
·S1 E11
Chapter 11 – The Edge of Return
Episode Transcript
Buzz, an audio drama for iHeart Podcasts starring John Lithgow and Jeffrey Arran as buzz Aldren.
This series is based on real events.
However, certain characters, names, incidents, locations, and dialogue have been fictionalized for dramatic purposes.
Speaker 2Chapter eleven, you look.
Speaker 3Lousy, Lieutenant, which you tell Captain D'Angelo.
Speaker 4Then unless we change the site of Columbia's splashdown, we're looking at a disaster.
And he reminded me that I don't have clearance to even discuss Project thirty five.
My doing so would jeopardize the classified status of the satellite and the lives of sixty Air Force pilots who are about to attack.
Speaker 5The North Vietnamese.
Speaker 6What do we do?
Speaker 4You're not doing anything.
You're gonna go around Di Angelo to the Vice Admiral.
Speaker 7I don't know.
Speaker 8I'd put you on a pretty thin I said.
Speaker 7I don't know.
Speaker 4All I know is we're running out of time.
Speaker 5Once re entry begins, mission control will lose contact with Columbia and any chance of saving them will be gone.
Speaker 3Colombia, Houston looks like you're in VHF range.
Stand by for radio check.
Speaker 9I read you on VHF.
Speaker 3Telemetry shows that the CMRCS thrusters look fine.
What do we do for rein Dream eleven Central stand by waiting badly?
Thirty three minutes on my.
Speaker 10Mark copy, Houston, Mark copy, mister Krantz, call for you from Captain Willard Houston at Fleet Weather Station Pearl Harbor.
Speaker 11He's calling about the Columbia splashdown.
Speaker 6He says, it's urgent, Lieutenant Houston.
This is Flight Director Gene Krantz.
What's the problem, sir?
Speaker 12Apollo eleven cannot land in the target area selected?
Speaker 6It can and it will.
Speaker 9No, I mean, sir, there's a storm at those coordinates.
Speaker 6There are storms in the Pacific all the time.
Speaker 12These are typhoon conditions, sir.
Thirty foot seas and winds at altitude.
Little Rip eleven's parish himself before they can deploy.
The command module will at the water at two hundred miles an hour.
The crew would be killed instantly.
Speaker 6Lieutenant, where is this information coming from?
Speaker 9I'm not at liberty to say.
Speaker 6Sir, you'd better explain that.
Speaker 9It's a matter of national security.
Sir.
Speaker 6Why is this the first I'm hearing of it?
And why is it you I'm hearing it from instead of the Vice Admiral in charge of the recovery operation.
Speaker 9Sir, going through a chain of command has proven impossible.
Speaker 6Let me understand this, Your violating chain of command telling me to alter the site of Columbia's splashdown, an operation of immense complexity and cost, based on information whose source you won't reveal.
Speaker 9I can't reveal it, sir.
Speaker 6Gene, Come in, Chris, Lieutenant Houston, I'll get back to you.
Stay by the phone, yes, sir, what's wrong, Gane?
During pre flight of Apollo one, someone decided to fill the module with flammable instruction manuals and velcro fasteners, which accelerated the fire that killed Grisome, White and Chat.
And there was no time to vet that decision with the Change Review Board.
What's that got to do with, Hi, Lieutenant at weather Station Pearl wants me to change the site of Columbia's splashdown because of typhoon conditions.
That would be a death sentence to Neil, Buzz and Mike.
And there's no time for the Change review Board now either.
Speaker 8How reliable is the forecast?
Speaker 6Lieutenant says, it comes from a classified source.
It couldn't name.
Because of its national security implications.
Speaker 8In other words, you're supposed to change the splashdown side based on nothing, but this kid say so not.
Speaker 6In other words, those are the words.
Now, what would you.
Speaker 8Do if Columbia sinks?
That's three more funerals.
Not to be cold blooded.
It probably mean the end of the Apollo program?
Speaker 6What would you do?
Chris?
Speaker 8You're in the job I used to have, the job I loved.
I've been jealous of you as decision makers since the minute they kicked me upstairs.
I'm not jealous anymore.
Speaker 7I'm Buzz Aldron and this is the story you think you know, but you don't.
Speaker 13Ignition sequence five ft five four.
Speaker 6Don't I have one.
Speaker 3Them do with the quality?
Speaker 13Babe here, I ain't a pet Paul Tramp for man Mark by a plan.
