Episode Transcript
Quiet Please, Quiet Please.
M h.
Speaker 2The American Broadcasting Company presents Quiet Please, which is written and directed by Willis Cooper, which features Ernest Chappel.
Quiet Please for today is called Summer Goodbye.
Speaker 3The last stop Light the last traffic lights where supposed the boulevard crosses than Sura trim Oaks.
The next one's nearly forty miles northwest of Canio, So we felt pretty sure there'd be nothing to stop us for.
Speaker 2A long time.
Speaker 3And even though they weren't very far behind this then I knew most of the side roads, I wasn't sure they did.
I thought of the road the branches off the Hidden Valley Road that goes the other way.
Speaker 1From Lake Sherwood.
Speaker 3And I thought of the East Petaro Road, because down off the coast road finally lead previously over through the sand dunes of an Amy.
Speaker 4I was afraid they might know that way.
Speaker 1And then I remembered last for Amous Canyon.
I remember the little.
Speaker 4House away up under the hills, the place we used to call.
Speaker 1Shangri La, and I would sure they wouldn't know that place.
Speaker 3Now you need a place to hide out in in the back of your cars, loaded down with two satchels full of money they used to belong to somebody else, and there's bright fresh blood and the handle of one of 'em.
The last days of summer in California, the time when you know it's summer goodbye, when the rains are sweeping down from the northwest, where they've been gathering up over the Ruandatuca, drenching the forests and the north turning the snow over the high.
Speaker 1Sierras, drifting southward to fiss summer goodbye, and turn the long brown hills into green baskets.
Speaker 3When the little brooks would fill up and overflow their banks, the sleepy Los Angeles River would come to life again.
Speaker 4Down in the valley, roads would disappear in the mud.
Speaker 1The last days of summer.
Speaker 3And then I knew if we could hide away somewhere the lorrains came, it would be hard to put the fowls.
Maybe they come a day when we could pull out again, and that money that used to be somebody else's would be ours.
Speaker 1Not on somebody.
Speaker 3Ain't not a California either, not a't nothing the rich shop nor We get it almost any day now.
Speaker 1And it certainly doesn't look like it now, does it.
Oh, you can't tell in California.
As soon as they're betty, it's right.
Speaker 3We have been all summer.
We get up in a canyon there.
Speaker 5You know.
Speaker 1I'm afraid of fire.
Speaker 4Yeah, we had no fires all summer.
Speaker 1No, they tached right around.
Speaker 4See if you can see anybody.
Speaker 2No, nobody think they got tied up in the traffic back there has done nice.
Speaker 1Center buck Yeah, I hope so the too.
Speaker 5Keep a shop by off for motorcycle cops too.
Speaker 4But he took if he gotta stop the.
Speaker 3Speeding, he feel sorry for anybody'll tries it, me too.
I wonder what about that?
Speaker 1I wonder what the carrying was taxing?
Nothing to wonder about it, I guess not.
I got my hands at thirty from that's hats for two.
Speaker 4We can wash when we get up there.
Speaker 1How there's nobody up there, So do I.
Speaker 4Be too bad?
If there is.
Speaker 3Smell?
Do you think you can get out of it?
Stuck to rain?
Speaker 1Hope so, I'd love will probably get out of pieces.
Speaker 4All the better for us.
Speaker 3All.
Speaker 1I wouldn't wanna get stuck.
Speaker 4We won't.
Speaker 1Tink how to look back?
Nobody yet, man.
Speaker 3I think we're getting away from 'em if we don't get stuck behind a truck.
Speaker 1Yes, what you're doing, sudy side, We would have to do better than that.
How much frother p we can't off?
Speaker 4I mean four or five, six miles?
Maybe more.
Speaker 1I'll throw a bare over the Knoga Park?
Can any pet?
Sorry?
Speaker 3Ny?
Speaker 4Hear 'em?
Long ways off to 'em?
Speaker 1Hang on, we're going places.
Speaker 5Hope we don't blow a tire and cut it out.
Speaker 3I'd fat chance, fuck bitch ticker see him blue dinner pants, khaki shirt.
Speaker 1Take the next tonner?
Speaker 3Stay?
Speaker 1Is there?
Just throwing off of fast?
Speaker 3No?
Speaker 1One's throw the boys behind us?
Non?
Why what do we do if they catch up with him?
They won't catch up with it?
But what if they do?
Well, let's say grab us, swell us, there's topas tapas.
When do you mean pull the stuff on the.
