Episode Transcript
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[MUSIC]
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He's taught generations of photographers,
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published over 40 books, and
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still says the best
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advice is shoot what you love.
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Welcome to this episode
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of All of Your Stories.
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I'm your host, Hava Gurvic, and today I'm
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joined by my good friend,
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the legendary photographer, author, and
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educator, Henry Hornstein.
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For five decades, Henry has documented
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the world with wit, honesty, and
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deep curiosity.
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A self-described historian with a camera,
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his work captures the soul of
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disappearing cultures,
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eccentric characters, and
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the quiet poetry of everyday life.
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In our conversation, Henry reflects on
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his early calling to photography,
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what it was like to study with giants
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like Minor White, Harry Callahan, and
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Aaron Siskind, and how the 70s became a
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turning point for photography,
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as both an art form and a career path.
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He shares stories behind his newest book,
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Miles and Miles of Texas,
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which is out now, why he's turned to
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self-publishing, and
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offers his
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down-to-earth definition of success,
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doing what you love
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for as long as you can.
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Welcome to the podcast, Henry.
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Now, quick word from our sponsor, and
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then we'll get right back to the show.
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When I started selling my art, I had
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absolutely no idea how to actually turn
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it into a business, a
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professional business.
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And then I came across art storefronts,
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and that was a game changer.
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I've been a customer now for years, and
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they've been instrumental every step of
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the way of helping me succeed.
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I have a gorgeous,
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powerful commerce website.
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I have marketing tools and a membership
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to a community that is very supportive,
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and teaches me how to
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succeed as an artist.
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Check them out, artstorefronts.com, and
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tell them how I sent you.
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Henry, welcome to the podcast.
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And-
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Just see you, Abba.
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It's been a long time
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since I've seen you, but yeah.
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Yeah, yeah.
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I think the last time we saw each other
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in person was in Manhattan,
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when you came into the city for that
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documentary demo that we did.
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You remember that?
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And I was-
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I've been, you know, yeah.
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And I was interviewing you and trying to
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get you, trying very hard to get you to
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say that you do portraiture, which you
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just absolutely would not have it.
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I wouldn't have it, sorry about that.
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No, that was great.
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It was really great.
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Anyway, Henry, you've been an educator
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for a big part of
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your life and an author.
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So why don't you just tell us a little
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bit about your journey, like
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who you are, what you've done?
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Well, it's been a long
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journey, but it's been a great one.
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I got to say that.
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Not every moment was great.
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There are always, for all of us,
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difficult times, but
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overall, I'd say pretty good.
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I grew up in New Bedford, Massachusetts,
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which is probably
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best known for Moby Dick.
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It's where Herman Melville started Moby
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Dick, and it's the longest
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story than that, of course.
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But I moved to Chicago to go to college,
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got thrown out of college my senior year.
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You knew that, didn't you?
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I did not know that.
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It's a little about me that you don't
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know, but that's one thing, I guess.
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But I was getting into
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photography at the time.
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I was studying history and kind of
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getting bored with it.
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And so I went to Rhode Island School of
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Design, which is where I teach now.
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And I got two degrees there and started
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my journey, trying to be a photographer.
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But in those days, it was the 70s, and
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people, it's so different than it is now.
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The idea that you could be a photographer
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on your own, kind of a freelance,
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and have one foot in photojournalism, one
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foot in fine art, whatever that is,
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one foot in documentary, and somehow make
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a living or let it...
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It's hard now, God knows.
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But then it was just like, we didn't
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really know what that
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career could even look like,
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even if it was successful, because there
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were so few mentors, so few people for us
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who led the way.
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And for me, I was really lucky because I
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met up with, well, at
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least three, maybe four of
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those people who had led the way.
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My two teachers at RISD, Harry Callahan
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and Aaron Siskin, soon
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after I met Ansel Adams.
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And my first teacher was Minor White.
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So all of these people were people who
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set up the idea that you
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could be an artist as a
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photographer.
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And when I say artist, I don't mean it is
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pejorative or positive or anything, just
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that's your career.
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They're a good artist
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and bad artist, God knows.
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But you could just do that and maybe
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teach to make a
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living, as all of them did.
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And so I didn't know that at the time,
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that that's what I was
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doing, but I was really
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following in those footsteps as a lot of
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people in the 70s were.
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And I started teaching in 1970.
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I was 23 years old.
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I didn't have a degree.
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And how did I get a teaching job then?
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Well, today would be impossible.
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But in those days, there just weren't
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that many people
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interested in teaching or able
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to teach.
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And I don't know if I was
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able to, but I was interested.
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And suddenly there was a great deal, a
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swell of interest from people to have
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photographer classes.
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And universities and colleges did not
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have many classes, very
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few did in those days.
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That happened very soon after.
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But 1970, and I taught for, you know,
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there were little ship
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places, basically, little
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storefront art spaces.
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And then I went to school and then I got
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some adjunct jobs
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teaching and I did freelance
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work and I wrote a couple of textbooks
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and I painted houses, you
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know, and I moved people
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and I, you know, went to hear music,
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drank a lot of beer
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and been on the horses.
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I like horse racing.
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And so I actually like gambling, I guess
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I should say, but I
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like gambling on horses.
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But anyway, so that's
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what I did through my 70s.
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I had, you know,
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adventures and, you know, fun.
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And I was not making much money, but my
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rent was $40 a month.
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And I had a 10 year old Ford Fairlane and
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my dog was my biggest expense other than
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photographer. And she was, she ate a lot,
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you know, but so that was that.
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And then the whole time I wanted to
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basically make books, that
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was my, you know, my goal.
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And it's, I want to
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make books of my work.
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And the problem was I
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didn't really have any work.
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It's certainly not that was book worthy.
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And so I made these books, instructional
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books on photography,
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which were very successful.
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Still even sell a little bit.
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But at one time that was, that was my
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income royalties from the books.
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And then occasionally this and that.
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And then I had to spend some money to buy
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a camera or film or whatever I had to do.
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And that went on for a long time.
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And then about 1979, actually exactly
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1979, I was offered a job at
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Polaroid to work at Polaroid.
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You didn't know this part of me.
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You get big out for it.
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This is so fascinating.
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I'm sure there's a lot about you.
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I don't know too.
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That's right.
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I worked for, I had a job.
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It was my only, I'd say
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normal job that I ever had.
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My teaching wasn't the same.
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I mean, I have taught
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a lot in their jobs.
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Like Amy.
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What did you do for Polaroid?
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Ah, well, that's a good question.
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Because in those days
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they had a lot of money.
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They were really writing it.
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And so I could almost
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do what I wanted to do.
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I mean, weirdly, I
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worked in communications,
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PR, that kind of thing.
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And a lot of people know that you see
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Polaroid, you see that.
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Make a picture of the film comes out of
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the camera and you
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get a print or an image.
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But they had, at that time, 5% of their
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business was actually business,
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industrial, professional
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applications.
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Like medical
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applications, IDs for license plates.
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But also studio
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photographers use Polaroids as proof.
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Before you made your
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picture, you took the Polaroid.
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That's what you used to say.
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Let's do a Polaroid of that.
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So they needed someone on staff in PR
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communications who was a photographer.
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And that was me.
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So I wrote press releases.
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I did shows.
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I edited a magazine.
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I assisted Elliot Erwitt, Gary Winogrand,
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some of the great
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photographers of the era.
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Ansel Adams, that's
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how I met Ansel Adams.
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It's just their
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assistance for a Polaroid thing.
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Because they all wanted to work for
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Polaroid because there's good money.
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Where galleries barely existed.
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There was no money there.
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So the money was in
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teaching and commercial work.
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And Polaroid was commercial.
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So I did that for two years as a job.
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And freelance there for
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probably the rest of the 80s.
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People I knew who were doing that were
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starting communication
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companies and PR companies and this
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and that.
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01:11:03,159 --> 01:11:04,319
I don't want to do that.
282
01:11:05,039 --> 01:11:08,039
So I just let the work dribble away.
283
01:11:09,399 --> 01:11:11,760
And I got a job at RISD, Rhode Island
284
01:11:11,760 --> 01:11:12,520
School of Design, for
285
01:11:12,520 --> 01:11:13,399
those who don't know.
286
01:11:15,079 --> 01:11:16,239
Teaching photography
287
01:11:16,239 --> 01:11:17,600
where I started, really.
288
01:11:17,640 --> 01:11:18,439
As a photographer.
289
01:11:19,239 --> 01:11:20,279
And it was part-time for a
290
01:11:20,279 --> 01:11:21,399
while and then it was full-time.
291
01:11:21,640 --> 01:11:24,720
And now it's full-time.
292
01:11:24,720 --> 01:11:27,039
But teaching jobs are not
293
01:11:27,039 --> 01:11:28,840
full-time jobs in the way.
294
01:11:29,319 --> 01:11:30,840
My partner works with kids.
295
01:11:32,840 --> 01:11:35,079
Preschool and early
296
01:11:35,079 --> 01:11:36,399
education and all that.
297
01:11:36,760 --> 01:11:39,840
She comes home and she is wasted.
298
01:11:42,279 --> 01:11:43,319
And I come home and I
299
01:11:43,319 --> 01:11:44,760
have a beer and I watch TV.
