
...but I digress!
·S1 E1
First steps to running a program and Why you should run one
Episode Transcript
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Hello, welcome to, But I Digress, a podcast about educational theater and how maybe we
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should run an educational theater.
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This week we are talking about how to get started with your program.
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And with that, here's Jennifer.
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Theater program, educational theater program.
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In this episode, we plan on giving you an idea of what is it that you would,
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what's the beginning?
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How do you start in the beginning?
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You just, you don't ask permission, you just go.
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The one, so I've started more than one theater program, but this one is the one I've
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stayed with the longest for various reasons.
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And actually, when we first started it, we didn't have an auditorium.
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They built one like a year later, but there was student interest and it started
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out just as a club.
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And we had a function at our school where once a month all the clubs got to meet
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during school.
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And so we would meet and students would bring their own like skits or there
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was a ballet dancer.
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There were these boys that made these really impressive Muppet style puppets
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that would do skits from the Muppet show and stuff like that.
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And so people just performed, just brought their own things to perform in.
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And we also went to see a lot of plays.
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And then we just got really lucky because I didn't know this was going to
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happen when we started the program, that they built a really, for our area
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and for the size of our district, a very nice auditorium for us to use.
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And then we just, I just said, OK, now we're doing it.
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Like there wasn't, I didn't, there wasn't a lot of planning.
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One of which meetings I didn't ask permission from anybody.
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I just said, here's the thing that I'm then we're going to do it.
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So there was not, I don't know, wasn't done by committee.
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So for a first episode that tells you how to make a drama program,
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the the idea that you didn't have a plan and didn't ask anybody's
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permission really shortcuts the.
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Well, I mean, I had done it before.
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I mean, I think like so the first show that I ever did that I felt
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like was not just like a Christmas play or a cute little kindergarten
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skit at the end of the year.
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A couple had a family had moved into our area and put their kids
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in our school who were professional theater artists.
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And they wanted to put up their version of professional play.
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And we did the show, Our Town, which, of course, is in public domain.
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You have to pay for any of it.
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And one of if you're not familiar with that play, one of the unique
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qualities about it is that there aren't any sets and there are.
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And costumes are very minimal.
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So it's super cheap to do.
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You're not paying royalties.
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You don't have to build anything.
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You need like a couple of tables and chairs.
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And you need a couple of ladders
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and a big piece of wood.
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Well, you need actually several chairs.
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And that's about it.
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So I thought that was since they had done that as my first like grown up show,
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I was 13, I think.
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I lied about being in high school to get into that show.
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So I thought that would be a great way to start our program was with that show.
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And that's so that's why we did that particular play was because it was
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free and cheap and had some name recognition.
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And it's a really good.
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It's a really good play.
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And there's no sound effects and there's no lighting designs,
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just actors on a bare stage.
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In fact, the main character is a stage manager.
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They tell you a story.
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So I think everybody should start with that show.
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I think that's smart.
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Here in the year 2025,
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if somebody is planning on trying to do this,
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how close to that road do you feel like you would need to skew
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if someone is in a random school district that doesn't have a theater program?
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Or what would you say the the cleaned up version of your plan
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would be if you had to do it again?
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Oh, I don't know.
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You have to have some connection with the students.
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I already been here, I think, two years teaching English
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by the time we decided to do it.
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So I already had some connections with the students.
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And through my English classes, we did a lot of theater.
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I feel like it's easier to to teach plays
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is a whole group activity than a novel.
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So we'd already done several plays in class and I taught different grade levels.
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So I knew there were students who were interested in doing theater.
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And I was also friends with the band teacher.
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And so we had a lot of sort of overlap because they want to perform, right?
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However, there's a way to perform.
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So, I mean, I think it's about, you know, getting to know people and
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just seeing, you know, putting feelers out there to see who wants
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who wants to come and play.
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And then if you pick a play like our town that's very flexible
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in your casting, you don't need you could have a lot of extras
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or you could have not very many at all.
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That works out really well.
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Do you feel like you're better at this than you were when you started?
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Yes. Like how if I were going to start like at a brand new school? Right.
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Like if you if you had to do it over again,
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how much of the things that you did originally would you keep
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and how many things would you change?
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I mean, this is this was, you know, more than 20 years ago.
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And I had baby brain because I had just had my daughter.
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In fact, I wore her for most of the production.
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I wore on that sling on my chest.
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But I think because like I said, it wasn't the first time
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I'd gone in to start a theater program.
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Like every time I went, I taught in three different four different schools
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and one had a burgeoning theater program and the other ones
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really didn't have anything.
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And so I just came in and just announces what I'm going to do
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and who wants to come and play.
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So I think I would do it.
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I would make friends with the right with as many people as possible
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and then say, do you want to come do this?
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And then enough people always say yes.
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Like, I don't know, just always sort of magically works.
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Theaters magic like that.
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Like so many things we set out to do when I have these ideas.
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I know sometimes you think that we can't do them.
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And sometimes I think we can't do them.
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But if I say we're going to do them, if you put it out there
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in the world and other people are like, oh, yeah, and then we get it done.
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And it's literally magic.
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I don't know.
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I don't know why.
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I mean, we do plays and I sit in the back and I watch
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and I think, how did we pull this together?
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Like the one we did last year with the aliens and stuff.
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I don't want to give it away because somebody else might want to do that show.
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But I just thought I read that script and I thought, this sounds really cool,
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but I don't know how it's going to work.
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And then it did, you know, and the audience was
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very much into it by the end.
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I mean, I don't know.
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And it's literally magic.
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I don't I don't know why it happens or why it works.
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And it's not just true with our theater program.
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I go to see other plays of the places and not everything I see is great.
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But on a regular basis, I will see something go, oh, oh, this is so amazing.
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And everybody in the audience is is with them.
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I saw Hamlet like a month ago at Kentucky Shakespeare in Louisville,
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Shakespeare in the Park.
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There's their amazing summer program.
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It's the longest non ticketed free Shakespeare company in the country.
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And they did Hamlet and they had a female Hamlet and she was amazing.
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There were a whole bunch of
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governor's school for the art students there who, I guess, had never
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seen a red Hamlet because any time anybody
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got killed or an important information came out, they were all like,
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what? You know, and I just thought this is so insane that I've I could,
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you know, I can recite this play in my sleep and these kids never see it.
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And there's everyone so invested in this, even the people
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have seen it like a hundred times.
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And it was just I don't know.
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It's just that live theater is the coolest thing
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in the whole world, because everybody that is there,
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you get this one shot for all of you to be gathered or experience
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is one thing, and you can never recreate that.
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You have to be right there.
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You can't be thinking, well, we do this again or next time or tomorrow.
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No, this is the one shot you have at it.
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And everybody, you know, is everybody buys in suspension
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of disbelief of the audience.
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And when it works, it's just like, I don't know,
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it's just the best feeling in the world.
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I mean, that's why it works,
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is because everybody wants to get that high again.
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Once they've done it, they want to feel that again.
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So, well, I mean, in some instances, it's sort of like a magic show.
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Right. It is.
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Most people go to a magic show wanting to believe the magic that happens.
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And some and some people go to a magic show to try and figure out.
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Right. Right. It works.
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Which I actually feel like I'm a lot more in that camp a lot of times.
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Like when I go to plays, it
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I enjoy the play.
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I enjoy the story, but I'm also watching all of the other.
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Right. I want to see how the hell did you do that?
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Like, how did you make that move when there was nobody around it? Right.
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How is that light on stage doing that thing
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and there's no wires ran to it and I can't see anything that connects it?
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Or how is that picture floating away or whatever?
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You know, like I I enjoy the aspects of trying to figure out
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the technical things that happen.
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But even then, still, like I'm very much into it
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in terms of enjoying the things that are happening in it.
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But I do think that that is a great way to to understand
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maybe why it always works so well, is that because oftentimes
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most of the people, unless you're on a field trip with just hooligans,
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that that most of the people are there and want it to work.
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That is definitely true.
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That is definitely true. They want to buy it.
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And I will say it's a little bit harder with our audiences
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because we do day shows with students and some of them are there
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to get out of class and they don't really.
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They're not super interested in whatever the play is.
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But if you can see and that's it's the it's worth the audience
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because I think about those things that you were just talking about
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when I'm watching a play like how did that guy get over there so fast?
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How did that costume change?
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Look at this way. They did this blocking.
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I could I could recreate this somewhere else.
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I'm always stealing everybody in theater.
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And I think it's true of a lot of art forms.
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We're looking at other people's stuff going, oh, that's really cool.
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How can I incorporate what I'm doing?
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But if we can get those kids who showed up to a play
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because they want to get out of class or because their girlfriend
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wanted to see the play and they showed up with her.
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If they start to buy in, that's that's like the best feeling
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because they weren't even there because they wanted to be there.
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Right. So when we do we do a musical with kindergarten
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through 12th graders in it.
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And we have those schools come to our school and to see the show.
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So when the little bitties come, the elementary kids come.
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It doesn't matter what we do.
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It's like the Beatles are on stage.
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If they know the songs, they will sing.
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They will scream. They will clap.
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They are very excited to be on a field trip.
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They're very excited to be at the high school.
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And that is I mean, that's the best audience you can have
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because as soon as we have to stop and wait
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from the stop, clapping and screaming up
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that you have to calm them down,
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because they're so excited because they're at a musical.
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But we can get high school kids to buy in.
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That is when they're when they're laughing
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or when we can scare them.
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That's even more fun. We can scare them.
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That that to me is the best thing,
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because you have to work a little bit harder at that
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because they didn't come, you know, to see a play or to be entertained.
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They came to get out of class.
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I think the the best example of that that I have seen
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in the in a day show with high school students
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is when you did Caesar.
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Yeah, because the obviously anyone that doesn't know
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the ending of Caesar or the the battle scenes in Caesar
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can be very can be done very violently
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and the blocking and stuff that that you had done for them
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were was I would almost say borderline graphic.
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There was a lot of blood,
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the amount of blood and just the hits in that
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were very aggressive and stuff like that.
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And I think that there were a lot of boys that were there
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because there was a girl there that wanted they wanted to be around
246
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or they just were like trying to get out of class or whatever.
247
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But when when that level of aggressiveness broke out,
248
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they they were very interested in how that was happening
249
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and being done and stuff like that.
250
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That is the most money we've ever made.
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The most intense we've ever had for Shakespeare play
252
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because a large portion of those students came back that night
253
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to watch it again.
254
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And that doesn't often happen, especially with Shakespeare.
255
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So we yeah, that's the most money we ever made off of Shakespeare play.
256
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And it was post apocalyptic and gender swapped.
257
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So it was based on Heather's.
258
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It was a Heather's version of Julius Caesar.
259
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I was really proud of that show, too.
260
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Yeah. Assuming there's a person out there that wants to do this,
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but doesn't really have a background in theater,
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that doesn't have a degree in theater, that didn't do it in college.
263
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Do they start at the school or do they start somewhere else?
264
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Do they start going to plays?
265
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Do they start going to theater?
266
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Oh, definitely.
267
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You I think the more theater you can consume, good, bad or otherwise,
268
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the better off you're going to be.
269
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And I think that's true.
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If you want to be good at anything, you want to watch other people
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do that thing or read about people doing that thing.
