Episode Transcript
Thank you day, Peter, Hell are you here?
Welcome to you ain't seen nothing yet.
The Movie Podcast where our chat to a movie lover about a classic or beloved movie they haven't quite got around to watching until now.
Today's guest comedian Emma Holland.
Speaker 2All below.
Speaker 3I want to stay you with you.
Speaker 1The job waits, snake sucked, hid me, haven't a right Emma Holland, She's more than a comedian.
She's now a Bone of Fidy children's author.
A new book, Her debut book, Stories for the Kid next Door, is going gangbusters.
It looks fantastic, illustrated by the extremely talented Chris Cannett.
As soon as I saw that Emma was releasing a kid's book, I thought, yep, this makes absolute sense.
Emma is a comedian who has been making massive waves in the Australian and international comedy scene over the last few years through stand up shows the Melbourne International Comedy Festival and all around Australia in fact, and also the Edinburgh Fringe Festival, where she's playing to sell out crowds.
She's absolutely killing it.
If you get your comedy via the TV, you would have seen Emma killing it on the cheap seats.
I thank god you're here and have you been Paying Attention?
I've had the pleasure of doing a number of episodes of Have You Been Paying Attention with Emma, and she's an absolute joy to play with on that show.
She's actually just a really fun, lovely, funny person to hang around with.
She also I just shouldn't bury the lead because the winner of I think of season four of Taskmaster Australia.
She was hilarious on that season and a well deserved winner.
You can catch and she's working on a brand new show which will hit the festival circuit in Australia and I'm sure Edinburgh next year.
She does have a title for us, she told me off air, but she's not ready to announce it yet.
It is the title alone is worth the price of the ticket.
So go check Emma Holland both live.
Get her new book, Story for the Kid next Door, and you can listen to it right here, because I'm bloody stoked to be hanging with Emma Holland today.
Yes, we are back with Emma Holland today, Notting hill Ise.
We're talking about Welcome back, Emma, thanks coming back, Thank you for having me before we get into Notting Hill.
I can't wait to I'm almost a little bit nervous about whether you like this film or not.
But we encourage all our listeners to get onto our speak part this, follow the links and leave a message about maybe I guess you want to hear a movie, something you've heard, something you would like to hear, and Luke has done exactly that.
Let's have listened to Look.
Speaker 3At the time I believe you had twenty twenty three said you hadn't seen the banshes of being a sharer in terms of your best movies of that year.
Have you seen it since?
I don't believe you've spoken about it.
I could be wrong.
I may have missed a podcast, but I would love to know your thoughts on it.
I think it's one of the best movies I've seen in decades.
I'd love to know your thoughts on why.
If you do like it, you maybe you didn't, and if you didn't, fuck you, but if you didn't, why They didn't actually win many, many, many awards in terms of Colin Farrell and Brendan Gleeson and Let It Go, You know, Karen Condon and Barry Carigan.
She is my love the show.
Speaker 2Thank yous have quite a violent energy.
A couple of weeks, I don't respect you at all.
Speaker 1On a couple of weeks ago, was was very he was very, very loved the show.
But there was an episode of Fight Club with Kate lane Brook and he did not appreciate Kate's viewing or Brad Pitt.
Speaker 2Really that's interesting.
I wouldn't I want to have picked that from a film, bro.
Speaker 1So, I yes, I did see the bench ad Insurance not long after probably I recorded that episode, and yeah, I loved it.
Have you seen the Banches of Insurance?
Yeah?
I had to.
I see it.
I saw it twice.
Like the Paul Thomas Anderson factor, I have massive expectations when I go to watch a Martin McDonough film.
So we're doing it in Bruges and three billboards OUTSI Devan Missouri.
He's also his brother.
He made that Cavalry, which is an awesome film as well.
But then Bruce, He's one of my favorite films of all the time.
And I watched it with my son, I think during lockdown and he's he's going to Europe and he wants to go to the BRUEs for that but yeah, I I did have to watch it the second time because the first time I watched Banshees, I did have a feeling of like, I wouldn't mind a little bit more pace in this film.
