it is
that that makes you you is like, that's the shortest path, I think, to to making things
834
01:06:43,225 --> 01:06:46,256
that you're going to really feel good about and that other people will really recognize.
835
01:06:46,256 --> 01:06:56,575
Because my belief is that we do have a radar for when people are connecting with
themselves, like when a song is really hitting, like we can tell when we watch somebody
836
01:06:56,575 --> 01:06:59,039
perform something like, like this person's in it.
837
01:06:59,039 --> 01:07:01,360
And that's the thing that clicks in us.
838
01:07:02,606 --> 01:07:04,006
Yeah.
839
01:07:04,306 --> 01:07:06,526
Yeah, it's not like a thing.
840
01:07:06,526 --> 01:07:16,186
Like you said, like this, the YouTube thing, the podcast thing, like those are the
mediums, but the thing is whatever you're bringing to it.
841
01:07:16,186 --> 01:07:20,946
And a lot of people try to do the YouTube thing or the podcast thing.
842
01:07:21,246 --> 01:07:26,486
And a lot of those don't last because they're trying to emulate.
843
01:07:26,546 --> 01:07:28,986
And I can't be Andrew Huang.
844
01:07:28,986 --> 01:07:31,406
Like I know that, like I'm just not him.
845
01:07:31,406 --> 01:07:32,967
I mean, he's incredibly talented.
846
01:07:32,967 --> 01:07:35,047
His way of seeing things is different.
847
01:07:35,047 --> 01:07:37,369
Um, it's just not going to work.
848
01:07:37,369 --> 01:07:38,839
There's other guys I love.
849
01:07:38,839 --> 01:07:41,340
Um, Tim, you suck at producing.
850
01:07:41,340 --> 01:07:42,851
He's got his own angle.
851
01:07:42,851 --> 01:07:44,291
You know, his work.
852
01:07:44,652 --> 01:07:46,142
Um, yeah.
853
01:07:46,142 --> 01:07:47,513
Underbelly, right?
854
01:07:47,913 --> 01:07:48,673
Yeah.
855
01:07:48,673 --> 01:08:00,334
Like, I mean, I remember when he had like 30,000 subscribers, he came on the podcast and
you know, was, and it was like much more homemade.
856
01:08:00,334 --> 01:08:03,516
But he had his snark and humor to it.
857
01:08:03,516 --> 01:08:06,989
kind of, yeah, it's different.
858
01:08:06,989 --> 01:08:07,789
I can't do that.
859
01:08:07,789 --> 01:08:09,620
I can't be him.
860
01:08:09,861 --> 01:08:12,902
And he's already doing it anyway.
861
01:08:14,924 --> 01:08:21,509
Finding your own thing is, it's the trick, I guess.
862
01:08:21,509 --> 01:08:24,220
I still feel like I need to figure that out too.
863
01:08:24,220 --> 01:08:26,902
I'm always like, what am I doing?
864
01:08:26,902 --> 01:08:29,634
What is this identity I have?
865
01:08:30,402 --> 01:08:37,124
What you said about Seth Godin makes me think of like identity, like to decide, like, I'm
the kind of person that does this.
866
01:08:37,124 --> 01:08:39,024
And he's a writer every single day.
867
01:08:39,024 --> 01:08:41,415
puts out that blog, Seth.blog.
868
01:08:41,415 --> 01:08:42,746
I read it every day.
869
01:08:42,746 --> 01:08:45,146
He's always got something interesting.
870
01:08:45,266 --> 01:08:47,507
Um, and short and quick.
871
01:08:47,507 --> 01:08:49,868
And, but like, I couldn't be him either.
872
01:08:49,868 --> 01:08:54,619
Like, that's not the, it's not the point to like, I'm not going to do the Seth thing.
873
01:08:54,619 --> 01:08:58,710
like, I'm going to figure out what my thing is.
874
01:08:58,784 --> 01:09:02,484
Yeah, I mean somebody, so I couldn't recommend that people go listen to this dude.
875
01:09:02,484 --> 01:09:05,264
He's a New York guy, he goes by Nothing New.
876
01:09:05,764 --> 01:09:09,284
And he came on, I think it's like episode nine, right?
877
01:09:09,284 --> 01:09:12,064
I don't have as many episodes as you so it's easier to remember.
878
01:09:12,204 --> 01:09:21,084
But he said something to me that stuck with me and I've said to so many people just like
in passing since then, which is just like, you you're born with a lane.
879
01:09:21,084 --> 01:09:23,164
Like everybody is given one.
880
01:09:23,164 --> 01:09:25,904
And we all spend so much time.
881
01:09:26,560 --> 01:09:27,961
trying to find another one.
882
01:09:27,961 --> 01:09:37,664
vacate our own lane that nobody else can fit in, that we already have from the beginning,
and we spend a lot of time trying to get into other ones and be other things.
883
01:09:37,664 --> 01:09:47,348
Where it's like, if you can just accept and embrace the lane that you're given that you
have from the beginning, again, I just think that's the shortest path to getting to a
884
01:09:47,348 --> 01:09:48,508
place where you can...
885
01:09:49,470 --> 01:09:57,231
really waste a lot less time and just worry, work on hitting that, striking that chord
over and over again, you know?
886
01:09:59,662 --> 01:10:11,622
It's getting me to think, one of the things you wrote about, like things we can talk about
in the little email there was like goals and defining success.
887
01:10:13,758 --> 01:10:18,621
I've never really had these goals too much.
888
01:10:18,621 --> 01:10:25,735
I've like kind of wound up where I am a lot of the times.
889
01:10:25,735 --> 01:10:33,669
like wound up making live packs, wound up Ableton certified trainer, wound up doing a
podcast, you know?
890
01:10:35,570 --> 01:10:39,362
And so many people talk so much about like, need the goal, you need to that vision.
891
01:10:39,362 --> 01:10:42,644
I do think there is some value to that.
892
01:10:42,776 --> 01:10:49,831
But I'm also really starting to believe that sometimes like those goals are the problem.
893
01:10:49,831 --> 01:10:52,434
Like if I, I'm going to do the YouTube thing, right?
894
01:10:52,434 --> 01:10:54,845
I'm going to be like whoever Mr.
895
01:10:54,845 --> 01:10:55,301
Beast.
896
01:10:55,301 --> 01:11:03,743
I'm going to like in trying to figure that out, I would miss so many other things that
might be a little more me.
897
01:11:03,743 --> 01:11:04,983
It might fit me a little better.
898
01:11:04,983 --> 01:11:06,005
I might enjoy better.
899
01:11:06,005 --> 01:11:08,716
It might be more true to who I am.
900
01:11:10,604 --> 01:11:15,430
I'm kind of curious what you think about all that and what you had in mind when you were
talking about that.
901
01:11:15,430 --> 01:11:26,454
Because yeah, I'm wondering if it's more about just charging forward and seeing what you
uncover.
902
01:11:26,602 --> 01:11:30,859
Yeah, well, mean, think the way that I think about it, I mean, there's so many ways,
right?
903
01:11:30,859 --> 01:11:33,322
I do think it's important to like...
904
01:11:34,741 --> 01:11:36,822
to have them be conscious on some level.
905
01:11:36,822 --> 01:11:43,025
I'm very hesitant to tell people, to tell anybody, what their goals should be.
906
01:11:43,026 --> 01:11:47,648
But I think it's, again, it's just really more so about clarity.
907
01:11:47,648 --> 01:11:55,142
So I think, I would say for you, even the way that I described some of the things that I
was talking about before, if I'm talking about podcasts, I'm talking about making music,
908
01:11:55,142 --> 01:11:57,033
and I'm talking about playing live.
909
01:11:57,067 --> 01:11:59,748
Those are things where like, those things aren't goals.
910
01:11:59,748 --> 01:12:03,839
Those are like ongoing, like projects with no end.
911
01:12:03,839 --> 01:12:11,701
But I think of them as like, those are like kind of the legs that I wanna support because
I would argue, like I understand like they're not really goals necessarily like, I wanna
912
01:12:11,701 --> 01:12:14,001
hit like a certain level of something.
913
01:12:14,082 --> 01:12:21,084
However, the way that like, I frame what you just like just said to me about the way that
you, what you've done is like.
914
01:12:21,448 --> 01:12:27,741
I think even if it were subconscious, you're like, I want to make stuff.
915
01:12:27,741 --> 01:12:29,242
I want to make these packs.