Speaker 7You're listening to, Buzz.
This is the story of my Greatest achievement, Chapter eleven.
It was the night before Christmas in seventy seven.
My liquor store felt like a wee bit of heaven.
More scotch, I demanded, though already loaded forgetting my credit was all, but he wrote it.
Speaker 10I'll pay you next week right now.
Speaker 5I'm shore Hey, come back when you grow.
Speaker 14Come on, Freddy, how about some cheer for the holiday season.
Speaker 11Oh ho ho, no cash, no cary.
Speaker 14God, damn it, man, it's Christmas.
Speaker 11Yeah, we've established that.
Speaker 15Turn around.
Speaker 3You prick on a wall right there, picture of me signed by me personally.
Speaker 14Your old man said, but it was his most prized possession.
Speaker 15He was an idiot.
Speaker 4Plus he's dead.
Speaker 7A few blocks down the street, I ran into some guys who were ringing in the New year early in the spirit of Christian charity.
They shared their spirits.
One of them wore a sweatshirt that said no future, and we discussed our limited prospects.
Late into the otherwise silent night, the phone woke me, but I didn't answer.
It was the darkest Christmas morning I never saw.
Then I remembered blackout curtains.
Bob Hopes Christmas Show was on from Vietnam.
His guest of honor was Neil, the first Man on the Moon.
Bob didn't bother to mention Mike or me.
Oh, I lost my last friend when the goldfish died.
So I had no idea who was at the door, and no intention of finding out.
Speaker 11Bud, it's me, Joe, I called before.
Speaker 6I hear the TV.
Speaker 16Open up broughts of food.
Speaker 17You can heat it later or come to the house.
Speaker 16The kids want to see you and be alone today bus.
Speaker 7I waited.
I was sure she had gone, but there she was.
Speaker 16Hey, Hey, come on in, God, this place is disgusting.
Speaker 6I've been meaning to dust.
Speaker 9I dust.
Speaker 14You need napal do I come to your house and make snide remarks.
Speaker 6You need help.
You need to stop drinking.
Speaker 14I'm cutting back mush.
Speaker 6Because this is no life.
Speaker 16You need to start going to meetings.
Speaker 6I'll go with you.
I go every day.
Speaker 7Tears came to her eyes and to mine.
I told her I would We both knew I wouldn't.
I was going to tough it out alone, even though no one ever does.
Speaker 15This is Walter Cronkite, CBS News at Cape Kennedy.
Apollo eleven will soon re enter the Earth's atmosphere, surrounding the command Module Columbia with temperatures nearing five thousand degrees, with only a thin he hield keeping the module from burning up.
Speaker 6Lieutenant Houston, this is Gene Kranz Admission Control.
Speaker 9Sir, don't chames the splash downside.
Speaker 6No, and I have no intention of doing so.
Speaker 9Mister Krantz, I can't stress too.
Speaker 6Strongly, and I'm not about to ask a vice admiral to alter the recovery profile of his carrier group, which has been planned for months, based on nothing more than your hunch.
Speaker 9Sir, I'm telling you what I know.
If I told you how, i'd know, i'd be court martialed.
But if that's what he'll take, I'll do it.
Speaker 16We've heard, we're.
Speaker 6Heard, Lieutenant.
Are you a career man a flue ride?
Speaker 9Sir?
Speaker 6You'd be willing to sacrifice that ride and face legal charges?
I would, well Son, That's all I need.
Speaker 18To know, Parler.
Revan Houston, We're going to move your aim point down range one hundred and fifty nautical miles.
Speaker 17I will a shift at this stage of things.
Speaker 6Repeat Houston, Columbia.
Speaker 13This is flight.
We need a hundred and fifty mile adjustments so we can guarantee up list control.
Speaker 17That's out of range of the recovery carrier, but.
Speaker 13Hopefully not of its helicopters.
Speaker 14Hopefully.
Why the hell are we just learning about this now?
Speaker 13Can't really go into that.
Speaker 14Eleven Columbia is not a submarine.
Houston, we go down.
We're not coming back up.
Speaker 13Roger Buss.
The USS Hornet is at full speed to the new aim point designation.
Speaker 14Houston will lose you in communications as we re enter plasma, and that's a matter of minutes from now.
How will we know if the rescue choppers will make.
Speaker 13We're doing our best, Columbia.
The new coordinates are thirteen degrees nineteen minutes north one six nine or ten minutes west over.