300
01:11:45,600 --> 01:11:46,720
I don't actually do that.
301
01:11:46,720 --> 01:11:52,600
But my work life is less strenuous.
302
01:11:53,479 --> 01:11:55,399
I have this whole part of me where I do
303
01:11:55,399 --> 01:11:56,520
individual projects.
304
01:11:57,119 --> 01:11:58,720
I won't go through all of them.
305
01:11:59,159 --> 01:12:00,560
I'm an Infinigones interested.
306
01:12:01,199 --> 01:12:03,399
I've got a website obviously.
307
01:12:03,840 --> 01:12:05,840
So you can look that over.
308
01:12:06,399 --> 01:12:07,199
Or my Instagram.
309
01:12:07,439 --> 01:12:09,319
I do not have dogs and cats on my
310
01:12:09,319 --> 01:12:10,359
Instagram or babies.
311
01:12:11,279 --> 01:12:12,720
It's a professional work.
312
01:12:13,119 --> 01:12:17,279
So if you want to check that out.
313
01:12:17,720 --> 01:12:19,600
And anybody can email me, by the way.
314
01:12:20,439 --> 01:12:22,560
I like email, actually.
315
01:12:23,000 --> 01:12:23,920
I know it's old school,
316
01:12:23,920 --> 01:12:25,760
but you can attach things.
317
01:12:26,199 --> 01:12:27,640
And it's one place you can look.
318
01:12:27,880 --> 01:12:29,119
And it's just my name,
319
01:12:29,119 --> 01:12:30,520
Henry of Harnstein.com.
320
01:12:30,840 --> 01:12:32,159
So feel free to put it.
321
01:12:32,359 --> 01:12:33,279
Yeah, we will have all
322
01:12:33,279 --> 01:12:36,239
that info linked in summary,
323
01:12:36,239 --> 01:12:37,000
whatever it's called,
324
01:12:37,000 --> 01:12:38,239
the notes for the show.
325
01:12:39,560 --> 01:12:39,760
Wow.
326
01:12:40,000 --> 01:12:40,520
So, okay.
327
01:12:43,479 --> 01:12:45,760
So I thought I had some questions to ask.
328
01:12:46,359 --> 01:12:50,720
But before I do, I guess maybe I knew.
329
01:12:51,560 --> 01:12:55,840
But hearing this again all at once, it
330
01:12:55,840 --> 01:12:58,960
just occurred to me that you...
331
01:13:01,399 --> 01:13:03,920
Your mentors were the
332
01:13:03,920 --> 01:13:05,960
giants of photography.
333
01:13:07,119 --> 01:13:08,000
Where photography
334
01:13:08,000 --> 01:13:09,600
really came into its own.
335
01:13:09,600 --> 01:13:14,000
And then in the 70s, as far as...
336
01:13:14,279 --> 01:13:15,399
That's my understanding.
337
01:13:16,439 --> 01:13:18,479
Before then, photography really wasn't
338
01:13:18,479 --> 01:13:21,199
accepted into the art world.
339
01:13:21,439 --> 01:13:21,760
It wasn't...
340
01:13:22,640 --> 01:13:22,840
No.
341
01:13:23,319 --> 01:13:23,399
No.
342
01:13:23,399 --> 01:13:24,720
There are some places.
343
01:13:25,039 --> 01:13:25,279
Yeah.
344
01:13:26,319 --> 01:13:32,119
So not only did you study with and work
345
01:13:32,119 --> 01:13:34,720
with giants of photography,
346
01:13:34,720 --> 01:13:38,159
you also lived through that transition
347
01:13:38,159 --> 01:13:40,399
where photography came into its own.
348
01:13:40,399 --> 01:13:42,760
And suddenly there were photo galleries
349
01:13:42,760 --> 01:13:45,560
and photography started to be
350
01:13:47,039 --> 01:13:51,560
purchased and elevated as an art form.
351
01:13:53,079 --> 01:13:53,399
Yeah.
352
01:13:54,239 --> 01:13:58,000
And through all of that, you had a
353
01:13:58,000 --> 01:13:59,520
connection with Polaroid,
354
01:13:59,520 --> 01:14:02,159
which was just pivotal in all of that.
355
01:14:02,840 --> 01:14:04,840
And Risty, which continues
356
01:14:04,840 --> 01:14:06,439
to be pivotal in all of that.
357
01:14:08,079 --> 01:14:09,479
So you're like a living legend.
358
01:14:12,119 --> 01:14:13,720
No, I'm living so far.
359
01:14:14,039 --> 01:14:16,159
Anyway, but I actually wrote a book,
360
01:14:16,439 --> 01:14:19,279
which I think it's so like eight copies,
361
01:14:20,399 --> 01:14:21,439
which a memoir...
362
01:14:24,399 --> 01:14:26,000
It was about five years ago.
363
01:14:26,359 --> 01:14:27,680
It was called Shoot What You Love.
364
01:14:28,159 --> 01:14:28,880
I know that book.
365
01:14:28,880 --> 01:14:29,840
You sent me that book.
366
01:14:29,840 --> 01:14:30,000
I love it.
367
01:14:30,000 --> 01:14:30,680
Sure, I sent it.
368
01:14:30,960 --> 01:14:31,159
Yeah.
369
01:14:31,560 --> 01:14:34,319
But it's a history of that time.
370
01:14:34,319 --> 01:14:35,880
It's exactly what you just described,
371
01:14:37,079 --> 01:14:38,279
because I was a history student.
372
01:14:38,279 --> 01:14:40,319
By the way, I still read history and
373
01:14:40,319 --> 01:14:45,000
history podcasts and the whole shebang.
374
01:14:46,680 --> 01:14:53,039
And I speak to like in March, I'm
375
01:14:53,039 --> 01:14:59,600
speaking to the Texas Historical Society.
376
01:15:00,640 --> 01:15:01,760
I think that's what it's called,
377
01:15:02,520 --> 01:15:02,920
Association, whatever.
378
01:15:04,119 --> 01:15:05,119
I'm speaking to them.
379
01:15:05,640 --> 01:15:10,439
In Amsterdam, I spoke to the University
380
01:15:10,439 --> 01:15:12,319
of Amsterdam to an
381
01:15:12,319 --> 01:15:14,960
American studies program there.
382
01:15:15,359 --> 01:15:18,520
So I see myself as kind
383
01:15:18,520 --> 01:15:22,359
of a wanna-be historian.
384
01:15:23,279 --> 01:15:24,399
And my work is much
385
01:15:24,399 --> 01:15:26,119
about history and history.
386
01:15:26,960 --> 01:15:30,640
So, but obviously I really am not a
387
01:15:30,640 --> 01:15:32,319
historian and don't know what I'm talking
388
01:15:32,319 --> 01:15:33,159
about half the time.
389
01:15:33,439 --> 01:15:36,399
But I did live through that time.
390
01:15:36,399 --> 01:15:37,920
You described it really well.
391
01:15:38,840 --> 01:15:40,399
It changed a lot and
392
01:15:40,399 --> 01:15:41,840
it continues to change.
393
01:15:44,079 --> 01:15:45,560
And I can only guess at
394
01:15:45,560 --> 01:15:47,680
what the next stage might be.
395
01:15:48,399 --> 01:15:52,199
But photography came out of the Bauhaus,
396
01:15:52,199 --> 01:15:53,319
the school in Germany in
397
01:15:53,319 --> 01:15:55,199
the 20s and into the 30s.
398
01:15:55,239 --> 01:15:59,399
I think that was a school of design and
399
01:15:59,399 --> 01:16:01,880
photography creeped into the Bauhaus.
400
01:16:02,640 --> 01:16:04,079
I mean, a lot of people there, I think,
401
01:16:04,079 --> 01:16:06,000
didn't pay much attention.
402
01:16:06,520 --> 01:16:08,560
Inside is only a way to document their
403
01:16:08,560 --> 01:16:11,800
architecture, their
404
01:16:11,800 --> 01:16:14,960
industrial design, their real art.
405
01:16:16,960 --> 01:16:18,960
But there were creative photographers who
406
01:16:18,960 --> 01:16:19,640
worked in the Bauhaus.
407
01:16:20,119 --> 01:16:23,319
They came to America fleeing the Nazis
408
01:16:23,319 --> 01:16:30,000
and they landed in Chicago in Boston, in
409
01:16:30,840 --> 01:16:32,880
Cambridge rather, at Harvard and all.
410
01:16:33,600 --> 01:16:35,880
And I think, Lesanne, I'm not a historian
411
01:16:35,880 --> 01:16:37,319
of this stuff, but I
412
01:16:37,319 --> 01:16:39,039
do know that the biggest
413
01:16:40,319 --> 01:16:44,640
Bauhaus intrusion was in Chicago where
414
01:16:44,640 --> 01:16:46,079
Tallahansists can talk.
415
01:16:46,920 --> 01:16:49,039
And that's where photography came in, I
416
01:16:49,039 --> 01:16:52,000
believe, to academia,
417
01:16:52,760 --> 01:16:53,600
to higher education,
418
01:16:54,359 --> 01:16:58,119
to being accepted at least by schools.
419
01:17:00,079 --> 01:17:02,640
Minor White taught photography at MIT,
420
01:17:03,119 --> 01:17:03,960
but he taught it in
421
01:17:03,960 --> 01:17:05,159
the architecture school.
