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Have you ever wondered how time works?

What about memory?

Have you thought about the difference between life and dreams?

Some people do not think about these questions, and most writers do not explore them.

But the Argentinian writer Orgey Louise Borjes was not like other writers.

Most of his writing explored these ideas.

To many people.

These ideas may seem strange, but in exploring them, bores became one of the world's most important writers.

Today's spotlight is on the Argentinian writer Jorge Louis Borhes.

Borjeses wrote about many different subjects.

Sometimes he wrote about his own experiences, but often he wrote about subjects like time and memory.

Much of his writing is difficult to define.

It is mysterious, like a dream.

But Bor's early life did not seem mysterious.

The only unusual thing about young Borhess was his eyesight.

Even when he was young, he had a hard time seeing, so he did not play outside as often as other children, and he did not make many friends.

Instead, he spent much of his time inside reading from his father's books.

His father had over a thousand books in many languages, and Borhas tried to read them all.

He read the Christian Bible and stories from ancient Greece.

He even read books full of facts.

For Borjes, these books were the most important part of his young life.

Gloria Lecube was an Argentinian journalist.

In nineteen eighty five, she talked to Borjes.

She asked when he knew he would become a writer.

He said, I think I have always known, maybe because my father had an influence on me.

I was raised with my father's books.

I went to school, but that hardly matters, right.

I was really raised among my father's books.

I always knew that it was what I was meant to do, being among books, reading them, but it would seem I was influenced to write as well.

Borhesse's father influenced him in other ways too.

Borhs's father studied many subjects.

He was a lawyer and he also taught students.

Often he would speak to his son about very difficult subjects.

They would talk about how memory is not perfect.

They would speak about different ways to think about time.

Borjes would later write about these subjects in his stories.

One of the most interesting is called Funess the Memorious.

An unnamed first person writer believed to be Bores himself, tells the story.

The trouble began when fu Ness fell from the horse.

The boy hit his head on a stone, and the fall broke his back.

Today he sits in his parents' house in the country, unable to move on his own.

Some people would probably love the power to remember, but Funess is in a difficult situation.

He sits in the same place all day.

His new memories are all the same.

Instead, he spends most of his time in his memories.

Each day of his past takes another day to remember.

These memories cause problems for him.

He finds it hard to sleep.

He relives his life over and over again.

By the time the writer of the story speaks to him, he has gone over his life many times.

He is only nineteen.

It seems as if he has lived many lives, but it is also as if he has not lived at all.

Borjes began to publish his own work when he was very young.

He was only twenty when he published his first poem, and his work soon became popular in literary circles around Argentina.

People saw that his work was different.

It played with the idea of what writing was.

His ideas were like no one else's.

Bor Has found it difficult to make money as a writer.

Many people respected his work, but it did not sell well.

So bor Has found work as a teacher.

He spent much of his time reading and translating.

What he did write was very short.

Often he wrote more about ideas than people.

He created strange worlds and played with language.

Then, in nine eighteen forty one, he published one of his most important stories.

It is called The Garden of Forking Paths.

It was his first story translated into English.

Before this, only a few people in Argentina knew his work.

Now people in other countries began to read it.

In a very short time, Borjes became well known.

He traveled North America and Europe giving speeches.

His work began to win awards.

But by the time he was in his thirties, Borjess's eyesight had begun to fade.

The process was slow.

He lost the power to see some colors.

First, at fifty he could not see at all.

Later, Borjes would write a poem about his experiences of losing sight.

It is called in praise of darkness.

Old age, or so it is called by others, can be the season of our happiness.

The animal has died or nearly died.

The man remains with his soul.

I live among vague and luminous shapes that are not yet darkness.

My friends do not have faces.

Women are what they were so many years ago.

The street corners have chained.

There are no letters in the pages of books.

All of this ought to terrify me.

But it is a sweetness, a coming back home from the south, from the east, from the west, from the north.

The roads converge, the roads that have brought me to my secret center.

Those roads were echoes and footsteps, women and men, death, throws, resurrections, days and nights, dreams and between dreams, every moment of yesterday, even the meanest and all of the yesterdays of the world.

Now I can let them go.

I have come back to my center, to my algebra, to my key, to my mirror.

Soon I will know who I am.

He could not see, but Borjes continued to write.

Sometimes he would speak his poems and stories out loud.

He could no longer write long works, so he concentrated on small papers and poems.

By the time he died in nineteen eighty five, he had published dozens of books.

He wrote almost half of them while blind.

Borjes did not think that people would remember him.

He thought that his writing was too difficult, or that his subject matter would not be important to them.

But his writing had a profound influence on many people.

He created the genre of magical realism.

His work inspired mathematical theories.

It also influenced science fiction and fantasy.

But more than anything, Borjes's work changed Latin American writing.

Marcella Valdez is a literary critic.

She spoke to the British Broadcasting Corporation about these changes.

Borjess's influence on Latin American literature is, like Sherwood Anderson's effect on American fiction, very deep.

It has become difficult to name a major writer who has not been touched by it.

Have you ever read Borjes?

Do you have a favorite story or poem?

Tell us about it.

You can leave a comment on our website or email us at Spotlight English dot com.

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The writer of this program was Dan Christman.

The producer was Mityo Osaki.

The voices you heard were from the United States and the United Kingdom.

All quotes were adapted for this program and voiced by Spotlight.

No AI or artificial intelligence was used in this program.

Spotlight programs are written, voiced, and produced by real people for real people, no matter where in the world you live.

This program is called The Limitless Stories of Jorge Luis Forhess.

We hope you can join us again for the next Spotlight program.

Goodbye,