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I listen to a lot of theater podcasts.
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I watch videos about theater.
274
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I go to try to see theater.
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And we have so many students now who have gone out in the world
276
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and are doing theater other places.
277
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That's kind of cool to get to go see, you know, what they're doing
278
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all over the place, because I think one type of person
279
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this podcast might be for is I know in there's no certification
280
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in Kentucky for theater.
281
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It's just sort of lumped under English.
282
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And a lot of times, if you are a brand new
283
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untenured English teacher or social studies or any manner of teachers,
284
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they just say, OK, now you have to teach theater class.
285
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And that's something I've heard from several people this summer
286
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that they're just sort of getting this dumped in their lab
287
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and they don't have any idea how to do any of it.
288
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So, yeah, the more you consume and more people you can talk to
289
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and and try to listen to, you know, stuff that we know how to do,
290
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then the better off you're going to be.
291
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Because I was lucky when I mean, I did this on my own.
292
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It wasn't because someone said, no, you have to fear now.
293
00:13:31,139 --> 00:13:34,440
I was I wanted to major in theater in college.
294
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And I thought, but then I'll be poor.
295
00:13:37,759 --> 00:13:39,200
So what can I do?
296
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How can I how can I do theater for a living and still get paid?
297
00:13:43,279 --> 00:13:45,299
And I thought, oh, well, I could teach it
298
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because that would be much more stable than being in a play
299
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that's going to end its run.
300
00:13:50,240 --> 00:13:51,980
Then you have to go find a good play to be in or whatever.
301
00:13:52,839 --> 00:13:55,519
And the message I was getting from, you know,
302
00:13:55,860 --> 00:13:57,679
the people at my high school and the people,
303
00:13:57,840 --> 00:14:01,039
the college I was talking to is that no one's going to pay you to do theater.
304
00:14:01,299 --> 00:14:04,799
And I thought, oh, OK, well, I'll also get an English degree
305
00:14:05,360 --> 00:14:08,299
and they will pay me to teach English because everybody's got to take that.
306
00:14:08,299 --> 00:14:12,179
And then I can kind of just come in under the radar with the theater program.
307
00:14:12,860 --> 00:14:15,240
So I know a lot of people get dumped and it's like, here you go.
308
00:14:15,299 --> 00:14:17,519
Now you teach theater because you want to have a job.
309
00:14:18,019 --> 00:14:22,259
OK, so thinking about those people who may be walking into a theater program
310
00:14:22,259 --> 00:14:24,700
that already sort of exists, that already sort of has a culture.
311
00:14:25,419 --> 00:14:26,120
But that'd be great.
312
00:14:26,320 --> 00:14:28,620
Maybe they don't know that culture.
313
00:14:28,720 --> 00:14:29,899
They don't know anything about it.
314
00:14:30,860 --> 00:14:34,000
So what what would be your, you know,
315
00:14:34,000 --> 00:14:36,779
like if you had to bullet point it down to five ideas,
316
00:14:36,779 --> 00:14:40,379
like what would be what would be your things that they should do?
317
00:14:41,259 --> 00:14:43,980
You know, we're talking about this podcast coming out every other week.
318
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We're talking about every every other podcast has a interview.
319
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So, you know, they have four.
320
00:14:50,519 --> 00:14:53,539
They have three ish weeks, four ish weeks to implement something
321
00:14:53,539 --> 00:14:54,879
as the school year starts.
322
00:14:55,360 --> 00:15:00,179
What what are their five bullet points that you think they need to do immediately?
323
00:15:00,259 --> 00:15:04,039
Like, what is the what are the first five things that if there is already
324
00:15:04,039 --> 00:15:06,139
somebody who was in charge of the program that's leaving,
325
00:15:06,139 --> 00:15:09,799
you need to try to get in touch with them and get as much information
326
00:15:09,799 --> 00:15:10,960
from them as you can.
327
00:15:11,799 --> 00:15:15,100
You and then you also need to talk to your upperclassmen drama kids.
328
00:15:15,100 --> 00:15:18,700
There's always going to be a core group of kids who this is their whole identity
329
00:15:18,700 --> 00:15:21,460
and they just eat, sleep and breathe plays
330
00:15:22,039 --> 00:15:25,419
and find out what they thought has gone well with the program
331
00:15:25,419 --> 00:15:28,639
and what they would like to change and kind of read your audience.
332
00:15:28,679 --> 00:15:30,360
Like what kind of shows do well there?
333
00:15:30,379 --> 00:15:32,659
Like we're established enough that we do the same
334
00:15:33,600 --> 00:15:35,019
kind of shows every year.
335
00:15:35,179 --> 00:15:38,179
We try to do a Shakespeare and we do a musical and we do a comedy
336
00:15:38,179 --> 00:15:40,960
and then we do a wild card show just depending on what
337
00:15:42,139 --> 00:15:44,379
what I'm in the mood for or what people pick.
338
00:15:44,679 --> 00:15:47,860
Like, so read the room, figure out, you know, what kind of backing
339
00:15:47,860 --> 00:15:48,960
do you have from administration?
340
00:15:49,500 --> 00:15:54,200
How concerned do you have to be about content like violence
341
00:15:55,920 --> 00:15:59,879
or profanity or depictions of sex?
342
00:15:59,879 --> 00:16:03,320
Like what, you know, how conservative or liberal is your system?
343
00:16:03,460 --> 00:16:05,159
So definitely want to read the room.
344
00:16:05,360 --> 00:16:08,779
And honestly, if it were my first year doing it, like we're
345
00:16:08,779 --> 00:16:12,559
we're running probably four plays, two more long competitions
346
00:16:12,559 --> 00:16:14,639
and a 24 hour one act show, probably.
347
00:16:15,000 --> 00:16:17,740
But if it were that first year we did our town, we did our town.
348
00:16:17,759 --> 00:16:19,840
And that was it. That was the only show that we did.
349
00:16:20,440 --> 00:16:23,759
So just start really slow and so and take what was there
350
00:16:23,759 --> 00:16:26,799
that was good and put your own stamp on it.
351
00:16:26,799 --> 00:16:28,340
But you don't have to reinvent the wheel.
352
00:16:28,340 --> 00:16:30,779
If you've got if you're coming into something that has support,
353
00:16:31,299 --> 00:16:34,019
find out who the parents are that always bring in food
354
00:16:34,019 --> 00:16:37,740
and can work on costumes and will, you know, give you money
355
00:16:37,740 --> 00:16:41,139
to, you know, buy props or set pieces or whatever.
356
00:16:41,240 --> 00:16:43,080
So get, you know, get involved with that community
357
00:16:43,080 --> 00:16:44,720
and figure out what's already there.
358
00:16:45,100 --> 00:16:46,740
Don't try to start from scratch.
359
00:16:47,259 --> 00:16:48,480
But then that brings us to the people
360
00:16:48,480 --> 00:16:50,100
that are trying to start it from scratch.
361
00:16:50,500 --> 00:16:53,899
So what are their what are their five things that they need to do?
362
00:16:53,960 --> 00:16:54,919
That was five things.
363
00:16:56,139 --> 00:16:57,860
It's more of a counting is hard.
364
00:16:58,500 --> 00:17:00,759
So the same kind of thing where you want to read the room,
365
00:17:00,980 --> 00:17:03,379
like, once again, you know, what interest has there been?
366
00:17:03,580 --> 00:17:04,220
Is there a community theater?
367
00:17:04,400 --> 00:17:07,059
Was there a theater program at some time that has died away?
368
00:17:07,420 --> 00:17:09,259
And then and look to the other arts teachers
369
00:17:09,259 --> 00:17:12,960
if there's a band program or a choir program, those kids just want to be
370
00:17:13,439 --> 00:17:17,339
they just want to perform so and get to be friends with those people.
371
00:17:17,539 --> 00:17:22,059
And then like our band director here currently is the choreographer
372
00:17:22,059 --> 00:17:23,380
and the music director for our musical.
373
00:17:23,539 --> 00:17:27,160
And he's way better at that than me, because like theater is like stone soup.
374
00:17:27,679 --> 00:17:31,119
Everybody brings this thing that they're good at and then you go do it.
375
00:17:31,119 --> 00:17:32,200
I couldn't do this all myself.
376
00:17:32,339 --> 00:17:33,279
I couldn't do it without Brent.
377
00:17:33,359 --> 00:17:35,180
I couldn't do it without Pauline.
378
00:17:35,200 --> 00:17:38,599
I couldn't do it without my kids that were involved in the program, my bio kids.
379
00:17:38,660 --> 00:17:41,980
I couldn't do it without Sweezy, who is our band director.
380
00:17:42,299 --> 00:17:45,339
There's lots of people that help with Alan Florence, who helps with sets
381
00:17:45,339 --> 00:17:48,480
and my husband who's helped with sets and sound and stuff like that.
382
00:17:48,799 --> 00:17:52,140
So you want to get as many people allied with you as possible
383
00:17:52,140 --> 00:17:53,099
and get them to come play.
384
00:17:53,240 --> 00:17:55,880
So but you definitely have to read the room like what and just start small.
385
00:17:55,880 --> 00:17:57,900
So start with our town, man.
386
00:17:58,380 --> 00:18:01,140
Talking about like you have a lot of your sets
387
00:18:04,960 --> 00:18:07,140
painted, built by the art.
388
00:18:07,140 --> 00:18:07,759
Oh, the art department.
389
00:18:07,859 --> 00:18:10,720
Yeah, definitely get to be friends with the art with the art teacher.
390
00:18:11,619 --> 00:18:14,660
What's the what's the most interesting thing that he's ever made for you?
391
00:18:14,799 --> 00:18:16,339
I don't know.
392
00:18:16,720 --> 00:18:19,599
He one time made a giant
393
00:18:20,339 --> 00:18:22,560
like you could put people inside of it.
394
00:18:22,619 --> 00:18:24,619
Fried chicken bucket
395
00:18:25,220 --> 00:18:29,079
that I really did like quite a bit for too much light makes the baby go blind
396
00:18:29,879 --> 00:18:32,140
and a giant foghorn leg horn.
397
00:18:32,400 --> 00:18:35,420
And he made those really nice rocks that we have used a bunch
398
00:18:35,420 --> 00:18:36,420
like people can sit on them.
399
00:18:36,420 --> 00:18:39,059
We can throw them at people like big stones.
400
00:18:39,940 --> 00:18:42,119
And he made a really he's made some good logs.
401
00:18:42,339 --> 00:18:46,400
I mean, he's just like and that's like I'm not a visual arts person.
402
00:18:46,400 --> 00:18:49,700
I can make I can make props if I have to.
403
00:18:50,000 --> 00:18:52,079
But usually I can find people that are better than me.
404
00:18:52,079 --> 00:18:53,619
That's what I think is what your job is.
405
00:18:53,619 --> 00:18:56,799
If you're the producer of the theater company is not because I have seen other
406
00:18:56,799 --> 00:18:59,160
programs where there are people who want to do everything themselves.
407
00:18:59,440 --> 00:19:02,279
They're going to make all the costumes, paint all the sets
408
00:19:02,799 --> 00:19:04,059
and write all the programs.
409
00:19:04,279 --> 00:19:06,019
And I don't I can't.
