
·S1 E2
Episode 2 - The Interview
Episode Transcript
BBC Sudas.
Hey, Hi'm Maggie.
Just a quick heads up before we start.
The series does contain some descriptions of violence and deals with adult themes.
Jim and Sandy are at their favorite restaurant, Los Cucos, their most love dishes spread across the table.
There's a fish cancun for Sandy and agorace for Jim, which is something like a thick corn tortilla topped with beans, meat and salsa.
Jim's had his hair freshly cut for the occasion, and the pictures I've seen of him, he looks kind of like your classic dad.
He's got a buttoned down, collared shirt tucked into khakis, his BlackBerry clip to his belt.
Jim's petite at only five seven, with a slim frame and wire glasses.
Sandy's just a bit shorter, with shoulder length blonde hair and tight, square framed glasses.
That night, she's of vision and brown with brown slacks, sweater and boots.
I can imagine her laughing as she leans in her hand cupped around a pina colada.
It's December twenty second, twenty twelve, and Jim and Sandy are celebrating their thirty second wedding anniversary, an amazing achievement for any relationship.
They finish their meal, pay the bill, and head out into the cool Texas night, stopping at CBS to pick up some mixers for drinks, sprite and coke.
They make their way back home, leaving the suburban sprawl of shopping centers and chain restaurants to the tree lined street of their cult de sac home and pull into their garage.
Sandy enters first, while Jim follows behind, his hands full with the leftovers from dinner and the drinks they purchased at CBS.
Sandy heads to the master bedroom and into the adjoining bathroom.
She begins filling up the corner jacuzzi definitely big enough for two.
You see where this is going.
Grab some rum and vodka, a bowl of strawberries, and a tub of whipped cream.
Jim follows behind.
They and dress and get into the chacuzi have sex talk.
They somehow spend two hours in the tub, but at some point the couple's four dogs begin barking.
A neighbor has complained before, and both Jim and Sandy are conscious to not make it a big issue.
Jim jumps out of the tub, wraps a towel around his waist and brings the dogs in.
Sandy stays in a little bit longer, lingering in the now lukewarm water, but when Jim doesn't come back, she gets out the jacuzzi jets.
Still worrying.
She puts on some underwear, a red nightgown, black robe, and fluffy socks, then sits on an ornate brown satin chair with curling white vines and begins lotioning her legs.
But after that, according to Sandy, the world goes black.
Around sixteen hours later, on December twenty third, Sandy and Jim's family are gathered outside their house, having just discovered his dead body and found Sandy tied up and shut in a closet.
They had come over for dinner, but instead they now find themselves being interviewed by the police, who were trying to piece together what's happened.
Speaker 2Where was your aunt located at?
Speaker 3I saw her in the restaurroom.
Speaker 2Which restaurant the.
Speaker 3Master bedroom, there's a restaurroom in there.
How much of her did you see?
Her face?
She looked very pale, and she was crying a lot, and it looked like she was going to pass out when she saw my uncle.
I went to a Garrea water.
Speaker 4And are you close with Jamie?
Yeah, here's your ancle And what do you know about his wife, Sandra Sandy?
Speaker 3Honestly, no, I talked more to my uncle.
Speaker 2What kind of person is she that you know of.
Speaker 3She's a nice person.
Speaker 5She's always outgoing, always eating out with my mom and.
Speaker 3My uncle's my other uncle's ex wife.
Speaker 2Let me ask you this.
Speaker 4You were sitting in that patrol car up there when we brought her out there and photographed her, and she's on a cane.
Speaker 2You ever see her walk with a came before.
Speaker 3I've never seen her on a came before.
Speaker 2Now I hadn't.
The last time you saw her, she walked.
Speaker 3Okay, Yes, she was fine.
She came to my house December.
I believe it was December eighth or December ninth.
It was on a Sunday.
Speaker 4We're trying to figure out what happened.
