Episode Transcript
What's up and slip service.
I mean, I'm guire, I'm Jeordie jor j is here with us.
Man, We're so happy that you're here.
And you know, I feel like you got to lead on this because, oh my god, this Magic City docuseries.
I had a chance to see two episodes.
I saw two of the most important things on one of them.
Yeah, right now.
But honestly, we were watching some of it at work and well done.
Like everybody was talking about how just well produced.
This docu series is just the whole backstory, everything that we did not know.
It's like riveting and then getting to see some of the women that used to work at the club and when it first opened, the story of even how it opened.
Speaker 2It's amazing.
So congratulations, I mean, you know, you always do it.
Speaker 3I mean I ain't do all that work, so I gotta congratulate everybody else.
I just you know, did my little part.
But yes, it was put together with.
Speaker 4I still haven't seen like the entire all of it.
Speaker 1Yeah, I haven't either.
That's crazy that I.
Speaker 5Know.
Speaker 1You're excited though, But of course there's a soundtrack to go with it.
Speaker 4Yeah, well, well, actually it's not the same.
Well this is a soundtrack.
Speaker 3But I tried to do the soundtrack and Stars didn't want to do the soundtrack.
Speaker 4So then it was like.
Speaker 3I had already got into it.
I was so wrapped into it.
I was just like, I'm gonna stay with this and I'm just gonna.
Speaker 4Make it a new Jermaine.
The pre album inspired by Magic City.
Speaker 1Documentary and why not turn Around?
Speaker 4Yeah, turn Around?
Speaker 1I missed songs like that.
I feel like people are not really doing that so much anymore.
That's a fun song.
Speaker 3Yeah, men are not making songs with tempo period, you know what I mean, Like the men rap male rappers not making like a lot of songs with tempo.
So but I think that is because males don't really dance like they don't have a you know.
Speaker 2I think they want to see the acid shop.
They want to see the acid shake, so they need to make music that.
Speaker 4Yeah.
I don't know.
Speaker 3I just I don't think if a man is like, go to clubs now, they don't.
They just want to hang out.
Speaker 4They want to just drink and just stand around dance.
Speaker 3I think I think it's glad that their boots on the ground came into this era, so now.
Speaker 1People want to dance might come back, and.
Speaker 4It's actually coming back, definitely coming back.
Speaker 1Bringing the dance floors back to the club where you go.
Like I was in Detroit and I was in the casino right and you know how they have like the club and the mother casino.
But anyway, they were they were for real dancing.
Speaker 2Like line dancing or dancing dance like line dance something, but like all night.
Speaker 1Yeah, it was packed.
So I feel like it depends in certain places where you go, like they really do go out and dance, and when it's many, there's so many line dances, there's so many songs that have choreos that in.
Speaker 4New York bringing it back, Yeah.
Speaker 1So hopefully that involves into just regular dancing.
Note Wario at the Greek Picnics, they're dancing, They're dancing.
That's what we need to be Greek.
Speaker 2I can tell you that it should pledge now, yes, Angela, no, no, she's yeah.
Speaker 1She sent me a text Monday.
I was like, what are you talking about?
She said, we should pledge.
I think we should.
I still think we should.
I'm working as a mission.
Speaker 2I said it as long as you have for forever.
Yeah, I couldn't pledge because I never went to school.
Speaker 1Does that matter?
Yeah, it does matter.
Speaker 2Yeah, have your degree, but you can still be like an honorary Yeah you know, blah blah blah.
Okay, well listen, So talk to me about the whole process of like how you even with this Magic City docuseries, because I remember when Gigi first started talking about it's a long process for people listening, like it ain't like you do a docuseries and then you know, Jermaine Dupree's attached to it, Drake's attached to it, it's on stars.
It was a long process to get it to where it got to now, So can you talk about that?
Speaker 4Yeah?
So, I mean initially.
Speaker 3We it was an idea first about I talked with Magic about this like two weeks ago.
Initial idea came from like it was like a whole conversation about Atlanta.
It was just gonna be like a story about things that happened in Atlanta and just people was gonna tell the story of Atlanta.
But then I feel like everybody's story about Atlanta stops in Magic City and it starts becoming like, wait, so you was there too, you was there, or you have a story about Magic City?
It started being like so many people have stories about magic in their own stories, right, like your story that you're gonna tell us about.
Yeah, So I think everybody's story their first time going to magic or whatever time going to magic.
Speaker 4Everybody's story is different.
Right.
Speaker 3Something happened some whatever, whatever happened, And I think that that's what led to maybe we should just talk about Magic City.
We should put like everybody's stories back to back and talk about this, that and the third and then get into magic himself because you don't see or hear a lot about magic.
Speaker 1Was that hard to get him to be will?
Yeah?
Speaker 3Yeah, he won't with it, but you know, like you have a lot of conversations with him about this.
Like I feel like in black culture, we don't actually like love our things the way we're supposed to.
Speaker 4Right.
They got a whole movie about.
Speaker 3Studio fifty four, right, and they talking about how much cocaine somebody was doing in the bathroom and ladies roller skating and horses.
Speaker 4Coming like they're telling this whole story, don't.
Speaker 3We don't have that type of conversation about Magic City, right, It's more about a black man moving to Atlanta trying to get make a living working somewhere else, getting get you know, me leaving that job and figuring out how to start his own club and then not being able to pay the employees and him actually working all the positions inside the club.
Speaker 4It's a story that I just feel like, if you are.
Speaker 3You want to be an entrepreneur, you want to make own a restaurant or something like that, you should hear this conversations is forty years.
You know, it's an institution that's been open for forty years.
Speaker 4Forty blacks.
Speaker 1I feel like it's definitely the most popular stip club ever.
If you ask me, like anybody that knows about strip clubs, Magic City is like it's kind of like how Petron used to be for a tequila or how like you know, Gray Goose used to be for vodka, like strip club Magic City.
Yeah.
Speaker 3I mean, like for me, I always you know, I came in that I was younger, so I couldn't I didn't go.
I mean, I haven't been around for the whole forty years, but I think like I always wanted to know, like what was the girl picking process in the beginning.
I think that that was the key to Magic City's real success.
Speaker 1And they talk about that.
I saw that part in the docu series.
Speaker 3Yeah, I ain't really seen that part because I want I want, I want to know that from myself, like how White Chocolate got to that club with who found her?
Like I don't you know what I'm saying, Like I don't.
It's a lot of that stuff that I feel like that's what makes the difference in this club compared to the other club, any other club, you know what I mean, Like because even like I remember, like Trey, he used to come to Atlanta.
Speaker 4He always wanted to go see gig everything going to Magic City.
When you get in there, you see like people have their favorite people, right, you know what I'm saying.
It's just like and it's like a I don't even know what you call it.
Speaker 1It's just what's your favorite?
Like who would you say?
In different eras?
Speaker 3I mean I think it was I'm friends with everybody, what I'm saying.
Speaker 4I still was like messised, how.
Speaker 1Hard is that for you when you go in there, like because you're friends with everybody, and then there's an expectation like JD's in the club.
Speaker 3You know, well, I used to have this what do you call it?
Speaker 4It's not a rumor, but.
Speaker 3What is this thing called?
They thought that I only like light skined girls.
So it's like, I guess a little chatter in the locker room, then I ain't like brownskin girls or something like that.
He don't dance though brownskin girls.
He only like light skin girls.
Speaker 1I never heard that.
Speaker 3This was somebody told me, and I'm like what, And then so I switched it just because I heard it.
So you started dancing brownskin girls that I wasn't even like like trying to get at them.
I just was doing it just to see if then I start.
Then I became friends with these people.
Like it wasn't even about me trying to like look at them.
From that, I just was dancing.
I'm like, just to have fun.
Speaker 4So then I just became friends with everybody club.
It don't even be like you.
Speaker 3Know what I mean, it's because And that's another thing I want people to understand.
I don't go to I don't go to strip the strip club because it's sexual.
Speaker 1It's work.
Speaker 4It ain't even work.
Speaker 1It's fun because it just fun.