422
01:17:06,720 --> 01:17:09,600
MIT had a very distinguished, as you can
423
01:17:09,600 --> 01:17:10,960
imagine, architecture school.
424
01:17:11,479 --> 01:17:12,960
And he was a small part of that.
425
01:17:13,800 --> 01:17:15,920
But because the Bauhaus did it, I guess,
426
01:17:16,720 --> 01:17:17,680
I don't know how he ended
427
01:17:17,680 --> 01:17:19,520
up there, but I can imagine.
428
01:17:21,600 --> 01:17:24,800
And Callahan and Siskin, but keeping in
429
01:17:24,800 --> 01:17:26,039
mind that none of those
430
01:17:26,039 --> 01:17:27,399
people I mentioned had a
431
01:17:27,399 --> 01:17:29,399
degree in photography of any sort.
432
01:17:29,600 --> 01:17:30,720
There was no degree in
433
01:17:30,720 --> 01:17:32,000
photography at the time.
434
01:17:32,000 --> 01:17:32,439
No degrees.
435
01:17:33,680 --> 01:17:34,520
In fact, I don't think
436
01:17:34,520 --> 01:17:35,840
Callahan ever went to college.
437
01:17:35,880 --> 01:17:41,680
I could be Ron Slarry, Howard Sirmly, if
438
01:17:41,680 --> 01:17:44,159
I've misspoke, but he
439
01:17:44,159 --> 01:17:45,520
was a factory worker.
440
01:17:46,319 --> 01:17:48,840
And it was discovered in Detroit by Ansel
441
01:17:48,840 --> 01:17:51,079
Adams, really, and brought
442
01:17:51,079 --> 01:17:53,199
to Museum of Modern Art and
443
01:17:53,199 --> 01:17:54,560
eventually to his job
444
01:17:54,560 --> 01:17:56,239
in Chicago and greatness.
445
01:17:58,000 --> 01:17:59,680
But today, of course,
446
01:17:59,920 --> 01:18:01,439
there are PhDs in photography.
447
01:18:01,720 --> 01:18:02,720
God knows what they're talking about.
448
01:18:02,760 --> 01:18:08,760
You know, Henry, what in all of that from
449
01:18:08,760 --> 01:18:09,680
the beginning, so you
450
01:18:09,680 --> 01:18:12,399
started school like when you
451
01:18:12,399 --> 01:18:14,840
were in college, you were in history, but
452
01:18:14,840 --> 01:18:16,039
you started doing photography.
453
01:18:16,399 --> 01:18:20,079
What got you interested in
454
01:18:20,079 --> 01:18:22,039
photography in the first place?
455
01:18:22,640 --> 01:18:25,600
Well, truthfully, or should I give?
456
01:18:25,640 --> 01:18:26,439
I know.
457
01:18:28,920 --> 01:18:31,560
Well, I was getting a little bored with
458
01:18:31,560 --> 01:18:33,560
my life in the libraries,
459
01:18:34,560 --> 01:18:35,880
which is what, you know,
460
01:18:35,880 --> 01:18:37,239
being a historian meant.
461
01:18:39,279 --> 01:18:40,960
Though I still like the subject, I didn't
462
01:18:40,960 --> 01:18:42,920
like the what we would
463
01:18:42,920 --> 01:18:44,439
call today lifestyle.
464
01:18:46,000 --> 01:18:48,920
And I liked getting out and working and
465
01:18:48,920 --> 01:18:50,279
having little adventures.
466
01:18:51,079 --> 01:18:53,439
And honestly, if you were photographer,
467
01:18:53,800 --> 01:18:55,399
you're a lot cooler than if you were
468
01:18:55,720 --> 01:18:56,800
historian, which meant
469
01:18:56,800 --> 01:18:57,800
I got a lot more dates.
470
01:19:00,479 --> 01:19:01,039
You asked.
471
01:19:02,319 --> 01:19:05,199
Tell you why I'm laughing.
472
01:19:08,199 --> 01:19:13,560
When I started college, I was premed
473
01:19:13,560 --> 01:19:16,279
because that's, you know,
474
01:19:16,279 --> 01:19:17,560
I had to choose something
475
01:19:17,800 --> 01:19:20,000
like real like my parents wouldn't let me
476
01:19:20,000 --> 01:19:21,520
just, you know, do what I wanted.
477
01:19:22,680 --> 01:19:27,079
But I took a figure drawing class and
478
01:19:27,079 --> 01:19:30,159
they were like large,
479
01:19:30,560 --> 01:19:32,039
you know, we drew on these
480
01:19:32,039 --> 01:19:33,399
large sheets of newsprint.
481
01:19:34,000 --> 01:19:36,279
And so I had to get one of those large
482
01:19:36,279 --> 01:19:39,319
portfolios, those like zip black
483
01:19:39,319 --> 01:19:40,680
portfolios with a handle
484
01:19:40,720 --> 01:19:41,760
that was large, like
485
01:19:41,760 --> 01:19:44,760
24 by 36 size portfolio.
486
01:19:45,600 --> 01:19:47,760
And so I'd walk around campus with a
487
01:19:47,760 --> 01:19:51,239
portfolio and I loved
488
01:19:51,239 --> 01:19:53,399
carrying that portfolio around
489
01:19:53,399 --> 01:19:54,720
because that told
490
01:19:54,720 --> 01:19:56,800
everybody that I was an artist.
491
01:19:58,119 --> 01:20:01,159
And I would I'd have to say that my
492
01:20:01,159 --> 01:20:03,279
decision to apply to like to
493
01:20:03,279 --> 01:20:04,520
to switch to the art school
494
01:20:04,520 --> 01:20:07,520
and become an artist had a lot to do with
495
01:20:07,520 --> 01:20:09,319
wanting to look like an artist.
496
01:20:11,119 --> 01:20:14,159
Understandably, I mean, I, you know, I
497
01:20:14,159 --> 01:20:16,359
couldn't wear a tweed sports coat.
498
01:20:16,720 --> 01:20:21,800
Was required dressed story of the day.
499
01:20:22,600 --> 01:20:25,279
But, you know, I mean, the thing is, this
500
01:20:25,279 --> 01:20:27,199
is this is my brain thinking about it.
501
01:20:27,439 --> 01:20:29,439
Now we look back and we come up with
502
01:20:29,439 --> 01:20:31,319
these like silly, silly,
503
01:20:31,319 --> 01:20:33,199
like true, but kind of like
504
01:20:33,199 --> 01:20:35,920
ridiculous reasons that that pushed us
505
01:20:35,920 --> 01:20:37,680
into the field that became our passion.
506
01:20:38,159 --> 01:20:43,800
But the reality is that maybe something
507
01:20:43,800 --> 01:20:45,159
else was pushing you
508
01:20:45,159 --> 01:20:46,800
there, but that something else
509
01:20:46,800 --> 01:20:48,079
wasn't something that you could
510
01:20:48,079 --> 01:20:50,560
articulate even then to yourself.
511
01:20:50,960 --> 01:20:53,680
Like your passion, like something that
512
01:20:53,680 --> 01:20:54,159
you're passionate
513
01:20:54,159 --> 01:20:56,840
about is going to pull you.
514
01:20:57,479 --> 01:21:00,159
But if you don't have the language to
515
01:21:00,159 --> 01:21:01,520
describe that it's pulling
516
01:21:01,520 --> 01:21:03,359
you, you are going to look at
517
01:21:03,399 --> 01:21:06,920
at the sort of the circumstances or like
518
01:21:06,920 --> 01:21:08,800
the side effects of that pool.
519
01:21:09,720 --> 01:21:13,159
So feeling like when when one says or
520
01:21:13,159 --> 01:21:14,279
like when I say like, I
521
01:21:14,279 --> 01:21:15,920
liked that when I walked
522
01:21:15,920 --> 01:21:17,920
through campus, people knew that I was an
523
01:21:17,920 --> 01:21:19,439
artist, or you're saying
524
01:21:19,439 --> 01:21:20,920
like it was cooler to be a
525
01:21:20,920 --> 01:21:22,840
photographer, you liked that image of
526
01:21:22,840 --> 01:21:24,279
yourself. What that was
527
01:21:24,279 --> 01:21:26,560
really saying on the deep down is
528
01:21:26,640 --> 01:21:30,920
that that felt authentic. That felt like
529
01:21:30,920 --> 01:21:34,279
your path. And to like an
530
01:21:34,279 --> 01:21:36,720
18 year old shit who was like
531
01:21:37,399 --> 01:21:40,079
concerned with outward appearances and
532
01:21:40,079 --> 01:21:41,720
how people see them, you
533
01:21:41,720 --> 01:21:44,520
know, that's what registered.
534
01:21:45,159 --> 01:21:47,119
But the reality is that, you know, you
535
01:21:47,119 --> 01:21:50,159
were that was always your
536
01:21:50,159 --> 01:21:52,079
passion and it was great that it
537
01:21:52,079 --> 01:21:55,600
felt good. Yeah, totally. And I think,
538
01:21:55,600 --> 01:21:58,159
you know, as an 18 year
539
01:21:58,159 --> 01:21:59,600
old or 20 year old, you know,
540
01:21:59,960 --> 01:22:02,279
you do tend to be maybe a little more
541
01:22:02,279 --> 01:22:05,279
idealistic before life
542
01:22:05,279 --> 01:22:08,119
really smacks you across the face.
