Episode Transcript
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[MUSIC]
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From the classroom to the wilderness,
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my guest built a life around exploring
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the connections between
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science, art, and education.
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Welcome to this episode
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of All of Your Stories.
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I'm your host, Hava Gurvitch, and my
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guest today is Rosalind Phillips,
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a teacher, scientist, software engineer,
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and accomplished nature photographer.
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Rosalind has spent her life exploring the
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connections between art,
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science, and education.
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In this episode, she opens
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up about her early influences,
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her career as an
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educator and software engineer,
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and her passion for nature and wildlife.
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We talk about her journey as a
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photographer with three decades of
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selling art at art fairs,
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the lessons learned along the way, and
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how she's navigated both
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triumphs and challenges
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as a woman of color in the arts.
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She also shares her
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hands-on approach to teaching,
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rooted in the belief that knowledge isn't
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isolated, but deeply interconnected,
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and her lifelong commitment to public
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service and genuine human connection.
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Rosalind, welcome to the podcast.
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Now, quick word from our sponsor, and
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then we'll get right back to the show.
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When I started selling my art, I had
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absolutely no idea how to
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actually turn it into a business,
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a professional business.
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And then I came across Art Storefronts,
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and that was a game changer.
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I've been a customer now for years,
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and they've been instrumental every step
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of the way of helping me succeed.
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I have a gorgeous,
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powerful commerce website.
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I have marketing tools and a membership
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to a community that is very supportive
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and teaches me how to
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succeed as an artist.
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Check them out, artstorefronts.com, and
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tell them how I sent you.
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Welcome back to the podcast.
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My guest today is wildlife
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photographer Rosalind Phillips.
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Rosalind, it's a pleasure
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having you on the podcast.
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And tell everyone a little bit about your
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background and how you
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got into photography.
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I would be happy.
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I am so delighted to be here.
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I have really enjoyed
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participating in the Breakfast Club.
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In fact, sometimes I think that's the
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most valuable one of all the education
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that Art Storefronts does
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because it's a heartfelt
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conversation among artists.
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And yes, we talk about the business
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stuff, but we also talk
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about the soul side of it.
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And to be honest,
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that's why we're artists.
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Absolutely.
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We're souls.
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It feeds our hearts.
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Yes.
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And that's kind of what I want this
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podcast to become, is a
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sort of an extension, a public
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extension of that.
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No, but you, what you do, I think is why
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joining the platform is valuable.
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I mean, there's all the other stuff, but
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it's the human side to
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me that makes it worth it.
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I feel like I get a different type of
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validation as an artist.
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Absolutely.
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To me, that's what's very important.
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Anyway, I was born in New York City and
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live in way, way upper
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Manhattan, even above Washington
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Heights.
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I lived in a little neighborhood called
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Inwood and the Coisters,
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which is the medieval part
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of the Metropolitan
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Museum of Art is right there.
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And that's an important part of my life.
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But anyway, I grew up in New York City
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and in upper Manhattan,
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there are lots of parks
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and it was a very, well, like most New
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York neighborhoods, it
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was a diverse neighborhood.
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We actually had a very
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strong Jewish population there.
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And then there were lots of black people
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and most of the black people were of West
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Indian descent.
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And then there were lots of people from
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Puerto Rico and the Dominican Republic.
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So it was a very mixed place.
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And so it was a nice place.
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And New York City back in the late 50s
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developed this thing called the
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Mitchell-Lama Co-ops.
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And they were these beautiful apartment
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buildings that you could buy
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an apartment for a reasonable
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price and it was geared towards
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middle-class families.
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And so that's where I grew
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up in this wonderful building.
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And so I have two sisters
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and it was really pretty good.
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My mom was a school teacher in the New
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York City public school system.
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And so she sent us to private school.
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She worked very hard for that.
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We went to this wonderful school that was
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run by the Ethical Culture Society, which
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is as reformed Judaism as you can get.
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And it was based on John
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Dewey's laboratory school.
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So it was a very action doing.
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I mean, it's like I can pretty much
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remember almost every
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single day of elementary school.
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And this is all very important to me as a
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wildlife photographer
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because everything was
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based around social studies.
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So for example, in fourth grade, we
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studied the Vikings.
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So that meant that what we were reading
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and writing stories
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about in English were the
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Norse myths.
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And what we were learning about in social
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studies, of course, was the history.
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But then there was art class.
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And then we had this wonderful class
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called industrial arts.
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And in that class, we
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learned how to cook and sew.
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And so in fourth grade, we made Viking
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costumes and everybody
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did this, boys and girls.
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And it was wonderful.
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So you had the art, you had the math,
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because we learned about
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whatever math system they
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had besides regular
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fourth grade math and stuff.
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In third grade, we did Native Americans.
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In fifth grade, it was the Middle Ages.
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In sixth grade, it was
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the colonization of America.
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The great Jane Goodall just passed.
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And she was certainly one of my idols.
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And one of the highlights of my high
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school life was the
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opportunity to take some classes
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with her.
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Wow.
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Yeah, you know, and
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so just very important.
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So the other part of it was my mother
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believed that if you
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wanted your black children to
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grow up safe in New York City, you sent
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them out of the city for the summer.
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And so the way she afforded that was she
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was a counselor at this
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Quaker camp up in Vermont,
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the Farm and Wilderness Foundation.
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And we went to camp in Vermont.
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And that's really where my love of nature
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really, really blossomed.
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And so I did all
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kinds of stuff like that.
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Now, my dad was an amateur photographer.
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And I would say maybe when I was 10,
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maybe eight, and my sister
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Brenda was six, no eight.
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So because they're two years between us,
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we got our first cameras.
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And they were little point and shoots.
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And you know, so we
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took pictures all the time.
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And my dad would
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occasionally give us some instruction.
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And so cameras of taking pictures has
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just always been a part of my life.
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And that was pretty remarkable.
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As you were talking, what it seems to me,
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and I don't know yet too
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much about your current
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life as a wildlife photographer, I do
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know you've been doing
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it for many, many decades,
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for decades, and that you fell in love
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with both nature,
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animals, and photography in your
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early teens.
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So you're just living your best life.
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Like you're living the life that you
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started living as a child.
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Would that be?
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I am now, yes.
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You know, the first 20 years of my
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working career, I was a
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teacher, high school and teacher
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education classes and computer science
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classes in the local colleges.
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I moved to Olympia, Washington when I
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was, I don't know, maybe
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24, 25, because I started
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my teaching career at a Quaker school
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just outside of Washington, D.C.
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And I taught, and as I say, I
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did my time in middle school.
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That's amazing that you valued education
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so much growing up, and
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it left such an impression
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that you decided to go into education as
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well and impart your
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knowledge to another generation.
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The experience that I had at Fieldston so
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profoundly affected
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my life and my sister's
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lives that I wanted to share that
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experience with people who
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didn't have the parents that
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sacrificed so much to send their children
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to a private school.
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I mean, obviously we had scholarships and
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things like that, but
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still, to send three
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children to private
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school is pretty difficult.
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And so I taught mostly, well, I taught
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math and science and computers.
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And so I became a national leader in
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using the computer in
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the classroom and worked on
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several pioneering projects.
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I built, when I started out teaching, we
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had the Apple IIe computer.
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And what was so great about that computer
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was that it was really accessible and you
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could build things and
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plug them in and use them.
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So I built a whole thing of lab equipment
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so that we could do that.
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And all my classes have
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always been project-based.
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So the skip ahead many years.
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In the late 80s, early 90s, it was fairly
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fashionable to bash
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high school kids and talk
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about how horrible they were.
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And I just got tired of it.
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So I brought my camera back out because I
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had actually stopped
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taking pictures in college
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and through that, I
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got my camera out again.
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And I started taking pictures of my kids
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in the classroom and what they were doing
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because I was just so impressed because
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again, my classes were all project-based.
286
01:11:51,800 --> 01:11:54,279
And the school that I was teaching at a
287
01:11:54,279 --> 01:11:56,439
public school was an alternative school.
288
01:11:56,840 --> 01:12:00,039
And the school was geared towards kids
289
01:12:00,039 --> 01:12:01,840
who didn't fit in, but it
290
01:12:01,840 --> 01:12:03,079
was really geared towards
291
01:12:03,119 --> 01:12:05,439
low achieving kids who really
292
01:12:05,439 --> 01:12:07,560
could have amazing potential.