Speaker 6Copy ten eleventh century.
Speaker 13I've got it.
Speaker 18Update for about four items on your entry pad.
You are max G zero six to three, your gamma at four hundred K six four eight, your range to go on the EMS one four zero three three, and your retro time for v circular zero.
Speaker 6Two one four over copy.
Speaker 18We see you getting ready for service module separation.
Your go for pyro.
Speaker 17Arm jettisoning in three two one Houston.
Speaker 14We've got the service module going by a little high and to the right.
Speaker 17Apolloa revenue, Houston, You're cleared for landing, about to enter Earth atmosphere.
Communications blackout for the next ten minutes.
Those choppers are on the way.
Speaker 6Every minute's gonna count.
Speaker 17Eight Shield registry eight hundred degrees twelve hundred.
Speaker 6Fourteen climbing.
Speaker 15The communications blackout between the three astronauts and flight control in Houston has begun, and the temperature surrounding the Command module's heat shield will reach approximately five thousand degrees.
Speaker 6Boys, we're in full comms blackout.
Speaker 11Anything you want to say that nobody in the world can ever hear.
Speaker 17I'm done with the fireworks.
Let's get this bucket home.
I need a shower and a proper meal.
Speaker 11Buzz Buzz.
Speaker 7I found myself on Pacific Coast Highway with no memory of how I got there.
As I looked at the moon, lots of things ran through my mind, planting the flag, the ticker tape parades, the metal of freedom.
Speaker 6You know what you have to do.
Speaker 7I turned toward the voice.
I instantly recognized my mother stood at the edge of the cliff.
She'd committed suicide ten years before.
Speaker 11It's time you join me.
Speaker 14I don't want to, not yet.
Speaker 6It's because of you I had to leave.
Speaker 14I know that's what you wanted me to think.
Speaker 2It's true.
Speaker 11I'm sorry, don't be I'm glad.
Speaker 2Why come along now, Buzz.
Speaker 6You've been keeping me waiting long enough.
Speaker 15Command Module Columbia will remain in communications blackout for roughly six more minutes.
All we can do is guess at the tension that the engineers of Mission Control must be feeling.
Not to mention the families of Neil Armstrong, Buzz Aldrin, and Mike.
Speaker 6Collins Uss Hornet, this is Mission Control, Houston.
Do your choppers have any sign of the command module.
Speaker 9You send that's a negative roger?
How far are they from Arabic siting?
Speaker 15Approximately fifteen miles from information we're getting from mission control is that the Columbia's heat shield is now over the five thousand degree mark.
An e malfunction of the shield will be catastrophic at this point.
Speaker 19Columbia, this is Houston.
Speaker 15Do you read.
Speaker 19Come in Colombia, Colombia, please acknowledge.
This is mission control.
You've got a room full of guys afraid.
Speaker 15To move.
Speaker 6Colombia.
This is flight Please acknowledge.
Hornet.
Speaker 15Do you have visual negative Houston?
Speaker 13Zero?
Speaker 6Visual capcom change frequency to one four.
Speaker 13This is all eleven our position one three three zero one five?
Speaker 12Do you copy?
Speaker 6It's good to good to hear you.
Neil.
What's your altitude and condition?
Speaker 13Were okay?
One thousand, five hundred feet and shoots out?
Speaker 19Do you have a visual on the recovery helicopters negative.
Speaker 13Houston, Apollo eleven, twelve hundred feet still no visual on the choppers.
Speaker 6Repeat, no visual, Hornet, this is Houston.
What's the position of recovery helicopters.
Speaker 9Proceeding towards the side?
Speaker 13Houston splashed down?
Where are the choppers?
Speaker 6One hundred feet.
Speaker 2Fifty splash down.
Speaker 15We've just heard from mission control that Colombia has splashed down, repeating that Columbia has splashed down in Pacific waters as calm as.
Speaker 17A bathtub, Houston, Columbia, we're upside down, repeat, upside down in the ocean.
Water's coming in through the hatch.
Speaker 18Roger, Mike, inflate your flotation bag.
Speaker 17Roger, flotation bags activated.
Houston.
We've turned right side up.
Waters stopped coming in, but there's a good foot and a half in the module.
Speaker 18Columbia.
Recovery helicopters are putting their divers in the water.
Speaker 15In several moments, the module's hatch will open so that the Apollo eleven crew can get their first breath of fresh air.
