Episode Transcript
Please come in from London.
Speaker 2We present The Retired color Man, a play for radio based on the short story by Sir Arthur Cohan Doyle, The Retired color Man.
It was late one summer afternoon.
Speaker 3I returned from my club to two to one B Baker Street to find Sharlock Holmes's gaunt figure stretched in his deep chair.
I recognized his melancholy and philosophic mood, his alert, practical nature of a subject to such reactions.
Speaker 2Well, my dear Watson, did you see him?
Speaker 1Who?
Oh, the old fellow just gone out?
Speaker 2Precisely I met him at the door.
What did you think of him?
Speaker 1Well?
Speaker 2Pathetic, futile, broken picture exactly, Watson.
Pathetic and futile.
But is not all life pathetic?
Speaker 1Computer?
Speaker 2Isn't history a microcosm of the whole?
We reach, we grasp, and what is left in our hands at the end a shadow or worse than the shadow?
Misery?
Speaker 1Or come home?
He one of your class?
Speaker 2Well, I suppose I they call him so?
Speaker 3Well?
Speaker 2Who is he anyway?
Mister Josiah Amberley?
He says he was junior partner of BitFall and Amberley, manufacturers of artists materials.
You'll see their names upon pink buses.
He made his little pile, retired at the age of sixty one, bought a house at Lewisham and settled down to rest after a life of ceaseless grind.
Speaker 1Sounds a comfortable prospect.
Speaker 2He retired in eighteen ninety six.
Early in eighteen ninety seven he married a woman twenty years younger than himself.
Speaker 1Ah.
Speaker 2Yes, good looking too, if her photographersn't flat at a competence, a wife leisure.
It looked like a straight robe before him.
Yet within two years he's reduced to the broken and miserable creature you've.
Speaker 1Just seen the one's captain.
Speaker 2Home the old story Watson, a treacherous friend and a fickle wife.
It seems that Amberley has one hobby in his life chess.
Not far from him Atluis there is a young doctor, doctor Ray Ernest, who is also a chess player.
Ernest was frequently an Amberley's house and an intimacy between him and Amberley's wife.
Speaker 1As a result, I doesn't surprise me.
Your card doesn't look like a paragon of the graces.
Speaker 2Well, the couple went off together last week destination.
So far I'm traced.
What's more, the woman carried off the old man's deed box by way of personal luggage.
He's had a good part of his life savings in him, Sir Watson, can we find the lady?
Can we save the money.
Speaker 1At a commonplace?
Or the case to bother you with helms.
Speaker 2In it, but vital enough for poor Jessiah Amberley.
Well that's sir.
Speaker 1What do you do then?
Speaker 2What will you do?
My dear Watson?
Hey, if you would be good enough to understudy me?
That is?
You know how preoccupied I am with this case of the two Coptic patriarchs.
It should come to a head today.
No, I really haven't time to go out to Lewisham, and yet evidence taken on the spot says a special value.
Speaker 3Well, by all means, I I confess, I don't see that can be much service.
Speaker 1I'm willing to do my best.
Speaker 2Capital.
By the way, the name of his house is the Haven.
The old fellow was quite insistent that I should go, but I explained my difficulty.
He's quite prepared to meet a representative.
Speaker 4I hardly expect that so humble an individualist myself would merity the complete attention of so famous a man as mister Sherlock Holmes, especially after my heavy financial loss.
Speaker 5And I'm going to show you, mister Ambler, that the financial question is not a ry.
Speaker 4No, of course, it's art for art's sake.
With him, I understand still, even on the artistic side of crime, he might have found something here to study.
And human nature, doctor Watson, the blacking.
Speaker 2Gratitude of it all.
Speaker 4Tell me when did I ever refuse one of her requests?
Speaker 2Was ever a woman so pamphus and that young man he.
Speaker 4Might have been my old son, had the run of my house?
And see how.
Speaker 1They've treated mister Amber.
Speaker 3I said, dreadful, world, dreadful, dreadful?
Speaker 2Did you say something?
I was never going to point out that if you continue to wave your pain.
Speaker 1Pushion back like that, it wouldn't be long before did your clothing on this too?
But I'm afraid the damage is done.
Speaker 4Oh dear me, you see how this business has distracted me.