293
01:12:09,439 --> 01:12:12,039
And so pretty much my imagination could
294
01:12:12,039 --> 01:12:14,000
run wild in my kitchen
295
01:12:14,000 --> 01:12:14,960
because I could do pretty
296
01:12:14,960 --> 01:12:16,159
much anything I wanted.
297
01:12:16,640 --> 01:12:18,520
Anyway, I started, I was
298
01:12:18,520 --> 01:12:20,600
taking lots and lots of pictures.
299
01:12:21,640 --> 01:12:23,079
But you know, while the kids were doing
300
01:12:23,079 --> 01:12:24,600
different things, I
301
01:12:24,600 --> 01:12:26,399
started taking pictures of other
302
01:12:26,399 --> 01:12:30,000
things and rediscovered my love of
303
01:12:30,000 --> 01:12:31,560
photography and birds.
304
01:12:32,720 --> 01:12:36,199
And so although this picture behind me is
305
01:12:36,199 --> 01:12:37,199
not the hummingbird
306
01:12:37,199 --> 01:12:40,119
picture that I took back
307
01:12:40,119 --> 01:12:45,800
in 1992, but it was a hummingbird
308
01:12:45,800 --> 01:12:47,399
picture, a hummingbird
309
01:12:47,399 --> 01:12:49,479
nest that was over a stream
310
01:12:50,319 --> 01:12:51,399
that I noticed when the
311
01:12:51,399 --> 01:12:52,760
kids were doing water samples.
312
01:12:53,039 --> 01:12:54,960
And so I took a picture of a hummingbird
313
01:12:54,960 --> 01:12:56,960
sitting on her nest and
314
01:12:56,960 --> 01:12:58,039
that was kind of like the
315
01:12:58,039 --> 01:12:59,560
start of everything again.
316
01:13:00,439 --> 01:13:00,520
Wow.
317
01:13:00,520 --> 01:13:01,279
I love that.
318
01:13:01,760 --> 01:13:05,039
So there is an actual pivotal photograph
319
01:13:05,039 --> 01:13:07,159
that you took that
320
01:13:07,159 --> 01:13:09,840
ignited your entire passion.
321
01:13:10,680 --> 01:13:11,199
That's amazing.
322
01:13:12,199 --> 01:13:14,079
So where did it go from there?
323
01:13:15,720 --> 01:13:21,920
Well, it meant that I got a real camera
324
01:13:21,920 --> 01:13:22,880
because remember in those
325
01:13:22,880 --> 01:13:23,840
days we're still shooting
326
01:13:24,000 --> 01:13:24,319
film.
327
01:13:24,640 --> 01:13:24,840
Yes.
328
01:13:27,840 --> 01:13:30,880
And the primary science classes that I
329
01:13:30,880 --> 01:13:32,399
taught were physics and
330
01:13:32,399 --> 01:13:35,439
chemistry and advanced biology,
331
01:13:35,760 --> 01:13:37,840
so genetics and things like that.
332
01:13:38,920 --> 01:13:41,720
And so photography is physics.
333
01:13:42,079 --> 01:13:43,279
I mean, it's a study of light.
334
01:13:43,680 --> 01:13:44,960
It's a study of light.
335
01:13:46,079 --> 01:13:50,960
So I took my love of physics and I put it
336
01:13:50,960 --> 01:13:51,880
into my photography
337
01:13:51,880 --> 01:13:54,000
and I started studying.
338
01:13:56,520 --> 01:14:01,039
Well, I had been keeping nature journals
339
01:14:01,039 --> 01:14:02,880
like this probably
340
01:14:02,880 --> 01:14:05,039
since I was about, I don't
341
01:14:05,039 --> 01:14:06,600
know, maybe 12, 13.
342
01:14:07,159 --> 01:14:08,279
I had a really big
343
01:14:08,279 --> 01:14:09,800
sketchbook at that time.
344
01:14:10,520 --> 01:14:12,399
And what I would do is when I would take
345
01:14:12,399 --> 01:14:14,199
my pictures, because on
346
01:14:14,199 --> 01:14:17,159
film I would then paste
347
01:14:17,279 --> 01:14:20,520
them into my big sketchbook and I would
348
01:14:20,520 --> 01:14:22,279
write down the
349
01:14:22,279 --> 01:14:25,119
settings, which you had to write
350
01:14:25,279 --> 01:14:27,079
down meticulously as you took each
351
01:14:27,079 --> 01:14:28,439
picture because we didn't
352
01:14:28,439 --> 01:14:29,960
have it automatically then.
353
01:14:30,560 --> 01:14:32,159
And then I would write down what I liked
354
01:14:32,159 --> 01:14:33,600
or didn't like about the picture.
355
01:14:33,880 --> 01:14:36,800
And from there I started to develop my
356
01:14:36,800 --> 01:14:39,520
philosophy of photography.
357
01:14:40,079 --> 01:14:42,119
I'd love to hear what that philosophy is.
358
01:14:42,840 --> 01:14:45,119
Well, the philosophy is that there's a
359
01:14:45,119 --> 01:14:47,600
reason why we take a
360
01:14:47,600 --> 01:14:51,279
picture and there's a difference
361
01:14:52,720 --> 01:14:55,079
between a photograph and a snapshot.
362
01:14:56,079 --> 01:14:56,279
Absolutely.
363
01:14:56,640 --> 01:14:56,840
Yeah.
364
01:14:57,119 --> 01:14:57,319
Right.
365
01:14:57,960 --> 01:14:59,439
I mean, a snapshot is
366
01:14:59,439 --> 01:15:01,039
you just take pictures.
367
01:15:01,560 --> 01:15:04,399
A photograph though, you think about it
368
01:15:04,399 --> 01:15:05,399
and there's planning.
369
01:15:06,119 --> 01:15:06,319
Yeah.
370
01:15:06,760 --> 01:15:07,680
So it's about intent.
371
01:15:08,680 --> 01:15:09,439
It's about intent.
372
01:15:10,439 --> 01:15:13,880
And so it very quickly changed from just
373
01:15:13,880 --> 01:15:15,079
writing down my
374
01:15:15,079 --> 01:15:17,880
settings to what's the story.
375
01:15:18,960 --> 01:15:20,439
Why did I want to press the shutter?
376
01:15:20,680 --> 01:15:21,399
What was the intent?
377
01:15:22,720 --> 01:15:27,920
What would you say is the kind of
378
01:15:27,920 --> 01:15:29,159
narrative, like the
379
01:15:29,159 --> 01:15:32,880
overarching narrative of your photography
380
01:15:32,960 --> 01:15:33,560
story?
381
01:15:33,560 --> 01:15:34,680
What is the main story
382
01:15:34,680 --> 01:15:35,920
that you are trying to tell?
383
01:15:37,000 --> 01:15:40,439
So if you were to read this stuff on the
384
01:15:40,439 --> 01:15:42,000
website, it would talk
385
01:15:42,000 --> 01:15:46,079
about how my intent with doing
386
01:15:46,079 --> 01:15:48,520
birds, because that really is my first
387
01:15:48,520 --> 01:15:50,520
love of wildlife is birds.
388
01:15:51,039 --> 01:15:53,000
Not that I don't do lots of other things.
389
01:15:53,000 --> 01:15:58,199
And I'll talk about that later, but is I
390
01:15:58,199 --> 01:16:01,239
want you to really see the story.
391
01:16:01,520 --> 01:16:03,319
I want you to see the
392
01:16:03,319 --> 01:16:05,880
soul of that living creature.
393
01:16:06,920 --> 01:16:09,920
I want you to know that every single
394
01:16:09,920 --> 01:16:11,159
living creature, whether
395
01:16:11,159 --> 01:16:13,680
it be a bird or an insect,
396
01:16:14,640 --> 01:16:18,720
is worthy and deserves the same respect
397
01:16:18,720 --> 01:16:21,399
that we give other human beings.
398
01:16:22,079 --> 01:16:23,079
And that's what I want to
399
01:16:23,079 --> 01:16:24,279
convey through my photography.
400
01:16:25,600 --> 01:16:27,840
I want to convey that story.
401
01:16:28,199 --> 01:16:29,600
I want to convey that.
402
01:16:30,000 --> 01:16:32,319
The Quakers, because the camps that we
403
01:16:32,319 --> 01:16:33,119
went to, the former
404
01:16:33,119 --> 01:16:35,399
wilderness camp, were started
405
01:16:35,520 --> 01:16:36,399
by a Quaker couple.