But it's kind of fun work.
So you see what records Because I feel like you, as an executive, you're always kind of like analyzing things right.
It is still fun, but it's work right because you're also seeing what works, what are people liking, what are people dancing to?
You get in by some music after that, you know what I mean.
At the same time, it's because you can write it off on your taxes, right.
Speaker 4Maybe I don't know.
Speaker 3Maybe it helps you clear your mind like you can.
I could be going like through a long day like today, I had all this press.
If I could go to Magic City, it was like, next two hours, It'll just relax me.
Speaker 1Just like, but don't you obligated to have to throw money when you go?
No.
Speaker 3I was just explaining that you to Fat Joe because he said he made the make It Ring song.
He felt like that was his first three.
Speaker 1Months he had he did he did have to.
Speaker 3Yeah, but you're don't have to.
It's a secret to this.
You don't have to stand in that eight.
You can walk around the club.
That's what I'm saying.
I learned that you will walk around, go to the DJ booll, go talk to the waitresses at the bar.
You don't have to stand there and stay in the fish.
Speaker 1You don't have to.
Speaker 2Stay somebody like money anything or make it.
Speaker 1You gotta throw money, why come out?
Speaker 3I'm saying, like, you ain't good dollars.
Speaker 4You could throw that out.
You could throw five hundred dollars and still look like.
Speaker 2People fail to realize.
They think that you got to go to the strip club and just spend a lot of money.
You don't like, you could just go chill.
You could just go vibe out, hang out, smoke kookah.
I see j D in the club all the time, and he's not always throwing a bunch of money.
Almost every time I'm in Magic JD's there were always there at the same time.
Speaker 1It seems like and does he throw it up?
Absolutely?
But does he have to do?
You expect him to do it?
Speaker 2Even when I was dancing, Like there's some people that you know is gonna come in there and do what they do.
Speaker 1But when they don't, it's like, oh he chilling today, and that's okay.
Speaker 4Yeah, I mean, I think.
Speaker 3In Atlanta though, also, throwing money is a way for people to pay attention to you.
Speaker 4Sometimes I don't want you paying attention to you, know what I mean.
Speaker 3It's like the sparklers come out, like don't bring them, don't come.
Speaker 4Yeah, like That's what I'm saying.
Speaker 3So I think like the throwing the money is like, you know, ball of walking to you with all this money, everybody looking, who is to see where the money going.
Speaker 4It's like, that's that's for you as as a person.
Speaker 3So like the younger rappers and the younger artists that want to get on, that's they that's their thing.
I'll go stand over them in the corner, smoke my hooking and watch and see what's going on.
Speaker 1So, since you talked about your the process of selecting the women gg, yes, how was that process for you when you started working in Magic City.
Speaker 2So my story is I was bartending and I hadn't danced in two years, and I came to Atlanta.
I was in the process of moving there, and I was with a friend who was working at Medic City, and she would always try to get me to come to Atlanta and work with her from Philly.
But I was one hundred and ten pounds and an acup and in my mind, I'm like, I'm not gonna make no money in the South.
They like bick girls, right, So then when I'm forced to move to Atlanta, we know that story, and I'm in Magic City and I'm watching and I'm like, these girls ain't even dancing and I had this amazing dance bad So I learned that they have an amateur night contest.
Speaker 1This was back at when they did.
They don't do it anymore.
Speaker 2So Monday, I watch A Magic City from three to three, Open the Clothes.
Tuesday, I'm back and my friend is working and the girls start talking to me and they like, you should do this amerate night contest.
So I'm like, I don't know, because in my mind I'm like, I'm gonna get up on that stage and nigger like boom, y'all get what splitch you could do?
Speaker 5You know?
Speaker 2So but you know the hustler in me, I don't really turn down too many checks.
So she was like, well you could.
Even if you don't win, you still get to keep your tips.
So I'm like, fucking I'm gonna do it.
So rest in peace of DJ Nan though glove him down.
I went into the DJ booth and I'm like, I'm about to do this amateur night contest.
I don't know none of this music.
I don't I haven't danced in two years, and I want to do it, but I'm a little scared, so like, what should I do?
Speaker 1And he was like, what do you What did you dance to when you dance?
Speaker 2And I'm like, Michael Jackson teen turned Jackson, I worked at white clubs, but that's not gonna work in Philly.
That's where I came from.
I came from Delilahs.
That's like a cheetah for those who don't know if our land of people.
So I got on stage and he played want to be starting something?
Michael Jackson, Yes, and tipping tiny was in age and when I tell you, I danced boots to the ground, danced my ass off.
When I got off, I'm not that's a seven minute song, Mama said, Mama right there.
Speaker 1He said that a lot.
Speaker 2I danced the entire seven minutes like my life depended on it.
And I literally like at that moment, I was in my one because I'm a dancery heart.
Speaker 1Get off stage.
Big Match comes up to me.
He's like, who are you?
Where'd you come from?
You need a job?
Speaker 4You work?
Speaker 1You want a job?
Speaker 2Because I need to see that, and I'm like, I bartend I want to work.
He's like, no, the fuck you don't you want to do that?
He said, come back tomorrow.
Tell them I'm Magic.
Tell him I hired you.
Come back tomorrow.
Speaker 1Do your paperwork.
Speaker 2I need to see that on my stage every night.
And then my friend came up like, well he just said you know who that is?
And I'm like, he said his name was Magic and she was like, that's the owner, bitch, what he say?
And I was like, he told me that I should dance, like to get a job, like come work here.
Speaker 1And she was like a.
Speaker 2Movie jacket, right, and she was like if you don't, She's like, if you don't, you dump the bitch iver met and I'm like okay.
So we go in the next day and I fill on paperwork at my permit and within a year I have my own stage.
Speaker 1That damn within a year.
It was the twentieth year anniversary.
I was just about I was like, human nature, what do you mean again?
What music?
Oh?
I had to fall in I had to learn.
Speaker 4Yeah, I had to watch and learn.
Speaker 1I had to learn and dance everything else.
Speaker 2This was two thousand and five, so it was g Z, Gucci T Yeah, you know, it was that Nickey rain.
Speaker 1It was that era, you know.
So I just had to fall in line and learn.
I learned the motivation one on.
Speaker 2What ever got them living it?
Walk it out?
Speaker 1Yeah, I had Jackson to absolutely good.
Speaker 2Twentieth year anniversary.
We're now about to celebrate the fortieth year anniversity.
So this was twenty years ago, and yeah, I felled in that place.
By the time I was had my last dance, they were like, why the fuck are you leaving?
Speaker 1But we all know that story.
Yeah I know that story.
Do you remember your first time going to Magic City?
Speaker 4No, well I do, I do, because I thought.
Speaker 1That weren't supposed to be there.
Speaker 4Yeah, I wasn't.
I didn't get in.
Speaker 3That's that's my memory because I thought like, just because I had money, I could get in and I was I was nineteen, and they was like, nah, you ain't getting in here.
And so I always felt like I had a chip on my shoulder a bout Magic.
Speaker 4I was mad, right, I think.
Speaker 5And then.
Speaker 3The club burnt down and then Gentlemen's Club open and so I was like more Gentlemen's club guy at this but it's cause Magic wasn't open.
And then when Magic came back, I started going to Magic and like, I think the magic magic, Like I said, Magic City situation has always been the dancers though the dancers.
The dancers drive the momentum in that club.
Speaker 1To me, maybe y'all need to do another amateur night.
I've been the law.
Speaker 2I think it's against the law in some sort of way because I tried to get them to bring it back and I wanted to like host it.
But I talked to my key about it, who was Little Magic, and he was saying like something about the law.
Speaker 1That's why they stopped doing it.
Something against the law, because you know, the dancers got to have permits.
Speaker 2So yeah, dance with Michael Jackson Neckett.
Speaker 1I did not take my clothes off, That's what I'm saying.
So yeah, so they.
Speaker 2Could do it not now, I did not take the amateur contest.
We need to figure out to great problem.
Speaking of promos, my leg remember the conversation we had about being in the ogs Back for one night only.