Speaker 3Platform with a rope around our next sunny?
Speaker 1Pull the platform out from under us.
Speaker 3Hail it.
Speaker 4Yeah, that's what they do to people.
Speaker 1Let's murder other people.
Speaker 5Hunhy, I didn't murder anybody, know it.
Speaker 4You were with me when I did it.
Speaker 1You didn't try to stop me.
Speaker 4You grab the sactually was carried hit handon.
Speaker 1I didn't have a chance to wash him.
I wish, wish what now they hit taggers?
Speaker 4Yeah, it looks just like the road we get past.
Wish what what?
Speaker 1Wish?
What?
Oh?
I I wish we hadn't done it.
Speaker 3You wanna keep on living in a shock down on Temple Street.
Speaker 1I wish we hadn't killed.
Oh we had the honey.
Speaker 4Well he wanted the money.
He didn't want us to have it.
Speaker 1I forget it.
I can't forget it.
Oh, I think they get any closer.
Can you see them?
There's too many turns.
Speaker 2In the road.
Speaker 4Would be a French junction in a minute where we turn off.
Speaker 5Oh what if they follow us all?
Speaker 4I don't think they will.
Speaker 3If they don't see us turn, they get right on adventure U bovard.
If they stalking out somebody, Well, if.
Speaker 1They follow us, that gut loaded.
Why he fired one shot, we'll see the safety sull you'll really get it.
The tighter, the down, the stake was nothing.
Speaker 3Else to do, honey with that pictures anyway, it's a beautiful day.
Speaker 1Yeah, to die.
Speaker 4They won't die, baby, die, they won't die.
Look there's a turn.
Hot, hang on, here we go, wait.
Speaker 1The minute, Just fill up listen.
Speaker 3If you're gonna feel sorry for anybody, feel sorry for us.
So y'all look so I look alike, blue denim.
Speaker 4Pants, kanky shirt.
Speaker 1No what I was just thinking.
Speaker 5Suppose they stop and that front of those huge tidings.
Speaker 1They won't.
Speaker 4Hey, wait a minute, m M.
Speaker 1What are you gonna do after that?
Speaker 4Fellow a minute, send me the pistol.
Speaker 3Stick your head out and yellow that's gonna come here.
Speaker 4I think we're gonna pick him up.
Do what I tell you.
Speaker 1O ready, went back up a little ways.
I don't see him, noose, he was right there.
He was standing by that live oak tree.
But he goes so he can't listen.
Go on, hang onunder your hat, baby.
Speaker 4We made it around the corner at.
Speaker 3French Junction Simon last Vahines Canyon Road.
As they passed the big yellow sign no smoking and fires.
Beyond this point, he heard the signs of the police cards screaming.
Speaker 4Their way on up and draw a blue hat away from us, and he.
Speaker 1Breathed alongside relief.
Speaker 3Slowed down at last through a respectable thirty miles an hour in the dust among.
Speaker 1The sunflowers, down the winding road, past the off top of the fields and the side road that leads down the creek.
Speaker 3Down the winding road, past the steep little path that leads up the nest Rahma's school house to date.
Speaker 1The un past the barn where the dog comes out and bite ticket tires.
Speaker 3Down the winding road under the trees to the clemper eucalyptus at the clenter of currents Ground's ranch and a sharp turning left past the high ware fence to the clump of scrubble where you turn off across the sieves at the bottom of the hills, up the chagrela, the rounds, through the willows, down through the handy little creek bed that's a roaring thrones and it rings across the fields.
Hans take down the bars in the gate us toward the hill, through the woods to Shanger line.
Speaker 1What Mike crazy today?
He takes everywhere up here too?
Where's he going?
Speaker 4There's nothing up this lake?
Speaker 1Got the house of Shangri layes.
He's got the same tiny.
Speaker 3Uniform, Brule's got his shirt, no hat to play tut does no matter?
What's a little What about the same man?
Speaker 4Yet crazy?
Speaker 1How I don't know how he company?
Who's ben play for?
Speaker 4Then I'll take the guns.
Speaker 3You gonna put them up.
Speaker 1We're gonna stop, I'm gonna stop.
Speaker 3Let me go.
Speaker 1Yeah, no good, no good, We're stuck.
Speaker 4A listen, going up there and get that fellaw to come and give us a hand?
Speaker 1Will you mind?
Speaker 4Little?
Speaker 1Did you tell him?
Will I give him a ride?
Right?