Any problems between the two of them lately that you know of.
Speaker 3No, they always look like a happy couple of them to me.
Speaker 1They ask similar questions to the rest of the family.
Speaker 4You know, have you heard your other family members that are related to them?
Speaker 2Have you heard them talk about any problems between them.
No, no, no problem at all.
Everything was good, everything else.
Did you understand something's happened here?
Yeah, I do understand.
Speaker 4And that's a total shock to you.
It's a complete sort You don't suspect.
Speaker 2Anything that happening, or you don't have any ideas of your own A.
Speaker 4No, honey, I don't even know if I don't know if somebody broke in the house, or you know, I have no clue.
Speaker 2I don't know.
Speaker 3Okay.
Speaker 1I'm Maggie Robinson, cats And from BBC Studios and iHeart Podcasts.
This is Hands Tied, Episode two, the interview.
It's now nine two pm and Sandy Malgar finds herself in a small white room in Harris County Police Station, Texas.
She's hunched over a purple chair with her head buried in her hands, her long blonde hair covering her face.
She's still wearing the thin black robe, those fluffy socks, no shoes, but she's managed to change into a pair of jeans.
Sandy has declined going to the hospital and getting checked out, but agrees to an interview with the police.
As the door creaks open, Sandy sits up, lifting her face and tucking her hair behind her ears.
The dark circles around her eyes stand out against her waxy, pale skin.
A wooden cane is hooked over the arm of her chair.
Two stocky detectives enter, wearing almost matching outfits, dark kaki chinos, with one in a white shirt the other in a soft baby blue.
One of the cops places two small cups on the square table next to Sandy.
The room is cramped, so they have to do an awkward side step as they take their seats on either side of her.
Speaker 6Take a picture of titles.
Speaker 1That's Sandy.
Her voice soft and weak.
She points to her feet, telling the detectives that they didn't take a picture of her ankles.
They were tied, as well as her hands.
The detectives assure her that they'll get to that in a second.
Speaker 7I need to do a statement from you, okay, that's why we're here, and I will record in an old statement and give some questions from your answer me.
Speaker 1That's Detective Ruben Shawn Carousel, but everyone calls him Sean.
He's leading the murder investigation.
Speaker 2Case.
Speaker 7Number one two one seven six two sixty nine is Sunday, December twenty third, twenty twelve.
This is Sean Caronel Harris kind of shafs off with homicide sixty Henry forty two.
Speaker 1He's bald, middle aged, A bit what I expect when I hear both the words Texas and cop I can imagine he'd be comfortable grilling both meats and witnesses also with me.
Speaker 8It's Sargeant, do say.
Speaker 1Sergeant James Toussay is seated directly on Sandy's right.
He's also in his middle age, with a similar texas a Saqua.
Speaker 8Stargew saying, to identify yourself.
Speaker 9I'm sixty Henry thirty nine.
Speaker 1Okay, he's lucky to even be in the room.
Just two years ago, he was gored by a bull named Peanut and survived, leaving him with scars and the ultimate bar story.
The two detectives go way back their childhood friends, and both have come straight from the crime scene to the Harris County Sheriff's office.
Speaker 8Okay, ma'am, can you identify yourself for me?
Speaker 1As the only survivor and a potential witness to her husband's murder, the detectives need as much detail as they can get from Sandy, and as quickly as possible.
Speaker 10We'll start from the morning.
Speaker 9When you woke up today?
Speaker 6Where are you at?
Speaker 1Yes, in my closet, Sandy's hard to hear, she says, in my closet this morning?
Speaker 8Yes, Okay, what about yesterday?
Speaker 9Let's start yesterday?
Speaker 6Yesterday Saturday.
Speaker 7Uh.
Speaker 6We went up to.
Speaker 8Eat at.
Speaker 6Mexican restaurant.
I think it was the products the roles were.
Speaker 8Yeah, what time was that?