Speaker 1You know, we really want to do that, right, who's me the snack pack O g India mona Row.
Speaker 2It's about six and the Yeah, that a little era, we want to do it.
Speaker 1I'm stretching.
I stretched this morning.
Speaker 4Snack you I can call b whya pack?
What happens?
Speaker 1What happened to the snack pack?
Well after I left, can you explain what the snackpack is?
Because remember, everybody don't know.
Everybody don't know.
Speaker 2So taking it back to when I got my own stage set, it was you remember Fierce Jojo?
Speaker 1I don't know.
Anyway, there was me and Fierce.
It was gg and Fierce.
Speaker 2They Mikey Little Magic realized that we were the only two girls out of the whole let's say it was one hundred and fifty girls working on the Monday.
We were the only two doing poetriits that many people worked on a Monday.
Absolutely one hundred and fifty, absolutely crazy, absolutely no exaggeration, one hundred and fifty dancers in the rotation.
So we would so the rotation that goes like first Come, First Earth.
When you walk in, you pay, they put you on the list.
So it literally got to the point where girls would like wait for us to walk in, so that did get put on the list with us.
So that because they knew that we was gonna do the poetricks and that we got to split the money.
So Mike he took he to that and was like, I'm about to take you all away from that I'm gonna get y'all y'all own set.
So this is when twelve o'clock and two o'clock starts.
It was just me and Fierce, so would have come out so you didn't have to slit the money.
Speaker 1A rotation would shut down.
Speaker 2It would be twelve o'clock, me and Fierce would come on stage, and then a rotation will go back, and then at two o'clock we would do it again and then rotation will come back.
Speaker 1So now we're only splitting that money just us too.
That, aren't it.
Speaker 2About a year or two of that, she decided she don't want to dance no more, and now I'm stuck by myself.
So my option is to go back into general pop and share my money with Now two four people were I'm the only one doing poetricks, and I didn't want to do that.
So at the same time, Onyx was opening up in Philly, and Philly never had a booty club.
So I went back home in Philly for a good like six and I was running up the bag and ONX, and then when that kind of slowed down, I'm like, all right, let me take my ass back home.
Speaker 1You know, I really do live in Atlanta.
Speaker 2So I come back and Mikey's like the itty biddies is what he called them, because they're all like five foot one, one hundred pounds, and He's like they've been low key taking over twelve and two on the low.
Like we ain't made it official, but if you want to make it official, say the word and y'all pack.
So I'm like, all right, got fuck with them, let's do it.
So we wanted to name ourselves something else, which was very corny.
What was the n PA, like the NBA.
I wanted to be the National Poll Association.
Yeah, that was that was wet.
But since we're all and again I'm still one hundred and ten pounds at the time, I was in the a cup.
No more, I was a tea cup at the time, but I'm still pounds and so there, I'm we're.
Speaker 1All little bite sized.
Speaker 2Dj Esco start calling us the snack Pack and it just stuck.
So the snack Pack was Magic Cities.
Even though g G and Joja was first, Me and Fierce was first, we got recognized as a snack pack because it's five of us, so it would do.
Speaker 1We would be on the.
Speaker 2Pole, same damn time doing sit ups and standing on each other's surfboard, all of the sideways, all of the tricks.
Speaker 1At the same time, and people would really come to see that show.
Speaker 4Yeah, this was like so late.
Speaker 1Yeah, they would us.
Speaker 2It was.
Speaker 1They would call us the Theatrical Ballet.
Ty ty you started that.
Speaker 2Lim and all of them would come in here and they would call us the Theatrical Ballet.
And we would get on stage at twelve o'clock and two o'clock and we would.
Speaker 1Do our thing.
Speaker 2Then somebody ain't want me to dance no mo because I don't know what happened.
I was warter bottles or whatever the fuck I did, and he said, bitch no.
So when I decided that I was going to retire, they continued on.
But there were two girls who was like sneaky strippers, so they didn't want to do anything like marketing, no pictures, no promo, you know.
And I had us traveling, we were features.
We were all number of the United States, Mexico, Canada, dancing.
Speaker 1Proudly doing what I do, doing what I do.
Speaker 2Yeah, And so it kind of like fizzled out.
Then Pea Valley happened, so they got casted to do two of the girls got casted to do Pea Valley and the club didn't like the way Pea Valley came in there and kind of just snatched them away without going through the club.
And when they couldn't come to work because they were on set at Pea Valley, they was like, well stay at Pea Valley, don't come back.
Speaker 1So and that there's a whole other story now.
Speaker 2Yeah, so Urgo and Simone who was the other two dancers who were you know, going traveling with me and we are known as a trio because the other two girls was like sneaky stripers.
Speaker 1Nobody knew they dance.
Speaker 2They are actually actresses on p Voley season one two and they have a developed character coming up in season three and going back to this one night only performance that we're trying to do, I definitely can get them to come do it with me.
Speaker 1I think, yeah, should do it for the.
Speaker 2Thing.
Speaker 4You gotta get up run the club.
So this is I have nothing to do with the club.
I'll make a suggestion.
Speaker 1Talk the Magic into doing this docu saries and being.
Speaker 3That I mean, I mean, it's a bunch of conversations my father, my father was speaking to Magic a lot, and there's other people that you know, Greg Johnson, look, a lot of people that that had to like talk to Magic and just like one, you know, mhm, Magic knows I'm not going to I mean, I hope he knows.
I'm not getting ready to do anything to like put the club in the band like right, because even like I'm listening to gg talk right now, I don't know nothing about what she's talking about, like what's happened, what happens down them steps down.
Speaker 4I don't go.
Speaker 3I don't go downstairs.
That's not I don't work at the club, so I don't know.
I'm I come in there and I spent my from view.
Yeah, so from my point of view, like I told her, you know, I was telling Magic this before.
I'm like, yo, I would never I wouldn't do nothing to mess up this because this is where I go.
This is actually my real life.
So I'm not trying to I don't want to do nothing that's gonna make this club have a bad eye because this is where I go.
Like I was just there last night drinking the same thing I'm drinking right now, right, and and.
Speaker 4I got on a plane at five in the morning to come here, But I was in Magic all night.
I was last night.
Speaker 3So so I'm just saying like it's like it's my real life.
But like I said, I'm listening to the story.
I don't know nothing about.
She talking about like putting the names on the board.
I don't that's not so.
I'm interested in knowing what happens downstairs, right right, So.
Speaker 1People are interested at this go from the front door to the d y rotation.
They still do that.
Speaker 2If we pay at the door, we pay to get in the club, just like everybody else, and it goes up by the day of the week and the time you get there.
You can pay twenty Well, in my dad, you can pay twenty five dollars.
You could pay two hundred figured dollars depend on what.
Speaker 4So what is what is it dance?
What's the dance cost?
Speaker 1Well, it was ten dollars a song back then.
I don't know what it is now.
Speaker 3I'm saying back then, it's never changed.
That's what it's ten dollars a song.
Speaker 4It should be.
Speaker 2And what they're charging y'all now, I believe I don't pay per song.
They don't charge people per song.
That's making it rain.
Speaker 4Well, you make it rain all.
Speaker 1Them thousands, and they come back and say, I didn't say twenty songs.
Speaker 3Know that what I'm saying, that's the I think that that's the crazy part about it is that the pricing has never changed right now, so you start throwing hundreds and hundreds and hundreds.
It's like I said this to somebody one day.
I'm like, you know, you know what, I ain't supposed to dance, but for ten dollars.
Yeah, you throw somebody at one thousand dollars or getting ten dollars dance.
Speaker 4That's a lot of money.
Speaker 1Yeah, that is true.
I didn't know that it was only ten dollars, so you can really just get somebody only ten dollars.
So if I walk up to I feel like that's not fair.
Yeah, ten, that's the dance.
Speaker 5Dance to you.
Speaker 2It's a song.
It's a full song.
If I walk up to you at the bar and say, hey, would you like a dance?
And I dance for two songs, you owe me twenty dollars and I'm gonna get fully naked and you owe me twenty dollars.