410
00:19:06,180 --> 00:19:06,839
I'm tired.
411
00:19:07,279 --> 00:19:10,200
But even when I was younger and less tired, I still was like,
412
00:19:10,200 --> 00:19:12,619
oh, here's a person who's better than me.
413
00:19:13,579 --> 00:19:14,960
Go let them do that.
414
00:19:14,980 --> 00:19:17,819
And so I can say to our art teacher, here's a thing that I want.
415
00:19:17,900 --> 00:19:20,559
And then he comes back with this
416
00:19:20,559 --> 00:19:24,420
a thing that is 10 times better, like all the signs they made for we did.
417
00:19:24,559 --> 00:19:28,140
We set Midsummer Night's Dream in a mall and all the stores had names
418
00:19:28,140 --> 00:19:33,259
that were loosely based on Shakespeare characters or and play names.
419
00:19:33,259 --> 00:19:37,079
And he just made these beautiful signs that we put up all over the auditorium
420
00:19:37,079 --> 00:19:39,599
because the whole mall's auditorium, like he's fabulous.
421
00:19:39,720 --> 00:19:41,180
I love him.
422
00:19:42,559 --> 00:19:43,519
So much good help.
423
00:19:43,819 --> 00:19:48,299
Oftentimes, when I think of my first stuff that I did with the program
424
00:19:48,299 --> 00:19:51,720
was when my kids were in
425
00:19:51,720 --> 00:19:55,900
Seussical, which was the first music, the first district wide musical that we did.
426
00:19:56,779 --> 00:20:00,279
And I oftentimes think back to a thing that you said to me
427
00:20:00,279 --> 00:20:03,640
because I don't know, it was like the second or third week
428
00:20:03,640 --> 00:20:08,180
and that we had practice and you had set the kids off
429
00:20:08,180 --> 00:20:11,740
to do something and they were doing it very badly.
430
00:20:12,480 --> 00:20:15,660
And I was like, I looked at you and said,
431
00:20:15,660 --> 00:20:17,839
that is a terrible way to do that.
432
00:20:17,859 --> 00:20:20,119
And you said, go teach them.
433
00:20:20,880 --> 00:20:25,400
And I was like, well, but I mean, you told them to do that this way
434
00:20:25,400 --> 00:20:26,880
or whatever, and you were like, it doesn't matter.
435
00:20:26,960 --> 00:20:28,880
Like, this is a teaching program.
436
00:20:29,759 --> 00:20:34,759
And the goal of this is not to have it done a certain way or have it done,
437
00:20:35,220 --> 00:20:36,339
you know, in this whatever.
438
00:20:36,539 --> 00:20:39,140
The goal is to teach these people how to do this thing.
439
00:20:39,980 --> 00:20:43,680
And of course, you end up on the bad side of that
440
00:20:43,680 --> 00:20:45,960
when you've taught someone really good
441
00:20:45,960 --> 00:20:50,740
and then they have to go and graduate and you have to find someone.
442
00:20:50,960 --> 00:20:52,619
That is a terrible problem.
443
00:20:52,759 --> 00:20:58,359
We lost 12 seniors this year, just fabulous actors and tech people.
444
00:20:58,420 --> 00:21:01,440
And that is a terrible problem that every year you get to the end,
445
00:21:01,440 --> 00:21:03,140
you think, oh, these kids are amazing.
446
00:21:03,140 --> 00:21:05,940
And in the fall, these little babies come back in.
447
00:21:05,940 --> 00:21:08,079
And this year, we're getting seventh through twelfth graders
448
00:21:08,079 --> 00:21:11,559
in the same in the same class before we've only had ninth through twelfth.
449
00:21:11,559 --> 00:21:16,099
And they come in and you think, how did we ever do anything?
450
00:21:16,500 --> 00:21:19,759
Like, none of these children, because they have to be trained up, right?
451
00:21:19,779 --> 00:21:22,220
At the end of next year, our seniors are leaving.
452
00:21:22,279 --> 00:21:23,420
They'll be magical and amazing.
453
00:21:23,660 --> 00:21:24,160
So that is it.
454
00:21:24,220 --> 00:21:27,099
That is a that might be the worst problem with educational theater.
455
00:21:27,180 --> 00:21:34,660
But yeah, no, it's about giving them as much autonomy and authority.
456
00:21:35,099 --> 00:21:36,960
And I know this is the thing a lot of programs don't do.
457
00:21:37,019 --> 00:21:39,880
There are a lot of programs that I have been tangentially involved
458
00:21:39,880 --> 00:21:43,960
with where adults did everything and the kids were allowed to act.
459
00:21:44,079 --> 00:21:45,380
And that was it.
460
00:21:45,980 --> 00:21:49,299
And the director will come out at the beginning of the show
461
00:21:49,299 --> 00:21:53,180
and give a big, long speech about how they did all this work and whatever.
462
00:21:53,319 --> 00:21:57,259
And I don't this is this is not about me.
463
00:21:57,319 --> 00:22:00,500
I would, in fact, a lot of times I don't even give pre-show speeches anymore.
464
00:22:00,500 --> 00:22:03,740
We work them into the play so that an actor can give them.
465
00:22:03,740 --> 00:22:06,779
And I don't I come out at the end to make sure everybody can get back
466
00:22:06,779 --> 00:22:08,140
to class or get where they're going.
467
00:22:08,140 --> 00:22:11,140
But I try to give big, long speeches about how amazing I am.
468
00:22:11,140 --> 00:22:12,279
I know how amazing I am.
469
00:22:12,619 --> 00:22:15,519
But this is about the kids and I want people to look at them
470
00:22:15,519 --> 00:22:18,700
and I want to give them they do everything they can.
471
00:22:18,940 --> 00:22:23,799
We have students direct and stage manage and run the lights and sounds.
472
00:22:24,920 --> 00:22:27,519
And I mean, about the only thing that we don't let them do
473
00:22:27,519 --> 00:22:30,299
is they can't climb up in the in the ceiling and adjust the lights.
474
00:22:30,619 --> 00:22:33,559
And they can't we don't generally use power tools
475
00:22:33,559 --> 00:22:36,299
unless they're one of their parents is there for building something.
476
00:22:36,299 --> 00:22:37,380
The parent, OK, is it?
477
00:22:37,559 --> 00:22:39,660
But other than that, I think it should be.
478
00:22:39,819 --> 00:22:41,039
And that's just less work for you.
479
00:22:41,059 --> 00:22:43,599
If you're running the program, if you can get kids
480
00:22:43,599 --> 00:22:46,039
and then the sense of accomplishment, they feel when they're like,
481
00:22:46,059 --> 00:22:50,539
look at this thing that I built or this scene that I blocked
482
00:22:50,539 --> 00:22:54,019
or this song that I sang, you know, they did that.
483
00:22:54,140 --> 00:22:57,400
We didn't do it for them and say, OK, you know,
484
00:22:57,519 --> 00:22:58,519
you should pull apart the end.
485
00:22:58,660 --> 00:23:00,900
So I think it's very important you give kids autonomy.
486
00:23:00,900 --> 00:23:02,039
And it is about teaching.
487
00:23:02,380 --> 00:23:04,519
Are we putting out Broadway level theater?
488
00:23:04,519 --> 00:23:07,259
No. But we're teaching people
489
00:23:07,259 --> 00:23:10,880
or giving them opportunities to solve problems,
490
00:23:11,380 --> 00:23:15,539
especially in emergency situations, to work with other people,
491
00:23:15,880 --> 00:23:19,740
to put forth their ideas, to accomplish a goal, to,
492
00:23:19,740 --> 00:23:23,380
you know, set deadlines themselves and do large projects
493
00:23:23,380 --> 00:23:26,339
and to feel a real sense of accomplishment and hands on work
494
00:23:26,339 --> 00:23:29,460
that they maybe aren't getting in all of their classes.
495
00:23:30,059 --> 00:23:33,619
I will I will also talk or I also think about that
496
00:23:33,619 --> 00:23:37,579
when you're saying that about losing these 12 seniors.
497
00:23:38,240 --> 00:23:41,920
But when you look at those 12 seniors,
498
00:23:42,480 --> 00:23:46,180
I think that they're a really great demonstration
499
00:23:46,940 --> 00:23:52,200
of how much agency you give these kids like even
500
00:23:52,200 --> 00:23:55,420
even the kids that tended to fall into roles of like
501
00:23:56,259 --> 00:24:01,279
the sidekick and stuff like that were still super
502
00:24:02,559 --> 00:24:05,779
competent in aspects of being
503
00:24:05,779 --> 00:24:09,740
aspects of the theater that maybe didn't necessarily show on stage.
504
00:24:09,859 --> 00:24:13,759
I mean, I'm thinking of a kid that never really had a leading role,
505
00:24:13,819 --> 00:24:17,240
but was always the guy that was like was always the foil
506
00:24:17,240 --> 00:24:19,099
or always the sidekick or always the whatever.
507
00:24:19,380 --> 00:24:22,500
And then but, you know, he did tons of work
508
00:24:22,500 --> 00:24:26,039
involving props and music and all these things
509
00:24:26,039 --> 00:24:29,740
where you would just sort of hand him an idea
510
00:24:29,740 --> 00:24:31,140
and then he would come back and be here.
511
00:24:31,279 --> 00:24:32,579
It is done, you know, whatever.
512
00:24:32,779 --> 00:24:34,700
And I don't know.
513
00:24:34,980 --> 00:24:39,579
I mean, even our most mildest and meekest of the seniors,
514
00:24:39,680 --> 00:24:42,220
which is only in drama for one year,
515
00:24:42,920 --> 00:24:47,980
really became much more of a whole person
516
00:24:47,980 --> 00:24:53,099
and a like a aggressive isn't the right word, but like
517
00:24:54,700 --> 00:24:57,859
able to move on their own without someone else
518
00:24:57,859 --> 00:25:00,220
telling them to, which is more self-confident,
519
00:25:00,420 --> 00:25:03,599
right, which is really not a way that they started the year.
520
00:25:04,119 --> 00:25:06,740
So, I mean, I think I think that those and I think that's
521
00:25:06,740 --> 00:25:09,339
one of the aspects of the way that this program gets ran
522
00:25:09,339 --> 00:25:12,599
and the way that hopefully other people want to move their program into
523
00:25:12,599 --> 00:25:17,380
is that in the end, you develop future adults
524
00:25:17,380 --> 00:25:20,300
that are much more confident in the things that they're doing
525
00:25:20,920 --> 00:25:22,460
and competent. Yeah.
526
00:25:22,819 --> 00:25:26,019
You know, we've had kids before that you're like, hey,
527
00:25:26,019 --> 00:25:28,980
go take this screw out of the thing.
528
00:25:29,500 --> 00:25:31,220
And, you know, the first year they're here,
529
00:25:31,559 --> 00:25:35,140
they have to come back to you 14 times to ask you
530
00:25:35,140 --> 00:25:36,960
how to take the screw out of the thing.
531
00:25:36,960 --> 00:25:39,279
And is this the right way to take the screw out of the thing?
532
00:25:40,119 --> 00:25:41,660
And is this the right tool?
533
00:25:42,039 --> 00:25:43,700
And which way do I turn it?
