Episode Transcript
Still the Place with Laura Layton, Courtney Thorn Smith.
Speaker 2And Daphne's Aniga an iHeartRadio podcast.
Speaker 3Welcome back to our finale, the episode first season.
Speaker 1Yeah, so that makes this, just for the listeners, the last episode of our podcast for the year.
Speaker 4Yeah, thirty.
Speaker 2We did the entire first season that we talked about constantly about how long it was, and we did every single episode, so you're welcome.
Speaker 1Yeah, and this episode is actually longer, so that I talk about that, it's like an I think it's an hour and a half.
Speaker 5I was surprised when I was watching it that it was an hour and a half, you know, ultimate episode.
Speaker 3So yes, and maybe's a great job.
Speaker 1I thought of having everybody, like every storyline was a part of this episode, which was super flawed.
Speaker 4Happened in this.
Speaker 5Everybody has something pretty big happening.
So let's jump right in because it is a long wait.
So in this ninety minute season finale, let's say just a general summary, Amanda's pending promotion to become vice president of D and D is put in jeopardy because of her pregnancy, and meanwhile, Allison's old boyfriend Keith suddenly returns to la and when he sees Alison with Billy, he sends her anonymous threatening mail and attacks Billy.
Meanwhile, Allison is drowning her fear and her feelings with alcohol.
Joe is getting arrested for carrying a concealed weapon while she and Jak are trying to decide whether or not to live together, and the gang is also learning that the Melrose Place apartment building is put up for sale.
Speaker 4Yeah, that was weird to see that for sale sign out front.
Like so many scenes.
Speaker 5Yeah, talk about cliffhangers, and then Rond and Terrence finally makeup decide to go through with their wedding.
Michael convinces Jane to go on a romantic wedding week getaway, He pleads for her forgiveness, and then Kimberly ends up spilling the news to Jane that Michael is not ending things with.
Speaker 3Kimberly after all.
Speaker 5So okay, all of that said, so much going on, But we open with Billy in the apartments.
But the first thing we see is, of course, the Dartmouth soccer poster.
Speaker 3On his wall.
Speaker 1Notice that that's so cute, so cute.
Speaker 5And he's sitting on his bed thinking first thing in the morning he gets up, he knocks on Alison's bedroom door because of course they're sleeping in their own rooms, gosh darn it, and he wakes her.
He wakes up Allison and tells her that he hasn't slept and that Amanda's pregnancy is really pulling him and Alison apart, and Alison says, much to my frustration, I don't know what you want from me?
Speaker 1Yeah, Alison is not well.
Well.
Speaker 2A good question though, because he's like, I'm now I want to take care of Amanda because she's pregnant with our baby, and yet I want you to not have any feelings and still be my friend.
And she's like, what do you want from me?
It's like he wants everything.
Speaker 1Yeah, I have no problem with that.
I had a part with this when she pulls out a stack of letters from Keith.
Speaker 3And said, which, by the way, did she kept by her bedside, her bedside stock of him?
Speaker 1That's what I feel.
It was kind of passive aggressive and let's just say it bitchy.
Speaker 3Oh and also just weird, like why.
Speaker 4I saw the crops team going is this good?
Is this in frame?
Speaker 3Is this close enough?
Speaker 2The director going closer closer?
Is this good right up her left nostril.
Yeah, let's put the stack of letters right there.
Speaker 4Yeah.
Speaker 1And then I say about this boyfriend I left and must let her remind you that he was married when we met.
The point is he doesn't waiver, he doesn't get confused, he doesn't want anyone else.
He just wants me.
Speaker 6Well kind of yeah, But I have bigger complaints about the scene and drop, like I was really confused, Like, wait, what is it that Allison doesn't Alison still.
Speaker 5Want Billy, Like, isn't that because I feel like in the scene, he's saying I still.
Speaker 3Want this to work.
I didn't sleep at all.
Speaker 5I feel like this, you know, pregnancy of Amanda's is getting in the way of us and I want this, and Alison is sort of saying, well, I guess I could offer you friendship, but that's about it.
And so I'm like, wait, why, Alison, why don't you want.
Speaker 2To fight for the backs off right away away from what she really wants.
Speaker 1Yeah, first toward each other at the same time, it's very frustrating.
Speaker 5So I was I was frustrated with the disconnect here because last episode I thought Alison was like, please still pick me, even though I understand you have to, you know, handle this pregnancy and stuff with sensitivity and thoughtfulness and all that, like pick me.
But now she's not, so I'm frustrated with her anyway too.
I thought it was a lovely scene for Andrew.
Yes, very very grounded and dealt with the stupid letters by Alison's bedside with honorable grace.
Speaker 4You mean that pile like right next to where you sleep?
Speaker 1I know, she said, I have all these letters.
She goes, yes, I have noticed.
Speaker 3Yeah, we know he's been sending you one a week.
Weirdo.
Speaker 4They're not in a drawer or in her desk.
Speaker 3So then we cut.
Speaker 5We cut to Michael, who's waking up on the pull out couch and he and Jean's apartment, and he's wearing a Frudian state T shirt.
Did you guys notice that if it's this Almah matter, which I thought was hysterical, good on you, Denise.
Speaker 4Sure.
Speaker 5And he's finishing up a phone call where he learns that they're selling the building and he shares the news with Jane.
Speaker 3She's not really warm to him in this scene.
Speaker 1She's real acting like this will be great, it'll be a fresh start.
She's not into it because she's like, well, just to remind you, you've been cheating on me, dude.
Speaker 2Yeah, And so he's so callous about everyone, what about well will everyone do?
Speaker 4She says?
You know, and like it's amazing these guys are even together.
Speaker 2I'm really seeing in this episode how she's so full of compassion and emotion and sensitivity and he is so like sociopathically disconnected.
Speaker 4Well, who cares?
Who cares about everybody?
Speaker 5She's she's great in this episode because she stays firmly on track on her through line, like this is.
Speaker 4Not going to be easy.
You may not get what you want, don't you know?
Speaker 5My husband's cheated on me.
I caught him cheating.
And he's you know, I'm giving him the smallest of chances.
He can sleep on the couch, but I'm not, you know, being all warm and fuzzy.
He's trying to be affectionate and normal with her, and she's like, uh no, it's not going to change anything.
Speaker 4Yeah.
Speaker 1Yeah, she's finally tough.
At the end of this scene, there's this beautiful shot where she opens the door and you see the courtyard beautifully.
Speaker 3Yeh, and the sky scrimmed.
Speaker 4Yeah, really too bad.
It was so great, great for a while.
Speaker 5It's a great line, and it's it ends up being sort of bookended by the end of our episode, but it is great for Jane to just like reflect on Melroe's place and what it's you know, how beautiful it is and how it would be such a shame.
Speaker 4Yeah, it was really really cool.
Speaker 2I think it was a little gift for the audience too, because it's the the audience is finale, and what I'm really getting having watched this whole first season again is how much the audience was invested, whether they wanted to ring the next of these character or some of them like I did and still do, or if you're rooting for one character or the other and you love them altogether.
That line was I thought it was like a little love note to the audience, like, oh, so great for a while, you know, like we.
Speaker 4Just don't know what's so sad.
Speaker 1It ended here when the ratings are finally going up.
Speaker 2It was so great when we were struggling, things were just starting to look up.
Speaker 5And so then we cut to Alison D and D where she meets a creative executive named Brett Nelson.
Speaker 3He's a character who's going to come into play.
Speaker 5Also in this scene, Amanda talks to Allison very sincerely.
I thought that she never expected or wanted her pregnancy, but she says to Alison and what she really needs right now as a friend, which I thought was very sweet moment between the two of them.
Speaker 2I did not I discovered through al Amanda through this whole episode she's so self centered.