543
01:22:09,119 --> 01:22:13,800
Gives you some reality checks. But, you
544
01:22:13,800 --> 01:22:14,840
know, so you're drawn to
545
01:22:14,840 --> 01:22:15,800
the things that you really
546
01:22:16,279 --> 01:22:19,319
care about, you know, a lot of people end
547
01:22:19,319 --> 01:22:20,159
up doing what they're
548
01:22:20,159 --> 01:22:21,680
doing, because they need
549
01:22:21,960 --> 01:22:23,560
and I did too, you know, because they
550
01:22:23,560 --> 01:22:24,720
needed a job or they
551
01:22:24,720 --> 01:22:28,680
needed this side. And, you know,
552
01:22:29,399 --> 01:22:31,760
what we do is what you do, what I do,
553
01:22:31,760 --> 01:22:35,800
what artists do is a job
554
01:22:35,800 --> 01:22:37,720
and in its own way, you know,
555
01:22:38,039 --> 01:22:43,399
this idea of like work life balance is a
556
01:22:43,399 --> 01:22:44,119
real thing for
557
01:22:44,119 --> 01:22:46,640
everyone. And but as an artist,
558
01:22:47,399 --> 01:22:50,920
that for a long time in my life, I had
559
01:22:50,920 --> 01:22:53,159
like the career, like the
560
01:22:53,159 --> 01:22:55,960
day job. And then there was my
561
01:22:55,960 --> 01:22:58,079
life. And then there was also the art
562
01:22:58,079 --> 01:22:59,520
that I wanted to do and
563
01:22:59,520 --> 01:23:00,920
trying to balance all of them.
564
01:23:02,239 --> 01:23:04,520
And then when you become a full time
565
01:23:04,520 --> 01:23:06,600
artist, and suddenly have to like
566
01:23:06,600 --> 01:23:08,319
reconfigure and realize
567
01:23:08,520 --> 01:23:12,680
that like everything I do is my job. You
568
01:23:12,680 --> 01:23:13,399
know, like that
569
01:23:13,399 --> 01:23:17,960
separation becomes a bit hard to
570
01:23:17,960 --> 01:23:20,920
distinguish. I wanted to go back in time
571
01:23:20,920 --> 01:23:23,159
a little bit. So because this
572
01:23:23,159 --> 01:23:29,439
is this is so fun for me. So
573
01:23:29,840 --> 01:23:33,359
you and I met 20 years ago, I was living
574
01:23:33,359 --> 01:23:34,560
in Manhattan, and I was
575
01:23:34,560 --> 01:23:37,600
working at Tom Gittemann's
576
01:23:37,640 --> 01:23:40,399
gallery. And you were an artist, you were
577
01:23:40,399 --> 01:23:40,960
friends, you're good
578
01:23:40,960 --> 01:23:43,680
friends with Tom. And I heard your
579
01:23:43,680 --> 01:23:45,479
name. And I thought, like, why does that
580
01:23:45,479 --> 01:23:47,039
name sound so familiar?
581
01:23:48,000 --> 01:23:49,680
Like, I've never met you,
582
01:23:49,680 --> 01:23:51,520
but I that the name sounded so familiar
583
01:23:51,520 --> 01:23:54,560
to me. And then I found out that, you
584
01:23:54,560 --> 01:23:55,600
know, you've written
585
01:23:55,600 --> 01:23:57,199
all these books. And I was like, Oh,
586
01:23:57,199 --> 01:23:59,279
shit, back when I was in
587
01:23:59,279 --> 01:24:01,920
college, and was taking photography,
588
01:24:02,520 --> 01:24:07,159
we had your book as our textbook for
589
01:24:07,159 --> 01:24:08,520
black and white photography.
590
01:24:09,640 --> 01:24:11,720
And that I just thought that
591
01:24:11,720 --> 01:24:13,840
was incredible. But that didn't end
592
01:24:13,840 --> 01:24:15,520
there. When I was in grad
593
01:24:15,520 --> 01:24:19,680
school, in the 90s, I was teaching
594
01:24:19,680 --> 01:24:23,279
photo 101. And that was the textbook that
595
01:24:23,279 --> 01:24:24,880
I had my students get.
596
01:24:26,159 --> 01:24:26,319
I owe you some royalties.
597
01:24:26,359 --> 01:24:34,560
You know, it's, it's just kind of
598
01:24:34,560 --> 01:24:37,560
amazing, then we meet and became friends.
599
01:24:38,039 --> 01:24:40,439
And, and we ended up
600
01:24:40,520 --> 01:24:43,800
working together like after I left Tom's
601
01:24:43,800 --> 01:24:47,439
gallery and started the art to art
602
01:24:47,439 --> 01:24:50,880
business. And you became
603
01:24:51,159 --> 01:24:54,680
artist that I represented. And I actually
604
01:24:54,680 --> 01:24:59,279
we toured three of your
605
01:24:59,279 --> 01:25:00,840
exhibitions, the animals
606
01:25:00,840 --> 01:25:04,079
on Emalia, and looking at animals, I
607
01:25:04,079 --> 01:25:05,520
think that's how we called it, right?
608
01:25:05,520 --> 01:25:06,920
Looking at animals. And
609
01:25:06,920 --> 01:25:09,840
then there was the honky tonk show. And
610
01:25:09,840 --> 01:25:15,560
on committee was just those two. Now I
611
01:25:15,560 --> 01:25:16,079
feel like there was a
612
01:25:16,079 --> 01:25:18,359
third but anyway, but those two I know
613
01:25:18,359 --> 01:25:20,920
traveled. And I know that like when the
614
01:25:20,920 --> 01:25:22,399
the animal show went
615
01:25:22,399 --> 01:25:28,159
to this art academy slash museum, I
616
01:25:28,159 --> 01:25:30,039
forgot what the venue was in
617
01:25:30,039 --> 01:25:33,640
Philadelphia. They actually
618
01:25:33,640 --> 01:25:36,920
invited me to give a talk, a curator talk
619
01:25:36,920 --> 01:25:40,000
about you, which was,
620
01:25:40,000 --> 01:25:41,520
which was really, really fun.
621
01:25:41,960 --> 01:25:44,520
And then in another chapter of my life,
622
01:25:44,520 --> 01:25:46,640
where I was working on a
623
01:25:46,640 --> 01:25:49,000
demo for a documentary film on
624
01:25:49,000 --> 01:25:54,359
portraiture, and we invited you to come
625
01:25:54,359 --> 01:25:55,800
to Manhattan to be
626
01:25:55,800 --> 01:25:59,079
interviewed for that. So like our
627
01:25:59,279 --> 01:26:04,039
past have crossed several times. And they
628
01:26:04,039 --> 01:26:07,920
continue and here we are again. So
629
01:26:07,920 --> 01:26:09,920
that's, that's really,
630
01:26:10,159 --> 01:26:12,600
really fun. And so and I have I have
631
01:26:12,600 --> 01:26:13,720
quite a few of your books.
632
01:26:16,199 --> 01:26:18,000
And you'll be getting getting a new one
633
01:26:18,000 --> 01:26:20,479
soon. Yeah. So I yes,
634
01:26:20,479 --> 01:26:22,000
okay. So that's something that
635
01:26:22,000 --> 01:26:23,239
I definitely want to talk to you about
636
01:26:23,239 --> 01:26:24,319
you have a new book. How
637
01:26:24,319 --> 01:26:25,560
many books have you published?
638
01:26:26,279 --> 01:26:29,680
You know, it's funny because I a lot.
639
01:26:30,439 --> 01:26:33,800
I've done different kinds of books, you
640
01:26:33,800 --> 01:26:34,359
know, the textbooks,
641
01:26:35,119 --> 01:26:37,279
I even did some children's books. Did you
642
01:26:37,279 --> 01:26:41,279
really? Yeah, yeah. Only
643
01:26:41,279 --> 01:26:42,680
two I liked, but whatever.
644
01:26:44,600 --> 01:26:47,439
And I've done, you know, the monographs
645
01:26:47,439 --> 01:26:50,000
of what you really I'm in it for
646
01:26:50,000 --> 01:26:51,479
everyone's in it for
647
01:26:51,479 --> 01:26:55,399
photographs are your own work. And so
648
01:26:55,399 --> 01:26:58,720
I've gone through different gyrations
649
01:26:58,720 --> 01:26:59,920
with all of this and
650
01:26:59,960 --> 01:27:05,039
I have bodies of work. I could do another
651
01:27:05,039 --> 01:27:07,399
five books, six books with
652
01:27:07,399 --> 01:27:08,640
what I've got in the basement,
653
01:27:08,880 --> 01:27:13,279
my studio basement. But because I just
654
01:27:13,279 --> 01:27:16,399
would shoot subjects I was interested in.
655
01:27:16,600 --> 01:27:18,560
And one subject I've
656
01:27:18,560 --> 01:27:20,159
been interested in for a long time is
657
01:27:20,159 --> 01:27:23,439
Texas. And for a lot of
658
01:27:23,439 --> 01:27:25,039
reasons. But the main reason,
659
01:27:25,600 --> 01:27:28,199
honestly, is music. I love Texas music.