916
01:12:29,242 --> 01:12:32,053
And it started out, and you didn't say, I'm going to make these packs forever.
917
01:12:32,053 --> 01:12:33,594
But you're like, I want to make stuff.
918
01:12:33,594 --> 01:12:35,295
These packs kind of fall into that.
919
01:12:35,295 --> 01:12:42,978
And you also understood, because of the kind of guy that you are, that there's embedded in
learning, inherent in all of that, that you're going to pick up.
920
01:12:42,978 --> 01:12:45,419
And all of that's going to accumulate over time.
921
01:12:45,419 --> 01:12:46,320
You know what I mean?
922
01:12:46,320 --> 01:12:51,422
And then I would argue that you've stacked it in a way that makes a lot of sense.
923
01:12:51,422 --> 01:12:57,446
The podcast and the YouTube channel, for instance, are just mediums to collect what you're
already doing.
924
01:12:57,446 --> 01:13:03,150
You didn't really create like it's not to discount the amount of work because the quality
of content you put out is very high.
925
01:13:03,150 --> 01:13:06,722
But it is to say that like you didn't create a separate stream of work.
926
01:13:06,722 --> 01:13:08,433
You're like, this is what I'm doing.
927
01:13:08,433 --> 01:13:12,742
I'm not just going to make videos and conversations about the other stuff that I'm doing.
928
01:13:12,742 --> 01:13:13,367
Do you know what I mean?
929
01:13:13,367 --> 01:13:17,279
And so it kind of becomes, in my opinion, like a way to document what's happening.
930
01:13:17,279 --> 01:13:21,282
And that's what I encourage people to do also is to like, because you can't do everything.
931
01:13:21,282 --> 01:13:23,484
What do you really like to do?
932
01:13:23,484 --> 01:13:35,331
Do that, you know, instead of like making content creation a separate job, like how can
you be like, hey, like this is what I like to do and how can I repurpose this or use this
933
01:13:35,331 --> 01:13:36,512
as content?
934
01:13:36,512 --> 01:13:44,678
And again, this is where like things like efficiency are useful, you know, and
understanding because this isn't in service of efficiency for efficiency sake.
935
01:13:44,678 --> 01:13:51,462
It's in service of you spending your time the way that you want to spend it, learning and
doing the things that you want to do.
936
01:13:54,011 --> 01:14:04,737
Right, okay, so like as I think about it, my way of putting goals is more like I want to
try to do something with music every day.
937
01:14:05,578 --> 01:14:06,559
Whatever that means.
938
01:14:06,559 --> 01:14:10,100
Or I want to try to exercise every day.
939
01:14:10,981 --> 01:14:18,146
If I make my goal, I need to have 50,000 subscribers on YouTube, I've failed.
940
01:14:18,146 --> 01:14:19,476
Right, I'm not there.
941
01:14:19,526 --> 01:14:23,851
or if it's going to be, want to lose this much weight or gain this much weight muscle.
942
01:14:23,851 --> 01:14:29,467
If I don't get to that, I've failed, even though I may have put in all the things.
943
01:14:29,467 --> 01:14:34,592
I might be doing the steps that will eventually get me to those types of things, but...
944
01:14:36,352 --> 01:14:42,367
the, if I let those be my benchmarks, I can get disappointed in it.
945
01:14:42,367 --> 01:14:48,623
And then sometimes you look at numbers and you thought, man, how come, you know, why can't
it be more?
946
01:14:48,623 --> 01:14:50,264
And this person has so much of that.
947
01:14:50,264 --> 01:14:52,935
And you do the comparison thing.
948
01:14:53,657 --> 01:15:04,006
But when I think of the goal as more immediate, where I kind of get the feedback almost if
I can, like every day, or at least every week,
949
01:15:04,534 --> 01:15:13,767
I feel kind of good about like with the podcast, more like every, it's kind of, it's still
kind of a weekly thing because I try to get one released every week and then I try to make
950
01:15:13,767 --> 01:15:15,087
the clips for it the next week.
951
01:15:15,087 --> 01:15:17,898
That's kind of been my goal with it.
952
01:15:17,898 --> 01:15:33,602
And yeah, but like to get, you know, this many subscribers, I don't even hardly know how
you figure out how many subscribers you have, but um that is so much less in my control.
953
01:15:35,094 --> 01:15:38,315
Like that that is exactly what I'm thinking the whole time you're saying this right?
954
01:15:38,315 --> 01:15:39,246
It's like
955
01:15:39,721 --> 01:15:43,713
Liz Gilbert, she wrote like, pray love big magic, things like that.
956
01:15:43,713 --> 01:15:45,544
She said something that I was listening to her.
957
01:15:45,544 --> 01:15:48,365
was on a, love Mike, big Lee is podcasts working it out.
958
01:15:48,365 --> 01:15:49,165
So good.
959
01:15:49,165 --> 01:15:53,747
But she, their interview, she was on with him recently was, was great.
960
01:15:53,747 --> 01:16:00,700
And she dropped this line that was like, you have the right to your work, but not like you
have the right to your labor, but not the fruits of your labor.
961
01:16:00,700 --> 01:16:01,000
Right.
962
01:16:01,000 --> 01:16:05,462
And so, and it comes back to kind of what we saying too, about like the permission and the
podcast stuff.
963
01:16:05,462 --> 01:16:10,094
It's like, do you want to like be somebody like you like the idea of having.
964
01:16:10,534 --> 01:16:15,018
like recognition or do you want to actually do the project?
965
01:16:15,018 --> 01:16:15,759
You know what I mean?
966
01:16:15,759 --> 01:16:25,046
Because you can control whether or not you do the project within whatever the bounds of
your life are, but you do not get to control like whether or not it's success.
967
01:16:25,046 --> 01:16:30,410
And Chris Rock has a similar line where he's like, you cannot control whether or not it's
a success.
968
01:16:30,410 --> 01:16:32,471
You can make sure it's good.
969
01:16:34,238 --> 01:16:40,775
And I, and so I try to like, to everybody that like, I know I'm always just like, I
totally get it.
970
01:16:40,775 --> 01:16:42,742
And like, that's something that comes up for me in writing a lot.
971
01:16:42,742 --> 01:16:47,461
I'm like, Hey, where's that line between what I can control and what I can't control?
972
01:16:47,461 --> 01:16:48,703
Thoughts, words, actions.
973
01:16:48,703 --> 01:16:50,945
After that, it's, it's up to everybody.
974
01:16:50,945 --> 01:16:56,891
It's, up to somebody else, you know, or things that I can't really quantify or organize.
975
01:16:56,891 --> 01:16:57,711
So
976
01:16:58,376 --> 01:17:03,341
And again, we get, you wake up with like a fixed quantity of energy every day, right?
977
01:17:03,341 --> 01:17:05,863
All you're doing is expending it throughout the day.
978
01:17:05,863 --> 01:17:15,372
So all the time that you spend expanding it on things that you really cannot influence in
any way, you're only, you're now making it that much harder to do anything else to
979
01:17:15,372 --> 01:17:18,755
everything that you do, you're not doing with less than you can do it with.
980
01:17:18,755 --> 01:17:19,595
So
981
01:17:20,062 --> 01:17:25,741
The feeling that I have about it is just like, you can't control whether or not it's a
success.
982
01:17:25,741 --> 01:17:27,712
You can't control whether it's good.
983
01:17:27,712 --> 01:17:35,175
And if it's good, that's like the best, as far as I know, that's the best you can do to
increase the probability of success.
984
01:17:36,064 --> 01:17:36,424
Right.
985
01:17:36,424 --> 01:17:39,217
I like that way of thinking the fixed energy.
986
01:17:41,441 --> 01:17:49,594
because yeah, like it's easy to just burn the energy worrying about things that, you know,
don't matter.
987
01:17:49,594 --> 01:17:54,534
It's like you're in a video game and your energy bar is like going down for no reason.
988
01:17:54,534 --> 01:18:01,168
I don't mean to make it like it's not so bleak, but like in a way it's just like, you're,
you know, your energy level and your moods will fluctuate throughout the day.
989
01:18:01,168 --> 01:18:04,501
But generally speaking, you know, you're just getting more tired as the day goes on.
990
01:18:04,501 --> 01:18:06,432
So just being aware of that.
991
01:18:06,432 --> 01:18:06,902
Yeah.