You know, almost a week.
Speaker 7We were given sterile flight suits in case we brought lunar contaminants back to Earth.
Then what seemed like the entire crew of the Hornet, all five thousand welcomed us.
Speaker 9The nail, Buzz and Mike.
Speaker 20I say this not only because I had the honor to be President of the United States, but particularly because I have the privilege of speaking for so many and welcoming you back to Earth.
Speaker 21This is the greatest week in the history of the world as the creation.
As a result of what you've done, the world has ever been closer together before.
Speaker 7They kept us in quarantine for twenty one days.
We were poked, pricked, prodded, debriefed, details defoliated, able to see our wives through the windows of the lunar receiving laboratory, but unable to touch or talk to them with any degree of privacy.
When the quarantine was over, we toured America and the world, where we were treated like heroes, even though we weren't.
Then it was over, I planned my life for one thing.
Now that thing was done, but I still had to live.
You've seen that I didn't do it very well, at least not as well as Neil and Mike.
Speaker 20It's my pleasure to present to the faculty of the University of Cincinnati, our newest professor of Aeronautics, the first man to set foot on the Moon.
Speaker 15Bil Armstrong.
Speaker 17Beat Mike Collins, Apollo eleven astronaut and now curator of the Aeronautics and Space muse here at the Smithsonian Institution.
Speaker 7I said I wanted to make money sitting on boards of directors, and I did.
But boards want winners on their teams.
I started an engineering consultancy business, but I looked at customers through a haze of depression when I could see them at all.
By seventy eight, I found myself in a phone booth on the Pacific Coast Highway, calling the woman who had been right about me all.
Speaker 9Along, Rich Ludwig.
Speaker 14Buzz Aldrin.
Speaker 6Surprised, only then it's taken so long.
Speaker 14I need to quit drinking.
Speaker 6I was hoping you could help me.
Speaker 9How badly do you want it?
Speaker 7People think Apollo eleven was my greatest accomplishment, Not even close.
It's forty five years of sobriety.
Those half million miles through space were nothing compared to the discovery of the unchartered territory that was buzz Aldrin.
I like to think I'm a better father, a better man than I was before.
Have I mellowed you be the judge.
Speaker 11Bart Sibril, a conspiracy theorist who claims the Apollo eleven moon landing was a hoax, yesterday, confronted former astronaut Buzz Aldron outside a hotel in Beverly Hills.
Speaker 12Why don't you.
Speaker 3Swear on this bible that you walked on the Mirth Hotel?
Speaker 11Cybril she the bible in Aldren's face as the encounter escalator.
Will you get away from from swear on you?
Speaker 7You don't know what you're talking.
Raveman died during the Apolloble race.
Speaker 15You on the night and I'm more inside.
Speaker 11You're a.
Speaker 1Buzz, starring John Lithgow and Jeffrey errand is created by Stephen Cronish and directed by John Scott Dryden.
It is written by Stephen Cronish with Matt Graham and Thompson Evans.
Original music is by Sasha Putnam, editing and sound design by Elouise Widmore.
The part of buzz Aldren is performed by John Lithgow and Jeffrey errand Neil Armstrong by David Menken, Mike Collins, Taylor Napier, Joan Aldren, Julie Sardo, Gene Krantz, Philip Demel, Chris Kraft, Nathan Osgood, Dieke Slayton, Patrick Paletti, Doctor Rachel Ludwig, Jennifer Armour, Walter Cronkite, Carrie Shale, Sir Bernard Lovell, rufus Wright, Brian Duff, a Key, Katabi, Jen Armstrong, Natasha, Aaron Cheney and Pat Collins Valentina Arena.
Other parts are performed by Eric Myers, Laurel Lefkoe, Greg Lockett, Christopher Ragland, Adam Cina, Philip Boscha, Eric Sirikayan and Flynn Ivo.
The children are Sadie Mitchell, Hugo Dryden and Julie Zarkovich Huff.
Script editing by Mike Walker.
Additional material at Script supervision by Alex Lanch.
The technical consultant is Matthew H.
Hirsch.
Studio engineers were Matt Clark and Paul Clark.
The trailer's producer is Jack Soper.
Buzz is produced and cast by Emma Hearn.
The executive producers are Jeremy Fox, John Scott Dryden, Stephen Cronish, Howard Springer and Jason English.
Buzz is a production of Thoroughbred Studios, Goldhop Productions and iHeart podcasts,