I'm in the middle of painting this hall.
Who seemed surprised?
Doctor what must do something to ease an aching heart?
I started painting the house only the day before they disappeared.
I thought I might as well carry on.
Yes, fair sent but pray step into my sectum away from this paint smell.
Ah, that's better, Yes, yes, pray take a seat you good?
Speaker 1Now?
Speaker 4Then where shall I begin my account with my retirement on marriage?
Perhaps not, mister Holmes.
Speaker 5Miller requested certain details, for example, the events of the actual evening of your wife's disappearing.
Speaker 4Oh, how shall I ever forget them to think that?
I prepared a special treat for the shameless creature the Haymarket Theater, the two upper circle seats, a gay evening.
I thought, perhaps a little supper somewhere, But no, she complained of a headache and refused to.
Speaker 2Go see here.
I had it here, her theater.
Speaker 4Ticket, unused, seat thirty one, row B.
Speaker 1And then you had to go on.
Speaker 2I did there.
I sat all through the performance, her empty.
Speaker 4Seat beside me, and little did I realize what an ear omen it was.
Speaker 1You returned to find her gone just so.
Speaker 4But that was not all you see this store, it's iron painted to look like wood.
It's my strong room, safe as a bank, I always thought, But not where she was concerned.
Speaker 1Ah, as your deed box was taken.
Speaker 4I believe deed box caresh securities about seven thousand pounds worth.
She must have had a duplicate key prepared.
I've heard no word from or about us.
I left to go to the theater that faithful evening, leaving her alone here with her headache.
Not one single word doctor Watson.
And her seat number at the Haymarket theater was thirty one.
You say, Watson, you're quite.
Speaker 1Sure positive my old school number.
Excellent?
Speaker 2Then his own seat was either thirty or thirty two.
Speaker 1Roby.
Speaker 2Yeah, well, Watson, have you told me all?
Speaker 1I think so?
Oh?
Speaker 5Did I mention the detour up a photograph of his wife in my presence?
Speaker 2No?
Speaker 1He never wished to see her damn place again, he cried, no doubt.
Speaker 2Still, I fensied the loss of his money took precedence over velos of his wife, without a doubt.
But let us get down to what is practical.
And I must admit that a case which seemed to be so absurd, as simple as to be hardly worth my notice, is rapidly assuming a very different aspect.
Speaker 1It's true in your mission you've.
Speaker 2Missed everything of importance.
Yet even those things which have obtruded themselves upon your notice kape rise to serious thought.
Speaker 1What do I miss?
Speaker 2Oh, don't be hurt, my dear fellow.
No one else would have done better.
But clearly you have missed some vital points.
What do the neighbors think about Amberley and his wife?
What did doctor Ernest?
Was he the gala pario one would expect?
Surely these are of importance.
Well, and with your natural advantages, Watson, every lady is our helper and accomplish.
What about the girl at the post office, or the greengrocer's wife, or even the lady at the blue anchor?
Speaker 1All this you've left undone.
It can still be done.
Speaker 2It has been done.
Thanks for the telephone and the help of Scotland Yard, I can usually get my essentials without leaving this room.
As a matter protect my information confirms Ambley's own story.
He has the local reputation of being a miser as well as a harsh and exactly husband.
It's also certain that he had a large sum of money in that strong room.
Whoa, and it's common gossip that young doctor Ernest played chess for the Amberley and probably played the fool with his wife.
It all seems plain sailing and yet and yet it was the difficulty, oh in my imagination perhaps well lead that there wasn't let us escape from this weary, workaday world by the side door of music Carina sings tonight at the Albert Hall.
We still have time to dress, dime and enjoy.
Speaker 5The next morning, I was up early, but found a note from Homes on the breakfast table telling me that he'd gone de Lursium to see Ambulon, that he hoped to be backed by three o'clock.
Speaker 6Oh there you are, unt all of the minutes.
Well, what news has Emberly been here?
Speaker 2Here?
Speaker 1Emble?
Speaker 2No, I'm expecting him.
Oh, come in, Yes, Missus Hudson.
Speaker 4There's mister Amble to see you, sir.
Speaker 2Ah show him in, Missus Hutton.