992
01:18:06,902 --> 01:18:12,566
And so, and what, you know, the only thing you can really do to make that better is to,
you know, take your recovery more seriously.
993
01:18:12,566 --> 01:18:15,307
But that's like a whole nother thing, you know, but.
994
01:18:15,847 --> 01:18:21,632
But I could apply that to myself and the way I consume content.
995
01:18:21,712 --> 01:18:31,590
You know, I love to keep track of what's going on, what's new, what's the news, what's the
new updates and what plugins and you know, all this stuff, super booth just happened.
996
01:18:31,590 --> 01:18:35,343
It's like, man, all this new stuff's coming out and you read it.
997
01:18:35,343 --> 01:18:40,027
Uh, and I often do that before I start making my music.
998
01:18:40,027 --> 01:18:43,550
Um, but that is like,
999
01:18:43,710 --> 01:18:45,711
a depletion of energy.
1000
01:18:45,711 --> 01:18:57,198
I'd be much better off doing that as I'm like trying to stay awake in bed or you know in
my final hours where my energy is like practically worthless anyway instead of when I'm
1001
01:18:57,198 --> 01:18:58,238
fresh.
1002
01:18:58,633 --> 01:19:06,436
but I know, like, because a while back, you had told me that you had read like the four
hour work week and I never read that book.
1003
01:19:06,836 --> 01:19:14,099
But like recently he dropped like a little audio portion of it and I was and so I listened
to a little bit of it like a couple of weeks ago for the first time.
1004
01:19:14,099 --> 01:19:20,062
And so it really hit me because it made me realize, I mean, part of why I started a
podcast was because like I really enjoy them.
1005
01:19:20,062 --> 01:19:22,003
I was listening to so many right.
1006
01:19:22,003 --> 01:19:23,483
Arguably too many.
1007
01:19:23,663 --> 01:19:24,544
But.
1008
01:19:26,344 --> 01:19:30,516
It made me think of basically this idea of just how much information we consume, right?
1009
01:19:30,516 --> 01:19:33,467
You're like, there's just so much stuff happening.
1010
01:19:33,668 --> 01:19:40,451
And I think it made me realize like how much less I listen, I have been listening to
music.
1011
01:19:40,532 --> 01:19:47,075
And so his thing was like, know, in this thing was like, cut yourself off from like
information, period, right?
1012
01:19:47,075 --> 01:19:47,775
But music.
1013
01:19:47,775 --> 01:19:49,832
information diet, right?
1014
01:19:50,249 --> 01:19:50,730
exactly.
1015
01:19:50,730 --> 01:19:55,679
then music though was like unlimited, like allowed in an unlimited quantity.
1016
01:19:55,679 --> 01:19:56,581
And I was like, wow.
1017
01:19:56,581 --> 01:19:59,635
And I was like, and I did that last week and I was like.
1018
01:20:00,043 --> 01:20:10,756
I'm like, man, like the amount of energy that I am taking in podcasts stuff, making notes
about it or like, or like, you know, thinking through these things, trying to follow these
1019
01:20:10,756 --> 01:20:18,619
conversations and thinking about whatever these ideas are, how much that actually does in
a pretty insidious way, like require energy.
1020
01:20:18,619 --> 01:20:24,960
And you think it doesn't cause it's sort of this like, I also think it's like kind of a
little weird because it's, like infotainment.
1021
01:20:24,960 --> 01:20:29,762
It's not necessarily like purely like real education necessarily.
1022
01:20:30,072 --> 01:20:37,566
And it's and it's and it's and so I've realized I'm like, wow, like this is I think this
is I was like, I think podcasts are actually a form of resistance for me.
1023
01:20:37,566 --> 01:20:39,447
Like, and I need to actually dial this down.
1024
01:20:39,447 --> 01:20:48,092
And so I'm now like rat like coming back up trying to be more intentional about what I
listen to, how much in a given day I allow myself to listen to it.
1025
01:20:48,092 --> 01:20:57,277
And honestly, like just this past week of just listening to like hours of music like
throughout the day, whether it's like super like super attentively or just in the
1026
01:20:57,277 --> 01:21:00,028
background, the way that just like even like the little
1027
01:21:00,028 --> 01:21:04,473
bar sketches I've made in the last week I'm like wow this is different you know so
1028
01:21:04,786 --> 01:21:08,739
It's just been really a good reminder of like stuff I already knew that I just really got
away from.
1029
01:21:08,739 --> 01:21:12,662
And I'm like, wow, it is like, I don't need all of that stuff.
1030
01:21:12,662 --> 01:21:13,523
You know what I mean?
1031
01:21:13,523 --> 01:21:19,201
And I think when I started the podcast too, it's like, I'm always like, now I'm listening
to podcasts differently.
1032
01:21:19,201 --> 01:21:20,908
I imagine it happens to you too.
1033
01:21:20,908 --> 01:21:26,673
pay more attention to the host probably than I did before because I'm trying to figure
out, okay, how can I be a better host?
1034
01:21:26,673 --> 01:21:28,194
What are good questions?
1035
01:21:28,194 --> 01:21:30,475
You know, what are interesting little things to.
1036
01:21:31,381 --> 01:21:34,942
to make it more me or whatever it happens to be, you know?
1037
01:21:35,043 --> 01:21:38,654
And so, but that has come at the cost of my music, right?
1038
01:21:38,654 --> 01:21:48,869
And so back to the original thing and the identity we were talking about, that's fine if I
wanna just be the podcaster, but if I wanna be the musician that has a podcast, let's
1039
01:21:48,869 --> 01:21:53,951
rework like my diet, because it's essentially diet is the way that I think about it, what
you're taking in.
1040
01:21:53,951 --> 01:22:01,364
And if I'm taking in more podcasts and education and all that stuff, more than I am the
music,
1041
01:22:01,364 --> 01:22:06,798
It doesn't, shouldn't be surprising that my output is more podcast focused.
1042
01:22:06,798 --> 01:22:08,738
Yeah, that's a good point.
1043
01:22:09,998 --> 01:22:22,578
Yeah, cause we're no shortage of information and every single platform out there is vying
for your attention, trying to make you think it's important and care about it.
1044
01:22:23,778 --> 01:22:29,978
And whether it's news, whether it's, like you said, the fun stuff, the podcast, I want to
hear what this artist has to say.
1045
01:22:29,978 --> 01:22:31,318
I want to hear what they have to say.
1046
01:22:31,318 --> 01:22:32,258
And this, oh, cool.
1047
01:22:32,258 --> 01:22:34,078
That'd be fun to listen to.
1048
01:22:34,218 --> 01:22:35,478
It is.
1049
01:22:36,270 --> 01:22:39,250
part of your diet.
1050
01:22:39,250 --> 01:22:40,990
I do it a lot.
1051
01:22:41,810 --> 01:22:51,570
I have a lot of things I like to follow, lot of YouTubers I like to keep up with, and all
kinds of stuff that does cut into it.
1052
01:22:51,650 --> 01:22:57,230
I think one thing that works for me nicely is having a kind of longer commute to work.
1053
01:22:57,230 --> 01:23:01,090
It's like a 40 minute or so commute each way.
1054
01:23:01,170 --> 01:23:04,010
So I can consume in that amount of time.
1055
01:23:05,452 --> 01:23:11,609
do my exercises, I tend to put on like a YouTube video or a couple of them to catch up.
1056
01:23:11,811 --> 01:23:13,182
But that's probably all I need.
1057
01:23:13,182 --> 01:23:21,844
the other amount of hours, who knows per day probably, like is probably excessive.
1058
01:23:21,844 --> 01:23:28,786
Yeah, that's the one piece where I'm a little bit critical of myself right now where I
need to like, because you are what you eat, you know what I mean?
1059
01:23:28,786 --> 01:23:38,750
And so I think it is, and there is such a thing as like gluttony when it comes to like
this stuff, but it just doesn't hit you the same way because like, you know, it's less
1060
01:23:38,750 --> 01:23:41,191
like eating a giant meal.
1061
01:23:41,851 --> 01:23:44,122
So yeah, I don't know, man.
1062
01:23:44,122 --> 01:23:52,702
like the super booth stuff, I've found myself on Sweetwater a few more times than normal,
probably.
1063
01:23:52,702 --> 01:23:56,726
I really buy anything, but yeah, it's kind of like that.
1064
01:23:56,726 --> 01:23:57,546
Yeah.