She has just the same way that Alison doesn't ask for what she wants or say how she really feels.
Amanda has no issue with the smiles, always asking for what she wants.
Speaker 4Don't you think she has nerve to say to Alison, I really need a friend through all this?
Do you think you can do that?
Speaker 1I just felt like whiplash to me.
And I think Allison says that, I'm like, I'll do my best, right, Yeah.
Speaker 4Okay, Yeah.
Speaker 5What she's asking is not easy for Allison for sure, and.
Speaker 4It's unfair and it's very self centered.
Speaker 2And I just found, like you'll watch with that note, Like every scene Amanda's just like what I need, what I need, what I need, what I need.
Speaker 1But I will say more importantly, Allison is wearing a beautiful fitted suit, lovely fitted Denise Wingate, thank you very very much.
Speaker 3Moderate and reasonable shoulders.
Speaker 2Absolutely so great to watch this having just had Denise Wingate on and talking about all the wardrobe enter process and now I just see the scenes in the wardrobe totally differently fantastic.
Speaker 5So then the two ladies are invited into Lucy's office where they learned that Lucy, the VP of the company, is leaving and it opens up the opportunity for Amanda to move into that VP position at Alison also to be promoted.
So Lucy then reminds them right then that teamwork between them is going to be key and it's an opportunity for both of them.
And that Brett Nelson, the guy that we just met, he's the other guy being considered for the top VP.
Speaker 1Who, by the way, very handsome, which is important to the episode, yeah, and just important to us.
Speaker 3And he's already been a little flirty with Alison.
Speaker 2A little rat like to me, and he's adorable, hair comes out of like nowhere, and he's just like all in her business.
Speaker 5Suddenly it just kind of well, I was definitely suspect just because he was already flirty.
So I'm like, okay, this is going somewhere, and so.
Speaker 1You guys really have a problem with people liking Alison.
Speaker 5Well, it just it was just a clue that something more important was coming with him anyway.
So we cut to a scene at the hospital where Kimberly and Michael are walking together and she asks him if he was sincere about saying that he misses her, and he says, yes, but he can't know you about how.
Speaker 4I love how cavalier he is.
Yes, but there's nothing I can do about it.
Like he's so logical, right, And she's.
Speaker 1Like, seems really cold to me.
Speaker 2What are the new rules, because I don't want to lose you, You're my best friend in the hospital.
Speaker 4Yeah, they're like, well there's nothing we can do, you know.
Speaker 5And she was unusually accepting of this from him, right because we didn't see her really get angry.
When he's like, Nope, can't do anything about it.
You know, I need to deal with my marriage or whatever, and I need some time, she's like okay, which is sort of a change from what we saw before where she got sort of angry, where when he you know, changed his mind about the affair.
Speaker 3Now she's like okay, yeah, well we.
Speaker 1Can't trust either of them at all.
Speaker 5Right, So then Jane is hanging out with Joe in the park, sharing that Michael has canceled their marriage counseling appointment for that evening, and Jane confides in Joe that she's just so angry, doesn't even know what to believe, and feels like her marriage isn't going to make it without trust, and she's crying and very multiple.
Speaker 4I really it's like walk and talk in a playground, which I thought was cool.
Speaker 1That just like the therapist of this episode, you're you're everybody's shoulder to cry on.
Speaker 4Why didn't you think she was a very silent I guess therapist is supposed to be quiet.
The're supposed to listen more than I give advice.
Speaker 2So I think what I thought Joe was doing, like I think she do not have any advice for her.
Speaker 5But I think it was a good place for Jane to put her emotions, and Joe was really listening, and the question she asked her is do you still love him?
Speaker 4Yeah?
Speaker 2And I found that it was a really nice to show how important it is for girlfriends best girlfriends who were just there for each other, literally a shoulder to cry on.
Which she did kind of at the end, and just there for each other and how power all those kinds of relationships are.
Speaker 1Yeah, And I like in this scene that Jane finally gets mad and she says she would like to kick his ass, Like she finally you feel that the anger is starting to come up and she's getting aggressive, which feels so good.
Speaker 3And Joe also reassured her like, hey, you didn't do anything wrong.
You have not failed.
You know you have done anything wrong?
Speaker 4He failed.
Speaker 5Yeah, she's I think she's very sweet and comforting and says all the right things.
It's just what Jane needs in this moment.
Simwhere back at D and D, where Amanda's on the phone with Billy inviting him over for dinner after work, like all of a sudden, you know, it's just assuming the position again, and Alison is overhearing us, and of course she's upset.
Speaker 4Exactly what I said two seconds ago, she said, will you be my friend?
Alison?
And now what she needs is, oh, Billy, you're coming out, No, just have pizza with me tonight.
Speaker 3Like yeah, So I'm confused.
Speaker 5Why all of a sudden there's an assumption like Billy is juggling these two women in an equal way, Like I didn't think that's where we left it last episode, but now, all of a sudden, that's what it feels like.
Speaker 2It My notes are like, isn't he agreeing to be a part of this child that she's choosing to have That doesn't happen for nine months?
Speaker 4Why are they pretending to.
Speaker 2Be mommy and daddy together?
What's pizza now or getting together at.
Speaker 4All have to do with being a part of his child?
Speaker 2Like they don't have to do any of it.
So but it's just Amanda using this time to again get what she wants, get what she wants.
Speaker 5Yeah, it's also the Billie's not exactly setting up the boundary, like he's allowing himself to be in the position to be choosing between these two women, which I didn't think that was ever on the table, and now it sort of is.
It's just a different framing of what's going on for him.
And I'm frustrated that Allison isn't more angry about it.
Speaker 3Instead she's like conveniently.
Speaker 5Going, well, maybe Keith is a better bet for me, and we're all going no, no.
Speaker 2She never once says the baby isn't here yet.
You're not trying to be part of Amanda's life, You're trying to be there for the baby, Like why are you insisting on spending all this time with Amanda?
Like we just had a night together, We're finally a couple.
That's what I just don't understand.
Speaker 1No, you're right, she should say weird.
Speaker 5So to make things more complicated, Brett Nelson, the new creative exec that we meet at D and D.
He's telling Allison that she's been doing such great work and oh, yeah, will you have a drink with me tonight?
I have a feeling we might be a lot alike.
So they make play.
Speaker 1Elson, of course, super vulnerable because Billy and Amanda just made a date.
She says yes, yep.
Speaker 4Right right, and there's all over her phone.
Speaker 5Yeah, and it's unclear like is this only a date or is it a date and a work thing?
Speaker 3And apparently it's going to be both.
Speaker 4I also, this is.
Speaker 2The circular scared staircase, which I yeah, so great, so dated, very.
Speaker 4Like of the era.
You know, they're going up that circular staircase in D and D and he's like, hey, hey, you want to get a drink with me after?
Speaker 5Well, that's circular staircase in D and D is iconic, and like I thought, it was so clever of James Frawley, who directed this episode to stage the second half of the scene halfway up the stairs and he stops her and he's just below on the stairs and do you remember do you remember using that stairway because I'm like, that looks treacherous, especially in heels, and you have to like.
Speaker 4Especially blocking on it.
Speaker 3Imber it.
Speaker 5Yeah, because they built it again in the two thousand and nine reboot.
They built a circular staircase again, and I remember using it and going, oh gosh, this is treacherous.
Speaker 2It's so of that era of like the seventies and eighties, nineties, I know, but it was very retro.
Speaker 5So from there we cut to a hotel lobby where Keith is checking in a hotel in la and he's telling the front desk that he's here to proposet to his girlfriend.
Speaker 3It's what she always wanted it.
Speaker 1He says, creepy, that's a creepy.
