Episode Transcript
Hello, you can't to wait two o nine.
Yes, this is Candy Medson.
Speaker 2Well, hello there, Candy.
Speaker 1How's the one woman in Scotland yard?
Okay, Inspector.
If business was any better, you fellows could all retire on your big fat engine.
Is Mallard of his office?
Oh?
Speaker 2Sure, I just left him there.
He's working on a deal.
But it's all right, a deal.
Speaker 1Oh, I won't bother him.
Then that's all right.
Speaker 3When last observed he was perched neatly on the horns of a dilemma.
Speaker 1Well, in that case, i'd better go in, inspector right.
Speaker 2Oh, drop around anytime.
Speaker 1High heels sound so much nice and flat feet, Thank you, sir.
Good morning, Lieutenant Mellard Candy.
Speaker 2For Pete's sake, I wish you'd knock when you'd come in here.
Why well, I might have been what Millard did asleep or something.
How that you're in and pull up a chair and set a spell.
Speaker 1I heard you were busy.
Speaker 2You heard I was busy, So your barge ride in.
Speaker 1I can always barge right out again, you know, no.
Speaker 2No, no stick around.
I've done all I can for now.
What if you got a murder in homicide?
I'd be working on a purse snatching.
Yeah, take a look.
Never see anything like that before.
Speaker 1Nope, looks like a small medallion of some kind.
Speaker 2I don't think so here as I can figure, it's the symbol of an order or a cult.
You recognize the characters on.
Speaker 1It only seem to have an Egyptian flavor.
That was my thinking too, However, I'm not an Egyptologist.
You can always take it over to the University of California.
University of California.
What's wrong with that?
Speaker 2You like cutting off my own I've got Stanford and six points on the big game.
Speaker 1After what you see?
Lady to them?
Oh, from now on, I will knock before I come in here, and if I get an answer, I'm going to leave.
You've got a point there, I know I have.
I mean about taking this over to the university.
Hey, wait a minute, Why didn't I think of it before?
Speaker 2Why?
Speaker 1Rim Brand?
He has a brushing acquaintance with the Egyptian language and writing.
Re Brand, rem Brad Watson, your kids, No, I'm not.
He spent quite a bit of time in Egypt before the war.
Come on, get in the car and we'll drive over to his place.
I've got to see him anyway.
Speaker 2I'm sorry, can't, I no, can do.
I gotta be in Judge Wallack's court in ten minutes.
Speaker 1Who let me have it, and I'll take it over to him.
If rim Brandt comes up with anything, I'll report right back.
Speaker 2Okay, just don't lose it, that's all.
Speaker 1Why can't you get another work, not.
Speaker 2This particular one?
Speaker 4We can't.
Speaker 2We took it off the body of a woman they found floating last night and stole.
Speaker 1Lake still Lake and Golden Gate Park, the charming place to take your last bath.
Oh, I almost forgot what I came here for to begin with.
Here's the book I borrowed from you, Mallard, dear book?
Which book is that latest tact and figures on the rise and fall of crime throughout the Western Hemisphere, plus a comprehensive digest on criminal trans in the United States as compiled by police departments of major cities throughout the country.
Oh, thanks, Did you get anything out of it the book?
Heck no, I just barely managed to get through the title.
Speaker 5So the National Broadcasting Company presents Candy Madson yukon two eight two Old Irons.
Speaker 1I slipped the medallion into my coin purse, slipped the coin person into my handbag, slipped Mallard a peck on the chief, and slipped out of the Hall of Justice.
I climbed it in my car and drove over to California Street, opposite Old Saint Mary's Cathedral, almost bordering Little Alley facing Saint Mary's Square.
It is there that a very old friend of mine lives, rem Brett Washington, the eminent Pacific Coast photographer.
Speaker 4I'm so glad you came by today, of all days.
I need the firm stension of your friendship upon which to brace myself bred.
Speaker 1What on earth are you talking about?
Speaker 4Never has the weight of gloom rested so heavily on my shoulders.
Never has the metal of depression hung army head as it does.
Speaker 1Put the hand back in the eye, thoughts, What gives here?
Duckie?
Speaker 4You are gazing upon a man about to be bureat of a home.
Speaker 1You mean you're being a victor?
Speaker 4Not yet?
One must face eventuality.