Hurry?
Speaker 3After longer we sit here, the deeper will be in the sand here, all right, they get snappy.
Speaker 1I wanted to get out of here.
Speaker 4I'm gonna give him a ride, all right, yeah, m.
Speaker 1I think of it.
Can get him and having him to push not what?
Speaker 4No, yeah, what's the matter.
Speaker 3Let's go, Let's lay party neighwhere.
Speaker 1He was standing?
Right?
Speaker 4Well, I was scared too, You think not?
Speaker 1You can at yourself.
Speaker 4Sometimes try water and a man in broad daylight.
Speaker 3Try counting away to Sancho's full of money with a dozen people watching you.
And try racing across the countryside with the frightened woman in a fast car and three colored the cots.
Speaker 1Right behind you.
Speaker 3Get stuck in the sand twenty miles in no place, somebody watching you, and then.
Speaker 4Disappearing when you were looking for him.
Speaker 3Sure you're sure you'll be just as scared as I was late summer, afternoon, half and lazy.
The smell of you could let his trees around you, and not a sound to reach you, not a sound except a scrape of the shovelers.
You dig and dig and dig, get the sand that keeps shifting out of the wheels, and your wife is stunning in with a gun.
Speaker 1If you watch you get on a wol.
Speaker 3And the afternoon shadows growing longer and longer, and a little breeze coming up to rest in.
Speaker 4The leaves and make you think you're doing a hoofs creeping.
Speaker 1Up on you.
Speaker 3I you to throw it on, a gun on you and say come out with me, kids, let us hang het the robbery or murder.
Then you know all your want is to get up there to the deserted old house and stash away the sass and money and just lie, Lord of arrange time on a compace, stay in the station house, and the creak and the rain hide you as you creep out and up the highway to the boat that's gonna take you and the money in her a waste some place where.
Speaker 4They will never, never, never find you.
Speaker 1All you got plenty to think about it while you're digging and the shadows crawl on the hillside towards.
Speaker 4You wonder if you'll ever be doun them.
Speaker 1Get out of there.
I'm gonna try it sometimes, who's old friends?
Speaker 3As everything's got there sometime and at last the back wheels free and you get back in, and.
Speaker 4You ease yourself out of there.
Speaker 1And it's dark now as you take that.
Speaker 3Fundy littlettle trail up between the hills, it's so hard to see even the day's time.
Speaker 1There's somebody watching it.
Speaker 4No, you keep your ideas to yourself.
Speaker 3Is it stopping up in the dark wishing the bride lights and everybody within twenty miles to see?
You said, nobody lives up here.
Speaker 1We'll be all right with these lights.
You can't get off the trail unless they throw down the hill side.
You won't fall.
Speaker 3See somebody's watch where you cut it out.
Speaker 1I'm sorry, there's nothing to be scared of.
Speaker 3I know that's.
Speaker 1A dear.
Speaker 4You're all around the yes.
Speaker 1In the light you're looking.
Speaker 4I know what they looked like.
Speaker 3Somebody scared?
Speaker 4It was only a p.
Speaker 2How much farther is it?
Speaker 1Nose?
Speaker 4Only a little way?
Speaker 3Now?
Speaker 1Do you remember this turn?
Speaker 4Don't you?
Speaker 3I don't remember anything except I'm tired and cold and the hungry.
Uh h, I give you something to remember when we're living on some nice, warm island down the South Pacific.
Speaker 1Come where six.
Speaker 4Thousand miles away from here?
Speaker 1We ever get there?
Speaker 4What'd you say?
If we ever get there, we'll get there?
Speaker 3No?
Speaker 1Well do you think those that hitch tiger could be a copping?
Nah?
Speaker 3Well?
Speaker 1Who was he?
Speaker 4Some time I'm listening, That wasn't the same guy?
Speaker 1You're crazy?
Why y'all know he's sure looking the same.
Speaker 4Well, let's silly, y'u.
Speaker 3How could he get ahead of us all the time I was doing seventy five eighty miles an hour.
Speaker 1He was walking?
Maybe I can't hear you, I said, maybe he was walking?
You're crazy?
Matters?
Well, maybe you had a motorcycle or tell me?
Wow, how could he get past us?
Speaker 4We'd just seen him?
Speaker 1If he passed, maybe knew some short turn it out tut dout hot.
Speaker 4Stup?
That snake in the road?
Speaker 3Did you run over?
Yeah?
Speaker 1I had.
It's lucky to a sink.