Speaker 2Isn't this the first time in this I think in the whole series that you get that he's turned.
He's now creepy because he's delusional on this.
We see him checking in I'm gonna propose my girlfriend, and he was the.
Speaker 5Audience go what yeah, Oh, definitely a shocking turn of weird event.
Speaker 2And then it made me think all those letters that she had by her bedside, had she been answering them that she got once.
Speaker 1A week She said she didn't to me, they didn't look opened.
Speaker 5And yeah, I think she said in that first thing that she hadn't been answering them.
So he's definitely giving creepy vibes.
And the music cues match because like they're always a little bit like foreboding.
Speaker 4Yeah.
Speaker 5So we cut to Shooters because it's the only bar in town where Alison and Brett are enjoying martiniz talking and laughing about Amanda.
Speaker 1I would like to say, we finally meet drunk Allison, who is my favorite Alison.
No, this is not the end when it all starts to fall apart.
This is the beginning of drunk Alison, when she's super happy.
Just like I was, like, that's my best performance in this series.
Speaker 2Yeah, I think there's I said.
It's so nice to see Alison gleefully getting tipsy and just filling the beans and not caring about who she's talking about.
Speaker 4Yeah, gossiping about Amanda.
Speaker 3And there's also a spectrum.
Speaker 1This is this is the upside.
This is the beginning of the treacherous journey.
Speaker 5Because there's I think we see tipsy Alison, we see drunk Allison, and we see slashed Allison.
Like we see all the versions on the spectrum of this for her.
Speaker 1Get fun loose Alison.
This is usually lets it slip that Amanda is pregnant.
Speaker 4Whoopsie.
Speaker 3Yeah, and you see the light bulb.
Speaker 5I won't tell anyone what else.
Yeah, he claims he won't tell anyone, but he is.
Light bulb definitely went off and we're like oh.
Speaker 3And he walks her back to the apartment.
Speaker 5Saying, you know, hey, I think we could you know, make a really great team at work.
Speaker 3And he leans in and he kisses her on the cheek before he leaves her at her door.
Speaker 5And all of this, of course, is witnessed by Billy as Billy is returning.
Speaker 1Home, coming home from by the way, his date with Amanda, so yeah, shut up, but.
Speaker 5He follows her into the apartment.
Billy comes in and says, Alison, what the hell is going on?
Who is that guy, what is he doing kissing you and tipsy?
Allison says, yes, he's just living her life.
Speaker 1Yeah, and she's got the drunk munchy.
She goes right to the freezer of ice cream.
Speaker 5Needs ice cream, and Billy exclaims and disgust you're drunk.
Speaker 4And she's I just love how she's putting off her clothes and she's like half Billy because usually she's so serious with Billy, you know, like yeah.
Speaker 2Billy, and she's like, where's the munchies?
Speaker 4I love it?
Speaker 3Yep, very cute.
Speaker 1I love it.
Speaker 5And then back at the Bellage Hotel, Keith is creepily setting up a display on his nightstand of framed photos of he and Allison together.
Speaker 1And did he notice there eight by ten publicity shots.
Speaker 3I was gonna.
Speaker 4Headshot.
Speaker 1They're not like casual and it's I'm fully posed.
Speaker 4It all lit room this emergency asked and you're like this, that's the iconic and it's like we see that on every there are.
Speaker 1The publicity shots from the show.
Speaker 4Oh my god.
Speaker 3But the creepiest part is the voiceover.
The echoing voiceover.
Speaker 5Is him thinking out loud for us to hear, because in case we don't know that it's creepy enough.
Speaker 3He's thinking through his voiceover, why did you leave me?
Allison?
Speaker 5I was so good to you, Like we're not going to actually realize it's creepy and last night's sweetheart.
Speaker 3And then he says you and he kisses the phono and says good.
Speaker 5It's so gross, creepy, creepy, fantastically gross.
So then we cut to Run and Matt, who are fast walking down the street to be honest, distract.
Speaker 4Speed walking walking.
They're using walking.
They're using their army too, wasn't it.
Speaker 3They're using their arms really well, very.
Speaker 2Sign of the times.
It's not like now you go for a walk to get your steps in.
Yeah, it was like a thing.
Speaker 1Back then and you have to go almost running but not quite big arms.
Speaker 4Yeah yeah, either.
Speaker 5That or they were ahead of their times by getting their steps in.
But it was so distracted by it that I barely heard what they were talking about, although it was something saren.
Speaker 3Yeah, like how she wants to marry him whatever.
Speaker 5But I had to go back and listen twice because the first time I was like just watching the.
Speaker 2Just watching them walk in her little walking outfit, so cool, But you only see him a couple times in this episode, and both times are talking about Terrence again.
Speaker 1Both times you're walking a couple of walking talks.
If they've decided that Ronda and Matt would be walking and walking and talking.
Speaker 4They're very thin, very swelt, very fast.
Speaker 1So Ronda has decided she's ready to marry Terrence, but is too shy to ask him.
Speaker 5And when they end their walk, they end up at the building where they discover that force sales sign in front of the building.
They're shocked, and they learned from the real estate person that the property is being foreclosed.
So back at Allison and Billy's apartment, Alison in the morning is saying that she regrets getting quite so drunk the night before, but she is glad to learn that Billy was jealous to see her with the guy at the door lest night.
Billy says, you know, everything is so messed up.
Maybe I don't have a right to be jealous.
But Alison sort of goes on to say she should have seen this coming.
Maybe she has a genetic aversion to happiness, and she's got her dark.
Speaker 1Cloud over her time victim mode.
She's in big, big victim.
Speaker 5Mode, and and I'm a little confused by that reaction, but she's just feeling like everything's dark and does she want Billy or not?
I can't figure that out anyway.
That's when Rond and Matt knock on the door.
They share the news about the building, and Alison decides that that's one more piece of information that proves.
Speaker 3That her life sucks.
Speaker 4Yeah, because all happened to her yep.
Speaker 5So she leaves for work and Billy follows her outside and tells her he doesn't want her to feel this bad, and they hug, and then we hear the scary music again and we see creepy Keith witnessing this hug from where he is parked stalking them across the street, watching from his car.
Speaker 3Yeah, creepy.
Speaker 4It was this blatant.
Speaker 2Zero apology by their writers, and the director is just going like, we're gonna keep having our horror movie setups like it happens a few times throughout where something happens and we're seeing you know, Alison and about you know, whether it's Billy or whoever, and you always see Keith watching through the blinds or from behind the bush, and it does add up.
Speaker 4It's like horror movie.
Speaker 5It is sort of a callback because remember when we were like skeptical when Allison got attacked in the car, and then we're like, to Keith really set that up so we could swoop in and be the hero, And yeah, we're sort of seeing that same pattern in this episode.
Speaker 1I'm just saying, good point.
Speaker 3Anyway.
Speaker 5So back at D and D and a staff meeting, Lucy asks that everyone hold off on vacations until she's gone, and Brett uses the opportunity to bring up, well, what about Amanda's maternity leave?
Oh no, everyone including Lucy is surprised Amanda.
Amanda is like all smiley, brilliantly lying through her teeth, and she says she doesn't know what Brett is talking about.
Speaker 4Yeah, it's news to me.
However, she looks at Alison.
Yeah.
Speaker 5After the meeting, she demands that Allison and her speaking private, and she tells telling Brett about her pregnancy was a huge mistake and that now.
Speaker 1Alison completely gaslights her and says, you're blowing it out of proportion.
Also, I can't believe he said anything, right, what about you?
Allison?
Speaker 4My favorite Discovery apology?
Allison, my favorite Discovery.
Speaker 2Yes, so I told him, but in this private place that they're can I talk to you in private?
And they go to this big, huge public bathroom.