Speaker 4Very good, sir, in here, mister Joseph Amberley, pray step insider.
Speaker 2Thank you, Missus Hutton.
Speaker 4Mister Holmes, I've had a telegram I could make nothing of exactly.
Speaker 2I see it.
Speaker 1Thank you.
Speaker 2Come at once without fail, can give you information as to your recent loss.
Elman the Vicarage dispatched at twelve to ten from little Pearlington.
Oh Watson, hand down my Cropford's directory.
You place right Little Pearlington's in ethics, isn't it.
Speaker 1It's not far from Printon.
Uh here you are.
Speaker 2Oh it's you then he he h Elman, Yes, here we have him J.
C.
Elman, m a living of moussmore come little Pearlington.
Well, mister Embily, you must start at once when you look up a trained for our friend Watson.
Speaker 4Yes, good fellow, mister Holmes, will you kindly tell.
Speaker 5Me Liverpool Street, five homes excellent.
Speaker 2You'd best go with mister Amberley Watson.
He may need help or advice.
It's clear we've come to a crisis and there.
Speaker 4But he's perfectly absurd, mister Holmes.
What can this country vicker possibly know what's occurred?
It's a waste of time and money.
Speaker 2He wouldn't have telegraphed you if he didn't know something.
You should wire him at once that you're coming.
I don't think I should go, mister Amberley.
It would make the worst possible impression, both on the police and upon myself.
If you should refuse to follow up so obvious a clue, we should feel that you were not really in earnest and misinvestigation.
I of course I go.
If you look at it that way.
Speaker 4On the face of it, it seems absurd to suppose that this Saparson knows anything but if you.
Speaker 2Think I do think, Oh now, hurry along, sir, and doctor Watson will catch you up at the telegraph office at the corner.
Speaker 4Oh very well, then a waste of time and money in my opinion, hoorry money.
Speaker 2Down the drain, Watson, whatever you do, see that he really does go.
If he breaks away from your orders, hides to return, get to the nearest telegraph office and send a single word booted.
I'll arrange here the digital reach me wherever I am.
Speaker 5The weather was hot, the train slow, my companion sullen and silent.
When we at last reached little Pellington station, it was a two mile drive before we came to the vicarage, where a big, solemn, rather pompous kerghman received us up in his study.
Speaker 1A telegram lay before him.
Well, gentlemen, what can I do for you?
Speaker 2We came in answer to your wa mister Reelman.
Speaker 3My wire.
Speaker 2I sent no telegraphic communication.
Speaker 5I mean the one you sent to mister Josah Embley about his wife and his money.
Speaker 1If this is a joke, size is a very questionable one.
Speaker 7I've never heard of the gentleman who name, and I have not sent a telegram to anyone.
Speaker 2I knew it would be a fool's head.
Speaker 1Well, must be some mistake.
And the other two vicarages.
Perhaps there is.
Speaker 3Only one vicarage side, only one vicar.
Speaker 5The telegram you refer to is obviously a scandalous forgery, the origin of.
Speaker 2Which will certainly be investigated by the police.
The wild gentleman, I can see no possible object in prolonging this interview.
Speaker 1Hello, Hello, homes.
Is that you homes?
Well, they aren't homes.
The vicar never said any such.
Why you're very annoyed?
Home?
Speaker 7Are you thereas there is no return tonight?
Speaker 2What I may contemt you to the horrors of a country, what.
Speaker 1You can commune with?
Speaker 2Thank, thank you very much, homes, good night.
Well what did he say?
Speaker 1He said it was the most remarkable business.
Speaker 4Remarkable, I should prefer the word expansion, a railway, fair.
Speaker 1Bird, class wife.
Speaker 2Hey more, And now I hope Bill it's monstrous, monstrous.
Speaker 4I shall have a word to say to mister Sherlock Holmes tomorrow.
Speaker 8Oh very well, sir, We've drived directly to Baker Street from the station tomorrow, and now we better make arrangements for the night, I warned Holmes, by.
Speaker 2Telegram at the time of our arrival at Baker Street next day.
Speaker 3But when we got there we found a message to say that he was at Lursham and would expect us there.
Speaker 1This was a surprise to me, but.
Speaker 5An even greater one was to find that Holmes was not alone at Embley's house.