534
00:25:43,839 --> 00:25:44,440
And what and whatever.
535
00:25:44,519 --> 00:25:47,599
And by the end of it, they're building things, you know, like.
536
00:25:48,259 --> 00:25:52,019
Or I remember a situation with one of the seniors that was this year
537
00:25:52,019 --> 00:25:55,640
when they were maybe like a freshman where we were disassembling a set
538
00:25:55,640 --> 00:26:00,119
and they had no clue how to operate a pry bar
539
00:26:00,119 --> 00:26:02,539
or why you would ever use the claw on a hammer.
540
00:26:02,619 --> 00:26:05,940
And I just spent, you know, a few minutes showing them.
541
00:26:05,980 --> 00:26:08,460
And then before it was over with, like, I turned them loose.
542
00:26:09,019 --> 00:26:09,920
You know, yeah.
543
00:26:10,240 --> 00:26:12,559
This year, I turned them loose to disassemble two or three things.
544
00:26:12,559 --> 00:26:15,980
And the whole time they were like, it's all about friction and leverage.
545
00:26:15,980 --> 00:26:17,240
You know, whatever, like.
546
00:26:18,200 --> 00:26:20,720
So I think I think that is the thing that you will do
547
00:26:20,720 --> 00:26:24,880
if if you change your program away from being a adult
548
00:26:25,640 --> 00:26:32,079
center and center thing to a a system of letting people do jobs
549
00:26:32,079 --> 00:26:34,759
and being OK with people doing those jobs.
550
00:26:35,319 --> 00:26:37,160
Well, and let them pick shows, too.
551
00:26:37,819 --> 00:26:43,240
There are lots of years where more than half or all of our content
552
00:26:43,240 --> 00:26:47,460
is picked up by students who, you know, put together portfolios
553
00:26:47,460 --> 00:26:51,500
where they explain what they what they want in different characters
554
00:26:51,500 --> 00:26:54,539
as far as casting, and they give me pictures of costumes
555
00:26:54,539 --> 00:26:58,519
and they have lists of songs like to play, you know, pre-show
556
00:26:58,519 --> 00:27:00,039
and post-show and things like that.
557
00:27:00,339 --> 00:27:03,299
And so I'm completely happy if I have a student who thinks
558
00:27:03,299 --> 00:27:06,039
they can take on that much responsibility to let them,
559
00:27:06,039 --> 00:27:07,519
you know, run the whole thing.
560
00:27:07,519 --> 00:27:10,500
And I just kind of stand back and and do producer things,
561
00:27:10,559 --> 00:27:12,519
like make sure stuff is paid for and things get ordered.
562
00:27:12,859 --> 00:27:14,960
And people are showing up for rehearsal and things like that.
563
00:27:14,980 --> 00:27:19,420
So, I mean, yeah, the more this is about helping
564
00:27:19,420 --> 00:27:22,720
helping kids become better adults, just better humans.
565
00:27:22,720 --> 00:27:24,900
And that's I think it's what education is about,
566
00:27:24,900 --> 00:27:28,019
because we can't possibly in this building or any other building
567
00:27:28,019 --> 00:27:31,299
teach a kid everything they need to know to go out into the world
568
00:27:31,299 --> 00:27:32,819
because we don't know what their job is going to be.
569
00:27:33,119 --> 00:27:35,619
We don't know how technology is going to be different in 10 years or whatever.
570
00:27:35,779 --> 00:27:38,779
But if we can give them the tools to learn on their own
571
00:27:38,779 --> 00:27:41,839
and build resilience and self-confidence
572
00:27:41,839 --> 00:27:45,079
and how to overcome setbacks or whatever,
573
00:27:45,140 --> 00:27:47,220
that's the best thing we can do for them.
574
00:27:47,220 --> 00:27:50,799
You know, in any of our classes, I feel like just help them learn how to learn.
575
00:27:50,799 --> 00:27:53,240
So we talked about what to do
576
00:27:53,240 --> 00:27:55,759
if you're taking over a program that already existed.
577
00:27:56,240 --> 00:27:59,960
And we talked a little bit about what to do if you're trying to start a program.
578
00:28:00,440 --> 00:28:03,220
But you reference the fact that we lost.
579
00:28:03,539 --> 00:28:07,240
We've lost 12 really good actors and actresses
580
00:28:07,240 --> 00:28:10,319
who we are wildly biased about because two of them are
581
00:28:10,319 --> 00:28:13,420
are each of us have a kid that graduated and we basically help raise
582
00:28:13,420 --> 00:28:14,859
the other one. Right.
583
00:28:15,900 --> 00:28:19,079
So we're not we we think these kids are pretty amazing.
584
00:28:19,079 --> 00:28:21,339
And I mean, they are, but we're a little biased.
585
00:28:21,519 --> 00:28:27,759
So so now you're walking into a program this year
586
00:28:27,759 --> 00:28:30,519
that we keep making jokes about.
587
00:28:30,819 --> 00:28:34,880
It's the Avengers after Thor, the Hulk and, you know, all the big hitters.
588
00:28:34,940 --> 00:28:39,440
Yeah. So maybe for yourself, but maybe for somebody else.
589
00:28:39,980 --> 00:28:43,240
What are the five things that you feel like you need to do right now
590
00:28:43,240 --> 00:28:47,279
in order to help make that program successful
591
00:28:47,279 --> 00:28:50,019
or help bend that program towards success?
592
00:28:50,099 --> 00:28:54,180
Well, one, because the cultures build up for so long, we have and we have
593
00:28:54,180 --> 00:28:56,940
I only get to teach theater one period a day.
594
00:28:56,940 --> 00:28:59,480
And that's been true for most of the time that I've been doing it here.
595
00:29:00,519 --> 00:29:04,000
And some years that there were like 70 kids in that class.
596
00:29:04,879 --> 00:29:08,079
And that you can't do direct instruction with 70 children.
597
00:29:08,099 --> 00:29:09,079
That's just crazy town.
598
00:29:09,359 --> 00:29:13,839
So what I started doing a long time ago, more than a decade ago,
599
00:29:13,839 --> 00:29:16,660
was the students are separated to groups.
600
00:29:17,039 --> 00:29:21,880
And there is a an upper level drama kid, drama three or four,
601
00:29:22,220 --> 00:29:25,960
who is then matched with usually they have somebody else
602
00:29:25,960 --> 00:29:29,140
who's about their level and they're matched with drama ones and twos
603
00:29:29,140 --> 00:29:30,640
so that they have like a little family.
604
00:29:30,660 --> 00:29:33,319
And we color code them, just randomly assign them colors.
605
00:29:33,319 --> 00:29:35,000
And that solves a lot of problems.
606
00:29:35,400 --> 00:29:39,200
But that helps when new kids come in, because then they can get
607
00:29:39,200 --> 00:29:41,980
indoctrinated in the culture and they understand the procedures
608
00:29:41,980 --> 00:29:45,299
about how to take attendance and how to do warm ups when you first come in.
609
00:29:46,079 --> 00:29:48,539
And one of the first things we do is a monologue competition,
610
00:29:48,759 --> 00:29:50,259
which I guess we should do an episode about that.
611
00:29:50,400 --> 00:29:52,640
And they teach them how to pick out monologues
612
00:29:52,640 --> 00:29:54,400
and learn how to memorize lines.
613
00:29:55,259 --> 00:29:57,460
And farther on the year, you know, how to, you know,
614
00:29:57,539 --> 00:30:01,839
where to keep your costumes and what to do at rehearsals and things like that.
615
00:30:02,660 --> 00:30:05,140
I'm in the process right now kind of looking at who I've got
616
00:30:05,140 --> 00:30:06,900
and who who's going to be in leadership positions,
617
00:30:06,900 --> 00:30:09,519
because if you've been in the program for four years
618
00:30:09,519 --> 00:30:11,480
and, of course, now we've got kids in the musicals.
619
00:30:11,480 --> 00:30:13,140
They've done it even longer than that.
620
00:30:13,519 --> 00:30:17,819
To get to be the top dog this next year, they all sit in the front row.
621
00:30:17,900 --> 00:30:21,759
It's a big deal to get to be a drama four kid and sit in the front row.
622
00:30:22,220 --> 00:30:23,740
You've been waiting like all this time.
623
00:30:23,740 --> 00:30:26,359
You've been watching the other leaders and learning from them.
624
00:30:26,559 --> 00:30:28,220
And then you get to do it now, too.
625
00:30:28,259 --> 00:30:31,599
So that's that's really that's what's going to save us is we're not
626
00:30:31,599 --> 00:30:35,440
starting completely from scratch because we've got three really solid
627
00:30:35,440 --> 00:30:39,460
seniors and several really solid like drama three kids as well.
628
00:30:39,980 --> 00:30:42,380
I think so we're going to so we'll probably have, I don't know, six.
629
00:30:42,420 --> 00:30:44,400
We just like six groups that we had last year.
630
00:30:44,700 --> 00:30:46,519
So, yeah, that's that's going to solve that problem.
631
00:30:46,700 --> 00:30:50,819
Also, the first show that I think we're going to do is not is more of an ensemble show.
632
00:30:51,240 --> 00:30:55,240
It's not like everybody gets to do a lot of little things
633
00:30:55,240 --> 00:30:57,539
we kind of see where they are, because one of the rules
634
00:30:57,539 --> 00:30:59,380
is the first show that we do of the season.
635
00:30:59,820 --> 00:31:02,279
Everybody who's in drama one has to appear on stage
636
00:31:02,279 --> 00:31:04,599
because I don't because kids used to come in and say, oh, well,
637
00:31:04,599 --> 00:31:05,619
I just do hair and makeup.
638
00:31:05,839 --> 00:31:07,460
No, you need to learn how to do all the things.
639
00:31:07,460 --> 00:31:11,259
And if they will not get up on stage, then we are not for them.
640
00:31:11,440 --> 00:31:13,039
Like it's an elective course.
641
00:31:13,059 --> 00:31:16,180
You have to have a fine arts credit to graduate in Kentucky,
642
00:31:16,299 --> 00:31:17,539
but it doesn't have to be theater.
643
00:31:17,539 --> 00:31:20,440
And there is no reason for a student to be miserable all year
644
00:31:20,440 --> 00:31:22,960
or for me to have them in our way when they don't want to be there.
645
00:31:23,119 --> 00:31:26,220
So they have to get on stage in the first week of being there.
646
00:31:26,240 --> 00:31:29,180
And then they have to eventually appear in our first show.
647
00:31:29,220 --> 00:31:31,960
And if they're like, nope, can't do that, then they just need to go.
648
00:31:32,140 --> 00:31:33,339
Theater is not for everybody.
649
00:31:33,519 --> 00:31:33,920
It's just not.
650
00:31:34,299 --> 00:31:34,980
We'll be fine.
651
00:31:35,079 --> 00:31:35,720
We'll be fine.
652
00:31:36,700 --> 00:31:37,339
Everything's fine.
653
00:31:38,279 --> 00:31:41,220
So do you feel like there are some things that you've done this summer
654
00:31:42,279 --> 00:31:46,799
already that you have, you know, like that you have done
655
00:31:46,799 --> 00:31:51,420
in order to prep for the program?