Speaker 1And you can choose to or not.
You know, I was bad.
It's twenty dollars because that just feels like that's a lot of work and I'm only give you ten dollars over tip, especially now with the Naked rain era.
Still when you walk away and somebody only gave you ten dollars in no tip, like I'm not doing definitely walking away.
Speaker 4That's because I had a story like that.
Speaker 3Why when you first start throwing the money.
I was throwing the money on the ground.
The girl looked at me and she was like, you want me to get down there and.
Speaker 4Pick up my money?
Speaker 3Like this was before people had somebody picked the money up for the you know.
She was like, you want me to get on the ground and get my money, And I was like, you didn't realize it's like five hundred dollars down there.
I'm only supposed to give you ten dollars, right, Because what happens in the club and the DJ, they'll play the same song five times right basically, So that means the song never actually gets to play.
Speaker 4All the way out.
Speaker 3Somebody me or d yes the song ever plays all the way out.
You never get your full song.
You're gonna get the first part of it.
He's gonna take it back.
Speaker 5Talk.
Speaker 4So if you pay.
You know, if you throw five hundred and she only supposed to be getting ten.
Speaker 1That's interesting because so they didn't that.
When did that start?
Like somebody picking up the money for you?
I picked up my own money, So it started after I left.
Speaker 4They didn't have that.
Speaker 5I mean they just started.
Speaker 4They just started having somebody actually do that.
Speaker 2They also just started the whole wristband thing.
We didn't have riskbands when I was rispands.
Speaker 3They remember the rooms when Magic had the rooms, the private rooms.
Speaker 1I wasn't there there.
Speaker 3Yes, they used to have They used to have a section, there's a whole thing, a section where you come in Magic and used to go up these steps and they had private rooms where you couldn't see what was going on in the private rooms.
Speaker 4In order to get up the steps, you had to have these bands.
Speaker 1Do you feel like this documentaries has re energized like the music that you want to make now just to kind of I know you wanted it to be with stars, but now you're just having it coincide and you're doing it, you know, so so deaf independently.
But you think this is something that's giving you, like a different type of energy, like kind of nostalgic because they like you enjoying this process.
Speaker 4It's not nostalgic.
Speaker 3It's opportunity for me to do something I've never done.
So all the records that I'm making, I'm making with artists that's from Atlanta that I never worked with.
So I never had a song with t I.
I never never hate a song with Two Change.
I've never had a song with Drow, So these these and Drow and two Changs never had a song together.
Speaker 1That's crazy.
I don't even realize.
First of all, why do you?
Why is that?
Speaker 2Like?
Speaker 1Why have you?
Because it just feels like that would be a natural thing.
Speaker 4And Atlanta we never had well, me and me and Tip we're supposed to have made records, but we still you never had a real like reason, like you know what I mean.
Speaker 3He makes his records, I make my records, you know what I mean.
We never really had a real reason.
If somebody was making an album, maybe that's what it is.
But this gives us the perfect backdrop for me to make records with.
Like Travis Porter, they signed, so that was like more or less my situation.
But like Jay Money, I never had a record with him.
I never did a record for Quavo all the Megals.
Wow, I never did a record with ce Loo.
I never did a record with Big Boy or killing all these people.
Tell people on these albums that I never made.
Speaker 1Records just because you all have all been in this game for so long and has such longevity.
It's just show you.
Speaker 3How nice Atlanta is.
Atlanta is such a city that got so much great talent that they don't need me.
They making their own way, right and vice versa.
I ain't really need them.
I'm make my own way.
So we all just been moving.
But it's definitely it's fun to be able to do it because now it's like I got something to look forward to more than just making the music.
Like I'm excited to go in the studio with these people and see, you know what it is that they do learn something, whatever it is.
Speaker 1I like hearing Young John that because I feel like he last time we spoke to him, I know he's been like on a different type of way, but you know we still like we still that way.
I'm mad I missed that video.
Shoot.
Speaker 2I got the call from JD and it was like be here in two hours, and I'm like, yeah, I ain't gonna be able to do that.
Speaker 1I wanted to make it though.
Speaker 4Yeah he should have been there.
Speaker 1Because it's at Magic City.
Yeah no, it was.
Yeah, I mean it's a whole album.
I'm sure it'll be another.
Speaker 2Speaking of which, Princess from Crime I vm me and she like, why you ain't on this album?
I'm like, I've got an artist, but I'll come talk some shit if y'all let me so.
Speaker 4Some talk some ship whatever y'all need you to say.
Speaker 2You know, I'm a little control or something.
Speaker 1You know, I've been the South Side plenty times.
I know what to pull up to.
Just let me know.
Let me actually have any of the women the dances at Magic City ever approached you about like business, Like, hey, I really you know, I feel like I could be an.
Speaker 3Artist or yeah, yeah, I mean White Russian's she rapped.
Speaker 1Wifey Baby, she's a wifey.
Speaker 3Baby actually is on the I put on a song with Travis Porter.
Speaker 4I don't know if the song will make it yet, but I did it.
Speaker 3I mean, like I said, I'm making all these records and I'm trying to just like I'm doing.
It's me just doing stuff, and I hear it like so so at first, I was listening to the song and we needed a girl to do a part, and I was like, if I get a regular girl to come in here and do this part.
And I got an opportunity to let one of the girls to actually do this, right, Because that's another thing about Like I think people was mad at me because I said something about strip of rap, right yeah, And I feel like, to me, that's the I feel like that's the thing that Cardi B had as over all these female rappers when it comes to that sound.
She actually stripped before, and she was actually a worker in the clubs, right, So her music to me feels more authentic than somebody I know ain't stripped, or somebody that we don't know has the strip.
Cardi B can actually talk about it.
She could actually tell the story that she was just talking about in a way, so all the other girls that's dancing, they don't know what she's talking about.
So I feel like in rap, like the more authentic it is, it works.
So that's why I was like, Oh, let me get a wife your baby on here, because now what we're talking about, it's gonna sound perfect for her because she just what she does.
Speaker 2Okay, see It's kind of like how he went back to the club and was like, oh, y'all think I don't like their skinned girls by this, and you're like, you think I don't like strippers.
Speaker 4I know what cause it used to be white chocolate sugar.
Speaker 2Like like she was like, like, I'm telling you that.
Speaker 5Was there.
Speaker 4Let me say this white chocolate is white chocolate was.
Speaker 1And I want to tell you who she is.
Speaker 3She is the body that everybody wanted like she was the first girl that actually looked like the BBL situation, but it is real, real and she was dancing, so it wasn't it wasn't like just their stiff you know.
Speaker 1Watching the documentary you get to see, like, know what looked like in the beginning where logic the first open.
Speaker 2It's kind of like watching a guy video back in the day hell yea, seeing the girls on the beach and the bikinis and watching like that and then seeing how much like what is desirable you know, has changed.
And she was definitely the bad girl and I want to let the people know who she is because this is a part of the documentary as well.
She is the girl from the Tip Drill video who Nelly swiped the black card down her butt crack.
And there's the whole part in the docu series where they have Nelly, they have White Chocolate, and they have the lady that protested from space and my son and they're all telling their versions of the story.
I can't wait to see it, but I know of my involvement.
But when I tell you, White Chocolate was like my idol, Like when I learned about her and I like saw pictures of videos of her.
I didn't even know her because she had left in two thousand and two, three years before I got there.
But when I tell you, she was that girl, like, yes, was there?
Speaker 1Think a documentary like this Magic City One is going to do for because I remember in the documentary they talk about how women look down you know, and people can look down on strippers.
But then watching a documentary like this, what do you want people to get from?
Speaker 3Well, me, personally, I want people to stop.
First of all, I want people to look at this.
This is Atlanta culture, right, And I feel like in hip hop, each region has their own cultural things right.
Speaker 4And although gang banging is bad.
Speaker 3And you know, it ain't all good and it ain't all bad, but we know what gang banging is right.
We look down on it when we talk about LA and everybody, everybody just embraces it, right.
You embrace the khakis, you embrace the dickies and the low riders, and every part of it is embraced because you're talking about l A.