Speaker 1Can't you pay your red?
Is that it?
Oh?
No, be silly, candy.
I have plenty of money.
But then, in Heaven's name, why the hamlet routine?
What do you mean you're going to be a victor.
Speaker 4Sim be this girl.
A bunch of uncouth bollets are going to build an underground garage in the square next door, I asked, But he's so funny.
Speaker 1Well, you probably won't have to move.
Chances are they'll never touch this building.
I think candy, the dirt, the noise.
Well, I've never known either one who will set you before rembread.
Speaker 4It's not meself, I'm thinking about.
It's Henry me Great Dane.
All those steam shovels, riveting machines that I have to give Henry a nervous stomach on.
Speaker 1A great day.
And that's something, isn't it.
Speaker 4And here's something that will prove I'll be addicted.
Look this morning's paper right down here.
Speaker 1The preliminary to construction of the garage beneath Saint Mary's Square was approved yesterday by the Board of Supervisor's Finance Committee.
The project, recommended by the San Francisco Parking authorready, involves use of Saint Mary's Park subsurface area and seven adjacent parcels of privately owned property in the area bounded by Carney's Prine, California and Saint Andrews.
There you see what I mean.
Well, I'd hardly call this hovel of a parcel, but yes, I do see what you mean.
Well, what are you going to do about it?
Speaker 4And what can I do about it?
But for a new place to live.
Speaker 1That's all, laddie boy.
I'm glad you said that.
I've been meaning to have a word with you for quite some time.
Think you're doing a whale of a good business.
More and more you're catering to an extremely fashionable clientele.
That's pool about time you live the park if photographs are becoming known throughout the country.
I couldn't have stayed here much longer anyway, But it has such atmosphere, Candy that it does, especially when the wind's from the east.
Tell you what you helped me on a little deal right now, and I'll stand the rest of the day looking at places.
Speaker 4With you, Candy, will you?
I was hoping you'd say that you're.
Speaker 1The lamb in the spring.
I am.
Speaker 4Oh, I get it, spring lamb, but you never so much better.
Speaker 1Already boy, But before you bound completely out of your skin, does you take a look at this Wait a minute there fascinating what is it?
Amut?
At some time?
I don't know, That's why I came to see you.
What does it say on there sea bic hopefully find Prince?
What did I do with the glasses on your forehead?
O?
Speaker 4L mady el hadda, el masta ball om when I can't see the translate, Oh of course, Milky, What does it mean?
Well, I'm not exactly sure of my translation, but I'm taken to read the past, the present, the future our mind.
Speaker 1That sounds good enough to me.
Let me make a phone call here and I'll be right with you.
Tell me, Dougie, does that expression mean anything to you?
Have you ever heard it before?
No?
Speaker 4There are literally thousands of such staying Canada.
Big you could the thread one with anything.
Speaker 1So I was wondering about.
Speaker 3Headquarters Deluci speaking.
Speaker 1Oh hello, Deluchi, this is Candy Matson.
Is Lieutenant Mellard there.
Speaker 3Lieutenant Mallard Nomas Madison.
Speaker 6He left with jell you Wallack and the jury on that Happy Man supermarket killing at Lake Merced probably be there.
Speaker 1The rest of the afternoon.
Oh okay, would you write this down for me?
El Maggie l Hodder, el Mastack.
Call who Milky, there's Matson.
This is a phone conversation.
Well, thank you.
Now have you got that, I guess so good.
Just sign my name to it and put it on Millard's jest, will you sure?
Thank goodbye?
Candy?
Speaker 4Are you crazy?
Speaker 1Now?
I don't understand that crazy, just the other way around.
This is one night I know I'm going to get Millard to call me Candy fool, but you're a nice fool.
Just having you assure me.
Speaker 4That moving from here is the right thing to do has removed all the troubled thoughts transform me into a a blight spirit.
Speaker 1A blind spirit.
Well, come on, bline spirit, let's go haunt for houses.
Knowing Rembred as I do, he's the sort of a man who would open a doll factory across the street from a boy's school.
But in this case, I was going to make sure he'd get the locale to the business and VI surpa.
But what was the locale to be?
Suddenly I had it.
There was a barn type of building out on Octavia Street, just off Pacific, used to be a dance studio, but somehow or other I seem to recall it for rent, sign on the place, and that's where we went a what is it, Candy?