Speaker 4I was?
Speaker 6Who was whucos?
Whokos?
Uh?
I'm listening about eight.
I mean, I'm just guessing.
I don't know.
Speaker 4M h.
Speaker 1Sandy sounds a little sketchy.
She's slow to speak, vague and unsure of details.
But I can imagine she must be exhausted and traumatized.
Maybe no wonder she can't remember certain things.
Speaker 9While what time did you get home?
Speaker 6Probably midnight?
Okay, I'm just guessing that I don't know.
Speaker 9And when you got home?
What did y'all do?
Speaker 6We made some drinks, We gotten a ninjakuti.
Speaker 1Where they had sex and talked.
Speaker 9Man, what were y'all talking about?
Speaker 6My daughter?
Speaker 1That's their daughter, Liz his job.
Speaker 11Oh, here's gonna be turned.
Speaker 6And couldn't come stop.
Speaker 1Her hand lightly rests on her face for a second, as her voice catches, particularly the memory almost too much to bear.
Jim was going to retire next year, they were going to travel.
I go back and forward over the interview, trying to figure out what the cops are thinking and land on the moment.
They zero in on the events leading up to Jim's murderfly focusing on the moment Jim got out of the chacuzzie to check on their four barking dogs.
Speaker 4So the time when he got out to go check on the dogs, to go move the dog?
Speaker 6What time was that, when I say one or two in the morning.
Speaker 4And when he did that, what kind of noises did you hear?
Speaker 6And I think the jacuzzie was still running even when I got out.
The jacuzzie was running.
Speaker 4Racze was making noise is pretty loud, and you couldn't hear.
Speaker 9Anything over that.
Speaker 6I didn't hear anything, hear anybody scream no.
Speaker 9But you could hear the dogs bark, yeah, because they were.
Speaker 6Right outside our window.
Speaker 1Sandy says Jim was taking a while with the dogs, so she got out of the chacuzzie and went to her closet to get dressed.
Speaker 12Several hours later, I woke up and realized I was tied up and tried to flip over, and then I kind of got stuck where I was for the rest of the time.
Speaker 6That's all I remember.
I mean, I would tell you more if I remember.
Speaker 4Why, I just don't.
Speaker 9Do you have pain?
Speaker 6Do I have pain?
If I have pain in my head?
Speaker 1Yeah, She touches the left side of her head, like, what like I got hit.
Speaker 6On the head.
I don't know if I fell or was pushed or what, but just like all alongside this side.
Speaker 12And then I remember oke up and I thought I had had seizure because my muscles hurt in my head was just hurting or bad and usually.
Speaker 6That you have been having trouble with controlling my seizure.
Speaker 1So Sandy has a laundry list of health issues, something she says she's been struggling with even more in recent months.
Alongside the seizures, Sandy has had both her hips replaced, and she also suffers from lupus, which, for whatever reason, she doesn't disclose to the cops.
If you don't know, lupas is a really serious autoimmune disease that causes extreme fatigue and joint and muscle pain.
Another possible reason why She's foggy, not making sense, can't remember details.
She's not well, but the cops aren't sure.
Speaker 6I hurt all over and my head hurts.
Speaker 9How often do you have seizures like that?
Speaker 6I've been getting a more, lady, I'm not able to drive anymore.
Speaker 9How frequent.
Speaker 6This once a month?
Maybe the auras?
I get them all the time?
Speaker 9Do you take medication for that?
Speaker 12Okay?
Speaker 9And what was the last time he had one of those before today?
Speaker 6About them?
Speaker 8Togo at home?
Speaker 9And what happens when you have those seizures?
What's the symptoms?
Well, how do you feel when you have those?
Speaker 8Oh?
Speaker 12I have rash byds that tell me that I'm going to have one, and it's like I'm very forgetful, more than usual.
Speaker 9Did you have one of those today?
Speaker 2Yeah?