It was snake.
It brings rain.
That's what we want.
I hate to see the summer go away, not me, summer, good bye?
That's what I say.
Speaker 4I had good riddance.
I don't want rain.
Speaker 3Huh.
Speaker 1I wish we'd get there.
Speaker 4Yeah, yeah, that's stretched up this little slow honey, and then we could wrest.
Speaker 1I'm worn now me too.
You've had a day.
Speaker 4Yeah, I'll say, I.
Speaker 1Sho want some coffee?
No coffee?
Why not fire?
Speaker 4I'm gonna gould the fire up here?
Why say that?
Speaker 2Something to blass on fire?
Way about that sign?
Speaker 1What side trying to take?
No slop and no fire?
See on this store?
Speaker 3No?
Speaker 4Not bad?
Somebody see it.
Speaker 1Anyway?
Speaker 3You ever see a brush fire up here in the canyon.
No, you don't want to see one.
And believe me, I guess there's only this one road to get out, see I know.
And we drive right into the hands.
Speaker 1Of the cop.
Speaker 4Yeah, that could rain.
Speaker 1It'll be all right.
Speaker 2It doesn't feel much like rain though.
Speaker 3Son't the place.
Speaker 4I think it's a couple of hand yards.
Mo Oh wait, there's a.
Speaker 1Good rush shaped like a Sure that's right, my gosh, I nearly got lost, so you.
Speaker 3Didn't go much fun of the canyon into my PA's the house.
Speaker 1Sure y looks different here tonight.
Oh, nobody's look here.
There isn't anybody.
Speaker 4Don't worry.
Speaker 5I don't know.
Speaker 1That's fella.
I forget it.
Yeah, this is good.
You'll park here, you go ahead and unlocked to go.
Speaker 4I'll get this stuff up and bring it up.
Speaker 1Lash light in the glove compartment.
Speaker 3You go unlock it scared right, all right, right off the go ahead one.
We're all along here, and this will be all over in a couple of days.
And it's a hope for the south of the.
Speaker 1Go ahead.
I'll be right behind, all right, watch out for snips.
Speaker 4What's the matter?
Speaker 1Where's that gun?
What's the matter?
Is that somebody?
The house is gone?
Speaker 4I said, The house is gone, she said.
And the house was gone.
Speaker 3I saw it three and a half months before, and it was there, the frame, cabin, three rooms, a little porch, and the chimney big as I I know, it was there then.
Speaker 1But in the darkness that night it was gone.
Friend, I don't know.
Speaker 3I checked out at the lone eucalyptus tree that stood alongside the porch.
Speaker 1The tree was there.
The house was gone.
It wasn't the slightest sign if.
Speaker 3The house had ever stood there, nothing dug up, no de three of any kind, no sign had ever been a house there, and it didn't starlight in the middle of the night because my wife and me looking at it, me holding a satu full of money in one hand and.
Speaker 5A loaded cocked pistol in the other, and topped that friend matter started to cry.
Speaker 1Well, I'll be took us to the wrong place.
Speaker 3I wonder if I No, I couldn't have.
I know every showed that trail, madaline.
Don't recognize the rock that looks like a bet you didn't?
Speaker 1You didn't?
I what recognize it?
I thought it?
Speaker 4Where is the house?
Speaker 1I don't know.
Somebody must have turned it down and taken it away.
Speaker 5That's never as if there ever was a house here.
Speaker 1You can't see in the dark.
This is the place, all right.
This is shangri laman.
I'm scared.
Speaker 5Let's get out of here, Get out.
Speaker 1Of here and go where?
Speaker 4Oh no, what we do for there?
Give me that fla, give me that slide?
It's that over there?
Speaker 1Looks like somebody said a camp fire here, Yeah, that's what it is.
Let's go.
Speaker 3Oh for other people that tore down the house probably build it to burn up rubbish.
Speaker 1That's not We don't find anything.
Speaker 5S What are you gonna does.
Speaker 1Is nothing else to do the back of sleep in the car with those stags and the wind of the blood, the blood.
Speaker 4And the money.
Speaker 1Baby, I'll be able to sleep a week.
You said you were satired, spitting and sleep on a punk in the house.
Speaker 3And turned down.
Speaker 1I told you you're talking as if I owned it or something.
I don't go for it, no, sweetheart.
Speaker 3Where two jumps ahead of the CPS were loaded with two bags of money they saw us knock off that guard.
Speaker 1What do you want to do?