Speaker 2I thought you said couldn't understand a word that I had to watch it twice with some title that was that as well.
Speaker 1But I love I love the setting of it, and he just kind of once Brendan Gleason's character told Colin Farrell that, you know, he doesn't want to be friends anymore.
Yeah, I was kind of expecting maybe it's a little bit more escalation.
I mean, I know there was the cutting off of fingers, which you could count as escalation, But then the city I went and sort of a second time and didn't bother me.
I just kind of like I sunk into it a little wash over me a bit more.
And I've loved it now.
I've he seen it four or five times.
Speaker 4Yeah.
Speaker 2I think Barry Kerrigan's performances that is amazing.
Speaker 1He's incredible.
Speaker 2He's just he's a freak.
He's so good.
Speaker 1Yeah.
This is young people you see who just I feel like they're old soul.
Speaker 2Young Irish folk.
Yeah, something in them at the moment.
I don't know what's going on up there, but.
Speaker 1There is something going on because I remember seeing him.
I think killing him a sacred year.
I think it's the first saw Great film.
Yeah, that was, and then it was The American Animals, the art heist film.
He was great in that, and he's just been constantly great.
Yeah, salt Burn obviously more recently he's great.
But Brennan Gleeson's is so watchable.
Colin Farrell.
I love Colin Farrell's career, but you know how he kind of went through that.
I do remember Chris Rock making fun of him at the Oscars, kind of something that you know, if you can't, if you can't, you know, Afford Russell Crowe, you get, you know, Colin Farrell almost calling him the team kind of Colin Ferrell.
And I just that he's kind of he's found his way and he's just, you know, a bit like Hugh Grant, who we'll chat about today.
Like he Grant.
I love how he owns his career now and he's doing different things and he's got got a good sense of humor about the things in his past.
And yeah, good on him, but good on it.
Speaker 2Someone's got to say, have you.
Speaker 1Seen the Three Billboards outside Having Missouri?
Yes, that is an amazing film.
That is as well, it was a long time ago.
Speaker 2I actually don't remember much about it.
Speaker 1So Frandz mcdonmant wins the oscar.
I got it.
I get it.
Speaker 2Confused with nomad Land a lot, even though they are very.
Speaker 1Different, very different, very different.
Yes, that's yeah.
Her daughter is quite a dark you know, obviously Mark McDonald writes pretty darkly.
But yeah, her daughter was raped and killed and the police aren't doing anything about it enough, so she puts the three billboards outside of the town asking why they haven't done things, and it causes a racus in town and an amazing cast of Sam Rockwell, Peter Dinklage and yeah friend dormant Peter.
Speaker 2Sam.
I forgot Peter Dnklish, wasn't it.
Yes, Yeah, he's my bro close personal front.
Speaker 1Yeah.
I never forget taking Peter Dinklish to the comics lounge.
Speaker 2Still wait, did you?
Speaker 1Yeah, because the peel things in my movie that mate, So yeah, I'm.
Speaker 2Sorry, I was making fun.
I was like, I thought you were just saying a celebrity and being like, yeah, we know each other.
Speaker 1But oh, no, you actually do know you have done that about forty times during this podcast, already pretending that Regie mcgannon's is trying to phone into the podcast.
Speaker 3No.
Speaker 1Yes, Peter thinklidh in.
I love you too.
So that was just before you did Game of Thrones.
So yeah, and I into the Comics lounge one night and it was it was just so surreal they have him there, yeah, hanging and he was, yeah, he loved it, had a great night.
Did he get up?
He didn't get up.
I think kind of query whether he was interested at all, and he was like, no, it's want of yeah, because he surprised me.
You tooked me out for dinner with all the Fox with the X Men people, with Hugh Jackman there, and he and I said I need to go to this gig at some point and then I said okay, I should go and he goes, oh, we're coming with you me and some of the Fox publicism that of car already and it's great life.
Speaker 2This is pre g O T.
Speaker 1So that we got.