Speaker 6I've been having it one week actually all month?
Speaker 9So have you been forgetting things all month?
Speaker 8Mm?
Speaker 6Hmm?
And right after sometimes I can't even tell you my name?
Speaker 9Okay, And let me ask you this, And I asked you before.
You didn't answer my question.
Speaker 10Why are we here?
Speaker 9Do you know what has happened today?
Speaker 8My husband was murdered how.
Speaker 6I don't know.
I don't think he was shot.
Speaker 9What do you under what do you understand has happened?
Yeah?
Told you that he was part I saw him, he did.
Speaker 12Yes, When in tied me, I heard hysterical screaming and I ran over there and I.
Speaker 6Checked this post to see if there's anything we could do.
Speaker 9Yeah, I saw him.
Okay, I didn't know that.
Speaker 6I saw him.
Speaker 1As Sandy's voice breaks, she puts one hand across her forehead, pushing up her blonde Bang's eyes cast downwards.
Speaker 9And he touched him, touched his wrist.
Speaker 6I guess she isn't it?
Speaker 3Okay?
Speaker 12It's freezing cold, and I shouldn't have touched him, and I covered him.
Speaker 6And I should have done that.
Speaker 2What'd you go wrong with?
Speaker 1You know?
Speaker 6Something that was laying next to.
Speaker 11The jacket, Because Jack, he was very good.
Speaker 6It's really good care of me.
Speaker 1Sandy's sobbing, head down on her knees, her hair falling forward.
Speaker 10Until I got it.
Speaker 1I've got to tell my daughter, she says between her.
Speaker 5Sobs, Liz thousands of miles away, having no idea what her mom is going through in this moment, Sandra.
Speaker 7Part of our job is we work hundreds and hundreds of mrder Okay, and sometimes we were cold bloody killers.
They just don't want to street that would just kill somebody for nothing.
Speaker 8Okay.
Speaker 7Then sometimes were murders that they're an argument and something happens.
Okay, there's two different types of people.
Do understand, because if you're arguing with somebody and you lose it in your temper and the arguments what happened.
Speaker 9That's not what happened.
Speaker 12And I think I'm gonna stop talking because I think I'm gonna need a lawyer because I know how this works.
Speaker 9Let me ask you something.
It's all procedure for us to talk to you.
Speaker 4Okay, we want to find out the answer to this.
Speaker 9As bad as you do.
Okay, we do, we really do.
Speaker 4And we're not trying to cause you trouble, will cause you pain, but we have a procedure.
Speaker 9Are you familiar with a polygraph exam?
Speaker 1M hmm, a lie detector test?
Speaker 9You should be willing to take a polygraphic examp?
Speaker 2He's probably her.
Speaker 1No, not now, she says.
Speaker 6I'm just the nervous wreck right now.
Speaker 1It's just after midnight now, and Sandy Melgar walks back into the cramped interview room, leaning heavily on a cane.
She sits down and wrests the wooden stick against her chair.
Sergeant Dussea comes in and takes the seat nearest her.
Speaker 9How are you feeling, I've trying to drown the air down.
This building keeps us constant of them.
Sure you know.
Speaker 4I'll be up rue honest with you, There's some things don't add up in your story and what you're telling me.
Speaker 9Okay, maybe you could help me understand it.
Speaker 4Now.
You said you've been married thirty two years and you were supposed to celebrate that on.
Speaker 1The twelfth December twelfth is their actual anniversary, but they were celebrating on the twenty second.
Speaker 9Well, what reason was it that you did?
Speaker 6I was it feeling?
Speaker 12Well?
Speaker 10Okay, I noticed you walked with a cane?
Why is that?
Speaker 6I've had my hips replaced and I have a lot of joint pain.
Speaker 4How long ago did you have the hips replaced?
Speaker 6My left one.
Speaker 12About ten years ago or eleven, and then the right one about five years after that.
Speaker 10You've been walking with a cane ever since that?