656
00:31:51,740 --> 00:31:52,960
Sure. Yeah.
657
00:31:53,319 --> 00:31:55,039
Well, I see all the theater that I can.
658
00:31:55,099 --> 00:31:57,160
I see everything that Kentucky Shakespeare does.
659
00:31:57,220 --> 00:32:02,059
I cannot say enough about what a fabulous program that is an asset to Kentucky.
660
00:32:02,059 --> 00:32:08,380
They have been in Edmondson County, I think, four times this year
661
00:32:08,380 --> 00:32:12,740
because they conduct classes and workshops in the schools.
662
00:32:12,880 --> 00:32:16,299
And so they've come and done a theater workshop with us.
663
00:32:17,259 --> 00:32:23,619
And then they did an American history workshop with the high school kids
664
00:32:23,619 --> 00:32:25,000
and then another one with our middle school kids.
665
00:32:25,000 --> 00:32:30,160
And then they came back to the public library and did a one-man
666
00:32:30,160 --> 00:32:33,059
stream and also a stage combat workshop.
667
00:32:33,420 --> 00:32:36,779
So, I mean, I go see everything that I can that involves them.
668
00:32:36,960 --> 00:32:41,619
And I've also seen several other theater pieces, other places this summer.
669
00:32:42,000 --> 00:32:47,440
I also read a lot of scripts and kind of narrowed down what I think we're going to do.
670
00:32:47,559 --> 00:32:50,539
So the next thing I need to start doing because school starts in like a month,
671
00:32:50,619 --> 00:32:54,880
right, less than a month, is to start with the Shakespeare play,
672
00:32:55,160 --> 00:32:57,619
which I thought I knew what it was and now I don't know.
673
00:32:58,220 --> 00:32:59,900
I usually go through and edit those.
674
00:32:59,900 --> 00:33:03,259
We don't do the entire play.
675
00:33:03,440 --> 00:33:05,180
And Shakespeare's dead and he told me I could do whatever I wanted to.
676
00:33:05,220 --> 00:33:06,900
So we cut it down for what our audience needs.
677
00:33:07,160 --> 00:33:09,779
But then like more modern plays, like the first one we're going to do,
678
00:33:09,779 --> 00:33:13,640
I need to go through and write a rehearsal schedule for that
679
00:33:13,640 --> 00:33:17,039
and make a production analysis for that.
680
00:33:17,079 --> 00:33:20,240
And we should post those like, we should post documents
681
00:33:20,240 --> 00:33:21,720
that we use all the time like that.
682
00:33:22,039 --> 00:33:24,500
So you mentioned the monologue madness.
683
00:33:25,400 --> 00:33:28,920
One of the things I wanted to do before we got into all the other stuff
684
00:33:28,920 --> 00:33:35,099
is talk about what is the next thing that Edmondson County's drama is going to do.
685
00:33:35,559 --> 00:33:39,619
Kids coming into class in around, you know, a month or so like that.
686
00:33:39,720 --> 00:33:43,079
We're going to have first day stuff with syllabuses and everything like that.
687
00:33:43,980 --> 00:33:49,940
But what's the next real deal thing that Edmondson County drama is going to do?
688
00:33:50,440 --> 00:33:52,960
I do want to say this about first day, though, when I'm thinking about it.
689
00:33:53,240 --> 00:33:55,680
When they come in the first day, you have to get them on stage immediately.
690
00:33:55,980 --> 00:33:57,140
You have to get them on stage.
691
00:33:57,140 --> 00:34:00,180
You cannot sit and talk at them and read the syllabus to them.
692
00:34:00,700 --> 00:34:03,279
In fact, a thing we've done in the last couple of years, which is really fun,
693
00:34:03,700 --> 00:34:06,160
was we separated the syllabus out into sections
694
00:34:06,700 --> 00:34:10,780
and we put them in groups and they had to perform that section of the syllabus.
695
00:34:11,099 --> 00:34:14,840
What was the thing about no vaping in the prop hall or something?
696
00:34:14,860 --> 00:34:18,320
Her syllabus has in giant letters that there's no vaping in the prop hall.
697
00:34:18,539 --> 00:34:24,440
And so one of the scenes was just entirely about the no vaping in the prop hall.
698
00:34:24,440 --> 00:34:27,099
Your daughter is screaming at everybody not to think of the prop hall.
699
00:34:27,500 --> 00:34:28,619
And they remember that stuff, right?
700
00:34:28,679 --> 00:34:32,420
Because nobody wants to sit and read seven syllabi on the first day of school.
701
00:34:32,920 --> 00:34:34,460
That's mind numbing to even think about it.
702
00:34:34,639 --> 00:34:36,780
So you get them on stage and you start doing improv
703
00:34:36,780 --> 00:34:38,800
and then maybe the middle of it for the end, you're like,
704
00:34:38,800 --> 00:34:40,780
here's the syllabus, get this signed or whatever.
705
00:34:40,840 --> 00:34:41,679
They can all read.
706
00:34:41,780 --> 00:34:42,780
You know, they're illiterate, they can all read.
707
00:34:43,079 --> 00:34:45,139
But the first big thing that we do every single year
708
00:34:45,139 --> 00:34:47,099
is this thing called Shakespeare Madness.
709
00:34:47,099 --> 00:34:54,619
And it is based on the English Speaking Union's Shakespeare competition,
710
00:34:54,679 --> 00:34:57,280
which is a nationwide competition that we are involved in.
711
00:34:57,280 --> 00:35:03,199
We have been involved in for the entire time that I've been doing theater here,
712
00:35:03,480 --> 00:35:06,619
where we've been doing it continuously longer than most other schools
713
00:35:06,619 --> 00:35:09,300
or I've been doing it continuously longer than most other teachers.
714
00:35:10,199 --> 00:35:14,360
And so basically, our branch is the Kentucky English Speaking Union
715
00:35:14,360 --> 00:35:16,079
and all this stuff is available on their website.
716
00:35:16,639 --> 00:35:21,420
They have a list of monologues, which are just a couple of minutes long,
717
00:35:21,460 --> 00:35:25,340
and they have choices from pretty much every play in Shakespeare's canon.
718
00:35:26,420 --> 00:35:31,539
And we give that to the kids and we talk about how you might pick a monologue
719
00:35:31,539 --> 00:35:34,400
or whatever and how to rehearse and their group leader is helping with that.
720
00:35:34,619 --> 00:35:36,539
And then they get up and present those monologues
721
00:35:36,539 --> 00:35:39,539
and we have bracketed them just like the NCAA.
722
00:35:40,059 --> 00:35:42,480
So we use a website called...
723
00:35:42,480 --> 00:35:43,219
Shalong.
724
00:35:43,659 --> 00:35:46,719
Shalong, yeah, and I've been using it for decades too.
725
00:35:46,900 --> 00:35:51,139
And you can get on there and you can very easily make your own bracket.
726
00:35:51,480 --> 00:35:53,900
You can put the kids in order and we do order them.
727
00:35:54,179 --> 00:35:57,760
So if you won last year, which our winner last year, she graduated,
728
00:35:58,699 --> 00:35:59,900
but it's in second place.
729
00:35:59,960 --> 00:36:02,780
So whoever the last kid that's left from last year's competition,
730
00:36:02,840 --> 00:36:05,599
they'll be the number one seed and work their way down.
731
00:36:05,619 --> 00:36:08,000
And the new kids just get down at the bottom, sort of mushed in there.
732
00:36:08,420 --> 00:36:11,420
And it brackets them so that the upper level kids
733
00:36:11,420 --> 00:36:13,539
go against lower level kids most of the time.
734
00:36:13,659 --> 00:36:15,780
But we try not to show the kids the brackets left they perform
735
00:36:15,780 --> 00:36:18,239
because if they think somebody's got a higher seed than them, they'll choke.
736
00:36:18,659 --> 00:36:20,800
But all you have to do to make 100 on that assignment
737
00:36:20,800 --> 00:36:22,559
is get up and just recite the monologue.
738
00:36:22,679 --> 00:36:23,760
That's all you have to do.
739
00:36:23,900 --> 00:36:28,280
And some of them, they've got blocking, they're into it,
740
00:36:28,280 --> 00:36:31,739
they've read the entire play, they're locked and loaded,
741
00:36:32,460 --> 00:36:34,219
and they will do a really good job.
742
00:36:34,300 --> 00:36:37,619
Because ultimately, if you win, if you go all the way through the bracket,
743
00:36:37,699 --> 00:36:40,860
then you will get to be our competitor at the state level.
744
00:36:40,860 --> 00:36:43,820
Last year, our student that won, she was second stage,
745
00:36:43,840 --> 00:36:44,639
so she did very well.
746
00:36:44,659 --> 00:36:45,719
That's the best we've ever done.
747
00:36:46,199 --> 00:36:47,179
And then you get 100.
748
00:36:47,179 --> 00:36:48,760
If you go one, that's just bonus points.
749
00:36:49,059 --> 00:36:52,760
Some of them get up there and they have memorized it
750
00:36:52,760 --> 00:36:55,800
and they take a giant gulp of a breath
751
00:36:55,800 --> 00:36:59,420
and they just say all of the words all at once with their eyes closed.
752
00:36:59,800 --> 00:37:01,539
But they got on stage and they did it.
753
00:37:02,599 --> 00:37:05,119
And now that Brent gives them a crisp high five
754
00:37:05,119 --> 00:37:07,179
when they all compete through the first round,
755
00:37:07,619 --> 00:37:08,659
our buying is much better.
756
00:37:08,659 --> 00:37:11,739
It's really interesting what motivates these students.
757
00:37:13,119 --> 00:37:15,699
And then they've gotten on stage and it wasn't that bad.
758
00:37:15,860 --> 00:37:18,579
And also the other kids in the audience, it's just for our students.
759
00:37:18,619 --> 00:37:20,320
We don't let outsiders into this.
760
00:37:20,780 --> 00:37:22,940
All the kids that are in that audience are either just as scared
761
00:37:22,940 --> 00:37:26,500
as the kids on stage or because they've never done it before
762
00:37:26,500 --> 00:37:28,960
or they know what it feels like.
763
00:37:29,159 --> 00:37:32,719
And so no matter how well or poorly they present their monologue,
764
00:37:33,280 --> 00:37:35,900
everybody hoots and hollers when the kid gets on stage
765
00:37:35,900 --> 00:37:38,380
and then they all clap and hoot and holler when they get off the stage.
766
00:37:38,380 --> 00:37:45,300
So it's a very soft way to get up there and try it.
767
00:37:45,300 --> 00:37:48,139
We've had students who literally had selective mutism,
768
00:37:48,420 --> 00:37:51,039
which is where they just don't speak.
769
00:37:51,119 --> 00:37:53,320
They can speak, but they, for whatever reason,
770
00:37:53,380 --> 00:37:55,559
they do not speak, especially at school.
771
00:37:56,039 --> 00:37:58,940
And we've had a couple in the past 20 some odd years
772
00:37:58,940 --> 00:38:01,940
who would get up on stage and speak and were fine
773
00:38:01,940 --> 00:38:05,440
or had stutters that did not appear when they were on stage
774
00:38:05,440 --> 00:38:08,599
because they felt safer there than they did having conversations
775
00:38:08,599 --> 00:38:09,639
one-on-one with people.