The fact the place might have been a stable.
I imagine it was one time.
I do know it was a dance studio for a while for rent.
All right, there's the sign, and I hope we can get in.
You'll like it.
I'm sure it's this ideal for a photography studio, and it has plenty of room upstairs for living quarters and a fine big backyard out and back for Henry Strong's ideal, I could only see it.
Let's walk around on that little wooden bridge at the side it.
There's a window we can peak too.
If not, we'll run down the little real estate off say.
Yeah, side needs fixing up, but not too much.
Speaker 4No, it's a matter of fact that the place is any kind of shape at all, and the owner is building to help the business.
I might be interested in buying the place.
What and why not now that I'm in the mood and I've saved the field amount of money in the past year two.
Speaker 1Well, here's the window.
Pretty dirty.
Wait a minute, can you see anything, candy little not to give you an idea.
How much space do you have in the studio itself?
Do you take a look.
Oh, it's wonderful, just perfect.
Speaker 4I could do all the portrait work up in front out there and put all the equipment back in the jackie.
What is this?
I saw a man in there.
Speaker 1Let's see he's motioning to us.
I don't understand.
What is there a door down that way?
Remember?
Speaker 4Look?
Speaker 1Yes, fussy one, Oh that's what he wants.
Come on this spousey is dear fare taker?
Maybe?
Speaker 2Or was there something you wanted?
Speaker 1We're just looking around.
We saw the sign out and front.
Are you the caretaker?
Speaker 2No?
Speaker 3No, I am the owner and you live here again?
No, there was a fire you last night.
I came over to investigate the fire.
Yes, there wasn't much damage done.
One of the never started and the fire department or I've almost immediately.
Speaker 4Lucky for you.
Speaker 1How much mend are you asking?
Speaker 3I'm afraid you'll have to take that up with the real estate people.
I let them handle all my transactions.
Speaker 1Would you be willing to tell?
Speaker 3I might, but that's something you have to discuss with them too.
That sounds odd, does it not?
But much better off if I don't transact my own business.
Speaker 1Sure, would you mind if we look around?
Mister Watson?
Here is rather interesting.
Speaker 3I'm afraid that is off of the question.
You'll see the electricity have been turned off.
You would have to use matches.
Speaker 1We'll be very careful, sir.
I've got matches right here in my purity.
Speaker 4No, no, no, it is impossible.
Speaker 3After what happened last night, time afraid things might be misunderstood.
Speaker 1I should be.
Speaker 2Accused of.
Speaker 1Accused, accused of what?
Speaker 3And what did you say?
Your name was?
Speaker 1I didn't and need it, did you?
We we have a queen custom here in the United States.
Speaker 3I am not interested in custom.
I'm only interested in keeping my appointment.
Speaker 1You keep your appointment, I assure you.
Do you remember high low rembrandt.
Speaker 4Yes, acquaint this is device us with a great deal of success on the bread eyre yes.
Speaker 1Would you like to take high and I'll take low pleasure?
Speaker 4Really now, no.
Speaker 1Getty arms if you can rembrand I'm trying to take it like an I think he needs a little persuasion on the head like.
Speaker 4So oh, dear, I hope you didn't have him too hard.
Speaker 1No, he just went sleepy by for a little while.
Speaker 4I have the reason for this unwomanly utburst on your part.
Speaker 1You certainly may look up there on that beam above us a printer for it.
Speaker 4Now, what did you want me to see?
Speaker 1Up there a sign on that beam, just barely visible, but you can't make it up.
And No, and Maggie and Harder and Massa, whom sure I saw when we first came in.
When the boy on the floor mentioned matches, it gave me a perfectly natural chance to open my purse and flash the medallion.
He saw it, all right.
He stopped like he'd been sacked.
He was twice yes, once by the medallion, once by me.
I think we've got something, Rembred.
Come on, let's get to a phone call Mallard quick.
And may I say something ducky Well, I shouldn't say it, but that was the prettiest high low I've ever seen From San Francisco.
Speaker 5The National Broadcasting Company is presenting Candy Matson.
Speaker 1You can two eight two o nine.
I left my gun with Rembrad, who by this time was sitting on our little friends.
I took off, found a grocery store about three blocks down in place to call the Mallard.