It's just when'd you start?
Speaker 3It's on and off.
Speaker 13When it's colds, my joints hurt more, but late it's been more often because so how.
Speaker 10Long you think you've been walking to the cane out?
Speaker 6A couple of weeks, but some when the days are warmer, they don't really use it.
Speaker 1From the detective's point of view, Sandy's poor health doesn't rule her out as a suspect.
Quite the opposite.
Maybe she's playing it up using a cane she doesn't need to elicit sympathy.
Speaker 4You know, something I want you to understand is that we investigate something like this, Sandra.
Speaker 10I want you to understand that.
Speaker 9We go to all extremes.
You know, we don't quit.
You're going to see a lot of me, You're going to see a lot of my partner.
Speaker 11You are.
Speaker 14We're going to find out everything about you.
We're going to find out everything about your husband.
We're going to talk to everybody in your neighborhood.
We're going to talk to everybody that you're related to.
We're going to learn everything.
Speaker 6Because it's not me.
Speaker 4It's just so important that you be honest with us.
You know, I told you it's protocol that we start close.
Speaker 15To that victim that's you, Okay, And you know we didn't just walk into this ball game yesterday, and we can tell a whole lot of stuff.
Speaker 9By the way, that when we start.
Speaker 4With people, the way they react, the way they act, you need to understand that may I always show, may not always let that be be known to you.
Speaker 9But we're no fools.
You need to understand that too, okay.
Speaker 4And we've been doing this long enough where there's things we recognize.
Speaker 9You got to understand that too, Okay.
Speaker 10We talk to people all the time.
I never said you did.
I did ask you to take a polygraph test?
Speaker 6Yes, I did, and not shaking and freezing and.
Speaker 4What's your what's your explanation though, what's your excuse for not taking one?
Speaker 9It's not holding water, Sandra.
I'm just gonna be honest with you.
It's not.
Speaker 6I just don't want to take it.
And then it's used against me.
Speaker 1Now the gloves are off.
Speaker 10Are you covering something else?
Why would you take a polygraph?
Speaker 6Because I'm so stress right now I can't even think straight.
Speaker 9It's not a good reason.
Speaker 13Well, I just don't want to use against me, that's all I'll take it, But not just use against you because I'm stressed, and I mean I just.
Speaker 10Beyond beyond that.
Speaker 8Does your husband ever hit you?
Speaker 4No?
Speaker 15No, piscopal No, never did your husband tell you something that that made you black out.
Speaker 10No, doesn't work that way.
Speaker 7As your would your husband have a girlfriend signer, they'd be a jealous boyfriend, would coat.
Speaker 8Yeah, as your husband of cosey, he was going to leave you.
Speaker 6Yeah, they were taking plans.
We were making plans.
Who would leave me?
Speaker 8Do you think he's ever caught one of his family members that he was going to leave you?
Speaker 1To Sandy, that couldn't be further from the truth.
They were planning to go traveling together.
They were sitting in the jacuzzie talking about their plans for retirement, the trips they were going to take.
Speaker 2You know what I saw there.
Speaker 4When I saw your husband's body, that's a pretty violent attack.
Okay, And if he encountered something that.
Speaker 9Would do what we see there, you're going to hear it.
Speaker 10You're going to hear something.
Speaker 1And Sandy reiterates that she left the jets running when she went to get dressed.
Well, Jim brought in the dogs.
The jets, according to Sandy, are why she couldn't hear Jim's screen.
Speaker 4I don't care if you've got a tank cranked up in that bathroom with you, you're gonna hear something.
When somebody encounters somebody that's stabashed, somebody that violently, that many times you're gonna hear that.
Speaker 6You didn't hear anything.
I wish I had heard something.
Speaker 9I didn't.
Speaker 2See that.
Speaker 4What we're seeing there, the physical evidence that's there, and what you're telling us.