The next thing he did was g O T.
Yeah.
Speaker 2Wow.
Do you talk to him still, yes, but he's like he's.
Speaker 1Very like email and he's he's very he does a thing where you email him and you'll get back to you, and then you'll email again.
He'll get back one more time, and then if you email a third time, he's like, no, I'm moving on now, But not in a not in a not in a weird way.
It's just like enough because he does get back quickly to you, but he yes.
And whenever Angela Bishop goes over to do the Emmys and he wins something and he's in the press conference, you'll always ask about me to him, and he said lovely He said lovely things, which is like.
Speaker 2A really nice guy.
He's got to stop emailing me.
Speaker 1Yeah, I can't come on to think.
I think the coolest guy I've ever met, though, could easily could easily be astound a comedian, Like when you said, did you get up?
Like I kind of forgot that you have a minimum, so like, he could easily be comedian.
He's got that sensibility.
As soon as he arrived on set, we were just like, yeah, yeah, so annoying.
Speaker 2When you meet people like that, you're like, oh, you wouldn't have to try, Yeah, it would enough to work, Like.
Speaker 1Us, I know, why can't this be the talented active one.
You know, that's not the comedians.
This did their thing, but he could easily, you know, be coming.
Anyway, Let's get on to talk about the movie we are here to talk about from nineteen ninety nine and Nodding Hill, directed by Roger Mitchell, written by Richard Curtis Hugh Grant.
Julia Roberts said Julia Morris.
Speaker 2I was going to say, Julia's a mirror.
Speaker 1Both would have been excellent.
Speaker 2Oh god, yeah, would have been amazing, and it was maybe.
Speaker 1They would have absolutely smashed electric, absolutely smashed it, but it wasn't to be.
Julia Roberts got the role Emma Holm.
Did you enjoy Notting Hill?
Speaker 2Yeah?
I loved it, Obviously I loved it.
My favorite movie is About Time, Yes, of course I loved it.
Speaker 1When you said about Time last week, I was like, Okay, this is a little hints boating well that you might enjoy notting Hill, because I think you because your three favorite films last week we're Finding Nemo, about Time, and Boiling Point.
Particularly about Time and Finding Nemo.
It says to me that you approach films with the open heartedness, lack of cynicism.
Speaker 2I do, but you know what my favorite genre is horror.
I think of balance.
I think I have my you know, I know where to put my energy.
I think that's what I'm trying to say.
Speaker 1So, you didn't have a horror film in your top three last week?
What would be your favorite horror film?
Speaker 2Either It Follows or Barbarian which was both very pretty recent films.
It's incredible.
Speaker 1Yeah, okay, I want to get too sidetracked on Barbarians or It Follows.
So you said last week you knew couple of things about but not too many things about Noting Hill.
You knew that the line I'm just a girl.
You know, you knew there was a movie star.
Speaker 2It was iconic.
It was Richard Curtis.
Speaker 1Yes, did anything What surprised you?
What did you like about it?
Speaker 2The big thing that surprised me was his approach to women in the film, Especially for something that came out in the nineties, it seemed I couldn't believe the amount of depth Julia Roberts's character had, and like every single decision she made.
I mean, I think it's also a test to her as an actor.
But every single decision she made and every like negative aspect of her personality came from a deeper truth.
It wasn't just like she was being based on the stereotype of what he thought, you know, a woman was.
So I think I was just genuinely surprised at how well she was depicted and how the aspect of her being a woman in media was yeah depicted as well.
Speaker 1Yeah, because she does drive the film as much as she's the one often is the cause of the relationship falling apart, but she's the one making the choice is good and bad.
When Hugh Grant so recently said that whenever he comes across his film on TV, he's flicking around, the first thing he thinks of is why doesn't my character have any balls?
And is a bit is a bit soft?
Speaker 2I really like what I just thought he was quite British.
That was my read, and that was like, you know, so.
Speaker 1This comes five years after Four Weddings and a Funeral, which is have you seen Four Weddings?
No, it's.