Fortunately he was in, and after I told him what was happening, he was out again, this time headed for the former dance studio.
I ran back to the place Sleeping Beauty was showing signs of coming too, with Rembrand still riding a choppy sea on the guy's twisting chest.
Speaker 4I'm so glad you're back here.
Miss Steed is beginning to buck a bit, and I did so want to avoid backing him on the nogging again.
Speaker 1Yeah, I don't blame you.
After a while it begins to hurt.
Speaker 4Here.
Speaker 1Give me the gun, rememberand thanks.
Now stand back.
If the joker tries anything, there's going to be badminton with bullets for birds.
Yes, he'll be here in a moment or two.
The holl of justice that'll be forever.
Usually Mallard when he has a chance to play with that siren.
Oh justin snapping out of it.
Speaker 3Oh, I think miss, you're will regret exceedingly what you have done.
Speaker 1Maybe so maybe no now care to tell us about this past presence and future our minds stuff?
Speaker 2I'm not saying there were.
Speaker 1Does it surprise you?
I know the translation?
You might as well tell us you'll have to have a long way.
I have nothing to say.
I'm I mean I'll bet you do.
Wait minute, see who it is.
Remember it's Mallard in his petuiting system.
Good open the door for them.
Speaker 2H this is cozy all you need is a fourth foot bridge.
Speaker 4And I kip it.
Speaker 1He's all yours for that.
Speaker 2Okay, get them boys, let's go.
Speaker 1Hey, wait a minute, you haven't seen the building.
Speaker 2The building can wait.
This cookie's hot, and I want to keep them that way, Like I said, boys, take them away, give him that big hall of justice.
Speaker 1One two three O'Leary and we were at the jail house on Washington Street four or five six Oliary and our lad was whisked away into the inner sanctums for a pleasant little game called information please, seven, eight nine O'Leary, and Mallard was back in his office snorting fire at me.
And when he snorts fire, sister Susie, it's frightening.
Speaker 2What are you trying to do?
Speaker 1Have the whole city of minister stretchings out on my neck?
But Millard, what do you mean?
Speaker 2I'll tell you what I mean.
Speaker 1We've arrested a man who's completely in the clear.
He can shoot the works at us.
So is the false arrest?
Wait a minute, something's off the beam here.
What's his name?
Speaker 2Testament Al Testament?
Speaker 1How do you know he's in the clear because we checked just now.
Speaker 2He's been a respectable citizen of San Francisco for over twenty years, owns a lot of real estate around town, fine reputation, excellent credit, the works, and you have to stir up a hornet's nest.
Speaker 1I don't know what to say.
Speaker 2I do go home and stay there.
And I have a hunch that guy's going to press an assault and battery charge against you and Rembrandt, and he's got a very legal right to do it too.
Speaker 1Yipes.
I wonder how I'll look in stripes.
Mellard was just playing out and outdoor, judging the myths, and at faith value, he was entitled to be sore.
But I'm not the gual to take things on face value.
That time on the beam out at the old studio definitely had a link with the inscription on the ad minute.
I was sure of them, and I was sure that Tessaman was a link too, So I fell back on the prime eyes first lesson how to shadow a suspect, the use of doorways, trees, building shrubs, senses, and et cetera.
So hiding behind an et cetera, I waited outside the Hall of Justice until I saw Testament leave the building.
All he did was snag a cab and disappeared into an apartment house on the top of Clay Street.
I checked the ground floor and found there were only three outlets, the main entrance, the service entrance alongside, and the garage around the corner.
I parked across the street where I could see all three and waited and waited.
About two am, I figured Testament had hold up for the night, so I went home and got myself a nice little joke.
My penthouse was a myth.
It looked like a senior grade monsoon had ripped through the place.
It stacked up that Tessaman couldn't have done it, so there must be somebody else who wanted in on the act.
As far as I could tell, nothing was missing, so I straightened up as best I could and hit the sack.
The alarm went off at five o'clock the next morning, and I struggled into my clothes, drove over to Rembrandt's place, rustled him into my car, and we took off.
Your man can be positively mad.
What's the idea waking me up in the middle of the night.
It's not the middle of the night that it is morning.
Remember, the early birds get the worms for the change.
Speaker 4I'd like to see the early worm get the bird.