660
01:27:29,000 --> 01:27:30,560
So that's what really got me involved.
661
01:27:30,920 --> 01:27:32,840
And I went down there
662
01:27:32,840 --> 01:27:35,439
several times for different things and
663
01:27:35,439 --> 01:27:38,800
photographed a bit as I usually do. And
664
01:27:38,800 --> 01:27:39,640
then I thought, well,
665
01:27:40,319 --> 01:27:45,000
COVID had come in 19, 19, 20, 20 or so.
666
01:27:45,399 --> 01:27:48,279
And I wanted a project I
667
01:27:48,279 --> 01:27:50,520
could do that's felt safe and
668
01:27:50,920 --> 01:27:53,479
contained. And while I photographed a lot
669
01:27:53,479 --> 01:27:54,840
in Texas, I didn't have
670
01:27:54,840 --> 01:27:57,640
an idea in mind. I just
671
01:27:57,640 --> 01:28:01,880
was shooting. So I started shooting with
672
01:28:01,880 --> 01:28:03,760
the intent of doing a book
673
01:28:03,760 --> 01:28:06,800
on Texas. And I didn't have a
674
01:28:07,319 --> 01:28:09,399
controversial subject. You know, a lot of
675
01:28:09,399 --> 01:28:11,079
people have opinions about
676
01:28:11,079 --> 01:28:12,880
the politics and so forth and
677
01:28:12,880 --> 01:28:16,159
so on. I do too. But I decided not to
678
01:28:16,159 --> 01:28:17,000
make that a part of the
679
01:28:17,000 --> 01:28:18,880
book. I'm really not a political
680
01:28:19,159 --> 01:28:22,119
scientist, expert in history or anything.
681
01:28:22,399 --> 01:28:23,439
I'm a photographer, you
682
01:28:23,439 --> 01:28:26,560
know, and a big time music
683
01:28:26,560 --> 01:28:29,319
lover of that kind of music. And I'd like
684
01:28:29,319 --> 01:28:31,039
to drink beer. It was
685
01:28:31,039 --> 01:28:32,720
barbecue, really barbecue. So,
686
01:28:32,720 --> 01:28:34,800
you know, I was there. So for about three
687
01:28:34,800 --> 01:28:36,199
years I went to Texas
688
01:28:36,199 --> 01:28:37,399
quite often and photographed
689
01:28:38,159 --> 01:28:40,640
and came out with this book. It's called
690
01:28:40,640 --> 01:28:43,319
Miles and Miles of Texas. And I
691
01:28:43,319 --> 01:28:44,640
self-published it for a
692
01:28:44,640 --> 01:28:47,840
number of reasons. Number one, I doubted
693
01:28:47,840 --> 01:28:48,960
that I could find a
694
01:28:48,960 --> 01:28:50,920
traditional publisher for it.
695
01:28:52,000 --> 01:28:53,760
It's not a big market kind of thing
696
01:28:53,760 --> 01:28:58,920
except maybe Texas maybe. And also, I
697
01:28:58,920 --> 01:29:00,680
don't mean this to sound
698
01:29:04,399 --> 01:29:07,439
horrible in any way, but I am old. So
699
01:29:07,439 --> 01:29:10,560
getting a book published through a
700
01:29:10,560 --> 01:29:11,640
traditional means takes
701
01:29:11,720 --> 01:29:14,119
a long time usually. By the time they
702
01:29:14,119 --> 01:29:15,399
turn you down eight times
703
01:29:15,399 --> 01:29:17,039
and you finally find someone.
704
01:29:18,720 --> 01:29:21,159
But even more important to me was I
705
01:29:21,159 --> 01:29:22,640
wanted the book to look
706
01:29:22,640 --> 01:29:24,359
like I wanted it to look.
707
01:29:24,640 --> 01:29:26,600
And the last two books I did, although
708
01:29:26,600 --> 01:29:30,039
I'm proud of them with publishers, I
709
01:29:30,039 --> 01:29:30,960
didn't like the way they
710
01:29:30,960 --> 01:29:32,680
were. I wouldn't have done it that way, I
711
01:29:32,680 --> 01:29:33,560
should say. They did it
712
01:29:33,560 --> 01:29:35,760
their way and it's good, but it
713
01:29:35,760 --> 01:29:40,399
wasn't my way. So I hired a designer, I
714
01:29:40,399 --> 01:29:42,520
know. Anyway, we went
715
01:29:42,520 --> 01:29:43,760
through quite a bit, raised some
716
01:29:43,760 --> 01:29:45,920
money, but it still ended up I wrote a
717
01:29:45,920 --> 01:29:49,000
big check just yesterday. And
718
01:29:49,000 --> 01:29:50,800
I'm headed on the road to try
719
01:29:50,800 --> 01:29:53,600
to sell some books and make that money
720
01:29:53,600 --> 01:29:56,960
back. So that's my plan.
721
01:29:58,119 --> 01:30:00,079
It's at the racetrack, the
722
01:30:00,079 --> 01:30:02,279
gamblers say, "I hope I pray to even I
723
01:30:02,279 --> 01:30:03,760
can use the money." And
724
01:30:03,760 --> 01:30:05,960
that's kind of the way artists,
725
01:30:06,399 --> 01:30:08,600
I think, whether they say it, but that
726
01:30:08,600 --> 01:30:11,520
you don't make money
727
01:30:11,520 --> 01:30:12,720
on what you do, you make
728
01:30:15,840 --> 01:30:20,880
heart, I guess. So there was a practical
729
01:30:20,880 --> 01:30:21,640
sign, and I'm a
730
01:30:21,640 --> 01:30:23,079
practical person, even though
731
01:30:23,560 --> 01:30:25,159
I'm basically throwing away my money on
732
01:30:25,159 --> 01:30:26,920
these projects. But
733
01:30:26,920 --> 01:30:28,359
generally, I'm a practical person
734
01:30:28,520 --> 01:30:31,960
and I want to, but I know at a certain
735
01:30:31,960 --> 01:30:33,159
point I can't, I won't be
736
01:30:33,159 --> 01:30:34,079
able to do this anymore.
737
01:30:35,239 --> 01:30:39,680
Drive around, I'd go to different places,
738
01:30:39,680 --> 01:30:41,399
even the airport becomes a little
739
01:30:41,399 --> 01:30:42,520
difficult these days,
740
01:30:42,520 --> 01:30:46,279
especially. But I'm still doing it, and
741
01:30:46,279 --> 01:30:48,159
I'm going to do it as
742
01:30:48,159 --> 01:30:49,720
long as I can. So that's
743
01:30:50,560 --> 01:30:52,520
a big reason for wanting to self-publish.
744
01:30:52,520 --> 01:30:52,920
The problem with
745
01:30:52,920 --> 01:30:54,560
self-publishing, you have to find
746
01:30:54,600 --> 01:30:57,880
a place to put the books. You have to get
747
01:30:57,880 --> 01:30:58,880
them out there if anyone
748
01:30:58,880 --> 01:31:00,239
wants them, you have to get
749
01:31:00,239 --> 01:31:02,920
them to them. And all of that, I'm not
750
01:31:02,920 --> 01:31:04,159
really that good at any
751
01:31:04,159 --> 01:31:06,159
of that, but I'm trying.
752
01:31:07,720 --> 01:31:11,600
But what I've done is, because I do like
753
01:31:11,600 --> 01:31:13,520
music, I've kind of taken the model of
754
01:31:14,319 --> 01:31:16,159
trying to take the model of musicians
755
01:31:16,159 --> 01:31:20,520
these days, which is they don't have
756
01:31:20,520 --> 01:31:21,680
copyright protection the
757
01:31:21,720 --> 01:31:24,720
way they did, Spotify, etc., which is
758
01:31:24,720 --> 01:31:26,560
basically not paying them for
759
01:31:26,560 --> 01:31:29,840
their work. So what happens?
760
01:31:29,840 --> 01:31:31,520
You go out on the road, you tour more,
761
01:31:31,880 --> 01:31:34,520
and you try to get a little
762
01:31:34,520 --> 01:31:35,880
more money for your shows.
763
01:31:37,640 --> 01:31:42,039
But you know, you sell vinyl or
764
01:31:42,039 --> 01:31:44,079
merchandise, whatever it is.
765
01:31:45,319 --> 01:31:48,800
And you just take it on the
766
01:31:48,840 --> 01:31:51,239
road, and that's what I've decided to do
767
01:31:51,239 --> 01:31:53,000
with this. And I'm having
768
01:31:53,000 --> 01:31:55,560
a good time with it. It's
769
01:31:55,560 --> 01:31:59,159
a challenge, and I don't know how it's
770
01:31:59,159 --> 01:32:00,439
going to work out, but in
771
01:32:00,439 --> 01:32:01,800
fact, I think I even emailed.
772
01:32:01,800 --> 01:32:03,960
I emailed all my friends, and I said,
773
01:32:04,439 --> 01:32:05,479
"You know any place I can
774
01:32:05,479 --> 01:32:07,680
go in an arbor or whatever?"
775
01:32:07,680 --> 01:32:09,039
Come to an arbor. There
776
01:32:09,039 --> 01:32:10,279
are some good brickstores.