406
01:16:37,239 --> 01:16:41,439
The Quakers have a saying of that of God
407
01:16:41,439 --> 01:16:42,640
within every person,
408
01:16:43,159 --> 01:16:44,880
and every child deserves
409
01:16:45,000 --> 01:16:45,840
to be loved.
410
01:16:47,119 --> 01:16:48,159
And so that was my
411
01:16:48,159 --> 01:16:49,640
philosophy as a teacher.
412
01:16:50,079 --> 01:16:52,000
That is my philosophy for life.
413
01:16:53,319 --> 01:16:55,560
And so you can just extend that.
414
01:16:56,079 --> 01:16:59,880
Every living creature, whether it be an
415
01:16:59,880 --> 01:17:01,960
animal or a tree or a
416
01:17:01,960 --> 01:17:04,439
flower or a mushroom, deserves
417
01:17:04,439 --> 01:17:05,159
to be loved.
418
01:17:06,199 --> 01:17:11,159
And that's my philosophy.
419
01:17:11,800 --> 01:17:13,920
That has governed my entire life.
420
01:17:15,079 --> 01:17:18,600
Let me ask you a question.
421
01:17:20,279 --> 01:17:23,079
Right now, what are you most
422
01:17:23,079 --> 01:17:25,319
passionate about right now?
423
01:17:25,920 --> 01:17:26,560
Right now?
424
01:17:28,159 --> 01:17:28,800
Astro photography.
425
01:17:33,159 --> 01:17:34,720
It's really funny because I've been
426
01:17:34,720 --> 01:17:35,840
looking at my pictures
427
01:17:35,840 --> 01:17:38,319
and I realized that I really
428
01:17:38,319 --> 01:17:39,439
haven't taken very many
429
01:17:39,439 --> 01:17:40,680
bird pictures this summer.
430
01:17:41,079 --> 01:17:42,920
I haven't really taken very many animal
431
01:17:42,920 --> 01:17:45,239
pictures since I got back
432
01:17:45,239 --> 01:17:48,000
from Alaska in early June.
433
01:17:49,399 --> 01:17:50,720
Fell in love with the sky.
434
01:17:51,600 --> 01:17:53,920
Well I've always been in love with taking
435
01:17:53,920 --> 01:17:55,279
pictures of the Milky Way.
436
01:17:56,399 --> 01:18:00,840
In 1997, I got ill.
437
01:18:02,199 --> 01:18:04,479
And it was really kind of ironic because
438
01:18:04,479 --> 01:18:05,680
for the first time in my
439
01:18:05,680 --> 01:18:08,800
life, I had a safe science
440
01:18:08,800 --> 01:18:11,079
lab that had ventilation and stuff.
441
01:18:11,720 --> 01:18:13,439
And I got really, really sick.
442
01:18:13,680 --> 01:18:17,319
And at the end of 1997, actually got
443
01:18:17,319 --> 01:18:18,920
carted out of the school
444
01:18:18,920 --> 01:18:22,479
on a stretcher because I
445
01:18:22,520 --> 01:18:26,960
had such a bad asthma attack and I had
446
01:18:26,960 --> 01:18:28,119
developed chemical
447
01:18:28,119 --> 01:18:30,880
sensitivities, which I didn't realize.
448
01:18:31,399 --> 01:18:33,800
And I got carted out of my classroom on a
449
01:18:33,800 --> 01:18:34,760
stretcher and I never
450
01:18:34,760 --> 01:18:36,960
went back to teaching.
451
01:18:39,680 --> 01:18:41,640
And that was a really hard
452
01:18:41,640 --> 01:18:44,039
transition for me to make.
453
01:18:44,039 --> 01:18:46,920
And I went into my next great love, which
454
01:18:46,920 --> 01:18:49,399
was software engineering.
455
01:18:50,840 --> 01:18:51,720
Because I'd always been
456
01:18:51,720 --> 01:18:53,279
very active with technology.
457
01:18:54,439 --> 01:18:57,479
And so I then spent the rest of my
458
01:18:57,479 --> 01:18:59,760
working career as a
459
01:18:59,760 --> 01:19:02,720
software engineer and worked for
460
01:19:02,720 --> 01:19:04,800
the Washington State Department of Health
461
01:19:04,800 --> 01:19:06,199
as their lead software
462
01:19:06,199 --> 01:19:10,039
engineer and was responsible
463
01:19:10,279 --> 01:19:15,239
for the software that collected all the
464
01:19:15,239 --> 01:19:16,560
infectious disease data
465
01:19:16,560 --> 01:19:18,319
around the state and sent it off
466
01:19:18,319 --> 01:19:19,399
to CDC every week.
467
01:19:20,680 --> 01:19:21,720
Can I ask you a question?
468
01:19:23,680 --> 01:19:26,119
So obviously, I didn't know anything
469
01:19:26,119 --> 01:19:27,800
about you when we started talking.
470
01:19:28,359 --> 01:19:29,840
And so I introduced you
471
01:19:29,840 --> 01:19:31,279
as a wildlife photographer.
472
01:19:31,520 --> 01:19:32,279
That's all I knew.
473
01:19:33,520 --> 01:19:34,399
But you had-
474
01:19:34,399 --> 01:19:34,960
I am as a teacher.
475
01:19:35,520 --> 01:19:36,880
Really what I am as a teacher.
476
01:19:37,720 --> 01:19:41,159
Teachers and a scientist and an engineer
477
01:19:41,159 --> 01:19:42,520
and all of these other things.
478
01:19:43,039 --> 01:19:50,520
I'm curious, like, where- I mean, your
479
01:19:50,520 --> 01:19:53,840
photography is not just a hobby.
480
01:19:55,199 --> 01:19:56,039
Oh, no, no, no, no.
481
01:19:56,239 --> 01:19:57,319
It's my soul.
482
01:19:58,279 --> 01:19:58,800
It's my soul.
483
01:19:59,039 --> 01:20:01,279
And so one of the things that stopping
484
01:20:01,279 --> 01:20:03,520
teaching did, it meant
485
01:20:03,520 --> 01:20:06,079
that even though I didn't have
486
01:20:06,399 --> 01:20:09,640
those eight weeks in the summer to pursue
487
01:20:09,640 --> 01:20:11,800
photography, it
488
01:20:11,800 --> 01:20:13,279
meant, though, that I could
489
01:20:13,399 --> 01:20:16,399
do things at different times of the year
490
01:20:16,399 --> 01:20:17,840
and I could really
491
01:20:17,840 --> 01:20:19,720
pretty much be in charge of
492
01:20:19,720 --> 01:20:20,760
my own schedule.
493
01:20:21,560 --> 01:20:24,319
But I would say that my life as a
494
01:20:24,319 --> 01:20:24,920
professional
495
01:20:24,920 --> 01:20:27,560
photographer really started in 1995.
496
01:20:28,439 --> 01:20:28,640
Okay.
497
01:20:30,159 --> 01:20:31,760
For you, life as a professional
498
01:20:31,760 --> 01:20:35,119
photographer means- because
499
01:20:35,119 --> 01:20:37,920
I know you sell a lot of your
500
01:20:37,920 --> 01:20:38,479
photography.
501
01:20:39,239 --> 01:20:40,279
Is that your main-
502
01:20:40,800 --> 01:20:44,520
In the art, the summer art circuit.
503
01:20:46,279 --> 01:20:47,920
And you've been doing
504
01:20:47,920 --> 01:20:49,399
that for a long time.
505
01:20:49,960 --> 01:20:52,560
Since 1996, yeah.
506
01:20:53,800 --> 01:20:55,399
Can you talk a little bit about that
507
01:20:55,399 --> 01:20:57,720
lifestyle as an artist who
508
01:20:57,720 --> 01:21:01,279
has made a career doing the
509
01:21:01,279 --> 01:21:02,439
art fair circuit?
510
01:21:02,439 --> 01:21:05,960
Because that's something that I know some
511
01:21:05,960 --> 01:21:10,640
of us are really curious about and it has
512
01:21:10,640 --> 01:21:11,520
to be a lifestyle.
513
01:21:11,720 --> 01:21:12,560
Can you talk a little bit
514
01:21:12,560 --> 01:21:15,960
about the pros and cons of that?
515
01:21:17,039 --> 01:21:17,199
Sure.