Speaker 1What are we doing gallivanting about like this?
Can we're putting the shadow on Testam?
Speaker 2Is he the word?
Speaker 1One of them?
In spite of the fact that Mallard whitewashed him.
Here we are, How nice did Blake Essex.
We'll just park here.
Hunch down in your seat, Docky.
I hardly imagine our worm has departed yet A half hour passed by.
Just as the sun peeked over the East Bay Hills and scattered its own bright rays on the water of the bay, a car backed out of the Blake Essex garage.
It was Testament, all right.
He wheeled the car down Clay Street and we followed.
He turned left on Taylor and again when he reached the Pacific.
I had a hunch where he was going.
He crossed Vans Avenue when we did LifeWise.
That was when Rimbread spoke up.
I hate to mention it, dear, but I think the shadowers are being shadowed.
What do you mean?
I looked behind him several times.
There seems to be a car following us.
Just a coincidence.
I wouldn't worry about it.
Look our boys turning off onto Octavia, just as I thought, he's returning to the studio.
What we do now, go as slowly as we can give him time to part the car, get inside the building, and then go in after him.
Are you sure you know what you're doing, Candy?
Nope?
Oh well then it's all right.
We'll go past our Tavia Laguna and down the Broadway and come back from that direction.
That should do it.
Now to double back along Broadway.
I dislike being repetitious, girl, but the car is still following us.
Well, there's nothing like a showdown here we are at Octavia.
Let's find out.
Look across the street at the studio out in front there bags of cement, sand and a pile of bricks that wasn't there when we left yesterday.
No, our friend can they if he is.
I'm going to find out about this right now.
Speaker 6Please, miss Matson, remain seated in your car.
Speaker 1There's a gun, Candy, that's a naive observation room brand looks more me like a cannon.
Speaker 6I assure you I won't hesitate using it.
Now, if you and mister Watson will get out in an orderly manner and walk across the street into the studio.
Speaker 1There will be no trouble.
Looks like we have no choice.
Come on, ducky, this should be great spots.
When you have a gun that side poking into your nose, it's easy to be convinced.
We walked across the street and into the studio.
Even with a brilliant morning sunshine outside, the place was dark and grim, and tessaman Lad was waiting to meet us, wearing the very related and smirks.
Speaker 4Just as your plan, Master.
Speaker 1It was so easy.
Speaker 6They fell into our trap beautifully, and now they shall feel no pain.
The work test man.
There can be no further delay.
He is master, he shall be no He calls me master, And that is as it should be.
Now, miss Madson, Now that you so conveniently returned to our shrine, the ambulet, please.
Speaker 1I haven't got it.
I left it at home in another purse.
It wasn't in your place last night.
So you're the character who wrecked my apartment.
That is right.
Speaker 6And now if you would be so kind as to empty your purse on the table there, you better do it, Candy.
Speaker 1Yes, there seems to be no alternative.
Ah, now the coin first, please, I yes, the ambulet, thank you, missus Streaker tooken to You can have that if you are the.
Speaker 6Past, the presence, the future are mine mine, Miss Madson, an old saying of one of the ancient pharaohs.
Speaker 1I adapted it for myself.
Rather brilliant, wouldn't you say?
I say you need a new scriptwriter.
Speaker 6Now I shall tell you about your future.
This building, being on a hill, was built on solid rock foundations.
My faithful servant, tess Man is an expert stonemason.
You see that chamber like a fair hewn into the rock.
Tests Man is going to build a brick wall across it.
You are going to be sealed inside, also like the ancient pharaohs, only it would take more than a Howard Carter or Lord Carnavan to discover you.
Speaker 1The guy who was a madman, and a madman usually keeps his word.
Tess Man went to work.
It's by little des fling.
Wall of bricks took shape.
Once I pressed my hand against the bricks.
You must have been using a fast hardening mortar mix of some kind.
The wall was as firm as the ages.
Zooma smiled.
Finally there was an opening just large enough to crawl through.
That's when Zomas spoke up.
Speaker 6Enough, test Man, I will complete the work as you will master.
Speaker 1My mission here has finished.
Speaker 6You three are the only ones who know about me, and so I shall destroy all evidence and move on to you.
Speaker 1What feels test Man?
In your goal?
What muster?
Speaker 2No?
Speaker 1No?