Go to a hotel up and stand a barber.
Speaker 4Don't be a jerk.
Speaker 5I'm sorry, I'm making a foot on myself.
Speaker 4No, that's sick.
Speaker 5Good hope, you don't have to stay here very long.
Speaker 3Okay, it'll rain, say anything.
Now summer is over, baby, Now I come out back the car.
I'm out at my feet.
Speaker 1I wonder what saw that place down?
Wasn't that manly saw?
Shut it?
Out of these?
A million miles away from here there was a rifle shop.
I wonder, Pep getting a car.
Speaker 3Don't get in the cart out, I doesn't hear anything.
Speaker 4Maybe somebody out taking a patch.
Speaker 1Shout of the beer.
Get inside the car.
You hurt me, I can't send anybody.
Speaker 3Where where he stood, and the little slope of a hill above him, behind his mist was drifting over the stars.
Speaker 1But I couldn't mistake him.
Speaker 3Khaki shirt liuly live levised no hat rifle in his hand.
I shot it at him, but he didn't even look down at me.
He raised his rifle and fired.
Immediately.
There was an answering chopped from somewhere up and the hills below us.
Adam was lying alongside.
Speaker 4The car crying.
Speaker 3I stood there, stood there, unable to move, and he started down the hill for this, and then.
Speaker 1A sudden flory of shots in the.
Speaker 3Distance, and like a character in an old time silent movie, he stumbled and fell down the hill chartis and I could see the spreading sting across his kaki shirt and a starlight with the step toward him.
Speaker 4He didn't even look at me.
Speaker 3Painfully holed, so painfully, he drew himself up on his knees, aimed the longest time.
Speaker 1I had one shot, not one, not one.
Speaker 3I yell, and all I could hear in the dark was her butting, blasting breath, and when I.
Speaker 1Reached her, I sweat.
It was black with blood.
She can only guess.
Speaker 3I raised the pistol an jed that the man who had murdered my wife, and I pressed the figure one price three four times, and then set up again, and I saw the bullets hit him in the tihlight and he didn't even crim.
Speaker 1Solidly, deliberately he reached his pocket, pulled out a match and struck it went down the.
Speaker 3Set fire to the summer dry grass, and then half a second the scene was bright to day.
Speaker 1Racing fire roared at me.
Speaker 3I hardly had time to snatch up the meddling and hurry over the car shot away back where we came from.
Speaker 1There was nothing else to do.
Time assisting canon trail, A car receup.
I go faster time, devastating fire hanging at it.
Speaker 4Time through the town did the Sandy Creek.
Speaker 3Power higher alas at our heels.
Speaker 1And then just as we crossed the creek, the rain the canton.
Speaker 4Unpleased rain, and was who have saved it?
Speaker 3Now that we've sad?
Goodbye to summer.
And at the corner there by the ranch, the police car was waiting.
The Medlin was dead.
I told them under their guns, and I could see they didn't believe me.
Speaker 4I babbled about the rain, how it put out.
Speaker 1The fires, how the house was gone, and they laughed.
Speaker 3And then it was morning, when it was broad daylight, we went back up the canyon and up the twisting trails, but there was no sign of fire, me and the police.
Speaker 1And then we got there on the daylight.
Speaker 3There was the house, just is it always a been, And there hasn't been any fire, not the night before anyway.
One of the police officers told me about it.
Remember, or maybe you don't.
Speaker 1Twenty seven years ago there was a fellow murdered a couple up here and last Prahino's Canyon, he said.
Speaker 4Then he hid away up here.
Speaker 3Twenty seven years ago, he said, Natassi came on him a knife and he killed him.
How he managed to set the grass on the fire that night that burned out the whole country slide.
Speaker 1He was a bad man, he said, not up here.
I remember him so well, a hitchhiker he was.
Speaker 4Wore a pair of.
Speaker 1Levi's mkhanky shirt.
Remembering very well, he said, so do I.
Speaker 2The title of today is Quiet Please, story is Summer Goodbye.
Speaker 4It was written and directed by Willis Cooper, the man who spoke to you with Ernest Chaplin and Kathleen crdell Slay.
Speaker 1The part of Madeline.
Speaker 4Music for Quiet Please is why Albert drummer Matt Willis Cooper for a word about next week.
Thank you for listening to Quiet Please.
Speaker 3Nice story for us for next week is called Northern Light, and so until next week.
Speaker 1At the same time, I'm quietly yours, Ernest Chapels