516
01:21:18,840 --> 01:21:24,319
The nice thing was that Olympia,
517
01:21:25,159 --> 01:21:26,079
Washington really has a
518
01:21:26,079 --> 01:21:28,199
very vibrant arts community.
519
01:21:29,960 --> 01:21:37,399
And so in 1996, Olympia started this
520
01:21:37,399 --> 01:21:38,920
little thing that was
521
01:21:38,920 --> 01:21:41,680
called art- I guess really
522
01:21:41,680 --> 01:21:43,600
it was Art on the Landing because we have
523
01:21:43,600 --> 01:21:46,640
this beautiful waterfront because Olympia
524
01:21:46,800 --> 01:21:48,000
is right on Puget Sound.
525
01:21:49,399 --> 01:21:52,960
And you could sign up for
526
01:21:52,960 --> 01:21:54,960
these Sunday afternoons.
527
01:21:56,840 --> 01:21:58,640
And so, you know,
528
01:22:00,840 --> 01:22:03,600
built some pegboard stands.
529
01:22:04,479 --> 01:22:06,279
At that time I didn't even have a tent.
530
01:22:07,600 --> 01:22:10,840
And there were two jewelry artists, my
531
01:22:10,840 --> 01:22:11,960
friends Heather and Todd,
532
01:22:11,960 --> 01:22:13,279
that were starting doing
533
01:22:13,319 --> 01:22:14,600
this at the same time.
534
01:22:15,560 --> 01:22:17,600
We kind of grew together as
535
01:22:17,600 --> 01:22:21,279
artists and started learning.
536
01:22:23,399 --> 01:22:28,279
And because I am a scientist, I'm very
537
01:22:28,279 --> 01:22:29,720
methodical in looking
538
01:22:29,720 --> 01:22:30,800
up how to do things.
539
01:22:31,399 --> 01:22:33,439
You have to remember that in those days,
540
01:22:33,800 --> 01:22:35,960
back in the mid-90s,
541
01:22:35,960 --> 01:22:37,600
the internet is not really
542
01:22:37,600 --> 01:22:39,039
a big thing yet.
543
01:22:40,920 --> 01:22:43,680
And so I'm in the library doing research
544
01:22:43,680 --> 01:22:45,399
about how to do this.
545
01:22:46,439 --> 01:22:48,520
I think at that time I didn't know about
546
01:22:48,520 --> 01:22:49,399
the Small Business
547
01:22:49,399 --> 01:22:50,880
Administration and that I could
548
01:22:50,880 --> 01:22:51,960
take classes with them.
549
01:22:52,720 --> 01:22:54,279
And so I just figured it out.
550
01:22:57,640 --> 01:23:01,079
So all the amazing tools that we have now
551
01:23:01,079 --> 01:23:02,279
to get started, none
552
01:23:02,279 --> 01:23:03,399
of that stuff existed.
553
01:23:03,960 --> 01:23:05,600
I just figured it out.
554
01:23:05,960 --> 01:23:07,960
You're such a scientist and an engineer.
555
01:23:09,600 --> 01:23:11,199
When you talk a lot about the methodology
556
01:23:11,199 --> 01:23:14,039
of it, I want to talk more about emotion.
557
01:23:15,319 --> 01:23:19,840
From your first time sort of setting up
558
01:23:19,840 --> 01:23:21,880
and having your art on
559
01:23:21,880 --> 01:23:23,640
display for people to buy,
560
01:23:25,279 --> 01:23:29,479
I'd love to hear what did it feel like to
561
01:23:29,479 --> 01:23:31,640
sell your first
562
01:23:31,640 --> 01:23:34,319
photograph, to get your first
563
01:23:34,840 --> 01:23:35,720
repeat client?
564
01:23:38,920 --> 01:23:39,920
What was that like?
565
01:23:41,159 --> 01:23:44,920
Probably the most important thing for me
566
01:23:44,920 --> 01:23:46,560
during those first years
567
01:23:46,560 --> 01:23:49,600
was learning that selling
568
01:23:49,920 --> 01:23:53,039
and how much you sold was not
569
01:23:53,039 --> 01:23:54,680
the measure of your success.
570
01:23:55,680 --> 01:23:57,720
Because what you have to realize is that
571
01:23:57,720 --> 01:24:01,279
I was always used to being the best.
572
01:24:02,039 --> 01:24:04,079
The top of my feet, as
573
01:24:04,079 --> 01:24:05,920
a student, as a teacher.
574
01:24:07,520 --> 01:24:09,760
And so you're sitting there in that
575
01:24:09,760 --> 01:24:10,960
booth, you know this,
576
01:24:11,359 --> 01:24:13,479
and people come by and they
577
01:24:13,479 --> 01:24:14,960
look at it and they say,
578
01:24:14,960 --> 01:24:16,119
"Very nice," and then they leave.
579
01:24:16,960 --> 01:24:18,479
Well, very nice.
580
01:24:19,079 --> 01:24:21,159
It's nice, but it'll give you money to
581
01:24:21,159 --> 01:24:22,399
buy more camera equipment.
582
01:24:22,800 --> 01:24:23,000
Right.
583
01:24:23,640 --> 01:24:25,159
I mean, because you have to realize that
584
01:24:25,159 --> 01:24:26,159
at this time when I
585
01:24:26,159 --> 01:24:27,760
started, I'm still a full-time
586
01:24:28,159 --> 01:24:28,199
teacher.
587
01:24:30,880 --> 01:24:35,520
And so I don't need the money from the
588
01:24:35,520 --> 01:24:38,279
booth to pay my mortgage.
589
01:24:38,520 --> 01:24:41,199
What I need the money for is to be a
590
01:24:41,199 --> 01:24:42,560
photographer and to be able
591
01:24:42,560 --> 01:24:44,319
to travel and to be able to
592
01:24:44,319 --> 01:24:46,520
buy new equipment and to
593
01:24:46,520 --> 01:24:48,279
buy more photography books.
594
01:24:48,960 --> 01:24:50,600
And most importantly, because remember
595
01:24:50,600 --> 01:24:51,640
we're still in film
596
01:24:51,640 --> 01:24:53,960
days, to process my film.
597
01:24:55,880 --> 01:24:58,520
When I made my first sale to somebody who
598
01:24:58,520 --> 01:24:59,680
wasn't a friend or
599
01:24:59,680 --> 01:25:01,239
family, that was a pretty
600
01:25:01,239 --> 01:25:01,760
big deal.
601
01:25:02,439 --> 01:25:03,560
That was over the moon.
602
01:25:04,760 --> 01:25:08,199
You're so right to say that selling your
603
01:25:08,199 --> 01:25:09,880
art is not the same
604
01:25:09,880 --> 01:25:12,079
thing as being good as an
605
01:25:12,079 --> 01:25:13,279
artist and that should not
606
01:25:13,279 --> 01:25:15,239
be a metric of validation.
607
01:25:16,600 --> 01:25:18,159
On the other hand, there's still that
608
01:25:18,159 --> 01:25:21,199
feeling when somebody
609
01:25:21,199 --> 01:25:23,800
who doesn't know you isn't
610
01:25:24,199 --> 01:25:25,920
like kissing up to you or anything like
611
01:25:25,920 --> 01:25:27,159
that, they genuinely
612
01:25:27,159 --> 01:25:29,560
love your art so much that
613
01:25:29,560 --> 01:25:31,079
they're parting with their heart, earn
614
01:25:31,079 --> 01:25:33,279
money so that they can own it.
615
01:25:33,520 --> 01:25:34,600
And that is just an
616
01:25:34,600 --> 01:25:36,720
amazing feeling, isn't it?
617
01:25:36,720 --> 01:25:37,640
It really is.
618
01:25:37,920 --> 01:25:41,439
And so my philosophy in my booth was to
619
01:25:41,439 --> 01:25:44,560
always have a wide range
620
01:25:44,560 --> 01:25:48,399
of prices because I believed
621
01:25:48,760 --> 01:25:51,800
that everybody deserved to have beautiful
622
01:25:51,800 --> 01:25:53,479
artwork in their homes.
623
01:25:54,279 --> 01:26:00,439
And so I had my cards and I had, you
624
01:26:00,439 --> 01:26:01,680
know, Prince, matted
625
01:26:01,680 --> 01:26:05,399
Prince, and I had the frame
626
01:26:05,399 --> 01:26:07,399
stuff on the wall.