777
01:32:10,880 --> 01:32:11,600
Well, I actually think
778
01:32:11,600 --> 01:32:12,239
one's out to you, but...
779
01:32:12,279 --> 01:32:14,439
[laughter]
780
01:32:16,399 --> 01:32:18,159
But you have to take it yourself. You
781
01:32:18,159 --> 01:32:18,640
have to do it
782
01:32:18,640 --> 01:32:21,039
yourself. And it's a challenge,
783
01:32:21,039 --> 01:32:22,439
but it's also the
784
01:32:22,439 --> 01:32:24,079
ability to control what you do.
785
01:32:25,399 --> 01:32:27,720
I didn't expect to have a conversation
786
01:32:27,720 --> 01:32:28,399
about book
787
01:32:28,399 --> 01:32:29,960
publishing, but that's actually,
788
01:32:30,720 --> 01:32:32,399
you know, now it occurred to me. Like you
789
01:32:32,399 --> 01:32:33,600
are as much of an
790
01:32:33,600 --> 01:32:35,319
expert on publishing books,
791
01:32:35,520 --> 01:32:39,000
specifically monographs of your own work,
792
01:32:40,439 --> 01:32:41,159
you know, art books.
793
01:32:42,720 --> 01:32:44,960
You've done many of them,
794
01:32:45,279 --> 01:32:47,279
and that's the scientific number you've
795
01:32:47,279 --> 01:32:48,279
given me, many of
796
01:32:48,279 --> 01:32:51,359
them. And you've done them
797
01:32:51,359 --> 01:32:55,520
with publishers and now self-publishing.
798
01:32:56,159 --> 01:32:59,279
And I'm wondering if just
799
01:32:59,279 --> 01:33:00,720
for those who are listening,
800
01:33:00,720 --> 01:33:02,279
who are also artists and have been
801
01:33:02,279 --> 01:33:03,680
thinking about it, like,
802
01:33:03,680 --> 01:33:07,680
what advice would you give
803
01:33:08,720 --> 01:33:12,159
an artist that is dreaming about
804
01:33:12,159 --> 01:33:15,439
publishing a book, which, you know, I'm
805
01:33:15,439 --> 01:33:16,560
one of those artists.
806
01:33:18,800 --> 01:33:21,760
And it seems, I mean, it feels like
807
01:33:21,760 --> 01:33:23,600
self-publishing is the
808
01:33:23,600 --> 01:33:25,439
way to go. And you've just,
809
01:33:26,079 --> 01:33:30,840
you know, said some of those reasons. But
810
01:33:30,840 --> 01:33:34,359
also, are books to you, are
811
01:33:34,359 --> 01:33:35,720
they still relevant? Like the
812
01:33:35,720 --> 01:33:38,319
actual physical books? What place do they
813
01:33:38,319 --> 01:33:40,600
have? Like, can you talk about all that?
814
01:33:42,039 --> 01:33:44,199
Well, I mean, you're a visual artist, as
815
01:33:44,199 --> 01:33:49,199
am I. I do write. I'm not a real writer.
816
01:33:49,199 --> 01:33:52,039
Not a writer.
817
01:33:52,399 --> 01:33:54,319
But I do write because I like to, and I
818
01:33:54,319 --> 01:33:56,840
think what I do helps
819
01:33:56,840 --> 01:34:00,520
explain, is helped by the
820
01:34:00,520 --> 01:34:03,560
explanations and the captions and all of
821
01:34:03,560 --> 01:34:06,479
that. But yeah, I mean, my
822
01:34:06,479 --> 01:34:07,920
advice to all you artists
823
01:34:07,920 --> 01:34:09,960
out there, you know, if you want a book,
824
01:34:09,960 --> 01:34:13,279
don't do it. Well, how to
825
01:34:13,279 --> 01:34:15,199
work. No, it isn't my advice.
826
01:34:15,680 --> 01:34:18,359
You know, but music is the same thing. I
827
01:34:18,359 --> 01:34:21,079
mean, at time, you know, you were a
828
01:34:21,079 --> 01:34:21,880
musician, you were a
829
01:34:21,880 --> 01:34:23,600
band, you wanted to get signed to a
830
01:34:23,600 --> 01:34:25,880
label. That was what, you
831
01:34:25,880 --> 01:34:27,119
know, signed to a label. That's
832
01:34:27,119 --> 01:34:29,119
what everyone wants to do. There are
833
01:34:29,119 --> 01:34:30,640
labels out there, and some
834
01:34:30,640 --> 01:34:32,159
people still have that goal.
835
01:34:32,800 --> 01:34:34,600
It's part of what they do. But the
836
01:34:34,600 --> 01:34:36,319
reality is there are no
837
01:34:36,319 --> 01:34:40,239
labels out there. Very few. Same
838
01:34:40,279 --> 01:34:43,560
book publishing. Random House does not
839
01:34:43,560 --> 01:34:45,600
publish photo books, and
840
01:34:45,600 --> 01:34:46,960
they don't do it because they
841
01:34:46,960 --> 01:34:53,960
don't make money. And so that's a, you
842
01:34:53,960 --> 01:34:55,680
know, that's a challenge.
843
01:34:55,680 --> 01:34:58,520
But it's also a positive thing,
844
01:34:58,520 --> 01:35:02,640
because you then are able to put a lot of
845
01:35:02,640 --> 01:35:04,119
energy and a lot of
846
01:35:04,119 --> 01:35:08,399
control, take a lot of control over
847
01:35:08,399 --> 01:35:12,000
your project. Johnny Cash was being
848
01:35:12,000 --> 01:35:14,439
interviewed in this, what's it been,
849
01:35:14,439 --> 01:35:15,520
YouTube, which I wasted
850
01:35:15,520 --> 01:35:18,199
a lot of time on. So if you're on YouTube
851
01:35:18,199 --> 01:35:20,800
now, got a friend, but
852
01:35:20,800 --> 01:35:23,159
Johnny Cash is saying,
853
01:35:24,079 --> 01:35:27,199
they were talking about song swaps, that
854
01:35:27,199 --> 01:35:29,640
a lot of musicians write
855
01:35:29,640 --> 01:35:31,600
together, or they share
856
01:35:32,279 --> 01:35:34,000
and help each other. We don't do that
857
01:35:34,000 --> 01:35:35,119
enough as artists, I don't
858
01:35:35,119 --> 01:35:37,520
think, but, you know, there's
859
01:35:37,560 --> 01:35:39,439
a lot of co-writing and this kind of
860
01:35:39,439 --> 01:35:41,359
thing. He said one time
861
01:35:41,359 --> 01:35:45,560
early on in his living room,
862
01:35:46,119 --> 01:35:48,319
there was Bob Dylan, Chris
863
01:35:48,319 --> 01:35:53,640
Christofferson, Willie Nelson, Wayling
864
01:35:53,640 --> 01:35:55,399
Jen. There were like five or six
865
01:35:55,399 --> 01:35:57,840
people became huge stars and was starting
866
01:35:57,840 --> 01:35:59,680
to be stars at that time.
867
01:36:00,760 --> 01:36:03,560
And they played each other
868
01:36:03,640 --> 01:36:06,520
their newest songs to try to get some
869
01:36:06,520 --> 01:36:09,039
feedback or convince the
870
01:36:09,039 --> 01:36:10,840
other one to record it maybe or
871
01:36:11,079 --> 01:36:14,840
something. And incredible, you know, all
872
01:36:14,840 --> 01:36:15,960
these people are in one
873
01:36:15,960 --> 01:36:18,560
room and they're all in, you
874
01:36:18,560 --> 01:36:23,319
know, basically controlling their work.
875
01:36:23,319 --> 01:36:25,319
You know, controlling their
876
01:36:25,319 --> 01:36:26,520
work. They were the people who
877
01:36:26,520 --> 01:36:28,560
did it. Wayling Jennings nearly got
878
01:36:28,560 --> 01:36:29,840
kicked out of Nashville, kind
879
01:36:29,840 --> 01:36:31,760
of did for a while, because he
880
01:36:31,800 --> 01:36:35,199
insisted on his own producer. His early
881
01:36:35,199 --> 01:36:37,439
record sought. And when he
882
01:36:37,439 --> 01:36:40,359
got a chance, and he had,
883
01:36:40,560 --> 01:36:43,319
you know, A-list producers and, you know,
884
01:36:43,319 --> 01:36:44,079
they were good, but they
885
01:36:44,079 --> 01:36:46,600
weren't him. And I think if,
886
01:36:46,880 --> 01:36:49,079
you know, if there's a message I have
887
01:36:49,079 --> 01:36:51,680
for, you know, students, I
888
01:36:51,680 --> 01:36:53,199
try to make this a part of it
889
01:36:53,199 --> 01:36:57,960
without sounding too sanctimonious. But,
890
01:36:57,960 --> 01:37:01,359
you know, you can read, you
891
01:37:01,359 --> 01:37:03,640
can look at work, you can talk,
892
01:37:03,640 --> 01:37:06,600
and you can, you know, you can do that
893
01:37:06,600 --> 01:37:10,279
all day and that's fine. But it's the
894
01:37:10,279 --> 01:37:12,279
heart of it. You've got
895
01:37:12,279 --> 01:37:14,159
to be you, you know, it's the most
896
01:37:14,159 --> 01:37:17,159
obvious lesson in the world. But it's one
897
01:37:17,159 --> 01:37:18,239
that I think a lot of
898
01:37:18,279 --> 01:37:22,600
students have trouble. I had a lot of
899
01:37:22,600 --> 01:37:24,600
trouble, you know, for years. I didn't
900
01:37:24,600 --> 01:37:27,640
get that. But that's
901
01:37:27,640 --> 01:37:30,600
what you got that's different than what
902
01:37:30,600 --> 01:37:33,840
all the rest have. Now, you
903
01:37:33,840 --> 01:37:35,279
might bring you great fame
904
01:37:35,279 --> 01:37:37,880
and fortune or might get you, you know,
905
01:37:37,880 --> 01:37:39,359
get your buy and a half-time
906
01:37:39,359 --> 01:37:42,479
job in your art. But you can't
907
01:37:42,520 --> 01:37:45,399
worry about that. Right. You have to live
908
01:37:45,399 --> 01:37:47,920
your truth. Yeah, you can.