Speaker 4It is echoing in case you can't hear it now, but the wide shot you get to see what Allison's wearing, a nineteen forties, you know, suit, skirt down to her ankle, polka dots with his neckline up to hear.
And then of course.
Speaker 2Amanda in the shortest skirt ever with this like almost brawl ass top and you're just like, there it is.
That's Denise Wingate's work right there.
Speaker 1Yeah, dichotomy is bro It's a very dialish suit, but it was a lot of fabric on you compared to her, and.
Speaker 4I was just like, that's the difference.
Speaker 5Well here, Amanda also warns Allison that if you know, nobody's going to want to promote a pregnant woman, which you know may be true, and also you know Allison has something to lose here too, because the promotion will work for both of them if they can get it, and that she warns her that Allison shouldn't trust anything Brett may have promised her.
Speaker 3So it's a little bit of a foreshadowing there.
Speaker 5So then Allison is angry, she confronts Bretton's office, telling him he shouldn't have exposed amanda secret, and Brett says he thinks they could be a team, a great team in more ways than one, and then he tries to kiss her in the most awkward and aggressive way in his office.
Speaker 4Yeah, really weird.
Speaker 2And did you notice he went his hand went for the door to cut I thought it was implying that he locked it, and then he went at lune did her?
And yet then she says, get away, get away, put fights away, and then just opens the door and leave.
But I had to watch that again to go is he pretending to lock it?
Speaker 3It was very fumbly, awkward aggressive?
Speaker 5Yeah, yeah, it was very But Alison's creet, super furious, shoves him off and angrily leaves the office.
And then we cut to Amanda and Billy who are going for a walk in the park, probably the same park, and here though we see a bunch.
Speaker 3Of children they're playing in the background.
Speaker 2And you mean probably the same park as Joe And yeah, yeah, probably, I'm assuming they shot him on the same day that and Amanda is telling Billy that Allison is telling everyone about the pregnancy and that she should be more respectful.
Speaker 3That Billy says he'll talk to her.
Speaker 1Yeah, it wasn't that weird that Billy is a'll talk to her.
So now he's literally between them.
Let me manage Allison to make your life more comfortable.
Speaker 4He's really See this is.
Speaker 2Where I just wanted to jump in the damn frame and say, you guys, you're not a couple.
Speaker 4The baby isn't here yet.
You just slept.
Speaker 2Together and you don't get him.
Speaker 5Yeah, it is really like a couple.
It is really like the ex girlfriend.
But for some reason this situation, he's kind of assuming that he's back.
It's a pickle between the two and he's walking this tightrope in between and it's it's a very strange theme throughout the episode.
Speaker 2And don't forget Amanda just said to Alison, you know you should be on my side.
I need you, you know, for the promotion.
It serves you too, and then boom, next scene, she's like, you know, you need to talk to Alison, take care of her because I don't like how she's talking so much.
Speaker 4It's just like she constantly does that, Amanda.
Speaker 5And she also in the scene doubles down on like I really want this opportunity to become a mom, even though I really want my promotion at work.
I also I realize that I don't want to miss out on this opportunity and have made my decision.
So we find out firmly that she is, you know, committed to becoming a mom.
Speaker 4Yeah.
Speaker 5And then back at the office, Allison a pa jaysus to Amanda, tells her she was right about Brett after being attacked in the office, and she tells her, you were right about everything.
He sucks and I'm totally behind you, one hundred percent.
Speaker 3Let's go for it.
Let's go back to being a team and you know, get this promotion together.
Speaker 1And Amanda just agrees immediately that we go back and forth so fast in this episode.
We hate each other, we love each other, we hate each other.
So now Amanda and Allison are backup firmly on the same team.
Speaker 3It's very strange, Like, I don't.
Speaker 4A minute later, let's time it.
Speaker 5Yeah, I don't get to see enough of like what does Alison really want?
Speaker 3Like is she fighting for Billy here?
Speaker 5It's almost yeah, her whiplash isn't fair to have to try to play that, to try to play confusing.
Speaker 1Yeah, it's fair.
Speaker 3What is my three line here?
That's the question I was asking myself anyway.
But with Joe and Jake, they're returning to Jake's at night, and Joe is lamenting having to leave Meloe's place the building, and Jake suggests that maybe if they do have to leave the building, they could find a new place to living together.
Speaker 2Yeah, and I loved how they come in together.
He's carrying groceries.
They go into his apartment and.
Speaker 4He's like, he's looking gorgeous.
Speaker 2The hair was particularly good, T shirt, and I'm just like, yes, move in together.
Speaker 4She and Joe's all like growlly and frowny and like.
Speaker 1No, Wow, I was having an Alison day.
Speaker 2She's feeling like Alison.
She's feeling Alison, and I just want to reach through and go Joe.
It doesn't get better than this.
Speaker 4Move in with him.
He's gonna take care of you.
You're gonna be in love, have beautiful children.
That's it.
Just make the decision.
Speaker 1Yeah, and he's even putting groceries away, like he's even He's like this sexy guy putting groceries away.
You kidding me?
That's lady porn.
Speaker 2Lady porn, That's what it was.
And I'm like, enjoy the porn, Joe, because this is about no.
Does she know she makes other very bad decisions.
Speaker 3Yeah, she's not sure at all.
Speaker 1And then Jake says, it's scares you, doesn't it.
I don't think I've ever met a woman more scared of intimacy than you.
Speaker 2Ah.
Speaker 3Right, he's in touch with.
Speaker 1Zinger, that right.
Speaker 3He's got his own emotions clear and hers too.
Speaker 4Oh just drove me crazy.
All these years later, with all the wisdom that we have, we just want to hear help these poor characters, I know.
Speaker 5So speaking of confused characters, we're back in the dark D and D office where Amanda and Allison are working together, the only ones.
Speaker 3Working late at night.
It's very dark in their.
Speaker 5Cubicles, and Amanda suddenly doubles over in pain, saying something is very wrong, and Alison jumps right to the phone and calls an ambulance.
So then we go to the hospital waiting room where Alison is filling Billy in, saying that Amanda has had a tubal pregnancy and the baby didn't stand a chance, so she's lost the baby.
She's had a procedure, and Billy wants to go see Amanda in the hospital room while she's recovering from this.
Speaker 1Alison goes, great, we'll go see her, and he says, you know what, I'm going to go alone.
Speaker 4Yeah.
Speaker 3Yeah, he chooses to go and alone.
Speaker 1Ouch.
Speaker 3And there Amanda tells Bill Allison's been great.
Speaker 1And by the way, I just have to say, she's lying in the hospital room crying, her big blue eyes full of tears.
She's never looked more beautiful and vulnerable.
Like talk about very.
Speaker 3Vulnerable and emotional in this scene.
It was very lovely.
Billy tells her how sorry he is that she lost.
Speaker 5The baby, and Amanda says, well, perhaps in the long run it's for the best, because you don't really love me, do you.
Speaker 4Oh yeah, And basically you can't.
Speaker 2I can't force someone to want to come be a part of my life with this baby.
Speaker 3And yeah, I thought it was really true breaking stuff.
Speaker 4Yeah, yeah, the truth of the whole situation.
Speaker 1Yeah.
Speaker 5And here Billy tells her he's going to continue to be there for her.
And right then, of course, Alison enters and she sees this very intimate tableau and she says she's leaving the hospital, but Billy opts to stay behind.
Speaker 1She kind of says, are you ready, It's like I'm going to stay yeah, yeah, yeah.
Speaker 5So the next morning, Allison is telling Joe that Amanda has lost the baby.
Joe is our counselor is She's the confidant for everyone here?
Speaker 2Did you notice she was in another Plin sued shirt that Denise talked about with the buttons down the side.