776
00:38:10,639 --> 00:38:13,880
But I think we've been doing it for a long time
777
00:38:13,880 --> 00:38:15,400
and that's always done really well.
778
00:38:15,420 --> 00:38:19,539
And it's a good sort of segue into being on stage
779
00:38:19,539 --> 00:38:22,019
and realizing that you're probably not going to get it by lightning.
780
00:38:22,420 --> 00:38:23,340
You know, it's not going to be.
781
00:38:23,559 --> 00:38:26,400
And I mean, I know you used to use it as sort of a gateway.
782
00:38:27,360 --> 00:38:28,360
It still is.
783
00:38:28,400 --> 00:38:31,159
If you refuse to do that, then you can't take the class.
784
00:38:32,079 --> 00:38:34,860
And we know pretty quickly because we have five days to drop ad.
785
00:38:34,860 --> 00:38:36,860
So we know pretty quickly if someone's like,
786
00:38:37,059 --> 00:38:37,780
I will not do this.
787
00:38:37,780 --> 00:38:39,139
And I was like, I will fail you.
788
00:38:39,260 --> 00:38:41,039
Let's find you a different class that's better for you
789
00:38:41,039 --> 00:38:43,400
because like I said, there's no reason for a kid to be miserable
790
00:38:43,400 --> 00:38:45,760
and failing elective, that's dumb.
791
00:38:45,780 --> 00:38:49,219
We can move you somewhere else and make you happy, you know.
792
00:38:49,340 --> 00:38:51,300
Well, I was trying to think over the last couple of years,
793
00:38:51,360 --> 00:38:54,300
have we had many kids bail out?
794
00:38:54,780 --> 00:38:58,059
We, I mean, like the first week, maybe two or three.
795
00:38:59,099 --> 00:38:59,719
That's it.
796
00:39:00,199 --> 00:39:01,460
It's not a big number.
797
00:39:01,539 --> 00:39:03,239
It's the offer of a crisp high five.
798
00:39:03,239 --> 00:39:05,059
Nobody can turn that down.
799
00:39:05,320 --> 00:39:08,019
Well, and also, like I said, I don't know if I said this earlier or not,
800
00:39:08,059 --> 00:39:11,639
but we're at a point where we're getting the kids of kids who were in drama.
801
00:39:11,860 --> 00:39:14,460
So they've heard their parents tell these stories and they're in it.
802
00:39:14,460 --> 00:39:15,300
They want to be here.
803
00:39:15,300 --> 00:39:16,159
We're in it to win it.
804
00:39:16,659 --> 00:39:18,719
They're not like, well, what's this going to be like, you know,
805
00:39:18,719 --> 00:39:22,559
or they've seen the plays growing up or they did the musicals.
806
00:39:22,579 --> 00:39:25,860
So they're not like, I have no idea what's going to happen in this class.
807
00:39:25,900 --> 00:39:26,960
They kind of have an idea.
808
00:39:27,420 --> 00:39:30,940
So most kids are pretty good about self-selecting and a crisp high five.
809
00:39:30,940 --> 00:39:34,360
I mean, it's really the end all be all.
810
00:39:36,179 --> 00:39:41,039
So one of the things that she mentioned earlier about the reading of the syllabus
811
00:39:41,659 --> 00:39:47,320
is a great example of one of the things she hasn't really touched on, I think,
812
00:39:47,739 --> 00:39:53,800
is about building a culture and that the reading the syllabus thing and the story
813
00:39:53,800 --> 00:39:59,420
about that there's no vaping in the prop hall is a great example of building a culture.
814
00:40:00,319 --> 00:40:05,559
So first day, first or second day, whatever, when they were doing these plays,
815
00:40:06,300 --> 00:40:09,900
you know, they get up, they're screaming about no vaping in the prop hall.
816
00:40:10,420 --> 00:40:14,179
They have five or six different versions of no vaping in the prop hall,
817
00:40:14,300 --> 00:40:16,360
no vaping in the prop hall, no vaping in the prop hall.
818
00:40:17,559 --> 00:40:22,940
That becomes the word you would use now a meme in the class.
819
00:40:23,420 --> 00:40:28,179
And so seven months later, someone walks out of the prop hall
820
00:40:28,179 --> 00:40:31,559
and someone will look at them and go, Hey, were you vaping in the prop hall?
821
00:40:31,699 --> 00:40:35,619
You know, like, it becomes part of the culture.
822
00:40:36,139 --> 00:40:42,420
And we've had students who were, I mean, 100% on the spectrum.
823
00:40:43,619 --> 00:40:48,480
And, you know, the class develops these, I mean, there's nothing else to call it,
824
00:40:48,480 --> 00:40:51,199
these cultism kind of things that they do.
825
00:40:52,159 --> 00:40:55,480
And, you know, this kid that's on the spectrum goes, Wait, wait,
826
00:40:55,480 --> 00:40:56,719
you did that thing.
827
00:40:57,019 --> 00:41:00,159
So because I'm in the group, I'm supposed to say this.
828
00:41:00,219 --> 00:41:01,119
And then they do.
829
00:41:01,159 --> 00:41:03,760
And it's like I said, it's part of the culture.
830
00:41:03,960 --> 00:41:10,239
We have a culture in the program of when someone gets on stage, everyone cheers.
831
00:41:10,280 --> 00:41:12,360
When someone comes off stage, everyone cheers.
832
00:41:12,860 --> 00:41:17,280
You know, it doesn't matter if they got up, got two lines into it and fell apart.
833
00:41:17,500 --> 00:41:19,079
Like they continue to cheer.
834
00:41:19,639 --> 00:41:23,559
And I think that over the last five, six, seven years,
835
00:41:23,639 --> 00:41:29,019
it has really kept the program in a very positive place
836
00:41:29,019 --> 00:41:33,119
where we don't have a lot of like backbiting amongst people.
837
00:41:33,320 --> 00:41:36,940
And there's not like a lot of like, Oh, we have to watch them
838
00:41:36,940 --> 00:41:39,539
because they're going off to do this or that or whatever.
839
00:41:40,079 --> 00:41:45,739
I do think that's a big part of the thing that she has built.
840
00:41:45,739 --> 00:41:51,440
And it is very much like I say this as a guy who stands around in the class
841
00:41:51,440 --> 00:41:54,440
sometimes, it's very female led a lot of times.
842
00:41:54,840 --> 00:41:56,159
It is very much a matriarchy.
843
00:41:56,340 --> 00:42:01,320
And so that can be both good and bad, in my opinion,
844
00:42:01,420 --> 00:42:07,280
in that when it's good because the females are not interested in preening
845
00:42:07,960 --> 00:42:11,800
and being the center of all attention all the time and everything like that,
846
00:42:11,800 --> 00:42:17,280
it's great because they're not forcing people out
847
00:42:17,280 --> 00:42:19,480
because they need to be in that one spotlight.
848
00:42:20,259 --> 00:42:23,519
It can and has in some in the past been bad
849
00:42:24,500 --> 00:42:30,800
because sometimes the people like to like build a little like coven around them.
850
00:42:31,199 --> 00:42:34,400
And then we end up with like two or three little covens and stuff like that.
851
00:42:34,519 --> 00:42:37,780
But in the last few years, we haven't really had that.
852
00:42:37,880 --> 00:42:39,780
We have little clusters of people,
853
00:42:39,780 --> 00:42:42,340
but those clusters all intermingle with each other.
854
00:42:42,719 --> 00:42:43,000
Yeah.
855
00:42:43,139 --> 00:42:46,559
The Venn diagram, someone is touching other people
856
00:42:46,559 --> 00:42:48,639
in terms of the Venn diagram at all times.
857
00:42:48,639 --> 00:42:49,320
That's definitely true.
858
00:42:50,420 --> 00:42:50,719
Yeah.
859
00:42:50,940 --> 00:42:53,039
And then you will randomly see people that you're like,
860
00:42:53,039 --> 00:42:54,719
wait, how are these people friends?
861
00:42:54,900 --> 00:42:55,300
Right.
862
00:42:55,380 --> 00:42:58,400
And they are like very intensely friends.
863
00:42:58,820 --> 00:43:00,719
And then, of course, it depends on what they're doing in the show.
864
00:43:01,079 --> 00:43:03,539
Like their characters, they're in all their scenes together
865
00:43:04,079 --> 00:43:06,619
or if the light and sound people for a show,
866
00:43:06,699 --> 00:43:09,480
they're in the box together all the time or it's the stage managers.
867
00:43:09,780 --> 00:43:15,039
So they kind of the clicks shift around based on what or if we're running two shows at once,
868
00:43:15,440 --> 00:43:18,320
you're going to see kids from one show maybe kind of piled up against the show.
869
00:43:18,440 --> 00:43:21,699
But there's not, no, I think the culture is really, really important.
870
00:43:21,880 --> 00:43:24,920
I think you have to be very intentional about the culture
871
00:43:24,920 --> 00:43:27,280
and about trying to stay positive.
872
00:43:27,280 --> 00:43:29,860
And if there is a problem, addressing that problem as quickly as possible.
873
00:43:30,000 --> 00:43:33,679
So it does not, which is something I think I'm a lot better at the older I've gotten.
874
00:43:33,679 --> 00:43:35,139
And of course, I was raising my own kids
875
00:43:35,139 --> 00:43:38,119
and I learned a lot about how to raise other people's kids by raising my own kids.
876
00:43:38,759 --> 00:43:41,599
So, yeah, I think that's definitely true is the culture is
877
00:43:41,599 --> 00:43:43,480
because if it's bad and there's all kinds of
878
00:43:43,480 --> 00:43:46,099
because I like I belong to a lot of theater boards and stuff.
879
00:43:46,099 --> 00:43:48,199
And I see a lot of people asking about,
880
00:43:48,619 --> 00:43:51,960
you know, how do I this kid has gone completely supernova
881
00:43:51,960 --> 00:43:53,659
because they didn't get the part they wanted
882
00:43:53,659 --> 00:43:55,739
and that the parents are calling me and all this stuff.
883
00:43:55,739 --> 00:44:00,320
And I just don't feel like we have those kind of problems because we don't.
884
00:44:00,519 --> 00:44:01,780
Do we play favorites? Yes.
885
00:44:01,780 --> 00:44:07,460
If I know that I have a kid that is incredibly good at something or competent even
886
00:44:07,460 --> 00:44:10,059
and they are going to work every time I ask them to do it,
887
00:44:10,059 --> 00:44:11,980
we usually only have a couple of stage managers.
888
00:44:12,119 --> 00:44:14,179
In fact, our really good stage manager is going to graduate this year.
889
00:44:14,659 --> 00:44:16,539
Our last really good stage manager was my daughter.
890
00:44:17,300 --> 00:44:19,099
And we have others, but we usually have the same ones
891
00:44:19,099 --> 00:44:20,440
because they're really, really good.
892
00:44:21,159 --> 00:44:23,019
So I play favorites in the sense that
893
00:44:23,019 --> 00:44:26,239
I know these people are going to be able to do what they're supposed to be doing.
894
00:44:26,340 --> 00:44:30,099
But also because they are leaving, we're constantly have to cycle in new kids.