909
01:37:48,359 --> 01:37:49,640
I mean, if it comes great,
910
01:37:51,239 --> 01:37:54,399
if it doesn't come great, it's not
911
01:37:54,399 --> 01:37:56,960
following your own, you know, following
912
01:37:56,960 --> 01:37:58,359
your own. That's right.
913
01:37:59,199 --> 01:38:02,520
I think that leads very neatly into a
914
01:38:02,520 --> 01:38:04,000
question that I like to ask
915
01:38:04,000 --> 01:38:07,279
all my guests is how would
916
01:38:07,319 --> 01:38:12,159
you define success for yourself now and
917
01:38:12,159 --> 01:38:13,640
how has it changed over
918
01:38:13,640 --> 01:38:16,159
time? Yeah, it's a really good
919
01:38:16,159 --> 01:38:22,520
question. It has changed. And but also it
920
01:38:22,520 --> 01:38:23,600
depends a little on who you
921
01:38:23,600 --> 01:38:25,279
are. I had a back and forth,
922
01:38:25,279 --> 01:38:27,920
I won't mention names here, but and they
923
01:38:27,920 --> 01:38:28,680
said, you know, you're
924
01:38:28,680 --> 01:38:30,439
just trying to propagate your
925
01:38:30,840 --> 01:38:38,840
legacy. And I looked at this person and I
926
01:38:38,840 --> 01:38:40,279
said, you know, and I
927
01:38:40,279 --> 01:38:41,560
knew this person pretty well.
928
01:38:42,000 --> 01:38:47,159
We dated once. But anyway, and I said,
929
01:38:47,159 --> 01:38:49,920
you know, you grew up in Manhattan and
930
01:38:49,920 --> 01:38:51,279
all your friends and
931
01:38:51,319 --> 01:38:57,119
your friends family were doctors and
932
01:38:57,119 --> 01:38:59,640
lawyers and professors and
933
01:38:59,640 --> 01:39:02,840
politicians and, you know, and,
934
01:39:04,039 --> 01:39:05,279
you know, if they were a lawyer, they
935
01:39:05,279 --> 01:39:06,199
wanted to be on the Supreme
936
01:39:06,199 --> 01:39:08,039
Court. If they were a doctor,
937
01:39:08,039 --> 01:39:10,920
they wanted to invent a vaccine of some
938
01:39:10,920 --> 01:39:12,640
kind. Sorry, RFTA Junior
939
01:39:12,640 --> 01:39:14,800
will cancel that out. But
940
01:39:14,840 --> 01:39:19,159
anyway, so they all were very, very
941
01:39:19,159 --> 01:39:21,079
ambitious as well. I'm saying, and that's
942
01:39:21,079 --> 01:39:22,119
where you came from.
943
01:39:22,520 --> 01:39:24,760
You came from that background of great
944
01:39:24,760 --> 01:39:29,079
ambition, not to mention wealth. And I
945
01:39:29,079 --> 01:39:29,760
grew up in New Bedford,
946
01:39:30,079 --> 01:39:33,199
Massachusetts. We weren't broke. I mean,
947
01:39:33,199 --> 01:39:35,960
my father was did very well for us,
948
01:39:35,960 --> 01:39:37,520
actually. And I got to
949
01:39:37,560 --> 01:39:39,560
go to good schools and, you know, I
950
01:39:39,560 --> 01:39:43,159
didn't miss a meal and blah, blah. But
951
01:39:43,159 --> 01:39:44,359
that kind of, but he was
952
01:39:44,359 --> 01:39:47,199
a salesman. That kind of ambition was
953
01:39:47,199 --> 01:39:48,840
not, I didn't know anybody
954
01:39:48,840 --> 01:39:50,119
who had that kind of ambition
955
01:39:50,279 --> 01:39:53,479
going up. I do now a lot of people. But
956
01:39:53,479 --> 01:39:55,039
in, you know, growing up,
957
01:39:55,039 --> 01:39:56,720
that wasn't my background. So
958
01:39:57,079 --> 01:40:04,720
for me, for me, success is just getting
959
01:40:04,720 --> 01:40:06,920
to do it, you know,
960
01:40:06,920 --> 01:40:08,279
getting to do it and doing okay.
961
01:40:08,640 --> 01:40:13,960
I mean, I do okay. But I had this Aunt
962
01:40:13,960 --> 01:40:16,439
Marcia, and she was my
963
01:40:16,439 --> 01:40:18,920
father's sister. She was married
964
01:40:19,199 --> 01:40:22,199
for long enough to have her to get
965
01:40:22,199 --> 01:40:24,239
pregnant and then was
966
01:40:24,239 --> 01:40:27,079
unmarried. And her whole life, she was
967
01:40:27,439 --> 01:40:31,079
single mom. And she worked in a factory.
968
01:40:31,319 --> 01:40:33,319
She was a bookteacher in a
969
01:40:33,319 --> 01:40:35,720
factory that made rubber things.
970
01:40:36,039 --> 01:40:38,399
I don't know what exactly we get. But,
971
01:40:39,800 --> 01:40:41,840
and so she didn't have any
972
01:40:41,840 --> 01:40:44,800
money. She was okay. It wasn't
973
01:40:44,800 --> 01:40:48,279
expensive to live back then. But, and she
974
01:40:48,279 --> 01:40:49,239
certainly didn't have any
975
01:40:49,239 --> 01:40:51,119
ambition except for her son to do
976
01:40:51,119 --> 01:40:54,279
well. That was her only ambition. Anyway,
977
01:40:54,680 --> 01:40:57,039
so when Aunt Marcia got very
978
01:40:57,039 --> 01:40:58,399
sick at the end and went to
979
01:40:58,399 --> 01:41:01,079
the nursing home, I went to visit her one
980
01:41:01,079 --> 01:41:05,000
time. And she said to me,
981
01:41:05,560 --> 01:41:08,000
she said, "Look at you, Henry.
982
01:41:08,640 --> 01:41:12,520
You're a photographer." And I still don't
983
01:41:12,520 --> 01:41:14,359
know whether she meant
984
01:41:14,359 --> 01:41:16,119
I'm doing really well or I'm
985
01:41:16,119 --> 01:41:19,520
a failure. Because I didn't know what
986
01:41:19,520 --> 01:41:20,680
that meant to her, you
987
01:41:20,680 --> 01:41:22,960
know, because we didn't know.
988
01:41:23,159 --> 01:41:26,560
It's kind of, you know, those kinds of
989
01:41:26,560 --> 01:41:28,680
ambitions growing up. But
990
01:41:28,680 --> 01:41:30,520
once I started to see, you know,
991
01:41:30,520 --> 01:41:32,600
people who did, even the graduate school,
992
01:41:32,600 --> 01:41:33,439
I didn't really have a lot
993
01:41:33,439 --> 01:41:36,399
of ambition, I wouldn't say a
994
01:41:36,439 --> 01:41:38,359
little bit. I mean, ambition for my work,
995
01:41:38,640 --> 01:41:41,159
but it shows for success
996
01:41:41,159 --> 01:41:42,800
and so forth and so on.
997
01:41:43,199 --> 01:41:45,560
Not many people had that in those days.
998
01:41:46,600 --> 01:41:49,680
But I kind of, you know, kind of got
999
01:41:49,680 --> 01:41:51,680
interested in it as I
1000
01:41:51,680 --> 01:41:54,039
went along and tried to get more shows
1001
01:41:54,039 --> 01:41:56,399
and tried to get, you know, more
1002
01:41:56,399 --> 01:42:01,199
connected. But I think now
1003
01:42:01,199 --> 01:42:05,760
I'm back to successes that I, I mean, I
1004
01:42:05,760 --> 01:42:09,319
look at friends of mine who
1005
01:42:09,319 --> 01:42:13,640
have real jobs and, you know,
1006
01:42:13,640 --> 01:42:15,920
and I look and I don't see any of them
1007
01:42:15,920 --> 01:42:17,399
who's, and some of them
1008
01:42:17,399 --> 01:42:19,800
done very well. I look at them,
1009
01:42:19,800 --> 01:42:23,159
I don't envy them for a minute, you know,
1010
01:42:23,840 --> 01:42:25,359
having getting to do what you
1011
01:42:25,359 --> 01:42:26,880
do, getting to do what I do.