627
01:26:09,039 --> 01:26:11,680
And what I very rapidly discovered
628
01:26:11,680 --> 01:26:13,640
through doing Harbor
629
01:26:13,640 --> 01:26:17,399
Days, which is the Labor Day
630
01:26:17,920 --> 01:26:19,680
celebration here in Olympia.
631
01:26:21,039 --> 01:26:23,960
And so when I started doing that show,
632
01:26:23,960 --> 01:26:24,800
and the first time I
633
01:26:24,800 --> 01:26:25,600
would have done that would
634
01:26:25,600 --> 01:26:29,079
have been in 1996, what I very rapidly
635
01:26:29,079 --> 01:26:32,640
discovered was that people
636
01:26:32,640 --> 01:26:34,920
would buy a card and then
637
01:26:34,960 --> 01:26:36,159
the next year they'd come
638
01:26:36,159 --> 01:26:38,039
back and they'd buy a print.
639
01:26:38,880 --> 01:26:40,319
And then the next year they'd come back
640
01:26:40,319 --> 01:26:42,840
and they'd buy the framed picture.
641
01:26:43,680 --> 01:26:46,680
And so what I discovered very quickly was
642
01:26:46,680 --> 01:26:49,000
that the same types of relationships that
643
01:26:49,000 --> 01:26:51,159
I built with my students over the years,
644
01:26:51,560 --> 01:26:53,319
I needed to build with my clients.
645
01:26:53,680 --> 01:26:55,199
And so that's what I focused on.
646
01:26:55,520 --> 01:26:56,039
I love that.
647
01:26:57,159 --> 01:27:00,439
And I would even sometimes, particularly
648
01:27:00,439 --> 01:27:04,079
people who had kids, I
649
01:27:04,079 --> 01:27:05,920
would actually make notes
650
01:27:06,359 --> 01:27:09,520
about people because I would see them
651
01:27:09,520 --> 01:27:11,560
year after year, you
652
01:27:11,560 --> 01:27:13,119
know, and I would see them
653
01:27:13,119 --> 01:27:15,319
at Harbor Days and I'd see them at Art
654
01:27:15,319 --> 01:27:16,479
Walk, you know, our
655
01:27:16,479 --> 01:27:18,039
local types of things.
656
01:27:19,680 --> 01:27:21,880
I would see them at the holiday shows.
657
01:27:22,880 --> 01:27:25,319
And so over that time, I would build
658
01:27:25,319 --> 01:27:28,159
these amazing relationships with people.
659
01:27:28,600 --> 01:27:28,800
Amazing.
660
01:27:30,760 --> 01:27:37,039
And today, when I do Harbor Days, I have
661
01:27:37,039 --> 01:27:39,039
people who were little
662
01:27:39,039 --> 01:27:42,399
kids who are now bringing
663
01:27:42,640 --> 01:27:45,880
their grandchildren to see my stuff and
664
01:27:45,880 --> 01:27:47,359
telling stories to their
665
01:27:47,359 --> 01:27:50,119
grandchildren about me when
666
01:27:50,119 --> 01:27:50,880
they were children.
667
01:27:52,640 --> 01:27:55,039
So one of the nice things about doing art
668
01:27:55,039 --> 01:27:57,760
in your community, and also because I was
669
01:27:57,760 --> 01:28:00,159
a teacher in the community, is that I
670
01:28:00,159 --> 01:28:01,319
just have all these
671
01:28:01,319 --> 01:28:03,560
relationships and I treasure
672
01:28:03,760 --> 01:28:04,880
those relationships.
673
01:28:05,640 --> 01:28:07,399
You know, when people come into my, we
674
01:28:07,399 --> 01:28:09,279
hug, we ask each other
675
01:28:09,279 --> 01:28:10,560
how your year has been.
676
01:28:10,960 --> 01:28:13,840
They ask me where I've traveled and do I
677
01:28:13,840 --> 01:28:14,960
have anything special
678
01:28:14,960 --> 01:28:16,279
that I want to show them?
679
01:28:17,600 --> 01:28:18,039
That's fantastic.
680
01:28:18,880 --> 01:28:20,279
This actually dovetails
681
01:28:20,279 --> 01:28:21,800
very nicely to a question.
682
01:28:21,800 --> 01:28:25,439
I like to ask all my guests, how would
683
01:28:25,439 --> 01:28:28,560
you define success now
684
01:28:28,560 --> 01:28:29,920
and how has it changed
685
01:28:30,039 --> 01:28:31,520
over time?
686
01:28:34,079 --> 01:28:36,560
Ooh, that's a really good one.
687
01:28:39,800 --> 01:28:45,279
Well, I've certainly, you know, selling
688
01:28:45,279 --> 01:28:47,399
lots of stuff is always good.
689
01:28:49,680 --> 01:28:52,600
But I really think that I define my
690
01:28:52,600 --> 01:28:56,920
success with by repeat
691
01:28:56,920 --> 01:29:00,199
customers and the relationships
692
01:29:00,560 --> 01:29:03,079
that I've dealt with them over time.
693
01:29:06,399 --> 01:29:10,880
And especially because your art has a
694
01:29:10,880 --> 01:29:12,760
very specific message
695
01:29:12,760 --> 01:29:15,159
that you are sharing through
696
01:29:15,199 --> 01:29:15,640
your work.
697
01:29:15,960 --> 01:29:20,079
And so when it resonates with others and
698
01:29:20,079 --> 01:29:22,520
especially over time, it
699
01:29:22,520 --> 01:29:25,079
really does feel like advocacy
700
01:29:25,319 --> 01:29:26,720
to some degree, doesn't it?
701
01:29:27,159 --> 01:29:30,239
It is advocacy for building a
702
01:29:30,239 --> 01:29:31,560
relationship with nature.
703
01:29:33,279 --> 01:29:36,239
And so over time, you know, when I first
704
01:29:36,239 --> 01:29:39,039
started taking pictures, it
705
01:29:39,039 --> 01:29:41,600
was mostly about portraits,
706
01:29:42,319 --> 01:29:45,920
actual portraits, and just trying to get
707
01:29:45,920 --> 01:29:48,600
it in focus, have a nice blurry back, you
708
01:29:48,600 --> 01:29:49,800
know, it was about that.
709
01:29:49,800 --> 01:29:53,960
But over time, it has very much changed
710
01:29:53,960 --> 01:29:57,560
into giving a window onto
711
01:29:57,560 --> 01:30:00,399
that, onto nature's life,
712
01:30:01,000 --> 01:30:02,319
to their interactions.
713
01:30:02,800 --> 01:30:04,960
So if I just duck my head out of the way,
714
01:30:05,359 --> 01:30:06,840
this is more of the
715
01:30:06,840 --> 01:30:07,920
type of picture I take
716
01:30:07,960 --> 01:30:10,359
today with mom feeding
717
01:30:10,359 --> 01:30:12,640
the chicks, you know.
718
01:30:13,199 --> 01:30:15,840
And so this particular picture
719
01:30:15,840 --> 01:30:18,960
represents, well, the whole
720
01:30:18,960 --> 01:30:21,680
range of pictures represents
721
01:30:21,680 --> 01:30:28,319
21 days, well, more than 21 days of
722
01:30:28,319 --> 01:30:32,399
pictures because there's
723
01:30:32,399 --> 01:30:34,000
a wildlife refuge not too
724
01:30:34,039 --> 01:30:38,079
far and every year the Rufus hummingbirds
725
01:30:38,079 --> 01:30:41,000
pretty much nest in the same area.
726
01:30:41,000 --> 01:30:42,680
They don't use the same nest.
727
01:30:43,960 --> 01:30:45,119
And you know, and we're
728
01:30:45,119 --> 01:30:46,520
all looking for the nest.
729
01:30:46,800 --> 01:30:48,600
And as soon as somebody finds the nest,
730
01:30:48,600 --> 01:30:49,720
they let everybody know.
731
01:30:50,960 --> 01:30:53,039
And then I start staking out the nest.
732
01:30:53,680 --> 01:30:55,279
And depending on where the nest is
733
01:30:55,279 --> 01:30:57,399
located, I figure out the
734
01:30:57,399 --> 01:30:58,800
time of day I want to be
735
01:30:58,800 --> 01:30:59,039
there.