895
00:44:30,280 --> 00:44:33,139
You know, so yeah, no, I think being positive
896
00:44:33,139 --> 00:44:35,599
and just the fact that they know that the people there love them.
897
00:44:36,679 --> 00:44:37,800
We'll take anybody.
898
00:44:39,539 --> 00:44:40,719
There's no qualification.
899
00:44:40,980 --> 00:44:43,920
So a kid will say, I want to take drama, but I'm not a good actor.
900
00:44:44,179 --> 00:44:45,400
Well, it's educational theater.
901
00:44:45,460 --> 00:44:47,699
We'll teach you how to be better at whatever you want to be.
902
00:44:47,960 --> 00:44:48,500
That's fine.
903
00:44:48,500 --> 00:44:50,559
We can help you get better if you show up for the class.
904
00:44:51,179 --> 00:44:54,739
But we've had students of various ethnicities.
905
00:44:54,820 --> 00:44:56,659
We've had students with disabilities.
906
00:44:56,780 --> 00:44:59,280
We've had students who were blind.
907
00:44:59,400 --> 00:45:00,320
We've had students who were deaf.
908
00:45:00,420 --> 00:45:02,579
We've had lots of spectrum students.
909
00:45:02,579 --> 00:45:06,139
Students who are on the spectrum tend to be really, really good at theater,
910
00:45:06,500 --> 00:45:07,920
which is great for us.
911
00:45:08,340 --> 00:45:10,739
We've had students in wheelchairs.
912
00:45:10,860 --> 00:45:14,760
We've had students who had canes or crutches.
913
00:45:17,539 --> 00:45:21,219
There's nobody who can't be in drama unless you just don't want to be in drama.
914
00:45:21,380 --> 00:45:25,599
There's no like, well, you're not good enough or the right way or whatever.
915
00:45:25,780 --> 00:45:26,460
We don't care.
916
00:45:26,699 --> 00:45:30,820
If you're breathing, we want you to go and hang out with us.
917
00:45:30,820 --> 00:45:37,360
And I will also say that is part of the reason why I really like being part of the program
918
00:45:37,360 --> 00:45:41,860
is that we had training for the school district about how
919
00:45:42,559 --> 00:45:46,380
we really needed to see the kids that needed the help.
920
00:45:47,880 --> 00:45:52,539
And I also at the time happened to be involved in the
921
00:45:52,539 --> 00:45:57,519
implementation of doing online registration for families in our county.
922
00:45:57,519 --> 00:46:02,079
And so that year, I really, really got to see
923
00:46:02,079 --> 00:46:08,280
a lot of the people in the county and how we had grandparents and great grandparents
924
00:46:08,280 --> 00:46:14,059
raising children and households that were divided and one parent was in jail
925
00:46:14,059 --> 00:46:17,320
or one parent was on the other side of the world or whatever.
926
00:46:17,559 --> 00:46:20,880
When I looked around in our high school to see,
927
00:46:21,619 --> 00:46:23,980
where are these kids that I'm supposed to be helping,
928
00:46:23,980 --> 00:46:29,519
the place that had the most kids that were sort of the misfit toys in the high school
929
00:46:29,519 --> 00:46:31,539
was one of those places was drama.
930
00:46:32,179 --> 00:46:37,519
And so I decided that that was probably where I wanted to spend my extra effort
931
00:46:37,519 --> 00:46:40,800
to help the children.
932
00:46:41,000 --> 00:46:45,059
You know, my argument has always been like, there are plenty of people that
933
00:46:45,059 --> 00:46:52,519
support the star football players and the basketball players and the sporty kids
934
00:46:52,519 --> 00:46:53,519
and everything like that.
935
00:46:53,519 --> 00:46:56,079
I say that as both of my kids being sporty kids.
936
00:46:56,840 --> 00:47:00,199
There are plenty of people that are down talking to the welders
937
00:47:00,199 --> 00:47:04,519
and the electricians and FFA and everything like that.
938
00:47:04,639 --> 00:47:07,380
Those people all have plenty of people to help them out.
939
00:47:07,980 --> 00:47:14,420
But most days when I walk into our theater for the drama class,
940
00:47:14,739 --> 00:47:19,119
we're talking about kids who some of them maybe didn't get food that morning
941
00:47:19,119 --> 00:47:22,659
and had no one at the house when they woke up or whatever.
942
00:47:22,659 --> 00:47:28,519
And so, yeah, I will gladly give you a hug and I will gladly give you a high five.
943
00:47:28,579 --> 00:47:33,940
And I will definitely sit down and play a word game with you while we eat or whatever,
944
00:47:34,719 --> 00:47:36,820
because somebody's got to care about this kid.
945
00:47:37,460 --> 00:47:39,079
And obviously, Jennifer does.
946
00:47:39,199 --> 00:47:43,760
And I saw like an opportunity for me to help care about these kids.
947
00:47:43,940 --> 00:47:46,739
And it really is like there's been more than one time when
948
00:47:47,619 --> 00:47:51,260
the counselors have got a new student who's come in in the middle of the year
949
00:47:51,260 --> 00:47:54,780
and they bring them in and go, we think this is one of your kids,
950
00:47:55,219 --> 00:47:58,679
because we don't know where else this kid goes.
951
00:47:59,420 --> 00:48:00,760
And generally it is.
952
00:48:00,920 --> 00:48:02,920
We also don't charge anything for the program.
953
00:48:02,960 --> 00:48:04,639
There are a lot of theater programs that are paid to play
954
00:48:04,639 --> 00:48:07,019
and a lot of extracurriculars and co-curriculars that are.
955
00:48:07,260 --> 00:48:09,239
And we have never charged a dime.
956
00:48:09,300 --> 00:48:13,960
We do have some very generous parents and community members
957
00:48:13,960 --> 00:48:16,880
and my best friend since I was five years old,
958
00:48:17,079 --> 00:48:19,599
Kevin, he has been funding the program for a long time.
959
00:48:19,599 --> 00:48:23,400
But if you can buy your own costume, great.
960
00:48:23,420 --> 00:48:25,119
If you can't, we will get it for you.
961
00:48:25,219 --> 00:48:26,079
Just whatever you need.
962
00:48:26,079 --> 00:48:29,119
But I would never tell a kid they couldn't come in and do our stuff
963
00:48:30,159 --> 00:48:32,599
because they did not have the funds to do that.
964
00:48:33,179 --> 00:48:36,820
And I mean, the county that we're in is a very well,
965
00:48:36,920 --> 00:48:39,519
I mean, obviously it has all ends of the spectrum.
966
00:48:39,559 --> 00:48:40,940
We have people that have a lot of money
967
00:48:40,940 --> 00:48:43,739
and people that have no money and stuff like that.
968
00:48:44,179 --> 00:48:47,139
So we, you know, it would be hard for us to say,
969
00:48:47,139 --> 00:48:52,440
listen, everybody that wants to be in the play has to pay $300 or whatever.
970
00:48:52,719 --> 00:48:54,559
Like, I mean, because basically you would just cut,
971
00:48:54,860 --> 00:48:56,719
you would cut yourself down and especially
972
00:48:57,440 --> 00:49:00,139
a lot of the population that we have in the drama program.
973
00:49:00,519 --> 00:49:02,420
Like, you know, I'm not sure if there would have been
974
00:49:04,079 --> 00:49:07,039
seven kids in the program that could have paid that kind of money.
975
00:49:07,280 --> 00:49:08,159
Yeah, that'd be crazy.
976
00:49:08,719 --> 00:49:12,119
She also does get by with like not doing a lot of fundraising either though.
977
00:49:12,119 --> 00:49:18,059
She makes money on the musical and the house for the musical.
978
00:49:18,300 --> 00:49:22,559
And it also funds doing that as a district wide musical funds
979
00:49:22,559 --> 00:49:24,780
a lot of the things that we do.
980
00:49:24,880 --> 00:49:28,800
And this is something like going back to what you want to do if you're starting is,
981
00:49:28,820 --> 00:49:30,980
and this is a thing that lots of theater programs do,
982
00:49:31,300 --> 00:49:34,099
is you do one that you know is going to be wildly popular
983
00:49:34,099 --> 00:49:39,000
and that allows you to do some weirder or more underground things.
984
00:49:39,000 --> 00:49:42,639
So this musical, it's the only show that we do with all the students.
985
00:49:42,760 --> 00:49:45,380
It's all extracurricular and they bust the little kids in
986
00:49:45,380 --> 00:49:49,920
from the other schools in the district, but it's a dinner theater.
987
00:49:49,940 --> 00:49:51,599
So we kind of double dip with that one.
988
00:49:51,599 --> 00:49:56,619
So we partner with the soccer team generally and also the academic team,
989
00:49:56,619 --> 00:49:57,920
which I am the coach of.
990
00:49:57,960 --> 00:49:58,980
So that helps me out too.
991
00:49:59,179 --> 00:50:02,159
And they provided dinner with the show.
992
00:50:02,239 --> 00:50:05,000
And so we charge about like 20 bucks, I think.
993
00:50:05,000 --> 00:50:06,340
I think presale is 20.
994
00:50:07,099 --> 00:50:11,000
And then we get funded and the other organization gets funded as well.
995
00:50:11,219 --> 00:50:12,719
And that brings even more people in.
996
00:50:13,320 --> 00:50:16,780
But parents of little kids, if we did that show five times,
997
00:50:16,860 --> 00:50:18,099
those parents would come five times.
998
00:50:18,239 --> 00:50:21,239
And that's how we make a bunch of money to do
999
00:50:21,239 --> 00:50:24,619
like a, you know, gender swap Julius Caesar
1000
00:50:25,320 --> 00:50:27,420
or the complete works of William Shakespeare,
1001
00:50:27,500 --> 00:50:29,400
a bridge to bridge revised.
1002
00:50:29,639 --> 00:50:33,159
So we can do weirder things that we can't,
1003
00:50:33,159 --> 00:50:35,500
we're not going to get our money back for them
1004
00:50:35,500 --> 00:50:39,800
because we did this massive musical and everybody wanted to come see there.
1005
00:50:39,900 --> 00:50:43,539
Like we did Singin' in the Rain this last semester.
1006
00:50:43,840 --> 00:50:45,800
And so we had all these little cutie patooties
1007
00:50:45,800 --> 00:50:48,900
and little flapper dresses and little yellow raincoats.
1008
00:50:48,980 --> 00:50:52,280
And we just made money like gangbusters.
1009
00:50:52,300 --> 00:50:54,719
So you want to pick one that's going to be wildly popular for the audience
1010
00:50:54,719 --> 00:50:56,679
and then give them the opportunity to see something
1011
00:50:56,679 --> 00:51:01,039
that maybe is a little more lesser known, I guess.
1012
00:51:01,099 --> 00:51:02,360
Trapped is a good example of that.
1013
00:51:02,360 --> 00:51:02,719
Oh, yeah.
1014
00:51:02,719 --> 00:51:08,599
Like it had props that needed to be ordered and stuff like that.
1015
00:51:08,840 --> 00:51:10,679
And like, you know, that's harder to fund
1016
00:51:10,679 --> 00:51:13,639
if you don't know that you're about to bring in more money for the musical.
1017
00:51:13,639 --> 00:51:18,800
Right. So the spring musical will fund everything that comes back around in the fall.