Speaker 9Just not adding up.
Sandra.
Speaker 4I'm not wanting to call you a liar, but what I'm saying to hear something.
You're the only person that was in that house.
Speaker 2You know we're here, we're going to try to.
Speaker 4Get to the bottom of this, but you're the only one that was in that house.
Well, it is ironic that you could you black out exact time when he's getting down and bludgeon I don't have an answer for multiple times like that, dying screaming for help.
Speaker 10Oh my gosh, just I don't know.
I don't understand that.
That's not right.
Speaker 8I mean, it's a lot of blood that he lost.
Speaker 9Could you hear him, No, I couldn't hear him.
Speaker 8Could you hear me all for help?
Speaker 6No?
Speaker 8Could you hear screaming?
I didn't hear it.
Speaker 2I mean he was in pain.
Speaker 9We know that.
Speaker 8He suffered a lot.
Speaker 9I need you to help me.
Speaker 10I need you to help me.
Speaker 8I need you to help me on this.
Speaker 1It's as though Detective Carousel is channeling Jim in his final moments.
Speaker 8Can you help me?
Speaker 2I need you to help me.
Speaker 8Andrew, can you help me?
Speaker 6I didn't hear anything.
Speaker 8Can you help me?
I need you to help me.
Speaker 6Did you hear anything?
Speaker 2I need help?
Speaker 8Please help me?
Speaker 7Screaming after screaming, after screaming, even pain, I need help.
Speaker 1The bizarre incantation goes on and on.
Speaker 8Help me, help me, help me.
Cousin's a nice guy.
He went through a lot of pain.
Speaker 1Help me until Sandy's finally had enough.
Speaker 6I didn't hear anything already.
I need help.
Speaker 8I need help.
Speaker 2Help me.
Speaker 6That's it, that's it.
Speaker 3I need a lawyer.
Speaker 6I'm not talking anymore because you guys are just trying to torture me.
Speaker 7Here.
Speaker 9I'm not torturing you.
Speaker 8I'm asking for help.
Speaker 1But they're not done yet.
Speaker 6She loved your husband, yes, I love my husband.
Speaker 16Yes, she wants to finally kill him.
Of course, I don't think you did.
Did you stage that at your house?
Speaker 4Now?
Speaker 6Stage it?
Speaker 9Yeah?
Speaker 10Did you plan this?
Speaker 4No?
No?
Speaker 8I did not.
Speaker 9Would you tell me if you did?
Speaker 6I wouln't even know where to start to stage it, and how am I going to tie myself up like that?
And I ain't gonna be able to get out of it.
I mean, I really was trying to get out of it.
Speaker 8Did you kill your husband?
Speaker 16No?
Speaker 9I didn't.
Speaker 1It's one fourteen am on Christmas Eve, nine hours since Sandy was found by her family, since they all learned that Jim had been murdered.
The interview's over and she's exhausted.
She's bewildered.
To Sandy, she can't fathom how this nightmare has happened.
Her husband's dead and somehow she's being accused for his murder.
Speaker 3I'm good an emergency.
Speaker 1I can stay calm.
Speaker 3I know what I need to do.
Speaker 1I can assess the situation.
You've been listening to Hands Tied, a new eight part true crime series from BBC Studios and iHeart Podcasts.
New episodes will be released weekly, so subscribe or follow on the iHeartRadio app or wherever you get your podcasts so you don't miss out.
If you like the show, please help us by spreading the word or giving us a five star review.
I'm Maggie Robinson Katz and the producer is Maggie Latham.
Sound design in mix is by Tom Brignall.
Our script consultant is Emma Weatherall production support is from Dan Martini, Elena Boutang and Mabel Finnegan Wright, and our production executive is Laura Jordan Raul.
The series was developed by Anya Saunders and Emma Shaw at iHeart.
The managing Executive producer is Christina Everett, and for BBC Studios, the executive producer is Joe Kent,