736
01:30:59,920 --> 01:31:03,399
So for those of us listeners who are not
737
01:31:03,399 --> 01:31:04,640
watching it on YouTube and
738
01:31:04,640 --> 01:31:07,359
can't see the photo, what
739
01:31:07,479 --> 01:31:09,000
we're looking at is a close
740
01:31:09,000 --> 01:31:11,840
up of a hummingbird's nest.
741
01:31:12,600 --> 01:31:13,960
And the nest itself
742
01:31:13,960 --> 01:31:15,279
is made out of lichen.
743
01:31:16,680 --> 01:31:17,720
Lichen and spiderwebs.
744
01:31:17,960 --> 01:31:18,800
And spiderwebs.
745
01:31:20,279 --> 01:31:22,680
And this beautiful little bird has two
746
01:31:22,680 --> 01:31:24,920
chicks and she is in the
747
01:31:24,920 --> 01:31:26,279
process of feeding one of
748
01:31:26,279 --> 01:31:26,680
the chicks.
749
01:31:27,399 --> 01:31:30,880
It's just such an intimate and magical
750
01:31:30,880 --> 01:31:31,920
moment, especially
751
01:31:31,920 --> 01:31:33,039
because it's a hummingbird.
752
01:31:33,039 --> 01:31:33,880
So it's so tiny.
753
01:31:35,720 --> 01:31:39,760
And seeing this delicate creature in such
754
01:31:39,760 --> 01:31:42,479
detail is actually quite amazing.
755
01:31:43,520 --> 01:31:46,880
And it tells a very, very vivid story.
756
01:31:49,560 --> 01:31:51,680
So we talked about your success.
757
01:31:52,560 --> 01:31:56,520
What success means is connecting with
758
01:31:56,520 --> 01:31:57,920
people and building those
759
01:31:57,920 --> 01:32:00,279
connections over time and
760
01:32:00,279 --> 01:32:02,520
generational connections with people.
761
01:32:04,199 --> 01:32:06,520
What are some of the challenges that
762
01:32:06,520 --> 01:32:09,039
you've encountered in
763
01:32:09,039 --> 01:32:10,760
your career as an artist?
764
01:32:11,880 --> 01:32:13,520
There are a number of challenges.
765
01:32:14,279 --> 01:32:16,800
First off, there's the challenge itself
766
01:32:16,800 --> 01:32:19,279
of your booth doing
767
01:32:19,279 --> 01:32:22,319
outdoor shows and coming
768
01:32:22,479 --> 01:32:26,119
up with an arrangement that lasts through
769
01:32:26,119 --> 01:32:30,560
windstorms and rainstorms and still looks
770
01:32:30,560 --> 01:32:32,279
beautiful, you know,
771
01:32:32,279 --> 01:32:33,640
because it has to look beautiful.
772
01:32:34,880 --> 01:32:37,479
And so obviously my booth has changed
773
01:32:37,479 --> 01:32:39,279
over the years to do that.
774
01:32:40,319 --> 01:32:47,119
One of my worst show stories is rain was
775
01:32:47,119 --> 01:32:48,880
forecast for one evening.
776
01:32:48,880 --> 01:32:52,960
It was a summer show up in Seattle and I
777
01:32:52,960 --> 01:32:54,159
sort of looked at it
778
01:32:54,159 --> 01:32:56,800
and I thought, you know, I
779
01:32:56,880 --> 01:32:58,520
think I'm going to take all the pictures
780
01:32:58,520 --> 01:33:00,720
off the wall and put
781
01:33:00,720 --> 01:33:02,279
them in their tubs and cover
782
01:33:02,279 --> 01:33:03,760
up the tubs with a tarp.
783
01:33:04,199 --> 01:33:05,640
And I don't, you know, because I just
784
01:33:05,640 --> 01:33:06,520
looked at it, it was
785
01:33:06,520 --> 01:33:07,800
supposed to be windy.
786
01:33:09,039 --> 01:33:10,680
And you know, I had that grid wall so the
787
01:33:10,680 --> 01:33:11,840
booth wasn't going anywhere.
788
01:33:12,640 --> 01:33:17,920
And so that morning when I got back, it
789
01:33:17,920 --> 01:33:19,520
was like, well, where's my tent?
790
01:33:19,880 --> 01:33:21,399
And it had collapsed.
791
01:33:23,159 --> 01:33:26,840
And the middle was down on the ground and
792
01:33:26,840 --> 01:33:27,680
then the edges were
793
01:33:27,680 --> 01:33:28,960
still up around the grid
794
01:33:28,960 --> 01:33:29,520
wall.
795
01:33:29,520 --> 01:33:31,520
But if I had had my pictures up on the
796
01:33:31,520 --> 01:33:33,079
wall, they all would have been ruined.
797
01:33:34,079 --> 01:33:36,079
Some people's tents were gone.
798
01:33:38,800 --> 01:33:40,760
These tent pretty much was ruined.
799
01:33:42,319 --> 01:33:45,039
And in those days, Costco was so great
800
01:33:45,039 --> 01:33:46,079
because you just took it
801
01:33:46,079 --> 01:33:47,159
back in and they gave you
802
01:33:47,159 --> 01:33:47,680
another one.
803
01:33:47,920 --> 01:33:48,520
It was great.
804
01:33:49,439 --> 01:33:52,560
But that was, but that, but that was, you
805
01:33:52,560 --> 01:33:53,319
know, that's the type
806
01:33:53,319 --> 01:33:54,560
of thing you deal with.
807
01:33:55,520 --> 01:33:58,119
The other thing that I dealt with besides
808
01:33:58,119 --> 01:33:59,920
practicalities of money
809
01:33:59,920 --> 01:34:01,359
and all that and insurance
810
01:34:01,640 --> 01:34:04,199
and all that kind of stuff was the fact
811
01:34:04,199 --> 01:34:05,279
that unfortunately
812
01:34:05,279 --> 01:34:08,840
racism is alive and well in
813
01:34:08,840 --> 01:34:09,319
America.
814
01:34:10,199 --> 01:34:12,279
And that really has not changed.
815
01:34:13,079 --> 01:34:16,880
And people have stereotypical images of
816
01:34:16,880 --> 01:34:18,039
what women and
817
01:34:18,039 --> 01:34:19,840
particularly what black women, women
818
01:34:19,840 --> 01:34:21,039
of color can do.
819
01:34:22,439 --> 01:34:26,760
And so, you know, it still is not
820
01:34:26,760 --> 01:34:28,079
uncommon for somebody.
821
01:34:28,319 --> 01:34:31,119
I mean, in 2025, it still is not uncommon
822
01:34:31,119 --> 01:34:32,199
for somebody to come
823
01:34:32,199 --> 01:34:35,039
into my booth and say,
824
01:34:35,279 --> 01:34:36,680
is this your husband's work?
825
01:34:39,079 --> 01:34:40,319
And to assume that I'm
826
01:34:40,319 --> 01:34:41,399
married to a white man.
827
01:34:45,159 --> 01:34:47,439
And I have got into some very, I mean,
828
01:34:47,640 --> 01:34:48,760
essentially I just ask
829
01:34:48,760 --> 01:34:50,039
people to leave my booth.
830
01:34:51,199 --> 01:34:53,279
It's because engaging in
831
01:34:53,279 --> 01:34:56,520
conversation just upsets me.
832
01:34:58,119 --> 01:34:59,159
You shouldn't have to.
833
01:34:59,159 --> 01:35:00,840
Evolve the right kind of energy.
834
01:35:01,560 --> 01:35:01,760
Yeah.
835
01:35:02,840 --> 01:35:06,319
Which makes it even more remarkable that
836
01:35:06,319 --> 01:35:07,840
you are committed to your
837
01:35:07,840 --> 01:35:11,199
passion and have persevered
838
01:35:11,279 --> 01:35:12,720
over three decades.
839
01:35:13,840 --> 01:35:17,199
Well, that's because I believe that even
840
01:35:17,199 --> 01:35:18,880
though there are hateful
841
01:35:18,880 --> 01:35:21,199
people in this world, I
842
01:35:21,680 --> 01:35:26,159
still believe that the majority of people
843
01:35:26,159 --> 01:35:28,600
have their hearts in the right places.
844
01:35:29,760 --> 01:35:31,560
And those are most of the
845
01:35:31,560 --> 01:35:33,880
people that I interact with.
846
01:35:34,479 --> 01:35:34,680
Yeah.
847
01:35:35,199 --> 01:35:38,079
And you've interacted with like three
848
01:35:38,079 --> 01:35:40,479
generations of people.