1018
00:51:19,820 --> 00:51:23,780
So, you know, that's it's especially if you're just starting a program
1019
00:51:23,780 --> 00:51:25,179
and stuff like that, I don't necessarily know
1020
00:51:25,179 --> 00:51:27,760
that you start with a school web musical, but...
1021
00:51:28,679 --> 00:51:30,219
No, I would say no.
1022
00:51:30,219 --> 00:51:31,920
If it were my first rodeo, I would not.
1023
00:51:33,239 --> 00:51:35,739
The program started that it was really just her
1024
00:51:35,739 --> 00:51:38,800
and a couple people that acted like they were going to be there that didn't show up,
1025
00:51:38,880 --> 00:51:42,760
which was part of also the reason why I wanted to help.
1026
00:51:42,900 --> 00:51:49,340
But she has developed a pyramid scheme of people helping her with the musical.
1027
00:51:49,659 --> 00:51:52,900
That's a good word. I like that. That's a good term for this. Yeah.
1028
00:51:53,719 --> 00:51:54,780
Do you want to elaborate on that?
1029
00:51:55,079 --> 00:51:58,260
Well, yeah, so I am not a song and dance girl.
1030
00:51:58,260 --> 00:52:04,900
I did musicals when I was a kid, but I never had like a lead in them or anything like that.
1031
00:52:05,219 --> 00:52:09,079
So I have, like I said, I have the band director doing the choreography
1032
00:52:09,079 --> 00:52:13,139
and then I have a former student who also helps with choreography and singing.
1033
00:52:13,820 --> 00:52:18,420
And then Brent works on the tech aspects of it with the mics and that kind of stuff
1034
00:52:18,420 --> 00:52:19,860
and building sets and things like that.
1035
00:52:20,300 --> 00:52:21,940
And the art department helps with that.
1036
00:52:22,159 --> 00:52:23,679
And Mr. Florence, it's nice.
1037
00:52:23,860 --> 00:52:25,679
My husband, Jason, helps with that stuff.
1038
00:52:25,980 --> 00:52:27,679
So we have a lot of people who come in.
1039
00:52:27,679 --> 00:52:34,820
Brent's wife, Pauline, made most of the costumes for The Wizard of Oz, which was just,
1040
00:52:35,119 --> 00:52:38,639
I mean, she made wings for all those monkeys, little hats for them,
1041
00:52:39,260 --> 00:52:42,800
and dresses and suits for all the little kids in Munchkinland.
1042
00:52:42,900 --> 00:52:46,460
It was, I don't even know how many costumes she made for that show,
1043
00:52:46,960 --> 00:52:48,840
like 30 or 40 probably.
1044
00:52:49,159 --> 00:52:53,500
So we do have a lot of help and people who, and we have a parent
1045
00:52:53,500 --> 00:52:57,699
who doesn't even have any children in the program anymore,
1046
00:52:58,219 --> 00:53:00,880
who still, as soon as she finds out rehearsals are happening,
1047
00:53:01,340 --> 00:53:04,920
starts bringing us cases of fruit to feed the children,
1048
00:53:04,980 --> 00:53:07,559
because we give them a snack because they're here for so long after school.
1049
00:53:08,539 --> 00:53:11,559
And just like literally orders from directly from the grocery store,
1050
00:53:11,860 --> 00:53:14,380
cases of bananas and oranges and apples and stuff.
1051
00:53:14,599 --> 00:53:16,039
So the kids have good food to eat.
1052
00:53:16,159 --> 00:53:19,039
And she's not even, like I said, her kids graduated,
1053
00:53:19,099 --> 00:53:21,960
but we built up all this goodwill with her and lots of other people
1054
00:53:21,960 --> 00:53:23,280
whose kids are not in the program anymore.
1055
00:53:23,500 --> 00:53:26,800
Who still want to help us, which is, it's great.
1056
00:53:27,940 --> 00:53:29,659
I don't know if it's necessarily a summation,
1057
00:53:30,440 --> 00:53:38,980
but talking about the culture and the amount of people
1058
00:53:38,980 --> 00:53:43,739
that you have interacted with in this program and everything like that.
1059
00:53:44,199 --> 00:53:48,739
So this last year, you made shirts that had every play
1060
00:53:48,739 --> 00:53:53,400
that you had ever done in this department on them.
1061
00:53:53,400 --> 00:53:54,420
Tell us how that went.
1062
00:53:54,900 --> 00:54:00,800
Well, we do a shirt every year that says something silly on it,
1063
00:54:00,860 --> 00:54:03,500
and the kids can put something silly on the back if they want to.
1064
00:54:03,780 --> 00:54:05,780
But because it was our 20th anniversary, I thought,
1065
00:54:05,820 --> 00:54:09,159
wouldn't it be cool if we put all the shows on the shirt?
1066
00:54:09,440 --> 00:54:11,699
And we did, and I told them we were going to order them,
1067
00:54:11,699 --> 00:54:12,559
and that was great.
1068
00:54:12,699 --> 00:54:14,699
And then when we actually did the musical,
1069
00:54:14,780 --> 00:54:16,159
we always ordered the show in the spring.
1070
00:54:16,800 --> 00:54:19,880
The people who had come to the musical, they also wanted shirts.
1071
00:54:20,199 --> 00:54:22,960
And so we ended up doing three orders of shirts.
1072
00:54:22,960 --> 00:54:29,179
And sold, I think, 200 shirts, which is, usually we sell like 50,
1073
00:54:29,460 --> 00:54:30,559
you know, just the people in the program.
1074
00:54:30,599 --> 00:54:31,760
And we don't make money off them.
1075
00:54:31,760 --> 00:54:32,559
We just buy them.
1076
00:54:32,679 --> 00:54:35,559
We do them at cost, like $15 or whatever it is to get them printed.
1077
00:54:35,860 --> 00:54:37,500
But everyone was like, oh, no, I was in that.
1078
00:54:37,519 --> 00:54:38,079
I was in that.
1079
00:54:38,119 --> 00:54:38,900
My sister was in that.
1080
00:54:38,960 --> 00:54:39,500
I saw that.
1081
00:54:39,500 --> 00:54:39,960
I saw that.
1082
00:54:40,179 --> 00:54:42,380
And just the connections, people had these different shows
1083
00:54:42,719 --> 00:54:44,739
and telling stories that I had forgotten about and that kind of thing.
1084
00:54:45,239 --> 00:54:49,280
But yeah, I was really surprised the popularity of those shirts.
1085
00:54:49,420 --> 00:54:49,960
Now people are one of them.
1086
00:54:50,179 --> 00:54:51,420
And bought them for like their whole family.
1087
00:54:51,420 --> 00:54:53,699
Like we were selling six and eight shirts to a family,
1088
00:54:53,860 --> 00:54:56,699
you know, getting toddler size ones and two XLs.
1089
00:54:56,960 --> 00:55:00,340
And it was just really, you've got to figure that at this point,
1090
00:55:01,300 --> 00:55:04,000
the program has interacted with thousands of people,
1091
00:55:04,019 --> 00:55:06,119
either on stage or in the audience.
1092
00:55:07,480 --> 00:55:10,599
And they all have these stories about, and they come in and they say,
1093
00:55:10,800 --> 00:55:14,780
oh, I want to join theater because I saw Brody play Tom Sawyer,
1094
00:55:14,820 --> 00:55:18,260
you know, or I saw James, you know, in the Music Man.
1095
00:55:18,280 --> 00:55:20,460
And they all, they just wanted to be a part of that.
1096
00:55:20,460 --> 00:55:22,480
Or my cousin was in it or whatever.
1097
00:55:23,260 --> 00:55:27,199
And just the number, like before we go into a show, every time we do us,
1098
00:55:27,280 --> 00:55:30,099
we do warm ups, then we do the circle and we hold hands
1099
00:55:30,099 --> 00:55:32,800
and we sing this song that is ridiculous.
1100
00:55:33,239 --> 00:55:35,500
And then I tell them, you know, this is,
1101
00:55:35,800 --> 00:55:38,440
I have the best job in the whole world in terms of
1102
00:55:38,440 --> 00:55:43,639
I get to come and do this every day with these amazing, these amazing people.
1103
00:55:44,179 --> 00:55:47,360
And they get to be part of this thing that's bigger than themselves
1104
00:55:47,360 --> 00:55:49,719
that they're going to remember for the rest of their life.
1105
00:55:49,719 --> 00:55:51,079
And I get to be a part of that memory.
1106
00:55:51,300 --> 00:55:54,480
And I just think that is, it's just phenomenal.
1107
00:55:54,719 --> 00:55:56,980
I can't like, everybody's like, well, what did you want to do
1108
00:55:56,980 --> 00:55:58,500
when you were a kid versus what you're doing now?
1109
00:55:58,500 --> 00:56:01,059
I'm doing exactly what I thought I wanted to do when I was a kid.
1110
00:56:01,320 --> 00:56:03,119
When I was a kid, I didn't know how I was going to get there,
1111
00:56:03,119 --> 00:56:05,260
but I was like, oh, I'm going to do theater.
1112
00:56:05,519 --> 00:56:06,539
I don't know how to do that.
1113
00:56:06,980 --> 00:56:08,380
I'm going to find out how to do that.
1114
00:56:08,380 --> 00:56:09,159
And I did it.
1115
00:56:09,219 --> 00:56:11,820
And so I just think, I don't know, like the outpouring
1116
00:56:11,820 --> 00:56:14,280
this last year of the 20th anniversary and the people that came back,
1117
00:56:15,239 --> 00:56:17,559
you know, people who have now the program.
1118
00:56:18,019 --> 00:56:20,199
Like there was one girl that came all the way
1119
00:56:20,199 --> 00:56:21,500
from like Evansville or something.
1120
00:56:21,539 --> 00:56:22,840
She didn't have any kids in the program like that,
1121
00:56:23,179 --> 00:56:26,440
but she came back because she was in that first show we ever did.
1122
00:56:26,460 --> 00:56:27,880
They try to get that whole cast back together.
1123
00:56:27,960 --> 00:56:29,699
And that was really, that was really cool.
1124
00:56:29,739 --> 00:56:32,699
They thought it was important to come back and visit with us and see the show.
1125
00:56:33,659 --> 00:56:34,900
So it's really neat.
1126
00:56:35,280 --> 00:56:36,719
Everyone should start a theater program.
1127
00:56:37,000 --> 00:56:38,320
Who's having more fun than we are?
1128
00:56:38,480 --> 00:56:39,139
No one.
1129
00:56:39,960 --> 00:56:42,500
And that is why this podcast exists.
1130
00:56:44,300 --> 00:56:44,940
Okay.
1131
00:56:45,539 --> 00:56:50,280
So that potentially is the first episode of this
1132
00:56:50,280 --> 00:56:54,340
and what we hope to kind of tell you how to do.
1133
00:56:55,019 --> 00:56:56,199
It seems very rambly.
1134
00:56:59,260 --> 00:57:01,500
I don't know how we would do anything that wasn't rambly.
1135
00:57:01,500 --> 00:57:04,099
Yeah, like this is just going like,
1136
00:57:04,099 --> 00:57:29,300
but I digress is a we've snatched production.