Speaker 1In the sitting room, a turn looking, well built.
Speaker 9Man sat beside him, a dark, heavily mustached man wearing tinted sunglasses and sporting a large Masonic pin in his tie.
Speaker 2Ah, gentlemen, allow me to introduce my friend, mister Barker, mister Amberley.
Dr Watson, how did richoe a Mister Barker has been interesting start in your business too, mister Amberley.
We've been working independently one another, you understand, but we both have the same question to ask you a question?
Speaker 1What question, jo miss?
Speaker 2What did you do with the bodies?
Speaker 10No?
Speaker 2Get hold Watson.
Speaker 8It No, you shan't make me answer you shall He's trying to sallow something.
Speaker 2Stop him right, get holding literally, Well done, Bacher.
No short cuts, Ambly, things must be done decently, and in order I have a cab at the door, I may as well take him straight to the police station.
Could I tell you, Inspector that jolly coming along you want to examine this house sooner or later.
I don't say you won't object to meeting me here.
Speaker 1Very well, I'll come back with him.
Speaker 8I'll come on you and anymore nonsense and I'll have your arm out of it.
Speaker 11So well, there was a homes which's a poison capsule.
Speaker 10Look, Ah, Holmes, this a buker, my hated rival upon the suage or Ah, his methods are irregular like my own.
Speaker 2We irregular as are useful sometimes, you know.
Well, Holmes, let's hear what it is all about.
It all in good time, my dear Boson, the inspector will be along shortly for the same account.
In the meantime, I shall enjoy a few minutes qua smooth.
I just want to make this clear before you begin, mister Holmes, I don't imagine that we hadn't formed our own views of this case.
Speaker 11And that we wouldn't have played our hands the men.
And so you'll excuse us for feeling sore when you jump in with methods which we can't use, and so rob us at the credit.
There will be no such robbery.
Inspector McKinnon.
Nowell, I assure you that I effaced myself from now on.
Speaker 2Now.
As to mister Barker here, he has done nothing, said what I told him.
Speaker 11That's quite great.
Well, that's pretty handsome of you, mister Holmes.
Praise or blame can matter little to you.
Speaker 2But it's different for the police when the newspapers start asking questions.
Speaker 1Quite so.
Speaker 2But when an intelligent and enterprising reporter asks you what the exact points were which are out your suspicion and finally gave you a certain conviction as to the lay of death.
Speaker 11Well, well, we don't seem to have got any real facts yet.
Speaker 1What facts have you?
Speaker 2Have you arranged for a search, and there are two constables on their way, Then you'll soon get the clearest fact of all.
Huh, the bodies cannot be far away, try to sell us, and it shouldn't take long to dig up the likely places.
This house is older than its water pipes, so there must be a disused well somewhere.
Why you're not there?
But how did you know that been murdered?
Yes, Holmes, how is it done?
Well, I'll show you first hyphers done, inspector, and then i'll give the explanation, which is due to you, and even more to my long suffering friend, doctor Watson, who has been invaluable throughout.
I say, but first, I'd like you to consider this man Amble.
His mentality so that very unusual one, so much so that I think his destination is more likely to be broad more than the scaffold.
Speaker 1Is that, so go on.
Speaker 2He has to a high degree the sort of mind one associates with the medieval Italian nature rather than of the modern Britain.
He was a miserable miser who made his wife so wretched by his niggardly ways that she was already to pray for any of them.
Such a one came upon the scene, and the person of this chest playing doctor embly excelled at chess.
One indication Watson the scheming mind.
Like all misers, he was a jealous man, and his jealousy became a frantic mania.
Rightly or wrongly, he suspected an intrigue.
He determined to have his revenge, and he planned it for diabolic for cleverness.
Have a look here this is his so called strong room.
Oh what an awful smell of plaint.
That was our first clue.
You can thank doctor Watson's observation for that, though he failed to draw the inference.
It set my foot on the trail.
Speaker 1Him.
Speaker 2Well, ask yourself, Watson, why should this man at such a time be fill in his house of strong odors?
Obviously to cover some other smell which he wished to conceal, some gift smell which might excite suspicions.
Speaker 1And you mean decomposition.