Y, those are all buttons and it's Plin sued And I remember where they sold that.
Speaker 4Do you remember?
Speaker 2In Sunset Plaza next to the Petite for that wonderful cafe with the sidewalk tables, very European.
There was a story there called h Lorenzo.
Yes, I wanted to have very like European kind of like.
Speaker 4Very body hugging clothes.
So I don't go there anymore.
I don't even know if it's there, but that was like a very hot place to go.
And I remember they had very cute top Plin.
Speaker 2Sued top, yeah, which is very popular back then.
So I just want to fill our audience in behind the scenes.
Speaker 5And as Alison is confiding in Joe, she also admits that she didn't even have time to feel guilty.
About kind of thinking, hey, you know, maybe now everything is fixed because Billy was all of a sudden, you know, running to mamand decide to comfort her, and so talk about whiplash.
Like you said, it's like the emotional whiplash of admitting that she you know, sort of thought, oh good, now I can finally have my relationship.
Then she realized, you know, as guilty as she feels about saying that Billy was still sort of choosing to be with Amanda.
So then Jake enters a scene and reminds Joe to be careful on her trip down town for work today.
She's going to Skid Road to photograph.
Alison notes how much Jake really cares about Joe, and.
Speaker 1She says, Jake really cares about you must be nice.
Speaker 4Yeah, yes, exactly.
Speaker 2But can we just stop Courtney and pay homage to these storylines that Alison is with Billy, lives with Billy and like just doesn't see it, and Joe has Jay doesn't ef see it.
Speaker 4I just it's just.
Speaker 1Cutte Michael has Jane doesn't and doesn't see it.
It's so true.
Speaker 2Okay, I got back to my system.
Speaker 5Joe is saying to Allison.
Yeah, he's great as long as he doesn't crowd me.
Speaker 4You know.
Speaker 1It's like it's great at your own coffee, dude, Get that gorgeous body away from me.
Speaker 3Yeah, God forbid.
Speaker 5But then when everybody's gone from the apartment, Joe then goes into her closet and retrieves the handgun that she is hidden.
Speaker 1There wasn't under the bathroom, sync, it was.
Speaker 2It was where her in her blouse.
It was the black room.
That was where the photography with.
Speaker 5The chemical thing, Yes, right behind the She told in an earlier episode that she was going to get rid of it, and now we see she hasn't.
So she loads it in the scene and packs it into her purse.
Speaker 3But it's a.
Speaker 1Big gun with the sleeve of bullets that know what they're call But it was like a big age your gun like from an action movie.
Yeah, it was very little, tiny pistol.
Speaker 5No, but it fit in her handbag and off she goes.
Speaker 1Sloppily put in a bag and yeah, yeah, yeah, this big semi automatically.
Speaker 2Awes that we have now is so bizarre.
It was so innocently done.
Speaker 4It just was.
It wasn't meant to look huge and sloppily dangerously put into a purse.
Speaker 5It just was, but it was also you have it, you know, the way your stage you're in the foreground of a shot so that you hold your hand up and you're like put the cartridge in.
Speaker 3And yeah, you.
Speaker 4Know, I thought I was going to be an action star, so it was.
Speaker 3It looked very badass.
Speaker 5So then back at D and D, Lucy is telling Allison that she heard how great Allison was for Amanda being by her side during her health emergency, and she says she likes it they had such team loyal te and that truthfully, Amanda has a better chance of getting that promotion without the pregnancy.
Speaker 3Ouch.
Speaker 1Yeah.
Speaker 3And then right then Allison receives a flower delivery and but when she.
Speaker 1Opens, the games are painted painted black.
Speaker 2It's so off, and spray painted horror on the fake capital letters.
Speaker 1A friend of mine sent me not too long ago.
There's the gift of this.
Speaker 3It was.
It's a pretty striking image.
Speaker 5Yeah, and she sort of drops it like it's, you know, burning her hands.
Speaker 4Yeah, it's horrible.
Speaker 5So then we cut to Joe.
She's making the rounds on her motorcycle.
She's writing out her motorcycles.
The gritty streets of la She's photographing people on the street and she's then.
Speaker 1By the way, best hair day ever for photographing the unhoused your hair.
Speaker 3She took her helmet off and her hair is very bouncing.
Speaker 4Charlie's Angels note.
When she's getting arrested, I'm like, breck.
Speaker 3Girl, Yeah, that's fantastic hair.
Speaker 5Yeah.
He's pulled over by a cop for not signaling on a turn and he asks for her license and registration, so she opens her purse and of course the cop.
Speaker 1Grasually pulls the gun out of the way.
Speaker 7She can't get her wallet right, hold on a second, yeah, and he jumps back down, yeahs his gun, yeah, shouting at her, put your hands behind your head, get down on your knees.
Speaker 4And she's like, what I know?
Speaker 2And I was just like, first of all, she hair, first of all, cute casting.
Second of all, I was like, this is what my note was.
And I know, here we are in twenty twenty five.
But if she isn't the most white privileging girl and getting away with it, like, I don't know, what is.
Speaker 4I got to see it now because of the awareness.
Speaker 2That I have after all of these years, and what we as a nation and a world have been through.
And you just see her talking back to him, not paying attention.
Speaker 4To him, being belligerently like, why are you hassling me?
I'm just getting picture.
So what it's a gun?
I need?
Like I was just like my signaled, I like, no, what's your problem?
All the way through this whole sequence.
Speaker 2Later when she's in the police station, she's still yapping away, talking back.
Speaker 3I love that she talks all the way through her mugshot, like.
Speaker 2I do get it back, don't I wait a minute, I just whatever, you know, a bear arm?
Speaker 4Don't you know the constitution?
On and on, and I'm just like, girl.
Speaker 3Please, I thought that was actually funny.
Speaker 4Yeah, it was really, but only she can get away with it.
Speaker 5And he does tell her that she'll get her gun back in a week, but that she needs to, you know, reveal that she's carrying.
Speaker 3She can't carry.
Speaker 4I forgot my holster.
Speaker 1She says that if she ever gets yeah, if she ever gets pulled over, a hart ass I know.
Speaker 5And then Jake is there to pick her up, meet her at the police station, and the only line he has is how could you be so stupid?
Speaker 4Yeah?
Yeah?
And then she kept going, what do you mean?
Like it was just so funny.
Speaker 3Yeah, and he's pissed.
Speaker 5He's pissed he had to bail her out and that she lied about getting rid of the gun, which she didn't.
Speaker 1Yeah, Joe's a little tone deaf here, and Jake says, I don't know if I want to live with someone who has a gun.
And then Joe, you're so snotty you say, well, you don't, do you?
Speaker 4Yeah, don't live with her?
Speaker 1Yeah?
Speaker 3Yeah, that was the moment Joe combative in this.
Speaker 4You know, it was the moment I know, I feel like, I don't know, she's very defense of this lady.
Speaker 2She just want to help her out.
I didn't know it back then.
You're just right going to work saying these lines makes sense to me.
Speaker 4I can see it.
Speaker 1Also, you may have known it a little bit, but who knows.
We're also maybe this season.
Speaker 3And you know, the script is the script.
Speaker 4There you go, script is the script.
Speaker 5So Jane is returning home, she finds Michael packing her suitcase.
He says he's taking her away for a romantic weekend, and he begs her to give him a chance, saying that maybe this could be a start and.
Speaker 1Isn't a word.
He says, I packed for you, your favorite dress, your favorite jean's, your favorite perfume.
I thought that seemed weird to me.
Speaker 2It did it because it seemed to me.
It seemed great to me.
Spot on, like good packing.
Yeah, because dress because I want to take you for dinner.
Jeans because you want to be comfortable.