I just want people to start doing that when it comes to Atlanta.
Don't don't look at like what you we don't like degrading.
No women like these girls in there getting I'm saying, they getting paid, like it's not like and you know it takes a lot for you to dance naked.
I'm sure I couldn't do it.
Speaker 4I was like, I couldn't.
I couldn't for real, like just running around the club.
Speaker 1Let me don't be cared about seeing men naked either.
Speaker 3I have her girls say she had to get over, like just get through that.
That problem was never a problem for them, never, Nah, it ain't no problem.
Speaker 1Partly being a professional dance though, and being very comfortable, comfortable and being comfortable on stage, and I remember that is something that I feel like both cardib and Cashed Out I have talked about how being a stipher has helped them with becoming a rapper because It made them very comfortable to be on stage, to be in front of people, to have confidence, you know, in themselves.
Because if you can do that, you get on stage, you wrap, you think you can dance, make it in front of strangers.
Probably, what about you?
Well, you did playboys?
Speaker 2You think you post if you weren't this angela, you think that you could.
Speaker 1You posted me?
You want to Oh yeah you did, Yeah that was me.
Speaker 6Wait, I don't know what that is that you let me say the purple pomps and.
Speaker 1Little ass.
Speaker 5Just the.
Speaker 1He said said that.
Speaker 6Like that.
Speaker 4Not to cut you off, but looking at that, right, that's that's not the great.
It's like, I don't see nothing.
Speaker 1That's not what people don't realize.
What people realize is that we are women.
Speaker 2We are mothers, We are educated, we are homeowners, we have other businesses.
We start businesses with this money we pay for our education.
Now, you got some girls that's out here funding their baby daddy rep career, or you got girls that got pimps, and you know, you got girls that are addicted to drugs and that are not doing the right things by their children.
But they put us in that category as if that's all we are and I blame a lot of that on movies and media.
You know, on television, the strippers are always drug addicted and don't got their kids, and getting beat up and giving a man their money and doing all the wrong things, sucking dick in the corner for forty bucks whatever.
Speaker 5Right.
Speaker 2They don't see outside of that, And I think that shows like p Valley Beyond the Pole, this documentary to the Truth, it shows what really happens downstairs, you know, like he said, he's been in Magic City for ten years and he ain't never been down to don't.
So it's like people on the outside looking in, they don't see that natural part of us.
They see, Oh, she take her clothes off of money, she must suck big after And it's.
Speaker 1Just like mm hmm.
Speaker 2First of all, I just made so much money on my feet that if somebody offered me to lay on my back, they're not offering me enough.
Speaker 1So I'm not doing it for one.
By the way, a lot of women don't ship.
Speaker 5I was just that.
Speaker 1All of my friends that don't dance are the biggest understand this for years in the.
Speaker 4Same spot for years.
Speaker 2All of my friends that don't dance are the biggest holes.
Speaker 5I know.
Speaker 2It's my friends that are in the nursing and then the in the banking and in the retail teachers and all types of regular professions.
Speaker 1That are respected in their profession.
Speaker 2Those are the ones that's out here sucking the fucking for doing some strength, for some changing and it ain't even enough in my opinion.
Speaker 1But you know what I'm saying.
Speaker 2But we get that because we choose to be naked, it automatically goes to separate.
Speaker 3I mean, and the process is like, if you're trying to mess with the stripper, you have to be a vampire.
Speaker 2You have to be okay, yeah, basically you as a person.
Speaker 3It's like as a regular man that has a regular job, you can't do it.
He's not getting ready to go in there and get nothing.
Because one if the girls have an incredible night, they counting the money till seven in.
Speaker 5The morning sometime come back the next day and you have to be.
Speaker 3Yeah, they don't count the money, so so much money.
They have to come back the next day.
They gotta count their money and they gotta leave.
They not coming to you, see you.
They going to sleep for a minute and going back to finish counting their money because they think somebody gonna take their money.
Right, So, as a man, you trying to like be with one of these girls, this is what you gotta do with Call yo, what's up?
Speaker 4We count money?
It's six o'clock.
Speaker 2I felt like if I took the day off, I was missing money.
If I'm not making money, I'm missing money.
I'm not going to no regularly paying to get in, paying to get my hair done, paying the park, behind a drink when I can do that and I can make your day's pay check.
If I want to work on a Monday in May, five thousand dollars, I was coming back on Tuesday because guess what, I need that five hundred and I'm about to make Tuesday day shift.
Speaker 1I need that.
Speaker 2And if I'm not there, it's because I'm tired.
Excuse me, because I'm tired.
I got to deal with my child.
But guess what, I would sit at home on days that I wasn't never work, Like damn, I know I'm missing Have you ever been in a serious relationship with a dancer, serious relationship like.
Speaker 1Where it was like, okay, this is something like we locked in.
Speaker 3You can't That's what I'm saying I don't think you could be in a serious relationship with dancer because, like I said, at the end of the day, they are.
Speaker 1Because I feel like you would you're you're up at night and you're a vampire.
Yeah, but I mean that you understand count of money.
Speaker 4At six in the morning, he's doing his own thing.
At seven in the morning, I'm you know, somebody who we got to go to sleep sleep around.
Speaker 1I mean, you can't do that every day because I also feel like it's probably hard for some money to date you at the same time, not regularly.
Speaker 3It's not that hard though, Like I don't have that type of you know what I mean, I don't I don't have to stay and do something at that time of the morning every day, this everyday thing like right, like you know, like even with me, I was going to Magic City religiously for like I said, between the Gentleman's Club and Magic City for twenty years straight.
I spent ten thousand dollars twenty years straight, every Monday night between the Gentleman's Club and Magic City.
Speaker 4Right, this is my religion.
Speaker 3And just to think about a girl that has to do like theyre in there counting this money they being there like forever.
Speaker 2I've always been in a relationship though when I was a dancer, yeah, I always was in a relationship.
Speaker 1Too, But sugar daddy and ship, yeah I did, I stay with it.
I'm mad.
I ain't got nothing like you think you have you ever been in sugar daddy?
Speaker 4What's the sugar dady?
Speaker 2Like?
Speaker 1You know, just maybe having like a girl, but you just yeah, like sponsoring her, just giving her money, just giving them money.
Speaker 6Because you like what she does for you.
Speaker 4No, it's not just not just giving money just to be giving money.
If you ask me for some money, maybe.
Speaker 1Given money to be given money, let me let me take care of that, take care of your let me take care of all that.
Speaker 4That's not you.
Speaker 1You never told a girl don't come to work today.
I got you.
Speaker 2Yeah, okay, the same thing, same thing.
That's not really a sugar daddy, but same shit.
Speaker 1So what we got?
Speaker 4I mean because ultimately, if I.
Speaker 3Said sugar brother, but I answer if I asking how much, like how much money you think you're gonna make?
Like and she saying like fifteen hundred dollars?
Cool, don't know, you don't even got to go there.
Speaker 1Yeah, I'm say more must always.
Speaker 4It's real.
Speaker 3It's a real question, you know what I mean, it's a real question how much mone you're gonna make.
But I was just saying, that's a night that's not like not Monday.
Speaker 4It's not Monday night.
You give me a real answer, So yeah, I did that before.
Speaker 1Ultimately, what type of women do you see yourself with?
Speaker 4I don't, it don't matter whatever, Like if you could, like.
Speaker 1We're science like build your perfect like perfect woman, yeah, like this inside and out.
Speaker 4I don't know, it's just I think I think my brain is like this.
I don't.
Speaker 3I mean, you know what I mean, Sometimes somebody cool, somebody.
Sometimes I want somebody that's little ghetto, and sometimes I don't want somebody to ghetto.
Speaker 1Like, But like what's important to you, like fundamentally, if you're like these are the things that a woman must.
Speaker 4Have their own ship.
Speaker 3When I say that, I'm just saying, like I don't do if I get up and go do what I gotta do, I would hope that you got something that you gotta do.
Like, I don't really understand people that I'm talking from both sides.
Man, I don't understand niggas that don't got nothing to do.