849
01:35:41,079 --> 01:35:42,159
You know, the kids, the
850
01:35:42,159 --> 01:35:43,960
little kids now have grandkids.
851
01:35:44,920 --> 01:35:49,800
And so you can clearly say that your
852
01:35:49,800 --> 01:35:51,560
message, you have, and each
853
01:35:51,560 --> 01:35:54,640
one of those people shares
854
01:35:54,680 --> 01:35:57,560
that story with their people.
855
01:35:58,199 --> 01:36:00,680
And I feel like the message that you're
856
01:36:00,680 --> 01:36:06,520
sharing is worth sharing.
857
01:36:07,199 --> 01:36:12,840
And I think it trumps the few.
858
01:36:14,920 --> 01:36:20,560
I have a lot of respect for anyone who
859
01:36:20,560 --> 01:36:23,640
continues to do their passion.
860
01:36:23,960 --> 01:36:25,840
And it's like we said from the beginning,
861
01:36:26,720 --> 01:36:27,600
a passion for
862
01:36:27,600 --> 01:36:30,039
wildlife, for animals, for the
863
01:36:30,039 --> 01:36:31,560
environment, for ecology, for
864
01:36:31,560 --> 01:36:34,560
storytelling, for arts and
865
01:36:34,560 --> 01:36:35,800
photography, all of that.
866
01:36:36,039 --> 01:36:37,039
You've had that in you
867
01:36:37,039 --> 01:36:38,319
since you were 10 years old.
868
01:36:39,800 --> 01:36:43,840
And you have known from a very young age
869
01:36:43,840 --> 01:36:46,720
how important it is to have an education.
870
01:36:47,760 --> 01:36:51,079
And you've watched your mom and your dad
871
01:36:51,079 --> 01:36:53,920
do everything they can
872
01:36:53,920 --> 01:36:57,319
to give you the best start
873
01:36:57,439 --> 01:36:58,079
in life.
874
01:37:00,399 --> 01:37:05,159
And I think if I was to say, what is the
875
01:37:05,159 --> 01:37:06,399
definition of success?
876
01:37:07,159 --> 01:37:08,079
You wake up every morning
877
01:37:08,079 --> 01:37:09,199
and I know there's challenges.
878
01:37:09,960 --> 01:37:11,119
There's always challenges.
879
01:37:11,399 --> 01:37:12,319
There's life challenges.
880
01:37:12,840 --> 01:37:15,279
As we get older, there's health
881
01:37:15,279 --> 01:37:17,600
challenges and so on.
882
01:37:18,840 --> 01:37:24,279
But you get to do what you
883
01:37:24,279 --> 01:37:27,319
were meant to do in this life.
884
01:37:28,119 --> 01:37:30,399
And now that I'm retired, I can really,
885
01:37:30,399 --> 01:37:31,720
really focus on stuff.
886
01:37:32,600 --> 01:37:35,319
And so the two things I love to do is
887
01:37:35,319 --> 01:37:36,680
take pictures and teach.
888
01:37:37,359 --> 01:37:38,840
And so I teach photography.
889
01:37:39,119 --> 01:37:39,960
In fact, I'm Zoom.
890
01:37:40,880 --> 01:37:44,399
And so one of the things I love about
891
01:37:44,399 --> 01:37:45,840
being an artist and a
892
01:37:45,840 --> 01:37:48,319
teacher is that I am always
893
01:37:48,319 --> 01:37:50,479
learning new things and
894
01:37:50,479 --> 01:37:53,119
finding new ways to look at stuff.
895
01:37:54,920 --> 01:37:58,319
So if you were to look at some of my
896
01:37:58,319 --> 01:38:00,359
newest work, you would
897
01:38:00,359 --> 01:38:02,359
see that over the years I've
898
01:38:02,359 --> 01:38:04,840
started doing a lot more abstract stuff
899
01:38:04,840 --> 01:38:06,880
with nature because
900
01:38:06,880 --> 01:38:10,359
what I have found is that
901
01:38:10,359 --> 01:38:14,159
by doing some abstract stuff, I'm really
902
01:38:14,159 --> 01:38:16,079
getting into the soul of stuff.
903
01:38:16,560 --> 01:38:17,920
So here's a story for you.
904
01:38:19,079 --> 01:38:21,399
I went out to the coast to do Milky Way
905
01:38:21,399 --> 01:38:23,239
pictures on this
906
01:38:23,239 --> 01:38:25,119
beautiful place called Ruby Beach,
907
01:38:25,319 --> 01:38:26,199
which is on like the
908
01:38:26,199 --> 01:38:27,920
wild Washington North Coast.
909
01:38:29,319 --> 01:38:30,399
But there's also the
910
01:38:30,399 --> 01:38:32,880
whole rainforest up there.
911
01:38:33,640 --> 01:38:34,720
And so whenever I'm in
912
01:38:34,720 --> 01:38:36,159
that area, I always...
913
01:38:36,560 --> 01:38:39,680
Now the whole rainforest is like going
914
01:38:39,680 --> 01:38:41,800
into a mystical fairy land.
915
01:38:42,560 --> 01:38:45,399
It is just this most amazing place.
916
01:38:46,039 --> 01:38:48,439
And for 30 years, I have taken pictures
917
01:38:48,439 --> 01:38:49,960
of the whole rainforest
918
01:38:49,960 --> 01:38:51,840
and I have never printed
919
01:38:51,840 --> 01:38:54,079
one because it has never
920
01:38:54,079 --> 01:38:56,079
done what I wanted it to do.
921
01:38:57,119 --> 01:38:59,680
And so this particular day I said, "You
922
01:38:59,680 --> 01:39:02,399
know, I think I'm going to leave...
923
01:39:02,800 --> 01:39:05,279
I'm going to just leave my big lens in my
924
01:39:05,279 --> 01:39:07,800
pack and I'm just
925
01:39:07,800 --> 01:39:09,920
going to use my mid-range
926
01:39:09,960 --> 01:39:12,039
lens and I'm going to do what's called
927
01:39:12,039 --> 01:39:13,960
intentional camera movement.
928
01:39:14,760 --> 01:39:17,279
I'm going to have a long exposure and
929
01:39:17,279 --> 01:39:19,000
move my camera around
930
01:39:19,000 --> 01:39:21,560
and see if that does more
931
01:39:21,560 --> 01:39:23,279
of what I feel in my heart."
932
01:39:24,119 --> 01:39:28,439
And so what I ended up doing was doing
933
01:39:28,439 --> 01:39:30,640
one kind of like this
934
01:39:30,640 --> 01:39:33,479
up and down of this group
935
01:39:33,600 --> 01:39:39,039
of cedar trees with all the big moths
936
01:39:39,039 --> 01:39:40,439
hanging down and stuff.
937
01:39:43,199 --> 01:39:43,960
And it did it.
938
01:39:43,960 --> 01:39:44,920
It captured it.
939
01:39:45,199 --> 01:39:48,239
It did exactly what I wanted and I split
940
01:39:48,239 --> 01:39:49,560
it up into a triptych.
941
01:39:50,680 --> 01:39:52,640
And when people look at that picture,
942
01:39:53,079 --> 01:39:54,720
they look at me and
943
01:39:54,720 --> 01:39:55,960
they say, "Oh my God, this
944
01:39:55,960 --> 01:39:56,640
is the whole...
945
01:39:58,039 --> 01:39:59,960
This is what I feel in my heart."
946
01:40:02,039 --> 01:40:02,319
Mom.
947
01:40:03,079 --> 01:40:03,359
You know?
948
01:40:04,000 --> 01:40:06,359
Another picture that I did that day was I
949
01:40:06,359 --> 01:40:07,960
laid on my back and I
950
01:40:07,960 --> 01:40:09,319
looked up at the canopy
951
01:40:10,800 --> 01:40:13,319
and I zoomed my lens in and out.
952
01:40:14,520 --> 01:40:17,079
And when I looked at the picture, I could
953
01:40:17,079 --> 01:40:18,520
see a woman dancing.
954
01:40:19,880 --> 01:40:20,319
It's amazing.
955
01:40:21,119 --> 01:40:21,880
That's, you know...
956
01:40:22,359 --> 01:40:22,640
Mother and father.
957
01:40:23,039 --> 01:40:25,119
And for me, what I immediately thought of
958
01:40:25,119 --> 01:40:26,239
was Langston Hughes.