1065
01:23:57,546 --> 01:24:03,508
It's, it's, um, yeah, like a convention synthesis music production stuff.
1066
01:24:04,029 --> 01:24:04,949
Yeah.
1067
01:24:06,769 --> 01:24:08,222
I don't know if that's true.
1068
01:24:08,222 --> 01:24:09,350
Um,
1069
01:24:10,988 --> 01:24:13,347
like Ableton's there.
1070
01:24:15,374 --> 01:24:20,934
teenage engineering, like some of the companies that I'm into and some like a lot more
boutique stuff.
1071
01:24:21,374 --> 01:24:23,814
uh, yeah, that's interesting.
1072
01:24:23,814 --> 01:24:25,414
You know, it's an industry thing.
1073
01:24:25,414 --> 01:24:34,234
if it was in this country, I might try to go just to meet people and network a little and
learn and stuff.
1074
01:24:35,074 --> 01:24:44,990
But in seeing like new stuff, new stuff, new stuff, it does seep into you a little bit and
make you say like, Oh, I wonder if I should have some new stuff too.
1075
01:24:44,990 --> 01:24:45,861
Yeah.
1076
01:24:47,108 --> 01:24:51,821
So this is, this is a weird thing if you want to try is like.
1077
01:24:53,074 --> 01:24:57,726
Every time you think about buying something, like create a spreadsheet or have a piece of
paper or whatever.
1078
01:24:57,726 --> 01:25:06,340
And every time you think about buying something for a week, just, just try this, just
write it down and every single thing, bigger, big or small, and just see like, if you're
1079
01:25:06,340 --> 01:25:11,433
not looking at it, et cetera, et cetera, like how much you actually do think you want to
need those things.
1080
01:25:11,433 --> 01:25:13,153
Cause maybe some of me really do.
1081
01:25:13,173 --> 01:25:17,235
And a lot of like, I felt, but a lot of times you're like, wait, like, you know, I get it.
1082
01:25:17,235 --> 01:25:17,589
It's cool.
1083
01:25:17,589 --> 01:25:20,117
It's because I'm seeing these ads, but do I really want this thing?
1084
01:25:20,117 --> 01:25:23,059
You know, was it something I was thinking about before?
1085
01:25:23,059 --> 01:25:28,239
uh maybe like a week or two buffer between clicking the button.
1086
01:25:28,239 --> 01:25:29,060
too easy to buy.
1087
01:25:29,060 --> 01:25:29,590
That's the thing.
1088
01:25:29,590 --> 01:25:30,740
The friction is too low.
1089
01:25:30,740 --> 01:25:31,660
It's too easy.
1090
01:25:31,660 --> 01:25:32,620
Yeah.
1091
01:25:32,721 --> 01:25:33,261
Yeah.
1092
01:25:33,261 --> 01:25:34,661
And it can arrive so quickly.
1093
01:25:34,661 --> 01:25:37,902
You're like, you could see it and have it so fast that it is.
1094
01:25:37,962 --> 01:25:38,532
Yeah, man.
1095
01:25:38,532 --> 01:25:40,913
I mean, the gear is, I mean, it's so fun, though.
1096
01:25:40,913 --> 01:25:41,523
I mean, I get it.
1097
01:25:41,523 --> 01:25:43,553
And you can use it for real things, you know?
1098
01:25:43,553 --> 01:25:46,186
So I mean, so I get it.
1099
01:25:46,186 --> 01:25:53,648
Yeah, I'm trying to really dig into stuff I already have that I haven't explored as much
because there's a ton of it.
1100
01:25:53,809 --> 01:26:04,802
And, know, with my music production club, we do like this monthly music mission and part
of the May monthly music mission was use something you haven't given enough time to.
1101
01:26:04,802 --> 01:26:07,232
Maybe it's a plugin, maybe it's samples.
1102
01:26:07,246 --> 01:26:12,854
I think that's part of the kind of challenge of this month is to.
1103
01:26:13,306 --> 01:26:14,104
Yeah.
1104
01:26:14,104 --> 01:26:17,726
dig into something that maybe you haven't explored enough.
1105
01:26:17,726 --> 01:26:19,886
Yeah, that's really cool.
1106
01:26:19,886 --> 01:26:22,458
Yeah, I'm trying to, yeah, man.
1107
01:26:22,458 --> 01:26:32,694
I'm trying to do a similar thing where I'm just like, I want to like kind of almost decide
on a palette of sounds and just use them until I get really, because it's just like, you
1108
01:26:32,694 --> 01:26:38,506
know how it is, like just like scrolling through trying to find like the perfect patch or
something.
1109
01:26:38,506 --> 01:26:41,127
And I'm like, when I think about how much.
1110
01:26:43,134 --> 01:26:50,826
like people have a sound because they have actually committed to a palette, you know, is
like such a powerful thing and they don't spend every time trying to do it.
1111
01:26:50,826 --> 01:26:59,064
And I think, especially early on, I suffered from like, all right, well, I've used these
drums, so can't use these drum samples anymore, you know, where I'm like, I don't know if
1112
01:26:59,064 --> 01:27:08,539
really, but you know, like ninth wonder, like the producer for like the, all like the
little brother stuff, like he used the same snare drum and like everything, you know, and
1113
01:27:08,539 --> 01:27:12,990
so many, it's just like, so many of these people that we like love and respect as,
1114
01:27:13,450 --> 01:27:16,302
As solid like they have their thing, you know what I mean?
1115
01:27:16,302 --> 01:27:25,900
I think it from a productivity standpoint, too also just removes like those decisions you
have to make So I do think there is something like how many plugins I have I couldn't even
1116
01:27:25,900 --> 01:27:35,007
tell you how many I have that I don't use on a regular basis and how I'm like trying to
like just like what are the ones gonna be that'll be like My first go-to thing and if I
1117
01:27:35,007 --> 01:27:41,952
really can't make it happen with that thing and I'll use something else, you know That's
like the place I'd like to get to but I'm not there
1118
01:27:42,702 --> 01:27:53,202
Yeah, coming from a band background might help me with this a little bit because I don't
know if you can tell there is a drum set behind me.
1119
01:27:53,822 --> 01:27:59,261
Those are the drums, you know, like that's the drums we're going to play with in the band.
1120
01:27:59,422 --> 01:28:02,102
And that's my guitar amp over here.
1121
01:28:02,102 --> 01:28:09,842
And that's, you know, I do have a couple of guitars to choose from, but I'm kind of, you
know, in a zone with the Telecaster right now.
1122
01:28:09,842 --> 01:28:11,142
So that's what I'm using.
1123
01:28:11,980 --> 01:28:16,232
And when we play, it's like, that's our palette.
1124
01:28:16,232 --> 01:28:18,454
We don't think about it too much.
1125
01:28:18,454 --> 01:28:25,357
And it's funny when we start thinking about it, when we start saying like, you know, like,
I like the drums kind of dead.
1126
01:28:25,357 --> 01:28:29,450
And when I start getting like, Hey, can we like, maybe like muffle them a little bit?
1127
01:28:29,450 --> 01:28:31,741
And then everything slows down, right?
1128
01:28:31,741 --> 01:28:36,663
Like now we're not playing and we're wondering if it's okay now.
1129
01:28:37,304 --> 01:28:40,425
And that's kind of like searching through all your presets.
1130
01:28:41,538 --> 01:28:51,546
And there's, you know, how many albums have been made where that's the kit, you know,
that's every single song was played on the same drum kit or same guitar.
1131
01:28:51,546 --> 01:28:54,899
And it doesn't seem weird on that.
1132
01:28:54,899 --> 01:29:00,833
The same piano was used on every song that maybe like Elton John recorded or something.
1133
01:29:01,214 --> 01:29:10,111
But something about now with the computer and that we have all the access to all the
stuff, we feel like I shouldn't use that snare again.
1134
01:29:10,111 --> 01:29:11,116
Cause you know, I
1135
01:29:11,116 --> 01:29:12,647
I used it in another song.
1136
01:29:12,647 --> 01:29:17,899
But funnily enough, if you use it in the same song, it might give your album some
cohesion.
1137
01:29:17,899 --> 01:29:28,674
It'd be, it's almost like a throwback, like, these are connected and it inhabits the same
sonic space as some of the other songs.
1138
01:29:29,152 --> 01:29:36,002
I've never heard somebody listen to all the Krungman albums and go, you know what, I wish
they would just play a different drum kit.