When you get up, it's time to get up and go somewhere and do something.
Speaker 1Are there ever an artists you feel like has so much potential, but they just would not motivated enough.
Speaker 3There's hundreds of them, Yeah, but I mean it's like they don't you know, they don't understand that the work that like the word work.
It's a lot of people that don't understand that, you know what I mean.
It's a bunch of people that be coming to me like JD put me in the game, put me in a game.
I put them in the game that they they ready check out because the work is different.
Working is different, especially working for me, I don't I.
Speaker 4Don't have no stop.
Speaker 2Yeah, he doesn't have like formal business out to be put up to the studio and he in there at six am, like what's up?
Speaker 6Y'all?
Speaker 4A lot of them, And I allow people that work for me to just like not be a part of that part of my life.
Like I go in there.
Speaker 3You know, I like to be by myself when I'm working, but in real life it should be somebody that wants to be in that space.
But that majority of them can't run that race with me.
Speaker 1You now, you have like a tremendous work ethic, and that's something that I feel like, no matter what, from the beginning of from when we first heard your name until where we are today, it hasn't stopped.
Now, I just had a random thought.
Speaker 2The other two members of the Snack Pack were the girls that danced on the pole BT Hip Hop Awards when y'all did.
Speaker 3No, I mean, I'm trying to figure out what what happened to the snack Snack Pack?
Speaker 1What happened to the snack It got disbanded.
I mean it started when I left, but they carried it doing for about a year or two.
Speaker 4M Yeah, because I never that surfboarding that was amazing.
Ye.
Speaker 2And you know what's crazy is you was just there last night.
I'm sure you saw girls doing what I'm saying poetriits last night.
Speaker 4No, they got a swinging thing now from the.
Speaker 1Middle, but they're still surfing too.
Speaker 5I see it.
Speaker 4Surfing a like that.
But y'all had the three people surfboard.
Yeah.
Speaker 1Do you feel like things have changed them kind of shifted away from that?
Because I do feel like there was a period of time when I heard about all the different ship clubs every time I went to Atlanta, it was like, and I maybe I'm just not out as much because it's me.
I don't know if it's me or if it's the culture, because even in New York or even in Miami, I feel like the clubs aren't like what they used to be at all.
And I don't know if it's because it's younger people going and I'm not and I've aged out of it, or if it really isn't like that.
Speaker 3Well, I think the girls now don't take it as serious as a thing as these girls did.
Speaker 1We had this conversation in medicine.
Speaker 3It used to be a thing like the performance is a sign, like it's about Magic City.
But it used to be a sign at the Gentleman's Club.
When you walk into Gerons Club there, I have strip of the month like right there, big picture whoever that girl was?
And that changed, right And I remember we used to go in and and looking to see who it was like this month, like you I mean used to be.
I'm saying that's why I feel like even like that's what white Chocolate brought.
Speaker 4She brought the mess.
I keep white chocolate because because she was, she was, she brought she brought the Cream of the Crops to the club episode White Chocolate Pop, Sugar.
Speaker 1Pop, I'm so mad.
Speaker 4It's a whole crew of them that was like that Magic City starting five was crazy.
Speaker 2And that's who I looked up to when I got there.
It was the og Indio, the Sugar, the of Holly Shell.
Speaker 1That whole crew.
There was the Ogs, the O G set.
Speaker 2They were the only ones before the Snack Pack.
They went on stage together.
They all was signing together and going stage together, and they would make all the money and they was all fine as fun and they knew all of the rappers and we would just look at them.
Speaker 1Like, yeah, my time going to strip clubs.
Speaker 6It's completely different because I was going with King of Diamonds in Miami because I was in school at the time and we had G six and like all these.
Speaker 1Things aren't G five, That aren't.
Speaker 4Going to the hood?
Speaker 1Yeah, the audi Yeah, and it's just not giving.
Speaker 6They're just standing there and it's kind of you know, there's no dances, there's no outfits, there's no.
Speaker 1But so huge well like it it's hard to pack that out.
Speaker 4It's the music too, though.
Speaker 3The music also plays a major role in these girls not actually performing the way that they used to.
You know, if you're playing thirty trap records and you ain't really talking about anything sexually, trying to be sexy everything.
Speaker 1And that's what they do.
Speaker 5Girls doing this like they really are, you know what the music.
Speaker 2One of them is like a general strip question, and one of them is Atlanta question.
So the general strip question is what do you think or do you even think that social media and the internet plays a role in how the club has changed?
Speaker 4No, well, yeah, I think that because.
Speaker 3Regular girls want to look like strippers, and I think that that it made it made it made girls in the strip club not special anymore because the girls outside of the strip club looked just like.
Speaker 4Us.
Speaker 3You could only go to the strip club and see them tends only in the strip club, right, You couldn't walk down the street and see this.
Now you can go to the regular club and the girl is standing out.
Speaker 1They dressed like us too, And.
Speaker 2From period of time, we're way more like, Yeah, that's the thing up here making more money than the stupid but that's the New York thing.
Speaker 1Okay.
Speaker 2My second question, this is another question, how do you feel about them trying to bring follies back and making it the old foxy lady ak A the Office aka Rain.
Speaker 1Have you seen that I saw?
Speaker 4I thought I heard somebody saying this, but I thought it was like I saw this is real.
Speaker 1Yeah, it's real.
Speaker 3Why wasn't a Folie fan.
I wasn't a Folie fan.
Yeah, I was never a Folie fan either.
Speaker 4It was too dark.
Speaker 3I mean, like, like I said to me, it is the safest club in Atlanta, absolutely, And I could go to Magic City by myself right with no security, and I feel like I'll be safe.
I feel like I have a great time.
And it's like I feel like there's no other strip club in America that's got that vibe to y'all, so it's hard.
Speaker 5For me to go to.
Speaker 3Yeah, it's hard going to other clubs and they're dark and they sectioned off and it's like you can barely see the girls.
Speaker 4Like I don't like that either.
I don't like dark strip clubs because I like this.
Speaker 2It's not just right, but it's like one open space, but it's one those of y'all who have never been.
Magic City is one open space and you can see what's over there.
You can see what's over there.
You canee who walking through the front door.
You can see who won in the bathroom like you can see every you can see where your waitress at, you can see where the hookah girl at.
You can look into the kitchen like you can see everything.
Speaker 4Right.
Speaker 1You know safe, it's very safe.
Speaker 3The darkness takes away Like I said, darkness creates this illusion of what you might be looking at and magic you see you see looking.
Speaker 1At right, Yeah, you can see period perfect.
Well, listen, y'all, I am so excited about this.
And aside from this, you know, and we don't want to also we want to make sure we also talk about solf So Deaf University and what you do students from Emory.
Speaker 4That's yeah, yeah, my first year doing that and.
Speaker 3I've been trying to do it for a minute, but Emory was the first person that, like the first school that agreed to make it a situation where I could give out credits.
Speaker 1That's amazing.
Can you imagine how competitive is that to be able to get into university.
Speaker 4This is the first year.
Speaker 3I'm gonna make it more competitive because I learned this year that you know, these kids thought they was coming to make it music as opposed to like taking the trash out and being an intern.
Speaker 4Okay, so you know what I mean.
Speaker 3So I got a group of you know, these four kids now that I could say, this is what the interns are, and the interns that was there they could tell you.
They could tell the new interns like, this is not like you coming over here to record, right, you get to sit in a session.
You might see somebody coming in there making it whatever, but your your job is to introduce yourself, asks the person if they need anything.
If you see somebody needing something, be an intern, you know what I mean.
Like, and I don't think, I think I think the world don't.
Speaker 4Teach people to be interns before they get to what they gotta get no more.
Speaker 1What do you think about kids like taking initiative as interns to because there's a balance between doing too much right and but also like seizing an opportunity, And so how do you teach like students this balance?
Because I do feel like it's a different day and age and sometimes you know, kids can sometimes feel a little entitled to things, where like you said, you got to teach people how to be interns, right, because they'll be like, I don't do that.
That's not what I'm here for.