959
01:40:26,800 --> 01:40:28,520
Music is a very, very
960
01:40:28,520 --> 01:40:29,920
important part of my life.
961
01:40:29,920 --> 01:40:31,119
My mother was a pianist.
962
01:40:31,640 --> 01:40:32,479
We all learned...
963
01:40:32,840 --> 01:40:33,800
She was a music teacher.
964
01:40:34,159 --> 01:40:37,119
We all learned how to play instruments.
965
01:40:38,840 --> 01:40:42,560
And I looked up at that and I heard
966
01:40:42,560 --> 01:40:44,279
Langston Hughes's
967
01:40:44,279 --> 01:40:45,680
poem, "A Dream Deferred."
968
01:40:46,880 --> 01:40:50,880
To fling my arms wide in the face of the
969
01:40:50,880 --> 01:40:55,079
sun, to dance, dance, dance till the dark
970
01:40:55,079 --> 01:40:56,000
day is done.
971
01:40:57,560 --> 01:40:58,359
What about that?
972
01:40:59,039 --> 01:40:59,199
Okay.
973
01:40:59,600 --> 01:41:01,439
And then Sweet Honey and the Rock, which
974
01:41:01,439 --> 01:41:02,640
is this incredible
975
01:41:02,640 --> 01:41:05,680
acapella black women's group,
976
01:41:07,279 --> 01:41:08,079
put it to music.
977
01:41:09,399 --> 01:41:11,319
And so when I looked at that, I
978
01:41:11,319 --> 01:41:14,079
immediately heard them singing it.
979
01:41:15,399 --> 01:41:17,319
My mother and I did a fair amount of
980
01:41:17,319 --> 01:41:18,520
travel during the latter
981
01:41:18,520 --> 01:41:19,920
part of her life after she
982
01:41:19,920 --> 01:41:21,000
retired from teaching.
983
01:41:22,239 --> 01:41:24,560
And whenever we would go someplace, and
984
01:41:24,560 --> 01:41:26,359
particularly in a waterfall,
985
01:41:26,800 --> 01:41:29,319
she would fling her arms wide
986
01:41:29,319 --> 01:41:30,439
and twirl around and say,
987
01:41:30,640 --> 01:41:31,840
"Rosalind, take a picture of me."
988
01:41:32,920 --> 01:41:35,119
And so I have all these pictures.
989
01:41:35,359 --> 01:41:37,239
And so when I look at that
990
01:41:37,239 --> 01:41:39,800
picture, I see all of that stuff.
991
01:41:40,079 --> 01:41:42,399
And again, it captures a soul.
992
01:41:42,880 --> 01:41:45,760
And it's part of my Juneteenth collection
993
01:41:45,760 --> 01:41:47,039
because every year I
994
01:41:47,039 --> 01:41:48,439
pick a picture that I've
995
01:41:48,439 --> 01:41:52,520
taken over the last year and I designated
996
01:41:52,520 --> 01:41:55,079
it as a Juneteenth picture that tells the
997
01:41:55,079 --> 01:41:55,319
story.
998
01:41:56,960 --> 01:41:59,239
So just as a final thing,
999
01:42:00,439 --> 01:42:01,800
how can people find you?
1000
01:42:02,560 --> 01:42:03,760
Where can they find you
1001
01:42:03,760 --> 01:42:07,279
both physically and virtually?
1002
01:42:09,560 --> 01:42:10,640
So physically, I live
1003
01:42:10,640 --> 01:42:11,720
in Olympia, Washington.
1004
01:42:12,359 --> 01:42:13,560
And they can find you at the different
1005
01:42:13,560 --> 01:42:14,760
art fairs there, right?
1006
01:42:15,039 --> 01:42:16,319
They can find me a different...
1007
01:42:16,680 --> 01:42:16,880
Right.
1008
01:42:17,039 --> 01:42:19,560
So my next big show is my big Christmas
1009
01:42:19,560 --> 01:42:20,600
show, The Best of the
1010
01:42:20,600 --> 01:42:23,359
Northwest in Seattle, which
1011
01:42:23,359 --> 01:42:24,920
would be November 7th,
1012
01:42:24,920 --> 01:42:26,439
8th, and 9th up in Seattle.
1013
01:42:27,600 --> 01:42:30,800
And I actually will be featuring some of
1014
01:42:30,800 --> 01:42:32,920
my night photography as
1015
01:42:32,920 --> 01:42:34,960
well as my pictures from
1016
01:42:35,000 --> 01:42:38,600
Alaska when I went to Alaska and spent an
1017
01:42:38,600 --> 01:42:41,079
amazing two weeks up there in June.
1018
01:42:42,640 --> 01:42:44,399
My website is
1019
01:42:44,399 --> 01:42:47,039
rosalindphilipsophotography.com.
1020
01:42:47,279 --> 01:42:48,680
And of course, I'm on Facebook and
1021
01:42:48,680 --> 01:42:49,840
Instagram and you can just
1022
01:42:49,840 --> 01:42:51,920
type in "Rosalind, Phillips
1023
01:42:51,920 --> 01:42:52,560
Photography."
1024
01:42:53,880 --> 01:42:56,319
Thank you so much.
1025
01:42:57,560 --> 01:42:59,319
It was a pleasure speaking with you.
1026
01:43:00,960 --> 01:43:02,279
And thank you very much.
1027
01:43:03,000 --> 01:43:04,079
Well, thank you, Hava.
1028
01:43:04,319 --> 01:43:05,640
Thanks again for tuning in.
1029
01:43:05,640 --> 01:43:06,319
That's our episode.
1030
01:43:06,800 --> 01:43:07,920
I hope you enjoyed it.
1031
01:43:07,920 --> 01:43:10,079
And if you did, please help us out by
1032
01:43:10,079 --> 01:43:11,439
leaving a review, a
1033
01:43:11,439 --> 01:43:13,800
comment, subscribing, sharing
1034
01:43:13,800 --> 01:43:14,720
it with your friends.
1035
01:43:14,960 --> 01:43:15,960
Every little bit helps
1036
01:43:15,960 --> 01:43:17,520
and I really appreciate it.
1037
01:43:17,840 --> 01:43:20,439
And before we go, I want to give a huge
1038
01:43:20,439 --> 01:43:22,039
shout out to our sponsor
1039
01:43:22,039 --> 01:43:24,000
and producer, Art Storefronts.
1040
01:43:24,720 --> 01:43:25,960
If you've been thinking about turning
1041
01:43:25,960 --> 01:43:27,199
your art into a real
1042
01:43:27,199 --> 01:43:28,800
business or just want to level
1043
01:43:28,800 --> 01:43:31,359
up your online presence, now is honestly
1044
01:43:31,359 --> 01:43:32,960
the best time, especially
1045
01:43:32,960 --> 01:43:34,239
with the holidays selling
1046
01:43:34,279 --> 01:43:36,079
season coming up in Q4.
1047
01:43:36,840 --> 01:43:38,199
I can't stress this enough.
1048
01:43:38,800 --> 01:43:40,079
Art Storefronts isn't
1049
01:43:40,079 --> 01:43:41,279
just a website builder.
1050
01:43:41,680 --> 01:43:42,600
They're a full blown
1051
01:43:42,600 --> 01:43:44,079
partner for your art business.
1052
01:43:44,640 --> 01:43:46,600
They give you the tools, education and
1053
01:43:46,600 --> 01:43:47,680
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1054
01:43:47,680 --> 01:43:49,840
actually make sales, not just sit
1055
01:43:49,840 --> 01:43:50,560
online and hope.
1056
01:43:51,039 --> 01:43:52,359
And if you're unsure whether your art
1057
01:43:52,359 --> 01:43:53,560
will sell, no worries.
1058
01:43:54,119 --> 01:43:54,680
Just head to
1059
01:43:54,680 --> 01:43:57,119
artstorefronts.com and sign up for a demo.
1060
01:43:57,640 --> 01:43:59,720
They'll give you a free art review and a
1061
01:43:59,720 --> 01:44:00,800
marketing assessment of
1062
01:44:00,800 --> 01:44:02,279
your art to show you exactly
1063
01:44:02,319 --> 01:44:03,039
what's possible.
1064
01:44:03,319 --> 01:44:06,199
So go to artstorefronts.com, tell them
1065
01:44:06,199 --> 01:44:07,560
how I've sent you and I'll
1066
01:44:07,560 --> 01:44:08,960
catch you on the next episode.