Speaker 2No, no, no, no, no, nothing of that sort.
Then came the idea of a rooms such as you see here with a sealed armed door.
Put the two texts together, and where do they lead?
Speaker 1Oh?
Speaker 2Oh, blessed if I know?
Speaker 1No, me too, Oh.
Speaker 2Well, let it pass from now.
I was already certain of the case was serious, because I had examined the box office chart at the Haymarket Theater, another of doctor Watson's bull eyes.
It showed that neither the two seats B thirteen nor thirty two of the upper circle had been occupied on the nineteen question.
They lied.
I mean, he never went to the theater, and so his alibi fell to the ground.
He made a bad slip when he showed you his wife's unused ticket.
Watson.
Yes, the only way I could satisfy my suspicions about the smell of paint and the existence of the sealed room, was to examine the house myself.
The question was how was I to achieve this?
I know that now I see it, Yes, Spatson, I sent an agent to the most impossibly remote village I could think of, and summoned Amberley to go there at such an hour that he couldn't possibly get.
Speaker 1Back the same day, and send me will him to make sure he really went.
Speaker 2At the good dicker's name, I simply got out of my Crockford's directory, masterly brilliant the veil here of interruption.
I proceeded to burgle the house.
Burglary has always been an alternative profession, if I'd care to adopt it, and I have little doubt that I should have reached the front rank of war anyway.
See what I found?
And then you see this.
Speaker 12Yes type along the skirting board here, girl, very good.
It rises the angle of the wall, and there's a tap in the corner.
Now follow me into the strung room.
You see that plaster rose in the center of the ceiling.
Well, the pipe finishes there with an open end at any moment by turning the outside tap.
Speaker 2This room could be flooded with gas with its door closed and the tap full arm.
I wouldn't give two minutes of consciousness to anyone shut in here by what devilish device he decoyed them in here?
I don't know, But once inside they were at his musty.
Oh, I think I've seen enough of this place.
Yes, let's get out of here.
Speaker 1So he started painting the house to cover a various smell of gas.
Speaker 2Afterwards honed because I said he came to have started painting the day before.
That disappears that he should have said the day after.
Ah well, what happened?
Then then came an incident which I hardly expected.
I was slipping out again through the pantry window in the early dawn today, and I felt a hand grabbed my collar and a voice said, now, your rascal, what have you been doing in there?
And I could twist my head round.
I recognized my friend and rival, mister Barker.
So just where do you come into this, mister Barker?
When I say I've been engaged by the family of doctor A Earnest to make some investigation, I cut the conclusion.
Speaker 1Of beefoul play.
Like mister es.
Speaker 7I've been watching this house for several dazed, I knocked you down, doctor Watson, as one of the most suspicious characters to visit the place.
Still I could hardly detain you.
But when I saw a man actually climbing out of the pantry window this morning, I couldn't restrain myse out.
Speaker 2And there you are, Inspector.
You have all the particular I hand them over to you and step right out of the gate.
Speaker 11Well, in the name of the course, I thank you, mister Holmes.
It seems a clear case.
The way you could it.
Speaker 2You will get results, Inspector, by always putting yourself in the other fellow's place and thinking what you would do yourself.
They take some imagination, but it pays hm.
Speaker 1Helms.
What about the missing money and the security.
Speaker 2Or with all they found in some safe place where Embiy hid them post no robbery?
Speaker 1Ah, well, you've met every point home.
Speaker 2The only one last thing puzzles me.
Speaker 5Yes, well, Embily couldn't avoid notifying the police of his wife's so called disappearance.
Speaker 2But why was he fool enough to go to you as well?
Speaker 1Ah?
Speaker 2Pure swank.
He felt so tever and so sherd of himself that he imagined no one could touch him.
He could say to any suspicious neighbor, if the steps I've taken, I consulted not only the police, but even Sherlock Holme, or.
Speaker 11Well, I'll have to forgive you that, even Sherlock Holmes.
Speaker 2Yes, it's as workmen like a job as I can remember.
That was The Retired color Man by Michael Hardwick, based on the short story by Sir Arthur Conan Doyle.
Sherlock Holmes was played by Carlton Hobbs and god to Watson by Norman Sherley.
Production for the BBC was by Graham Gauld