1012
01:42:27,840 --> 01:42:30,880
That's amazing. Chuck Close gave the
1013
01:42:30,880 --> 01:42:35,680
graduating speech, commencement speech,
1014
01:42:36,039 --> 01:42:38,560
Ed Rizzi many years ago. And I remember
1015
01:42:38,560 --> 01:42:39,800
this so well, you know, he
1016
01:42:39,800 --> 01:42:41,319
didn't speak to the graduating
1017
01:42:41,319 --> 01:42:43,840
class, to the students. He spoke to the
1018
01:42:43,840 --> 01:42:45,680
parents and he said, I
1019
01:42:45,680 --> 01:42:46,880
know a lot of you are worried
1020
01:42:47,840 --> 01:42:51,039
children becoming an artist and how they
1021
01:42:51,039 --> 01:42:52,720
make a living and all of that. He said,
1022
01:42:53,560 --> 01:42:57,359
you've given your children the chance to
1023
01:42:57,359 --> 01:42:58,239
have the greatest life
1024
01:42:58,239 --> 01:43:01,439
imaginable, their own life.
1025
01:43:02,279 --> 01:43:05,439
And he's very, very happy for that. I
1026
01:43:05,439 --> 01:43:07,920
think there's this full circle here. And
1027
01:43:07,920 --> 01:43:09,880
we talk about us as,
1028
01:43:09,880 --> 01:43:13,880
you know, 18 year old kids who gravitate
1029
01:43:13,880 --> 01:43:16,800
towards a form of art. And
1030
01:43:16,800 --> 01:43:19,439
because, like, it's a passion
1031
01:43:19,920 --> 01:43:24,119
and you feel cool, you look cool doing it
1032
01:43:24,119 --> 01:43:26,439
and all that. And then, you
1033
01:43:26,439 --> 01:43:28,159
know, getting to this point
1034
01:43:28,159 --> 01:43:32,319
now and saying that your definition of
1035
01:43:32,319 --> 01:43:35,039
success is to just be able to
1036
01:43:35,039 --> 01:43:37,840
keep doing that thing that you
1037
01:43:37,840 --> 01:43:40,760
gravitated towards all those years ago.
1038
01:43:41,319 --> 01:43:44,119
And I can't imagine a
1039
01:43:44,119 --> 01:43:45,840
better way to say that's a life
1040
01:43:46,199 --> 01:43:50,119
or well lived. That's absolutely. And,
1041
01:43:50,119 --> 01:43:53,640
you know, a lot of I said it jokingly
1042
01:43:53,640 --> 01:43:54,920
before, but I mean it,
1043
01:43:54,920 --> 01:43:57,680
a lot of people in our field who are able
1044
01:43:57,680 --> 01:43:58,920
to do their own work,
1045
01:43:58,920 --> 01:44:01,279
they have they have something
1046
01:44:01,319 --> 01:44:04,319
behind them. A partner with a lot of
1047
01:44:04,319 --> 01:44:05,520
money, a family with a lot
1048
01:44:05,520 --> 01:44:07,840
of money. So I don't know.
1049
01:44:08,279 --> 01:44:13,359
Sadly, that's but you have something. I
1050
01:44:13,359 --> 01:44:17,560
mean, being able to live the life that
1051
01:44:17,560 --> 01:44:19,319
you have always wanted
1052
01:44:19,560 --> 01:44:22,800
and happy with what you're doing, like be
1053
01:44:22,800 --> 01:44:24,720
excited about waking up
1054
01:44:24,720 --> 01:44:26,119
every day and getting to do what
1055
01:44:26,119 --> 01:44:31,439
you want to do. That's that's that's more
1056
01:44:31,439 --> 01:44:32,840
than all the Teslas in the
1057
01:44:32,840 --> 01:44:36,399
world. So I could keep talking
1058
01:44:36,439 --> 01:44:41,439
to you forever. You know, I was I was
1059
01:44:41,439 --> 01:44:42,920
hoping to touch on a whole
1060
01:44:42,920 --> 01:44:44,600
bunch of other subjects with so
1061
01:44:44,600 --> 01:44:46,239
maybe we'll do a second part at some
1062
01:44:46,239 --> 01:44:50,920
point. But one final time, you have a
1063
01:44:50,920 --> 01:44:52,039
book that's coming out.
1064
01:44:52,640 --> 01:44:54,680
The book is called Miles and Miles of
1065
01:44:54,680 --> 01:44:57,560
Texas. Right. It's self
1066
01:44:57,560 --> 01:44:59,920
published. How can people find it?
1067
01:45:00,720 --> 01:45:01,720
Where can they find it
1068
01:45:01,720 --> 01:45:03,079
and how can they find it?
1069
01:45:03,319 --> 01:45:06,119
It's out. It's out by the time this comes
1070
01:45:06,119 --> 01:45:08,920
out, I'm sure. And I
1071
01:45:08,920 --> 01:45:11,680
it's on my website, which
1072
01:45:11,680 --> 01:45:16,119
we'll link to that.com. And we're trying
1073
01:45:16,119 --> 01:45:18,159
to get onto Amazon. They're
1074
01:45:18,159 --> 01:45:19,399
giving us a lot of trouble.
1075
01:45:19,399 --> 01:45:21,239
I don't know why, but eventually it'll be
1076
01:45:21,239 --> 01:45:23,560
on Amazon. And I'm touring
1077
01:45:23,560 --> 01:45:25,359
for the book. I really am.
1078
01:45:25,600 --> 01:45:29,199
I'll be in a lot of places and you can
1079
01:45:29,199 --> 01:45:32,199
check my website's got the tour updated,
1080
01:45:33,000 --> 01:45:35,880
try to update it frequently, but I'll be
1081
01:45:35,880 --> 01:45:38,319
in Texas a lot. I'll be at the Texas Book
1082
01:45:38,640 --> 01:45:41,119
Festival in November, which is actually
1083
01:45:41,119 --> 01:45:42,960
quite a large festival.
1084
01:45:43,239 --> 01:45:44,079
People come from all over.
1085
01:45:45,199 --> 01:45:48,960
And so, you know, in various bookstores,
1086
01:45:50,640 --> 01:45:51,439
but I'm not doing a lot of
1087
01:45:51,439 --> 01:45:52,720
that because it's too much work.
1088
01:45:53,079 --> 01:45:57,479
But also, if you have New York people
1089
01:45:57,479 --> 01:45:58,319
listening, I'm sure you
1090
01:45:58,319 --> 01:46:00,680
do. There's going to be a
1091
01:46:01,319 --> 01:46:04,039
book signing November 4th that resolutely
1092
01:46:04,039 --> 01:46:06,600
bookstore, which is, you know,
1093
01:46:06,600 --> 01:46:07,920
the bookstore. Rizzoli.
1094
01:46:08,239 --> 01:46:09,760
Rizzoli. Rizzoli. Yeah.
1095
01:46:10,800 --> 01:46:12,319
Which is, I don't even know where they
1096
01:46:12,319 --> 01:46:14,319
are. Fifth Avenue, something. But,
1097
01:46:14,880 --> 01:46:18,039
and along the way, they have these in
1098
01:46:18,039 --> 01:46:20,720
conversation things you probably know
1099
01:46:20,720 --> 01:46:22,159
about, but they'll put
1100
01:46:22,159 --> 01:46:24,319
somebody else with you. Can't have a
1101
01:46:24,319 --> 01:46:27,159
talk. And so we're going to have a woman
1102
01:46:27,159 --> 01:46:28,279
named Laura Cantrell,
1103
01:46:28,680 --> 01:46:31,119
who's a country singer from New York and
1104
01:46:31,119 --> 01:46:33,880
a DJ and all of that. So
1105
01:46:33,880 --> 01:46:34,880
that's going to be fun.
1106
01:46:35,439 --> 01:46:39,079
Kind of a fun event, I think. And come to
1107
01:46:39,079 --> 01:46:41,439
Rizzoli bookstore. Follow
1108
01:46:41,439 --> 01:46:43,520
me. Do all the, you know,
1109
01:46:44,159 --> 01:46:47,000
I meant it if you have anything to say or
1110
01:46:47,000 --> 01:46:48,319
want to email is best for me.
1111
01:46:48,359 --> 01:46:51,039
So I'm taking it on the road. That's the
1112
01:46:51,039 --> 01:46:52,680
other way. If you want me to sign it,
1113
01:46:54,199 --> 01:46:55,960
get it directly from me. If you don't
1114
01:46:55,960 --> 01:46:58,880
care, then, you know, go
1115
01:46:58,880 --> 01:47:00,680
to Amazon or, you know,
1116
01:47:01,479 --> 01:47:03,640
bookstore or whatever. Thank you for that
1117
01:47:03,640 --> 01:47:06,640
plug. Yes. Thank you so, so
1118
01:47:06,640 --> 01:47:08,239
much, Henry. This has been
1119
01:47:08,279 --> 01:47:12,720
so fun. Oh, and yeah, definitely. Let's,
1120
01:47:12,720 --> 01:47:13,680
let's schedule to have
1121
01:47:13,680 --> 01:47:17,279
a chat. Off, off life.