But how do you teach somebody not to like, yes, there's an opportunity, you got to speak up.
We tell people that all the time.
But at the same time, how do you not make people uncomfortable with you, like as an intern overstepping certain boundaries, you know, like what's that balance?
Speaker 4I mean?
Speaker 3But you gotta you have to make people understand that a great intern will get their opportunity.
So like when people be like, I'm gonna miss my opportunity, you can't miss your opportunity if you're a great intern.
Like if it's somebody came here right now and they was cleaning up, and they came up here and they cleaned up this table.
One of us is gonna watch how they clean this table.
If they do it three or four times the same way and it's really done well, you're gonna want someone else clean at some point, and that person that you saw do it, you're gonna reach out for that person.
Speaker 4You ain't gonna try to find somebody else.
I know me anyway, if I.
Speaker 3See somebody doing something, even if they ain't working for me, I see somebody working for somebody else and they doing it the right way, I'm be like, yo, who they work for?
Speaker 4Right?
Speaker 3And they might if they save me, then I'm like, damn, you know what I'm saying.
But other than that, if you find you see people, that's how you I mean, that's how I hired people.
Speaker 4All my life.
Speaker 3I seen somebody doing something well, you never know space and be like, yeah, you want a job what you do because you look like you know.
Speaker 4How to do this right, And that's that's it.
Speaker 3So I feel like, if you're a great intern, that's what I'm trying to tell all these kids, If you're a great intern, it'll automatically.
Speaker 4Turn into something.
Speaker 3You ain't got to jump out here and overstep your boundaries because then you then you're making people not want you around.
Speaker 1Yeah, it is a fine.
Speaker 2My first internship was at TVT Records.
Do you remember this record label?
Speaker 1When I was in college, I enterned at TVT Records and there was like eight of us.
It was an unpaid internship, but at the end of the internship, I was the only one left that was still coming to work every day.
And I remember the guy I was record for.
It was in the legal department, which I did not care about, and I was like one day and he was an asshole, but one day he was like you're always so pleasant and so like, how are you able to to coming here every day with like with a smile on your face.
And the other thing I used to do was when he would leave for the day, I would still be there and I would work in like the promotions department and marketing and A and R and like talk to other people.
When I was done and he went home, I was still there like doing stuff in other departments.
And so after that, like I interned at MTV, I interned for Wu Tang, and then when I graduated from college, I had like a couple of job offers, you know, and I was being patient.
I wasn't doing the most.
I always had a good attitude.
Want Yeah, yeah, they don't want to work for it because I know even that I heard with our interns they're really careful about who they hired because there's like certain rules now what you can and can't ask interns to do.
Really yeah, like when I have my internship act, like go pick up this guy's dry cleaning, like everything, you can't do that, yeah, nothing personal like yeah they can't.
Speaker 2Yeah, it's like yeah, it's like laws and what interns can get in some states you have to pay them to university.
Speaker 3The treasure, Like I mean, I would have him going up if I don't know you, like now, ain't let you do nothing personal like that for me.
But they still should be doing things that's in that type of space because I'm saying all that does is teach you how to take care of something that's not yours.
And the best job in the world is what you know, somebody that owns something putting their life in your hands.
Like if you if I let you be the manager of this shot, this is my shot.
If you don't do it right, That's what I'm saying.
You got to learn how to take care of other people's stuff as if it's yours.
So they shouldn't have them rules because that's the only people that's the only way people learn.
Speaker 1To me, you know, it's interesting to me how with this docu series, it starts off with Magic's wife saying how she didn't want to move to Atlanta right because she was like, it's just so slow, like you know, people think that, and I feel like Atlanta in the beginning has always had like a chip on their shoulder about people.
Speaker 4Second time I heard that.
Speaker 3To day, But it is it's it's about because people have always been so vocal about Atlanta.
Like even with me making records that it starting off.
You know, I was telling the story earlier.
Red Alert and Chuck Chill Out.
They both was like, man, that nigga's so country that and now this shit ain't gonna work in New York.
Like actually telling you that makes you like go want to get it right.
But at the same time, you do have a chip on your shoulder because people always felt like a certain way, like even like with Killer Mike and Andre three thousand Tips and all of these guys rapping, they always felt like New York or any other place looked at the South like it was no real rappers, like they couldn't rap because we was from the South.
That's even why that's why Dre said that, you know what I mean say so I just feel like, yeah, I don't know why people were always so vocal about Atlanta.
But that's the same thing I'm saying about this documentary.
People are vocal about strip clubs instead of not just instead of saying this is the culture of Atlanta.
You know what I mean, we got roller skating, we like, we like stripp.
Speaker 1Yeah, but I'm saying to say, aside from all of that, look at all you know, the chip on the should or whatever what people thought, people's perceptions of Atlanta was.
Look at how long Atlanta has been just really like still got something.
It started and then it just never stopped.
Speaker 5Yeah.
Speaker 4Yeah, yeah, it's a fight though.
I mean, you know, we've been fighting.
Speaker 1So still because I feel like now people be moving to Atlanta because they're like they do, but they move in there not for the wrong reason.
Speaker 3They moving there for the wrong reasons.
They ain't moving there to like help the source of Atlanta.
So if you from Atlanta, you still got to fight to get in this space.
Speaker 1I'm a transplant.
I moved here by default, I know, but you are so ingreated.
But I am so Atlanta.
Speaker 2I'm celebrating twenty years August twenty ninth, which is the Hurricane Katrina.
I literally moved to Atlanta today Hurricane Katrina, and not by because of that, because clearly I was coming from Philly, but it was that was the exact day that I got there.
And when I tell you I'm so at, you can't tell me I'm not from there, y'all know.
Speaker 1You know, listen, marrying a woman who's not from Atlanta.
People gonna be so disappointed in you if you end up marrying a woman who's not from Atlanta.
Speaker 4Yes, people will be so they don't care about that.
Speaker 1You don't think so, do you?
Speaker 4They definitely care about that that I marry a woman from Atlanta, Like I can't.
Speaker 1You know you're so Atlanta.
Yeah, I don't think people care about that.
Speaker 4You don't care.
They want to see me bring somebody down.
Speaker 5Ends up.
Speaker 2This is going to be interesting.
I can't wait to see this later on.
You got to come back when you when.
Speaker 5You find.
Speaker 1Don't listen famous last words, when somebody right before it happens.
I'm telling you, I feel it for some reason.
I think it's marriage.
Yeah about that?
Wow, you feeling that?
Maoomer ray happens.
Boy, that's gonna be crazy.
But listen, we love that.
But No, for Re always congratulations on everything.
Every time I see JD.
It's like, you know, he always got something new happening, like it never ever stops.
Speaker 2Want to take this time to say thank you for even having this documentary a thing.
It's a life changing full circle moment for me personally.
When I first got the call, it was just do an interview.
That interview turned into narrate.
That narrator turned into pitch team, turned into producer credit turned into you sitting on this couch right now, And I can't be more elated, more honored, and just I'm so happy that this is a thing because it's really my life.
Speaker 1Like the reason when I got xked to be on the pitch team.
You know what they told me.
Speaker 2None of us in production can tell this story from a first hand account because we didn't live it.
Speaker 4You did.
So are you nervous about people actually seeing you?
Speaker 5Now?
Speaker 2She's agreed, Like honestly, I was watching it and I was like, Gigi is fucking killing.
Speaker 4It, Like it's really on real TV, Like this ain't like I want people.
Speaker 5To lead story.
Speaker 2Yeah, I want people to see I mean I don't really, you know, I'm not really nervous about people seeing my TDS because I was a stripper for I don't know, I'm ten years, So that's not even like I don't really care about that, But it's more about just my involvement.
Y'all see this this inc you know what I'm saying this is Fancy for y'all who don't know.
Her name is Fancy.
And I left Mega City fifteen years ago, but I still live, breathing, eat Mega City every chance I get.
Even when I lived in the state of New York for six years, every time I went to Atlanta, I had to go to Megic City.
Like I'm one of the dancers that I've retired and I left, but I never walked away.