Like he didn't say sexy, negge, because I you don't know, so I can get what I want.
He said, dress, jeans, and then perfume.
I thought that was thoughtful, the only thoughtful thing that Mike has done.
Speaker 1Well.
Speaker 5She does agree to go, and she's like, this is not gonna, you know, fix and he's he's like, I know, maybe it won't fix everything, but maybe it could be a start.
So she's willing to take this baby step and see what happens.
Speaker 1I would have to say, we need to stop right here.
Do you have my cleanser and my toner?
Right you have my good cream, my neck creams.
You have a sheet mask in case it's dry, but there's a lot of stuff that wasn't covered.
Speaker 3Yeah.
Speaker 4I thought it was very cute.
Speaker 5So Billy then is accompanying Amanda back to her place in the marina.
She's so, she's out the hospital, and she tells him he's being very sweet, and Billy says he told his work that it was a family emergency, and Billy is Amanda's very touched by that, saying.
Speaker 3Oh, Emily, that's so nice, oh dear.
So Allison is returning home to her empty apartment.
She's pouring herself a drink and she answers the phone.
There's before she.
Speaker 1Comes in, and there's a message on the phone from Billy saying, I'm an Amanda's come on over if you want to.
How weird is that?
Speaker 3Yeah?
Speaker 5She said no, yeah, no, so maybe and that's what drives her to poor drink.
Speaker 3And we find that she's keeping a bottle of vodka on.
Speaker 4This This is not the fun to see Allison, by the way.
Speaker 1Yeah.
And she's not even putting in the freezer anymore.
She's just got warm in a water glass and drink harm gloss, not even a mixer.
Yeah.
Speaker 5And she answers the phone, which is ringing, and it's a bunch of scary heavy breathing on the other end.
She hangs up.
It's a prank call.
She assumes it's Brett the jerk from work, and she angrily says, this is funny.
And then a second call comes, and this time a creepy voice says, I'm watching you.
Speaker 4Like the horror movie I was talking about.
Speaker 5Yeah, and Alison is scared and she says she's gonna call the cops, but she you know, downs her vodka and pulls the chain across the door.
Speaker 1As soon as I have one more drink, I am on it with the cotton.
Speaker 3You just this will go on, This will keep me safe.
Speaker 1Yep.
Speaker 5So then we cut to the romantic rooftop hotel where Michael is whining and dining Jane, telling her he's so sorry and that he made made a huge mistake.
He'll always regret it.
And he tells her he hates that he caused her any pain.
Speaker 1And well, but he says it in such way he says, don't you realize how much it hurts me to have caused you pain?
I'm miserable, like the most narcissistic way to almost not even apology.
Speaker 3Turn her pain into ye, what about mine?
Speaker 1My pain hurting you is worse than the pain you have from being hurt.
Speaker 3But if you can find it within yourself to forgive me.
Speaker 5Maybe one day, you know, you'll forget all about this once I'm a doctor and we're living in our big, beautiful house with all our children fantasy pains, and is Jane is you know, sort of sucked back in by that, and they kiss and she says she does want that, and pretty soon they're tearing at each other's clothes.
They end up sort of stumbling back inside to the Did.
Speaker 1You just notice though, that when he's kissing her neck, did he sort of look up like he wasn't really?
Speaker 5Yes, we saw that same thing where he looks over her shoulder like he's thinking about something else, or someone else or someone else.
Speaker 7Yea.
Speaker 5So then we cut to more than tipsy Alison.
I believe she's now on too drunk Allison, because she's passed out on the couch in her fizzy robe.
She's napping, Laura, Oh, right, that's what I meant, And then her thoughts right, Billy.
Her hair is frazzled, but she's peaceful.
Billy tries to get back into the apartment, but of course the chain is over the door, and Alison stumbles up from the couch, lets him in, tells him, you know he can't just go from Amanda's bed to hers.
Speaker 4I wasn't in her bed on it.
Oh, okay, sorry.
Speaker 3So she does tell him she just feels really alone.
Speaker 5It doesn't feel like Billy's heart is here with her, and she doesn't think she can count on him, especially.
Speaker 3If the building is sold and she has to move somewhere else.
You know, why did I ever leave Seattle?
She says?
There was someone there who loved me, and.
Speaker 4You know, and the camera pulls out through the blinds.
Speaker 5Wouldn't you know, creepy Keith stalking and watching this whole thing through the window.
Speaker 1Well, wouldn't be as bad if she would stop talking about him all the time, if you're true, But she wasn't, saying I sure miss him.
Here are the letters I know.
Speaker 4Every time she says that he's he's like off in the watching.
Speaker 5Clearly the worst choice Allison could ever make.
Yeah, So we cut to Randa telling Matt that she's been hinting to Terrence that she wants to get him to propose again, but she's not taking the hints.
And Matt says that she might have to propose to Terrence, and he has an idea, and he suggests how about a Chinese restaurant.
Then we go back to D and D, where Allison is congratulating Amanda because apparently she's now gotten the VP role.
Speaker 1Yes, and they're the best of friends again, yep.
Speaker 5And Amanda thanks Allison for sticking buyer congratulates her too because now Alison's going to be promoted, And Amanda says that whatever happens with Billy happens, and we should just leave it at the door.
Speaker 1That'd beay, it'll be super easy.
Speaker 3Yeah, this is a great plan, right, we can grow, you know.
Speaker 5And yeah, at work, we do this.
Whatever happens happens.
And of course Allison receives another threatening note.
It looks like a lovely greeting card on the front, but the word bitch is scrolled.
Speaker 1Inside, big capital angry letters, very angry, dark, scary.
Speaker 5So Allison storms into Brett's office, assuming he's sending these awful, menacing things, and she tells Brett the games have just got to stop.
Speaker 3He's confused.
Speaker 5She threatens to call the police, calls him a pathetic slug, and he says he has had nothing to do with it.
Allison is the immediate believer, he seems believable, and.
Speaker 4He goes, I did not.
Speaker 1She goes, okay, then, yeah, I agree.
Speaker 3And then she storms out, gee, I wonder who it could be.
Yeah, if it not you, then who.
So we got to Michael and Kimberly, who were.
Speaker 5Walking outside the hospital, and she's telling him that she's willing to be friends and leave it at that.
Speaker 3All of a sudden, she's fine with that.
Michael, however, asks how she feels about sleeping with a married man who plans on staying that way.
Speaker 1Now, let me ask you something that he's offering.
But this felt robotic to me, and I think it was looped.
Speaker 3It was totally looping.
The looping was so bad in the scene.
Speaker 1The looping means for the audience that when the sound is bad, you have to go into a studio and try to match your lips to what you were saying.
So it's very hard to be emotionally connected because you're having to match what you said before you're looking at yourself.
Speaker 4It's really and this makes sense because this was outside.
Speaker 5And their hair is blowing around a lot over traffic or something.
Yeah, it was a very windy moment, and I'm sure that wind was a problem in the mics on the day, so they had to go back in and loop, and it did change the inflection and the emotion that should have been in style.
Speaker 4A note on that logic.
I didnt attribute it to looping.
Speaker 2I thought it was his choice of like being very matter of fact.
Either he's kind of sociopathic, like I said already, or he's like, so, let's see, how would you feel about having sex with a married man if she wants.
Speaker 4To stay she wants to stay that way, and she's.
Speaker 2Like answers, and then he's like, because I keep having flashes of us in bed together all the time, and I.
Speaker 5Just yeah, the truth is, I think it's both he is sociopathic and I'm totally sociopathic, because we're learning that he just had this romantic weekend with his wife and he's still going back to Kimberly saying, Hey, I can't stop thinking about you.
Speaker 3I still want to sleep with you.
Are you okay with that?
I'm going to stay married though.