1139
01:29:36,492 --> 01:29:39,028
Or I wish you would play not a strat.
1140
01:29:39,028 --> 01:29:41,150
I've never heard anybody say that.
1141
01:29:42,073 --> 01:29:43,668
And I do think it is funny.
1142
01:29:43,668 --> 01:29:46,722
players have made the whole careers on certain guitars.
1143
01:29:46,722 --> 01:29:49,714
Like what do you picture Jimi Hendrix playing?
1144
01:29:50,336 --> 01:29:51,796
Strat, right?
1145
01:29:52,578 --> 01:29:53,439
Yeah.
1146
01:29:53,439 --> 01:29:55,206
It's like why everyone got a strat.
1147
01:29:55,206 --> 01:29:56,184
yeah, exactly.
1148
01:29:56,184 --> 01:29:57,648
I mean, and they sound great, man.
1149
01:29:57,648 --> 01:29:58,929
I I love the sounds of them.
1150
01:29:58,929 --> 01:30:00,831
But so I mean, yeah, it is.
1151
01:30:00,831 --> 01:30:07,916
do think it's like it does connect to what we're talking about before in terms of just
like don't make decisions or don't put yourself in a position to make decisions you don't
1152
01:30:07,916 --> 01:30:12,800
really need to make, you know, and like just kind of commit to stuff and a lot can happen.
1153
01:30:12,800 --> 01:30:16,143
And because of the world that we're in with all this digital stuff, I you can always
change it later.
1154
01:30:16,143 --> 01:30:17,343
So it's just like.
1155
01:30:21,912 --> 01:30:26,897
Yeah man, it's like we invent problems for ourselves sometimes.
1156
01:30:28,222 --> 01:30:30,161
No, me never man, never.
1157
01:30:32,270 --> 01:30:33,021
But it's hard.
1158
01:30:33,021 --> 01:30:35,697
I'm glad it's hard for you because that means I'm not weird.
1159
01:30:35,697 --> 01:30:37,479
Sorry you have to go through it too.
1160
01:30:37,888 --> 01:30:43,714
I don't know man, I think if anybody tells you it's not hard, just, they're either not in
it or they're just lying.
1161
01:30:45,551 --> 01:30:47,262
Without that though, there's no glory.
1162
01:30:47,262 --> 01:30:48,884
There's no satisfaction in it, right?
1163
01:30:48,884 --> 01:31:00,177
Because I mean, we have the proof of that is like, you could have AI generate music for
you now and you can just be clicking buttons and outputting like crazy.
1164
01:31:00,177 --> 01:31:02,749
You could be so prolific that way, right?
1165
01:31:04,064 --> 01:31:06,852
That's actually a great way to extrapolate that, just productivity.
1166
01:31:06,852 --> 01:31:09,900
Yeah, it's like, yeah, you can have a bunch of songs, you know, but.
1167
01:31:09,900 --> 01:31:12,331
Yeah, yeah, that could be the answer.
1168
01:31:12,331 --> 01:31:15,793
So there's a reason why we go through it.
1169
01:31:15,793 --> 01:31:22,517
You know, it's fun, it's exciting, it's an adventure and it does have a little pain every
once in a while.
1170
01:31:28,012 --> 01:31:31,885
Yeah, right, yeah, that's applies to exercise, right?
1171
01:31:31,885 --> 01:31:37,450
Like if you're not pushing yourself, you're not growing, you're not changing.
1172
01:31:37,957 --> 01:31:43,659
I do think it's like that balance is like, what is the right, like rate at which to push
yourself, right?
1173
01:31:43,659 --> 01:31:51,211
Because we're like, we're talking about before it's like, you take off, if you take on too
much at once, or you take on what's beyond whatever your current like ability level is,
1174
01:31:51,211 --> 01:31:56,302
your threshold is like, you you crumble under that and there's no shame in being where
you're, where you're at.
1175
01:31:56,302 --> 01:31:57,383
You know what I mean?
1176
01:31:57,383 --> 01:32:02,004
And so just like, you can lift what you can lift, you know?
1177
01:32:02,796 --> 01:32:03,626
Yeah.
1178
01:32:03,787 --> 01:32:08,911
That's what the author of that book, Flow, whose name I would not be able to pronounce.
1179
01:32:09,332 --> 01:32:20,512
but that's what he says, you know, it's about, we get into flow when we are challenged,
not where it's impossible, but it's not easy either.
1180
01:32:20,512 --> 01:32:22,184
When it's easy, we get bored.
1181
01:32:22,184 --> 01:32:29,410
But when the challenge is sort of just right, where sometimes we succeed and sometimes we
don't, that's...
1182
01:32:29,516 --> 01:32:33,822
where we can tap into that feeling and kind of get lost in the work.
1183
01:32:33,940 --> 01:32:34,831
Yeah, I love that man.
1184
01:32:34,831 --> 01:32:38,433
Tennis and ping pong is the great example for that, right?
1185
01:32:38,433 --> 01:32:42,325
You know what it's like to play somebody way better than you or way worse than you?
1186
01:32:42,325 --> 01:32:43,746
It's not fun.
1187
01:32:43,746 --> 01:32:49,549
But when you have somebody who can maybe beat you or you can maybe beat them, that's right
where you want to be.
1188
01:32:50,088 --> 01:32:51,550
Right on that edge.
1189
01:32:52,250 --> 01:32:53,271
Yeah.
1190
01:32:54,212 --> 01:32:55,152
Yeah.
1191
01:32:55,264 --> 01:32:56,264
Exactly.
1192
01:32:56,264 --> 01:32:58,004
Yeah, I think that's actually a great reminder, man.
1193
01:32:58,004 --> 01:33:06,724
Yeah, that's really cool about how to find that, what is a really hard thing to quantify,
but you can kind of feel when you're in that space where you're on the border of, I don't
1194
01:33:06,724 --> 01:33:08,164
know if I'm gonna win or lose this game.
1195
01:33:08,164 --> 01:33:15,044
That's kind of where you wanna be, I think, if you're trying to expand or grow an ability
or a skill in some way.
1196
01:33:15,502 --> 01:33:23,982
Yeah, I heard David Bowie saying, want to be kind of like, like the water's like almost up
to here.
1197
01:33:23,982 --> 01:33:30,602
And you're like, you know, if it's too easy, you're not challenging yourself artistically.
1198
01:33:30,602 --> 01:33:36,542
not, you want to kind of be a little bit out to sea.
1199
01:33:36,949 --> 01:33:37,589
Yeah, man.
1200
01:33:37,589 --> 01:33:44,522
mean, that guy, that's a, it's, I don't know what, how guys like that or what, what was
going through their minds to expand.
1201
01:33:44,522 --> 01:33:49,995
Cause it's like, that's in a way where I think about like pushing and expanding and
growing.
1202
01:33:49,995 --> 01:33:57,278
think a lot of it in like kind of technical ways, like, know, how can I maybe play
something with more proficiency or something like that?
1203
01:33:57,538 --> 01:33:59,539
Or how can I mix something better?
1204
01:33:59,539 --> 01:34:01,340
But that idea of like,
1205
01:34:01,874 --> 01:34:03,755
expanding artistic expression.
1206
01:34:03,755 --> 01:34:07,528
That's like a hard thing to wrap my head around.
1207
01:34:07,528 --> 01:34:16,525
And for guys like him, it's like, man, like, you know, him and like David Byrne and guys
like that, you know, it's like, wow, like they did have an idea of like how to push
1208
01:34:16,525 --> 01:34:18,376
themselves in that way.
1209
01:34:18,496 --> 01:34:23,479
That's really interesting and I think harder to teach or translate.
1210
01:34:24,494 --> 01:34:33,658
Yeah, I think a lot of it is a lot of output and not really worrying about it too much.
1211
01:34:34,074 --> 01:34:40,181
I both of those guys I love and both of them have music I don't ever want to listen to.
1212
01:34:40,841 --> 01:34:47,844
know, like, I mean, some of it is like I would take on a desert island and some of it I
don't ever need to hear again.
1213
01:34:48,164 --> 01:34:52,606
So it wasn't, all of it wasn't at
1214
01:34:52,972 --> 01:35:04,931
whatever my particular preference is, or probably the same for them, you know, but they
kept pushing, kept trying to find stuff and kept going and not really too concerned, I
1215
01:35:04,931 --> 01:35:07,403
think sometimes about how it would be received.