Speaker 2Famously i'ven't ever seen a film before two thousand and five.
Speaker 1I had a feeling you mentioned that, so I just thought i'd ask anyway, Four Weddings is a great film.
In fact, the director of that, Mark Null, was asked to direct notting Hill.
He said, no, I've already made that film, you know.
And and when Richard Curtis actually saw the first cut of Notting Hill, he was a bit disappointed because he thought, I think I've made Four Weddings again, because it's it's again.
It's it's it's Hugh Grant falling in love with an American woman and all this friends around them, and it's certainly got a similar vibe.
I would say that they are different, different enough, but yes, he Grant.
This was a Richard Curtis came up with his own little industry here and him and Hugh Grant.
This seemed to work.
He could write really well for Hugh Grant.
I think Hugh Grant could deliver Richard Curtis lines really well.
Speaker 2It was also the first time I've kind of gotten Hugh Grant.
I mean, I saw him in Bridget Jones as a kid, and I like, but I saw him as like someone my mom was into, Like my mom had a crush on him.
And then I think, just because of you know, the age he has been while I've been growing up with films, he's always just seemed like an older figure in movies and people talk about him like he's this like absolute dream broke, Like they talking about him like his Harry styles or something, and I was like, kind of, I guess, so, I guess he's like beautiful.
But then I saw him in this movie and I was like, oh, I get it.
And it wasn't just like about appearance.
It was just about like the the riz I suppose.
Speaker 1Yeah.
Well, the the Bridget Jones character that he plays always felt to me like there's a bit of a wink to the audience who already knew who Grant from for weddings and notting Hill is kind of go oh, the guy that you loved so much, who was like the good guy, now he's playing yeah, the bastard.
Speaker 2Yeah see, I've only known him from yeah bustard onwards.
Speaker 1That's that's so fascinating because he really was like he was the biggest you know, you know actor in his genre around this time.
And he's also what's interesting about the casting is Julia Roberts also had some like weird kind of media kind of intrusion and became fighter for the perhaps and I think it was going through some relationship issues.
I think there might have been a family breakdown and then she anyway without reliving at all.
It's just too painful for me because I was the man in the middle of that break.
Speaker 2I didn't want to bring it up, but I knew.
Speaker 1I did know.
And then of course Hugh Granted around about ninety five ninety six, you know, he's found with Divine Brown.
This this prostitute or sex worker on the Sunset Strip, like you know, having a performing a sex actress.
Speaker 2Grant this is the most like I think I knew about all this, but this is such like yeah, nineties paparazzi gossip.
It's like vintage was a nostalgia to it.
Speaker 1But what's amazing is when Hugh Grant got busted, you know, the munk shop went around, and then he appeared on Jay Leno like the next night, and like this kind of took responsibility and kind of and I was like, Wow, that wouldn't happen now you you would?
You would?
You would you know, get get somebody to up something on your Instagram, you put out a tile and you just so they know you're serious exactly, so you wouldn't necessarily go on a talk show which is comedic in front of an audience like Yep, that was that was wasn't it got a yeah blah blah blah blah.
Yeah, so it's yeah.
I really kind of in a way admired you Grant for that.
Like there were times when people just make these these mistakes go on and on and on because they don't you know, I'm not sure how many people would have done.
Speaker 2What he did, but what about the guts?
Speaker 1Yeah, if you did a crime, you did a time on Jay Leno.
But yeah, so they the casting was kind of they were both going through They weren't necessarily cold as actors, but they were weren't as hot as they had been so and they had both had this kind of weird relationship with fame and media.
So they put them both in the same film.
Speaker 2And then like explore those topics, explose topics.
Speaker 1I think is really amazing.
Have you been the notting Hill at all?
Speaker 3Of you?
Like?
Speaker 1Yes?
Speaker 2And I saw Kenneth Brenner walking down the street and I was like, this is living.
I've made it.
I'm in notting Hill and that's Kenneth Brenner.
He was wearing yellow tinted sunglasses and I thought, that's yeah, that checks out.