Speaker 2It's really it's really Michael Mancini coming to his own as we will all know and hate him.
Speaker 4Yeah, he's really coming into that personality.
Speaker 3And they end up kissing right out there in.
Speaker 1Their left pout on the hospital walk away right in the open.
Yeah really, I didn't.
Speaker 4See tongue, but I saw mouths open.
Speaker 1Okay.
Wow.
Speaker 5So then Amanda, Amanda is back at work calling Billy from her desk which is right next to Amanda's or Alison's desk.
She's calling Billy telling him that she got the promotion, asking if they can celebrate over dinner tonight.
Speaker 3He says yes, then he clicks over to another incoming call and it's Alison.
Speaker 2Right behind her.
So the shot is Amanda in the foreground.
Speaker 4Talking to him and Alison behind shot.
Speaker 5A little telephone comedy, and Alice was telling Billy that she's freaking out about everything scary and all this stuff that's going on for her and she needs to see him tonight.
Billy clicks his phone back over to Amanda, tells Amanda he has a work.
Speaker 3Thing, so they should celebrate, so he lies to her.
Speaker 5I'm glad he lies to Amanda picks, you know, being there for him allad moment.
Speaker 4But after Laria, So that comedy that he did, yeah, it was very funny.
Speaker 3But he is sort of caught in his lie when Amanda tells Alison take the rest of the day off and Alice's Allison says, that's okay because Billy's going to meet me after work tonight.
Speaker 1But he really should have said, you know, Amanda would love to celebrate you.
Alison really needs me, Like that's what you want him to say, but no one ever says what they mean.
It ends with Billy and Elson.
Speaker 5Yeah, we're back at the Chinese restaurant with Rondon Terrence, and her proposal idea gets all screwed up when the wrong fortune cookies are delivered to the table.
So she just says to Terrence, you know, will you marry me?
And of course he says yes.
Speaker 4Well, I mean, I thought this was really funny because she's like, they bring the fortune cookies and they're in the middle of dinner and he's like, what are they trying to rush us?
And she's like, no, no, just pick one, just pick one.
And it's the wrong it's a regular fortune.
Speaker 3It doesn't even work.
Speaker 4He doesn't say, you know, will you marry me?
Speaker 2And she's like, no, pick the other one, and he does and says something else and she's like, oh, but when they finally when she finally asks them, and you finally kisses her hand.
Speaker 4I'm like, wow, one relationship in this show that works.
It's a healthy, loving relationship that's true.
And no wonder they had to leave the show.
I mean it was cute.
Speaker 5And Vanessa's just like joyful and yeah, just brightly lit and beautiful and happy her choice right, very sweet.
Speaker 3And Keith, we're back to Keith.
Speaker 5He's again stalking Alison outside the apartment.
Billy and Allison are walking home at night, and Alison shears all the scary stuff she's been getting and says she feels vulnerable.
She's telling Billy, you know, especially because I don't know where things stand with you.
And Billy here says that he's crazy about her and he just needs some time to get resolution with Amanda.
Speaker 3So this feels hopeful.
Speaker 5And then they decide to just stay and watch an old movie and eat popcorn.
Speaker 3Billy says he'll go rent a video.
He just has to be right back.
Speaker 5She goes inside and he is then brutally attacked on the street from behind.
Speaker 1What is he hitting him with?
Did you guys know what?
Speaker 4Wow?
Speaker 5No, but it was definitely a blunt object.
For like, Billy can't see at all who is attacking and it kicks him, kicks him on the ground.
Speaker 3It's super brutal, scary.
Speaker 1So now the whole.
Speaker 3Gang is back at the hospital for the second time.
In this episode.
Speaker 5There's Joe, there's Jake, Amanda, Alison, Matt and Jane.
They're all in the waiting room and then Keith shows up.
Speaker 3With flowers in his arms.
Speaker 5Yeah, Everybody's like what and he claims he's in town on business and he heard what happened to Billy, so he just came right over the hospital.
Speaker 2Yeah, so this is is this the first time they all see him?
Speaker 4He's been creeping around all episode.
Speaker 2No one knew he was there until he's in town.
Yeah, Alison didn't know where anything.
This is the first time he shows up in the hospital.
Speaker 4Yeah, like, what do you mean you heard?
Speaker 3And this is.
Speaker 5Again like signs of the other thing where he tries to swoop in and act like the good guy and he's really the one who's caused it all right if that other episode, yeah was actually.
Speaker 4Him, but it's so out of very bizarre, talking about a fish out of water.
Speaker 5Yeah, he is definitely out of place in this waiting room when everybody and even Allison's not very warm and happy to see him.
She's like, oh, thank you for the flowers.
Whatever, She's a little weirded out by it, and Michael enters.
Speaker 3He gives everyone the report on how Billy's doing.
Speaker 5Amanda and Allison together go into his room to see him, and Billy tells them both that he can't remember anything.
Allison says she feels terrible that maybe his attack is connected to the threats that she's been receiving.
He thanks both of the ladies for being there for him, and meanwhile, Jane goes to the nurses station and asks how she can find Kimberly.
Speaker 4The real reason she came to the hospital.
Speaker 3And.
Speaker 5So we have every character in this hospital scene in this moment in the episode, and she stops Kimberly in the hallway to have a little chat.
Kimberly tries to walk away, but Jane stops her very firmly and tells her that her marriage is more than just sex and that she and Michael have a deep and lasting bond and to stay the hell out Jeane.
Speaker 1And Kimberly sort of folds her own and stays calm until Jane says, I just wanted to tell you that I think you're disgusting.
And then Kimberly loses it and says, it's not over.
Since you're being honest, I thought you should know.
And then this was so weird to me.
She starts saying I'm so sorry, I'm so sorry, and we end on her crying.
Didn't you think that was it's whiplash?
Like what is happening?
Speaker 3It is like her guilt over it is you know.
Speaker 4Also, well, she's sorry that she told her she's destroying her.
She's destroying her again by telling her the truth that it's not over.
I thought that's what I thought from it.
Speaker 2Yeah, I love that how they shut They used a very boring, potentially boring hallway, did you notice that?
And it happens on one side of the doors, the double doors, and then, you know, Jane says, you're disgusting, and I hope this happens to you one day, you horrible person.
And then she leaves and then Kimberly stops herself and then she goes through those doors and there's another.
Speaker 4Set of doors.
Speaker 2Thought it was a beautiful dance in what could have been just a boring hallway.
Speaker 5Yeah, they definitely staged it where they used a space and kept moving through the doors as the scene escalated.
Yeah, and she says, you know what, don't be sorry, because if it's true, he is all yours, I'm getting a divorce.
Speaker 4That was it was just terrible because Kimberly said, I know all about your weekend, your.
Speaker 3Night away, Like, guess what he's not given me, amend Yeah.
Speaker 4Yeah, it's not over.
And you're just like, she's just evil, you know.
Speaker 1But it was so good at Jane confronted her to find out, right, like, that wasn't her intention.
But I'm so glad.
Speaker 4Yeah, she popped the bubble and she found out the truth.
She couldn't make a choice.
Speaker 3Yeah.
Speaker 5So then we're back with Amanda where she's making Billy laugh.
Speaker 3Well he's Amanda.
Speaker 1Ol and on our opposite sides of the bed.
Yeah, and Amanda's being charm and Alison is way out of her death She's trying to interject and just not She can't compete with Amanda.
Speaker 5She can't, she can't get herself into the conversation in the same way.
And she says, you know, we really need to leave, We need to let Billy get some rest.
But Amanda conveniently forgets her purse, so she has to turn around and go back into Billy.
Speaker 4Alice and learn last time, I don't care if you're exhausted, it's four in the morning, don't suggest.