Speaker 4I have served you.
Speaker 1Pestfully, I said, getting No, I won't I I won't not even.
Speaker 4That fool.
Speaker 6The future belongs to me.
You two, get him, shove him into the tomb.
Now, I trust you won't be quite so idiotic.
Suffocation isn't too unbearable.
I think I shall call this the Tomb of the wayward Three.
Yes, that will be good?
Speaker 1Is he in?
Yes?
Very well?
You may follow.
Go ahead, remembered, I'm sorry I got you in it.
It's all right.
Speaker 6And now for the final lack, the complete obliteration.
A people all over the world have lost their way.
They struggle in darkness.
It is up to me to bring them the truth that all hardy and harder and mostak balhum milk is all mine.
Speaker 1What about that woman you jumped into stoe leg Gama.
Speaker 6A very generous lady.
She contributed over fifteen thousand dollars to the cause.
But then the poor thing began to doubt me said something about going to the authority mouse Untfortunately it was then that even eyes Zoma made a mistake.
I forgot about the ambulet I had given her.
She was still wearing it about her neck.
I will not make that error again now, Like the final toast to life, the last brick, Sleep well, foolish ones, forever.
Speaker 1Get your hair straight up, the wear mac you you that's a great Alison.
Get your hands up.
Yes, I will like this.
Speaker 4Kenny.
Speaker 1Where are you over here?
Ellen?
Behind a trip ball?
Speaker 2A fine thing, That's all I've got to say.
Running around and messing things up.
Boy, he's really got you tucked away, hasn't he?
Speaker 1Come on, Dard, get us out of here.
We can hardly breathe.
We you're pal Tetman?
Who was bathing?
Speaker 2Boy?
You can sure do it?
Catch a caddy.
I think I ought to leave you in there.
He almost messed this whole thing up.
Speaker 1I did.
How Why did you think we released Testman?
Testman?
Yeah?
Speaker 2I know, Ali Tesman.
I'll call him Testamon because it was the first lead we got on this joker Zoma.
We've been after him for months.
Why playing on the superstitious people with a yen for the occult.
We had nothing to go on until we fished that woman out of Stow Lake with the amulet around her neck.
And you have to go and stick your pretty nose.
Speaker 1Into the picture.
Speaker 2What about Up until he met Zoma?
He was okay, going quite well in real estate.
Then along came the master Tessamond turned over the studio for Zoma to uses a temple.
But after he dumped the tomato into Stole Lake, Zoma realized he'd have to liquidate his affairs and get the bejaviors to other parts of the country with you and Rembrandt making like cops and robbers.
Speaker 1He knew he had three people to get out of the way.
Speaker 2He almost got away with it.
How did you get here when you did?
Speaker 1Sheer luck, cupcake?
I was only returning to make a routine check.
Speaker 4Up on this joint.
Speaker 1Sister, Are you lucky?
You can say that again?
All right?
Speaker 4Sister?
Speaker 1Are you?
Speaker 2On second thought?
Speaker 1Maybe you aren't.
Speaker 2What do you mean now, I dear, if there's one thing I can't stand, it's an interfering woman.
Speaker 1I think I'll just leave.
Speaker 4You in there.
Speaker 2No none goodenough, Rene, a good life.
Speaker 1Okay?
Speaker 2On one condition?
Speaker 1Sure?
Sure?
What is it?
Speaker 2Promise you'll go to a roy Acuff movie with me tonight?
Speaker 1Roy Acuff movie.
What do you think?
Rembrandt of State worse than Day?
That's what I thought too, So long Mallards on your way out, just stealing that last Drake Williams.
Speaker 5Listen again next week at this same time for excitement and adventure.
Speaker 1Just dial Candy Madson you come to A two o nine.
Speaker 5The part of Testaman was played by John Groeber Zoma was Lou Tobin.
Henry Laugh is heard as Lieutenant Ray Millard, and Jack Thomas is rehn Brandt Watson.
The program stars Natalie Masters and is written and directed by Marti Masters.
Bill Brownell creates the sound effects, and Eloise Rowan is.
Speaker 2Heard at the Organs.
Speaker 5Our engineer was Frank Barron.
Any resemblance to actual people is purely coincidental.
The characters in the story were entirely fictitious.
The program came to you from San Francisco.
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