1216
01:35:07,403 --> 01:35:19,072
And I think of like some of the risks they took, like when you're doing that well, to just
take these wild left turns and just be like, that's what I'm doing.
1217
01:35:19,134 --> 01:35:21,438
Yeah, mean, I guess you could say the same thing about miles, right?
1218
01:35:21,438 --> 01:35:23,450
It's like a similar kind of thing.
1219
01:35:23,854 --> 01:35:26,656
A lot of the greats have that in common, right?
1220
01:35:26,801 --> 01:35:35,709
And I think, I mean, and that's, and that is a great example, like at the top of all of
this, which is like those, that is not an efficiency or productivity based mindset.
1221
01:35:35,709 --> 01:35:37,531
It's like a curiosity.
1222
01:35:37,631 --> 01:35:41,955
What kind of weird place can I find myself in that I've never been to before?
1223
01:35:43,182 --> 01:35:44,502
Yeah.
1224
01:35:44,562 --> 01:35:45,082
Yeah.
1225
01:35:45,082 --> 01:35:57,762
Like if the Beatles, like all their output happens so fast, really like 1963 to 1970 is
like their whole career and how many crazy directions they went.
1226
01:35:58,002 --> 01:36:07,482
If they were trying to recreate, like, She Loves You for like two years before they came
out with like a new album instead of doing like three a year, right?
1227
01:36:07,702 --> 01:36:11,682
You know, they never would have got to those places.
1228
01:36:14,018 --> 01:36:20,498
They just, they were kind of like always chasing new, something different.
1229
01:36:21,760 --> 01:36:23,760
And yeah, somehow at all.
1230
01:36:23,760 --> 01:36:27,620
Yeah, I mean, and I mean, I'm a, as you know, I'm also a big fan.
1231
01:36:28,800 --> 01:36:37,760
And yeah, it is wild when you think about those records like lined up next to each other
and how different and individual each of them are over time.
1232
01:36:38,420 --> 01:36:39,360
Yeah.
1233
01:36:39,797 --> 01:36:45,101
Sometimes not even a year apart, just man.
1234
01:36:45,514 --> 01:36:48,804
Yeah, those guys, I mean, that's why they are who they are, man.
1235
01:36:48,804 --> 01:36:50,088
I that's why we still talk about them.
1236
01:36:50,088 --> 01:36:52,057
I mean, it's cool stuff.
1237
01:36:52,057 --> 01:36:54,411
I mean, you can put that on any time and it sounds good.
1238
01:36:55,566 --> 01:37:03,031
Hmm, yeah, that's if maybe there's a goal for me, would be that kind of thing.
1239
01:37:03,312 --> 01:37:11,638
Just try to be as prolific and not worried about it as possible.
1240
01:37:11,860 --> 01:37:15,151
Yeah, mean, that's the game right there, man.
1241
01:37:15,151 --> 01:37:18,552
mean, I think that's kind of, I think what's underneath it, right?
1242
01:37:18,552 --> 01:37:23,694
It's like, it's not that you don't have the technology or the artistic or technical
ability to do it.
1243
01:37:23,694 --> 01:37:24,704
You can.
1244
01:37:24,704 --> 01:37:31,687
It does become more about like, how do you create the conditions for yourself to kind of
flourish and allow that to happen?
1245
01:37:33,207 --> 01:37:35,308
Because we don't know where ideas come from.
1246
01:37:36,127 --> 01:37:38,568
Let me just see when you started.
1247
01:37:38,568 --> 01:37:42,929
was November, October, 2023, right?
1248
01:37:43,130 --> 01:37:51,643
And if I'm just like kind of glancing, I notice you don't number every episode, but you
must have over 50 here, right?
1249
01:37:51,643 --> 01:37:54,189
Of producer head.
1250
01:37:54,189 --> 01:38:00,496
because I think, you know, I've been doing because like, I don't, and this is uh a, Right.
1251
01:38:00,496 --> 01:38:00,887
Yeah.
1252
01:38:00,887 --> 01:38:04,180
Well, no, but also like I was splitting some of the longer ones into two parts.
1253
01:38:04,180 --> 01:38:06,162
And so it makes some of the episodes seem like double.
1254
01:38:06,162 --> 01:38:08,664
um
1255
01:38:09,159 --> 01:38:12,580
hours and hours, lots of material, right?
1256
01:38:12,580 --> 01:38:18,692
Like when you first started, bet you this was my experience.
1257
01:38:18,692 --> 01:38:23,583
was like, my God, I just put out something and I'm talking for like, you know, 20 minutes.
1258
01:38:23,583 --> 01:38:25,954
It's like, Oh man, like people are going to hear it.
1259
01:38:25,954 --> 01:38:32,146
And it's like, you feel like your entire, you have to like make your grand statement,
right?
1260
01:38:32,146 --> 01:38:33,896
This is the one thing I put out.
1261
01:38:33,934 --> 01:38:37,194
And this is who I'm, this is what I'm gonna be judged by.
1262
01:38:37,194 --> 01:38:41,074
This is the image I'm gonna be forged out of.
1263
01:38:41,534 --> 01:38:55,314
But as I've gotten further and further, there's just like, like I've just polluted the
internet with so much stuff that it's like, you don't know what people are gonna pick up
1264
01:38:55,314 --> 01:39:02,314
on it what they're gonna use to identify you that you don't even, you can't even worry
about it.
1265
01:39:02,314 --> 01:39:03,834
There's nothing to even.
1266
01:39:04,226 --> 01:39:11,073
I wonder if you get that feeling of where it's just, I'm just putting stuff out now, just
going.
1267
01:39:11,073 --> 01:39:12,208
I'm off to the races.
1268
01:39:12,208 --> 01:39:16,619
take a second to call you out for like the subtle self-deprecation and saying that you've
polluted the internet.
1269
01:39:16,619 --> 01:39:19,006
I think you that's far from what you've done.
1270
01:39:19,027 --> 01:39:20,407
the.
1271
01:39:25,154 --> 01:39:29,946
Yeah, no, no, I totally hear you, oh
1272
01:39:29,946 --> 01:39:32,105
I have no idea what's going to come up.
1273
01:39:32,105 --> 01:39:34,537
It's not like this one thing or anything.
1274
01:39:34,566 --> 01:39:38,480
I don't think I've really ever had anything that's gone viral.
1275
01:39:38,480 --> 01:39:41,862
So it's not like this is the identifying thing.
1276
01:39:42,303 --> 01:39:44,264
I find that really freeing.
1277
01:39:44,264 --> 01:39:45,285
Same thing with music.
1278
01:39:45,285 --> 01:39:46,638
There's so many...
1279
01:39:46,638 --> 01:39:53,258
things out that I've done that you're not going to be able to say, oh, this is like your
thing.
1280
01:39:53,978 --> 01:40:02,718
And that's the bonus of like working and working and going is like, there's just so much
to.
1281
01:40:04,256 --> 01:40:08,356
I think, mean, I keep bringing it up, but like the Andrew Wong thing, like making your own
rules.
1282
01:40:08,356 --> 01:40:11,916
just sort of like that idea of like, Hey, like, this is just what I want to do.
1283
01:40:11,916 --> 01:40:12,295
You know what mean?
1284
01:40:12,295 --> 01:40:16,536
I don't really have like a good reason why it's just like what I want to do.
1285
01:40:16,756 --> 01:40:21,156
And so I was just like, if that's really what I want to do, then what do I have to like
lose by trying it out?
1286
01:40:21,156 --> 01:40:21,376
Right.
1287
01:40:21,376 --> 01:40:22,676
Cause I can always quit.
1288
01:40:22,676 --> 01:40:23,796
Like that's easy.
1289
01:40:23,796 --> 01:40:24,156
Right.
1290
01:40:24,156 --> 01:40:34,196
If it's not going well, or I don't like doing it, I can, I can quit, but it's been, even
if nobody listens to the conversations like we're talking about, I'm like, I learned
1291
01:40:34,196 --> 01:40:34,210
something.
1292
01:40:34,210 --> 01:40:35,130
something.
1293
01:40:35,130 --> 01:40:38,073
I now have another person that I can talk to randomly about music.
1294
01:40:38,073 --> 01:40:39,193
That's cool.
1295
01:40:39,273 --> 01:40:42,616
So even if nobody listens to it, like I still kind of think about it.