Speaker 1That you leave, because yeah, yeah, you're gonna be the only one that leaves.
Speaker 4Right, nobody's gonna leave with you, and they're gonna be alone together.
Didn't you learn the last time?
Speaker 3Yeah, And here Amanda takes the opportunity.
Speaker 2Yeah, you guys have been there in the past where you're you're at a place and you really don't want to leave, but you're exhausted or you really should, and then but you just don't want this.
Speaker 4Person to be alone, you know, you want to stay there, and you're just like exhausted, and you just stay, and you just stay.
I'm not gonna suggest we leave.
Speaker 3Like a game of chicken.
Who can last?
Speaker 5So Amanda goes back into the room for her purse that she assosibly forgot, and she tells Billy that she'll be there for him no matter what, and.
Speaker 3That she loves him.
Speaker 4And I have a surprise for you when you get home.
Speaker 5I'm not telling you now, but when you get out of the hospital, there's.
Speaker 1A big love it.
Speaker 3Then Joe and Jake are leaving.
Speaker 5The hospital and Joe asks your place of mine, and Jake says, you know, that's a good question, and Joe frustratingly sighs here and she says she's just not ready to move in with him and she still needs to have time on her own and this is all the commitment she's ready to make.
Speaker 4And then the saddest thing he says to her, Well, if this building's sold and we go our own ways, I think I'll be ready to see other people.
Speaker 2That's a commitment I can make.
And I'm like, no, is this the end of Jake and Joe?
Speaker 4I'm like, no, not, this is the only the end of season one.
Do not make this happen.
Speaker 5Yeah, this was big news, big news hearing that if she's not other people, Yeah, that if she's not going to make the commitment, then he needs to you know, move in another Yeah.
Speaker 1Yeah.
Speaker 5But instead of being like, oh, wait a minute, I didn't know you might feel that way, she says, fine, have fun, and she goes back inside to get right home with Matt.
Speaker 2I think it's out of youth and inexperience that kind of like sabotage where you just sabotage, you know, because you can't handle the intimacy.
So you're just like fine and you're just you're just backing the whole thing.
And that's really what she wants.
I'm just psychoanalyzing my character from thirty five years ago.
Speaker 5It's you know, it will take another thirty five years, I think to get to the bottom psychoanalyzing.
Speaker 4You know.
Speaker 3Well, speaking of psycho, we're back.
Speaker 4He's walking.
Speaker 3Alison back to her apartment door.
Speaker 5Alison is apologizing for the way that she left him in Seattle.
He says, well, he shouldn't have really rushed her into the move and he was only thinking of himself.
He kind of and very entitled walks follows her inside the apartment.
Alison immediately pours herself a drink off when Keith, do you.
Speaker 1Want some warm Vodkan and water glass?
Speaker 4Since when did you start drinking?
Speaker 5And she says, well, you know, weird things have been happening some I'm weird.
I was sending me obscene cards and I'm really scared.
And this is where he asks the hero and he hugs her and tells her she's safe.
Speaker 3Now everything is going to be fine.
Speaker 2He pulls her in like this and you crunches her hair and almost nibbles or bites her head.
Speaker 1It's here's the thing.
You can protect her from the villain?
Speaker 3Yeah, well because of Tim.
Speaker 1Yeah he really can't.
Speaker 5Yeah he can, but the scary music tells us that everything here is really not fine.
Speaker 4The music.
Speaker 5But the next day, Alison drives Billy home from the hospital and they're arriving at the front of the building and she admits that Keith drove her home last night.
Speaker 4Can I just stop?
You were in a such a cute floral with those floral.
Speaker 1Love short dresses in the ga jacket the big Now I wear long dresses with the jean jackets, so I've not come.
Speaker 2Right like the short one with the white little Tenny's.
So your kids, yeah, the kids, and you're jumping around helping you.
Speaker 1That was a very cute scene.
So we're kind of flirting, like he's jealous.
Are we doing this again?
So they're having a very sweet little exchange.
Speaker 5And of course they walk into the courtyard together and all of a sudden, Amanda is.
Speaker 3There in the courtyard up on the landing upstairs.
Speaker 4And she has to go, hey, guys, and they turn up and there she is.
Speaker 5Up there, she's her dad is standing there with her, and she tells them that her big surprise is that she's buying the building.
Speaker 4And I'm gonna move in and manage it.
Speaker 3Gonna move in and manage it, to.
Speaker 1Manage it, like she's gonna be fixing sinks.
Speaker 5Right, And her last line is really the you know, the whole the last line of the entire scene season is I think I'm really gonna love it here.
Speaker 1Yeah, it was so good.
Speaker 2It was such a great launch into season two.
And you know, we don't know how long we're going to go, but it goes on and on.
Speaker 1I thought it was a great episode.
Yeah, Cliff Pang all around, there's.
Speaker 2Lots of drama, lots of drama churning getting you know.
Speaker 1Yeah, So I can't wait till season two.
You guys can't wait.
Speaker 5We've definitely turned the corner to season two, and it's so fun to think of all the fun stuff ahead and what fun it's been to go down this recap relunch.
Speaker 2We started last I think was June, and this is our last one, and you know we're going to take some time off summer We'll.
Speaker 3Take a little break, like a hiatus as you do.
Speaker 1Like our first season of Melrose Places, it has been like a year.
Yeah, take a little break.
Speaker 2So I've had such a great time you guys, and I've loved the interaction with our listeners.
I hope they stick around and come back and more come with them.
But I hope they've enjoyed the the but the behind the scenes and all the fabulous guests that we've had.
You know, remember all the way back when Grant was our first one, Yeah, and then we had so many lunch with him afterwards and so much fun.
Speaker 5We have so many opportunities for all of our fun guests and castmates to come back and recap with us, and all these seasons and then our.
Speaker 4Last one we had Denise before that, Lisa Rena.
I mean we've just everyone's been great.
They're like, yeah, well you know, when when do you want?
Speaker 1Yeah, it's fine.
Speaker 5And I've learned so much about you both too, Like I've learned that look out because Daphne is like maybe going to throw something at you if if that was.
Speaker 4Thirty five years ago.
Speaker 3I'm just communicating to say.
Speaker 5I learned that about you.
I did not know anything about your you know, tend.
Speaker 2To learned that my off screen was a little more dramatic than my on screen in melrose Place.
Speaker 3Now, I loved hearing that.
Speaker 4I loved learning all of you I didn't know.
I know, I learned about you too as well.
Speaker 5I learned Courtney all she needs is a cozy dog on her lap, and she's happy as.
Speaker 1Snoring dog on my lap.
And I'm even I have for farther away and I can still hear snoring or.
Speaker 2No wonder you don't wear sleeves anymore because you know you were traumatized through the melrose Place of all help.
Speaker 4A luminous sleep.
Speaker 3You're cute little loral dresses.
Speaker 4I get it.
Speaker 2But yeah, I think it's been It's been just really great, Laura.
I've learned that you are able to do these rundowns in your sleep.
Speaker 4You're so organized, you pull it all together.
You're really good at that.
Speaker 2I like, have to stay up for days planning.
I love I love it how you well.
Speaker 3I think we're a great team.
I love doing this with you guys.
Speaker 5And this has been a really fun season one, and you know, we're all looking.
Speaker 3Forward to a little bit of a hiatus, a little bit of.
Speaker 5A break while we regroup, because they think we have to get all our energy for season two because.
Speaker 1It's going to be going to be exciting, high speed.
Speaker 5So thanks everybody for listening to everybody, it's so much fun.
Speaker 3We love all of your support.
Speaker 4Enjoy your hiatus, everyone, Enjoy your summer.
Speaker 3You do see you soon.
Thanks everybody.
Speaker 2Well m