There's so many dancers, and I'm getting the hate for this too.
A lot of dancers is in my DM's like, oh this some Hollywood shit.
Why I ain't ask me to do it?
I should have been there.
Speaker 1I was there long of you.
I was there before you.
Speaker 2I whatever they got to say, And it's just like you left and you turned around and you walked away, and you never look bad.
I've always been a part of Mega City, and I'm gonna always He's be a part of Magic City.
So I feel like this is a part of me just as much as it's a part of Big Matches, as much as a part of you, because you've been there for all of those years, you know what I'm saying.
Speaker 1I feel like as a dancer.
Speaker 2The story needs to be told for people to see what's really going on because y'all put us in this box of being drugged out pimph out prostitutes.
You know, y'all need to see that we really helped create some of these careers.
We really help artist music, We really helped with this process of this club being to where it is today.
And again, thank you because this is a full circle, life changing moment for.
Speaker 4Me and you.
Speaker 1Earned career, but like it ain't, this is where you you deserve, it's earned it.
Thank you and congratulations to all you guys.
Drink none of his drink.
He took a little.
Speaker 5He's been drinking.
Speaker 1He's gonna go home and propose to somebody.
You get married so bad because that's gonna be the wedding of the century.
WHOA, that's just right, you know that that's patty gonna be like question, my last question.
What is the thing about it for you?
Speaker 2Just like I just said about it for you that you can't wait for the people to like see and and kind of like realize about.
Speaker 3Well, I mean I feel for me, it's like an accomplishment.
Like like I said, I try to I've been trying to uplift Atlanta.
When I may Welcome to Atlanta, I want to make a song to make people see how proud I was about Atlanta, like when I you know what I'm saying.
Speaker 4Like before.
Speaker 3Before even making Welcome to Atlanta, I used to be like here in New York, and Frank Sinatra got you know what I mean?
Speaker 4And then l A got l A we love it.
I love l A like I kept saying, well, I love Atlanta like me.
So it's like trying to do something to continue to keep pumping my city up.
That's what this is to me.
So I just want people, like when I did Freaking Nick, the same thing.
I know people was mad.
Speaker 3They wanted to see the freaking, but I didn't want you to see that part because I feel like that's the part that people wanted to see in there so that they could tear it down.
Speaker 1There was a lot of history and freaking yeah, what was going on with that?
Speaker 3Yeah, But everybody, I understand everybody's story about freak niggas different.
If you saw something crazy happening Freakingnick, you might have saw that.
I didn't see that because I was younger and I couldn't you know what I mean.
I couldn't even go in the clubs when freaking it was actually popping.
I was in the streets and on the streets where I was at, I ain't see nobody get raped.
I just seen people come into my city having a good time, dancing on cars, being in the streets.
Speaker 4Yeah, ton of traffic.
Speaker 3So I just want people to respect our culture.
These are things that happened in Atlanta.
We ain't asking nobody.
Speaker 4Come when you know what I'm saying, when we just if you don't want to see it, we got to come to Atlanta.
You know what I mean, You ain't.
Speaker 2Don't come here during the pandemic.
That's where I got COVID in Atlanta.
Speaker 1Thank you guys.
The person.
Yeah, I've never cod and I got it there.
It was like some R and B Awards show that they had me doing like interviews for So.
I came down here to work.
I heart sent me so I heard give you COVID yea.
Speaker 4SO was talking with no mask on.
Speaker 1Yeah, we were doing interviews.
Yeah the first day they opened after COVID and I was fine with my little pink mask.
Speaker 4You did you get?
Speaker 1Did you get COVID?
Speaker 4Atlanta was with a mask on.
Speaker 1I didn't.
Speaker 5I was.
Speaker 1We're gonna be out.
And somebody said to me yesterday they were like, is there any place that celebrates and that has like the black excellence that Atlanta has?
Somebody now asking me that yesterday, like that has like is there another major city like that?
Speaker 3I realized like about a week ago, I've heard the veto talking about his godfather and He's god father is the richest black man in the world and he never took a vacation in like the twenty years of him becoming this rich man.
And the one day that he decided he wanted to take a vacation, was like, where you want to go?
Speaker 4He said?
Speaker 5Atlanta?
Speaker 4Wow?
And I'm like, oh, ship, that's crazy.
Speaker 3Like the richest man place, the richest black man in the world for his vacation, want to come to Atlanta?
Speaker 5Did he say?
Speaker 1Magic City?
Speaker 5Fancy?
Speaker 1He stopped.
Speaker 5He went through that night and.
Speaker 1But no, you're right, there's no there.
There definitely is, like I feel like the trace on the come up.
But you know, obviously Atlanta's had a huge head start.
People love Houston.
Speaker 4Yeah, I mean I think, like I said, I feel like all cities they got their music.
They got to sound DC.
Speaker 3But like I said, with Atlanta, it's like, for some reason, people don't want to stick us with this one.
Speaker 5You know what I mean.
Speaker 3We have our we have our cultural things, and the strip clubs is a cultural thing, not this Magic City, Blue Flame, all of them, all of these.
Speaker 4Spots.
Speaker 1The only time I go to the strip because is if I'm in Atlanta.
Oh, tell us some time.
My first time at City story you want to hear it.
So my first time at Magic City, I was with it some of my homegirls, and so I'm like, I've never been here before, this is my first time.
As soon as I walk in the door, Gigi comes running over, but ass naked.
She's giving somebody a dance.
She left them came up.
I'm just walking and then the DJ's saying, angela ye in the building.
My friends are like, for real, it's your first time here.
I was like, I swear to you, I just know Gigi.
Speaker 2And then somebody must have told the DJ I was here, because it made it look like I was a regular when I first came in there.
That's that's that's Magic City.
You always gonna feel at home.
They're always going to make you feel welcome and respected.
They're gonna shout you out, they're gonna call your name, they're gonna say who you are, they're gonna show you love.
Speaker 4So, did you get some dances?
Speaker 1No, that's not really my thing.
I'll throw some money.
But she was at my last dance and she definitely do all of that man's money.
Yeah, sure he did.
I was giving them money and I wanted to stage.
He's taking it off.
One thing I will do is I will make sure that these dancers get their money when I go to any won't I.
When I go to any club and the guys that I'll be like, come on, we got to get some more money.
Come on, we gotta throw some more money.
There's times I don't have people spend ten thousand, twenty thousand dollars, you know, So it's gonna be my money.
But I'm gonna make where around with And one thing I noticed that dancers do is if I'm with guys, they'll come.
Speaker 5Over to me.
Speaker 1That's the smartest.
That's the smart because they know that the.
Speaker 2Woman, the woman is going to control who's getting the money.
And so that's definitely strip club etiquette.
You gotta speak to the woman.
Speaker 1First, so gotta love it.
Speaker 2But yeah, so that was my first time, and you know, been there a few times since a few times, and that was the night that that guy was like, oh yeah, god, all right, stories, all right, Well, well.
Speaker 1Thank you so much, so much, And again, can you ask when it is?
I'm the documentaries starting on starta August fifteen, and then every Friday, five Fridays, five Friday.
Speaker 2I can't wait until this whole thing happens and we celebrate, and then right after that we celebrate the forty years of Magic City.
They're having a black tie gala in Atlanta September fourteenth at the Fox Theater.
Speaker 1It's all happening at one time, the time.
Speaker 2It couldn't be more perfect for this to happen, even though we filmed but two almost three years ago.
The fact that it's coming out in August, and then the anniversary is actually in October, but the party is in September, so it's kind of back to back and it's going to be a whole thing.
Speaker 1And again, I'm just grateful and excited that I'm that this is my real life.
And then the full album August fifteenth, also the.
Speaker 5Same day.
Speaker 1You got your picture.
Yeah, I come get to our put my voice on the wax, put me in a booth coach, and lastly, shout out to white Chocolate.
And I just was DM her too.
Shout out the white chocolate can come up here.
Speaker 4Here, We get her to come up here.
Yeah, I'm not gonna watch I'll watch it.
Speaker 1Let's do this.
Speaker 4Cheer