1296
01:40:42,616 --> 01:40:49,040
It's like I'm creating this library of stuff that's like legitimately useful to me, you
know?
1297
01:40:49,440 --> 01:40:56,175
And I think that at the end of the day, if it were to exist like privately in my house,
like that's how I would think of like my sub stack.
1298
01:40:56,175 --> 01:41:04,630
It's like, this is my private library of stuff that I've like taken the time to like write
questions about, ask for thoughtful answers from people.
1299
01:41:04,770 --> 01:41:09,212
and write down the parts of it that are interesting and worth revisiting to me.
1300
01:41:09,212 --> 01:41:13,444
So the fact that it's public and people can interact with it, know, definitely changes the
game.
1301
01:41:13,444 --> 01:41:19,626
And I don't think you can decide, like we were saying before, it's like, I don't think you
can decide to be Mr.
1302
01:41:19,626 --> 01:41:19,917
Beast.
1303
01:41:19,917 --> 01:41:27,920
I don't think you can decide to be somebody that has X, whatever the platform is,
subscribers, followers, whatever.
1304
01:41:28,254 --> 01:41:33,866
You just get to choose whether or not like you do something and whether it's useful like
to yourself or not.
1305
01:41:33,866 --> 01:41:39,087
then, you you hope that in doing it in earnest, like the rest of it kind of takes care of
itself.
1306
01:41:39,087 --> 01:41:39,617
You know I mean?
1307
01:41:39,617 --> 01:41:48,440
It's like, it sounds really corny, but I just like, I've spent a lot of time thinking
about it, you know, and I, and I will continue to, but I come up with roughly the same
1308
01:41:48,440 --> 01:41:55,192
answer, answer, which is I cannot control whether or not this is going to be successful.
1309
01:41:58,562 --> 01:42:00,235
Yeah, you can't.
1310
01:42:00,235 --> 01:42:02,165
It's part of the thrill too.
1311
01:42:02,688 --> 01:42:04,029
I know, yeah, I mean, think that's the thing.
1312
01:42:04,029 --> 01:42:12,155
like that is like, you're just, when you sit down in the studio, like the days where you
come up with a good idea that ends up being a song that you release.
1313
01:42:12,512 --> 01:42:16,612
You didn't necessarily know that day it was gonna happen, you know?
1314
01:42:16,992 --> 01:42:19,992
But like you walk out and you're like, oh shit, like that was an idea.
1315
01:42:19,992 --> 01:42:23,632
You you need the space, because like sometimes you come back the next day and you're like,
who made this?
1316
01:42:23,632 --> 01:42:26,072
Like I don't ever wanna hear this again, you know?
1317
01:42:26,272 --> 01:42:32,272
But some days you walk out and the next day you come back in, you re-listen to it and
you're like, like there's something here, you know?
1318
01:42:32,272 --> 01:42:34,232
And those are...
1319
01:42:34,396 --> 01:42:42,272
not things I can predict on a daily basis, but based on the quality with which I'm
maintaining the other kind of routines.
1320
01:42:42,272 --> 01:42:49,907
We've talked about exercise and sleep and writing and the other relationships in my life
and everything like that.
1321
01:42:50,448 --> 01:42:59,995
All of that contributes to me having, it increases the probability that I'm gonna have a
session where I'm gonna produce something that's interesting.
1322
01:42:59,995 --> 01:43:01,795
Whether it's good, I don't know.
1323
01:43:04,470 --> 01:43:08,599
And in a way, it's like, who cares?
1324
01:43:08,599 --> 01:43:11,946
It's like not your job to decide if it's good.
1325
01:43:11,946 --> 01:43:12,727
that part too, man.
1326
01:43:12,727 --> 01:43:21,743
I do think it's like we our responsibility to stop at the making and the releasing, you
know, and like in terms of it because you can't control the opinions of people, man, you
1327
01:43:21,743 --> 01:43:22,443
know.
1328
01:43:23,431 --> 01:43:26,631
Yeah, I like that idea of like, it's not up to me.
1329
01:43:26,631 --> 01:43:29,472
Like, it's not my job.
1330
01:43:29,472 --> 01:43:44,716
Like, I've heard a lot of, I think I've heard like Bowie say that and a lot of people that
are just prolific like that and have done interesting things and also received like some
1331
01:43:44,716 --> 01:43:46,297
harsh criticisms too.
1332
01:43:46,297 --> 01:43:49,278
It's like, well, I just make it, you know.
1333
01:43:49,537 --> 01:43:54,837
Exactly like and that's the thing is like trying to get up caught up in that is like what
can you do?
1334
01:43:54,837 --> 01:43:59,377
mean, that's the thing is like a question you can ask yourself is what can you do?
1335
01:43:59,457 --> 01:44:04,377
To make the reception of your music more positive to people
1336
01:44:10,382 --> 01:44:12,704
mean, it's a lot of factors, right?
1337
01:44:12,704 --> 01:44:25,242
Like even when I listen to music, there's stuff that I love that maybe the first time I
heard it, I didn't love because maybe it was like a more relaxed bedtime type of feel and
1338
01:44:25,242 --> 01:44:29,716
I wanted to go out and have fun and get psyched or vice versa, right?
1339
01:44:29,716 --> 01:44:39,202
Like I heard it at a time when I was looking for something like fast pace, cause I'm like
gonna do something exciting and it didn't catch me at that moment.
1340
01:44:40,874 --> 01:44:47,660
Aside from just whether or not I would like it or not, also depends what mood I'm in, what
my energy level is.
1341
01:44:47,660 --> 01:44:48,600
Yeah.
1342
01:44:48,740 --> 01:44:52,780
And what control do we have over that for listeners as artists?
1343
01:44:52,780 --> 01:44:54,100
know, it's like.
1344
01:44:54,600 --> 01:44:58,480
I mean, that's, know, like what what do the artists what are they able to do to us?
1345
01:44:58,480 --> 01:45:03,240
It's like, you know, we pick up some stuff because it gets recommended or a friend sends
it to you.
1346
01:45:04,116 --> 01:45:08,638
You know, and sometimes, and we've all had that experience, like you just said, first time
you heard it, didn't like it.
1347
01:45:08,638 --> 01:45:11,759
Sometimes like it's just not the right time, you know?
1348
01:45:11,759 --> 01:45:13,460
And that's an interesting experience with music.
1349
01:45:13,460 --> 01:45:19,842
know, it's like you're like albums that I didn't like before are now albums I love for
some reason, you know?
1350
01:45:20,182 --> 01:45:24,916
Just wasn't the right time, Can't control that.
1351
01:45:26,075 --> 01:45:32,129
weird mysterious art world everything
1352
01:45:38,478 --> 01:45:45,283
Well, listen, this has been a lot of fun and I appreciate your generosity with your time
and love what you're doing.
1353
01:45:45,283 --> 01:45:53,529
think it's great that you're going out there, sharing your thoughts, digging in with other
artists and getting them to share their thoughts.
1354
01:45:53,529 --> 01:45:56,550
It's really valuable stuff.
1355
01:45:57,071 --> 01:46:02,585
Even if, even when it's stuff you've heard before, like we said, it's important to hear it
again.
1356
01:46:02,585 --> 01:46:04,456
Sometimes people just say it in a different way.
1357
01:46:04,456 --> 01:46:07,278
That's like, oh, I never thought of it that way.
1358
01:46:07,874 --> 01:46:13,122
You've done a great job drawing a lot of this stuff out of your guests.
1359
01:46:13,484 --> 01:46:17,280
And I'm just glad you're doing Producer Head.
1360
01:46:17,696 --> 01:46:19,088
Thanks so much man, I really appreciate it.
1361
01:46:19,088 --> 01:46:24,645
Thank you again for your time and yeah man, anything I can do to help, let me know I'm
here.
1362
01:46:24,645 --> 01:46:26,426
Appreciate it, this was a lot of fun.
1363
01:46:26,638 --> 01:46:26,959
Cool.
1364
01:46:26,959 --> 01:46:31,387
So we can send people to producerhead.substack.com.
1365
01:46:31,387 --> 01:46:33,044
That's the best way, right?
1366
01:46:33,044 --> 01:46:38,614
Yeah, that's where I host the podcast and that's where like all the extra writing and
stuff kind of happens around that.
1367
01:46:38,626 --> 01:46:47,115
Yeah, and it's on all the podcast platforms, you so if you're on Apple or Spotify, you'll
find it there, Producer Head.
1368
01:46:49,679 --> 01:46:50,961
Anywhere else?
1369
01:46:50,961 --> 01:46:58,959
know you got, your Instagram's fun, you're always playing and, you know, living the life,
playing some guitar, enjoying your guitar playing and...
1370
01:46:58,959 --> 01:46:59,669
to get back.
1371
01:46:59,669 --> 01:47:03,123
definitely took a long break from the content thing because we didn't even get into that.
1372
01:47:03,123 --> 01:47:06,837
yeah, like as you know, like that can be a different kind of conveyor belt to be on.
1373
01:47:06,837 --> 01:47:08,098
But yeah, I'm trying to be back on there.
1374
01:47:08,098 --> 01:47:12,942
So on socials um at ToruBeat.
1375
01:47:13,884 --> 01:47:17,027
And yeah, man, those are the two best places for sure.
1376
01:47:17,027 --> 01:47:17,867
Sure.
1377
01:47:18,620 --> 01:47:20,943
You always start the podcast.
1378
01:47:21,425 --> 01:47:24,300
This is Turo, and in a way, so are you.
1379
01:47:24,724 --> 01:47:26,945
Yeah, mean, it comes from a...
1380
01:47:26,986 --> 01:47:38,344
It's funny, I very rarely get asked that, which in a way kind of surprises me, but uh
basically it's the idea of like, know, Toru is, you that was like the musical identity
1381
01:47:38,344 --> 01:47:42,717
that like I created to release all the music that I do.
1382
01:47:42,858 --> 01:47:47,321
And I think when I started doing music, it was purely about a music thing for me.
1383
01:47:47,321 --> 01:47:50,823
And then it didn't take long before I was just sort of like...
1384
01:47:51,937 --> 01:48:01,297
the music just happens to be like my, like the form of like the broader thing, which is
like, just do that thing that's like inside of you.
1385
01:48:01,297 --> 01:48:08,917
Like whatever your version of Toru is, whatever, maybe it's not music, maybe it's film,
maybe it's writing, maybe it's something athletic.
1386
01:48:08,917 --> 01:48:09,937
You know what I mean?
1387
01:48:10,257 --> 01:48:14,777
To just, to give that space and to put that out there for other people.
1388
01:48:14,777 --> 01:48:22,277
And that's really what I hope, what I do is, is like more of an example of like, Hey, like
I hope more people
1389
01:48:25,998 --> 01:48:26,718
Hmm.
1390
01:48:27,098 --> 01:48:28,219
That's cool.
1391
01:48:29,059 --> 01:48:29,319
Yeah.
1392
01:48:29,319 --> 01:48:42,713
I took, I've always took it as like this sort of interconnection of us, you know, we, we
feel so separate, you know, where I'm in my own body and my own enclosure, but sometimes
1393
01:48:42,713 --> 01:48:51,456
you get these feelings of like, I'm just like part of the earth and, know, I'm a particle
in this giant organism.
1394
01:48:51,998 --> 01:48:55,280
I definitely do like some of that is a big part of it for sure.
1395
01:48:55,280 --> 01:48:56,620
It comes from that kind of place.
1396
01:48:56,620 --> 01:49:01,813
mean, I guess like if I were to just like somebody who said it all way better, you know,
like go read Alan Watts, right?
1397
01:49:01,813 --> 01:49:09,736
Like that's just a guy who, and I think that there's a lot of really interesting ideas
that he's expressed that I don't think like he obviously is very well known, but I'm
1398
01:49:09,736 --> 01:49:16,049
surprised at how little he's talked about in more mainstream spheres really, because I
don't, I think he's done such a good job.
1399
01:49:16,049 --> 01:49:21,972
He did such a good job of making them very accessible using very simple language and,
really
1400
01:49:21,972 --> 01:49:29,130
interesting analogies to convey really, really like, I mean, kind of impossible to capture
ideas.
1401
01:49:29,231 --> 01:49:31,944
So anyway, yeah, it does kind of come from that kind of place.
1402
01:49:31,944 --> 01:49:33,799
I do very much feel that kind of way.
1403
01:49:33,799 --> 01:49:39,302
And I do think that we get to provide those kinds of examples through what we do for other
people.
1404
01:49:40,718 --> 01:49:41,538
Cool.
1405
01:49:42,120 --> 01:49:53,058
Well, if you think about it, the way you're spreading your ideas and the way those ideas
get into people and then they use that to make their creation in a way, they are also
1406
01:49:53,058 --> 01:49:53,995
toru.
1407
01:49:53,995 --> 01:49:55,619
Yeah, it's really nice of to say that, man.
1408
01:49:55,619 --> 01:49:56,351
And same to you, man.
1409
01:49:56,351 --> 01:49:57,834
I mean, you you're doing your version of it.
1410
01:49:57,834 --> 01:50:00,321
So it's really cool to be a part of what you're doing also.
1411
01:50:00,321 --> 01:50:01,364
So thank you.
1412
01:50:01,364 --> 01:50:06,726
I always liked when people had like that kind of like a catchphrase, you uh
1413
01:50:08,524 --> 01:50:12,246
Like everyone, like so many big people, Bob Ross, Mr.
1414
01:50:12,246 --> 01:50:22,742
Rogers, like, and a lot of like YouTubers I follow will say certain phrases that like,
you're kind of like, yes, you know, there it is.
1415
01:50:22,742 --> 01:50:31,410
catch, like almost like you ever see like um old like sitcoms where like the character
would have the catchphrase they say every episode.
1416
01:50:31,410 --> 01:50:34,428
Everyone's like, yeah, like different strokes.
1417
01:50:34,428 --> 01:50:36,069
Like Arnold would be like, who'd you talk about, Willis?
1418
01:50:36,069 --> 01:50:37,410
And people are like, yeah.
1419
01:50:37,669 --> 01:50:39,679
yeah, South Park has theirs, right?
1420
01:50:39,679 --> 01:50:45,592
Yeah, it's like, yeah, full house, yeah, they all have.
1421
01:50:46,212 --> 01:50:47,473
Dude, it's, yeah, it's funny.
1422
01:50:47,473 --> 01:50:55,356
I mean, it's, I felt so, because it's one of those things that really early on I just kind
of stumbled on and it's mostly just because of the way it's spelled and everything, but.
1423
01:50:56,372 --> 01:51:00,134
I like forced myself to say it because I felt really goofy.
1424
01:51:00,134 --> 01:51:03,335
still sometimes do, but now I'm pretty much like, feel comfortable.
1425
01:51:03,335 --> 01:51:07,707
I've like done it enough times, but the first few times, like I really like forced that
out.
1426
01:51:07,707 --> 01:51:12,510
was like this, like, cause I was like, it was one of those things where I had fear around
it, right?
1427
01:51:12,510 --> 01:51:14,500
I was like, this is really how I feel.
1428
01:51:14,500 --> 01:51:16,221
And I want people to know that.
1429
01:51:16,221 --> 01:51:20,593
But I also, it feels like corny or exposed or I don't want to do it because it, you know
what I mean?
1430
01:51:20,593 --> 01:51:25,356
It can sound, what if people think I'm just being gimmicky or whatever, you know what I
mean?
1431
01:51:25,356 --> 01:51:26,336
But so I,
1432
01:51:26,336 --> 01:51:31,430
It was one of those things I made a conscious effort to like force myself to say out loud
to people.
1433
01:51:32,352 --> 01:51:33,292
Yeah.
1434
01:51:33,693 --> 01:51:34,083
Yeah, man.
1435
01:51:34,083 --> 01:51:35,180
I appreciate you bringing it up.
1436
01:51:35,180 --> 01:51:36,975
Yeah, that's unexpected.
1437
01:51:38,488 --> 01:51:43,284
Well, Julian, thanks so much and thank you to anyone listening.
1438
01:51:43,284 --> 01:51:44,362
I made it this far.
1439
01:51:44,362 --> 01:51:45,377
I really appreciate it.
1440
01:51:45,377 --> 01:51:54,578
I know we said like it's its own reward doing this, but it's so much more special to that
anyone would want to listen to it and enjoy it.
1441
01:51:54,578 --> 01:51:57,332
So thank you so much for being a listener.
1442
01:52:01,270 --> 01:52:02,493
Alrighty.
1443
01:52:02,517 --> 01:52:03,253
Yeah.