Speaker 1The blue door still there.
Speaker 2I actually don't know because I hadn't seen the film when I when I went, so I don't think I understood the way.
I just I was meeting a friend to we went and got Caribbean food.
Speaker 1The blue door is obviously became a little bit iconic, and people that was actually the house that belonged to Richard Curtis, really yes, and then he since moved out, and then people would go and have photos of the blue door.
People who live in there got cigarette they painted it black, and then they I think they sold.
And then I think they think the door is somewhere else now but it's a different door, or it's been it's been painted back the blue.
But yeah, and so and what did you what did you know of Julia Roberts then, because she hasn't done as much stuff like because she again was you know, we still Magnolia's and pretty woman.
Particularly she was the most famous person in the world for a lot.
Speaker 2I knew she had that Mona Lisa smilely smile not about her well, I knew she was like a like the iconic actress of the of the nineties and everything I've seen her and I think she's like Aeron Brockovich amazing.
Speaker 1It was a year after this and she wins the Oscar for that.
Speaker 2Yeah, oh that was sorry, that was pretty two thousand and four and we go one.
But yeah, I always thought she was quite brilliant and then yeah, I just was electrified by her.
Yeah, just like, yeah, incredible.
Speaker 1And obviously there's a there's the moment of actually we'll say it till late.
I want to jump too far, too far ahead.
There is a moment I want to talk about, which which is because I really, I really like this film.
It's very watchable.
It's I would have seen it many many times, not ness the whole thing as many times, but if it's on you just watch it for a little wile.
It's one of those films.
Sam one of Sam Pang's top three films nominated.
It really doesn't Cold Stoneheart of Sampagne.
Speaker 2He wants people to think he's this like tof guy and he's just a big softy.
Speaker 1In the green room.
Have you been paying attention?
He's a big song so nice and that he absolutely loves his film.
There is one there's one bit that kind of does like and the here.
Grant has even admitted that it's it's strange.
It's when they have the argument.
So they're back and forth.
But then she has these leaked photos that come out, and so she finds some refuge in the notting Hill apartment with new Grant.
Really nothing really happens to though.
We don't really hear anything more about those leaked photos on the but that's okay.
And then they slip together.
They get in the morning, they're you know, they're in their box shorts and she's wearing the business shirt, which was very kind of you know, that was the sexies that got in the nineties.
Speaker 2Very risky business, very risky business.
Speaker 1There's another film that's were you referencing the film or just saying risky business?
Speaker 2No, I was referencing the film.
Speaker 1I just had Okay, it's like a new game within this podcast.
Speaker 2I know the references.
I just don't know.
Speaker 1So they have an argument about because she gets upset about the fact that, you know, she's been caught.
Now there's by the way, that door must be very sound proof because there's like there is a throng of media outside that sure they would have heard something happening outside the door.
But he opens the door.
There's media they have an argument, and I just want to play this my.
Speaker 5Best friend slip.
Speaker 4She's slipped downstairs, cracked her back, and she's in a wheelchair for the rest of her life.
Speaker 1You know, all I'm asking for is a normal amount of perspective.
Speaker 6You're right, of course, you're right.
It's just that I've dealt with this garbage for ten years.
You've had it for ten minutes.
Our perspectives are very different.
Speaker 5Today's newspapers will be lining tomorrow's voice paper.
Speaker 4Bit excuse me, well, you know it's just one day tomorrow to these papers.
Speaker 7Will have been You really don't get it.
Speaker 6This story will be filed every time anyone writes anything about me.
Speaker 7They'll dig up these photos.
Newspapers last forever.
I'll regret this forever.
Speaker 3Right.
Speaker 8Right, I will feel the opposite.
That's okay by you, and always be glad that you good to stay.
Speaker 1Okay, There's two things I want to point out.
The first thing is really weak effort on Will's behald not to allow her to get to the door, like he's gone out, he's seen the media throng and then kind of gone and allows her to walk past it like that.
And that's you Granda said, I don't know why the character would and that's, to be honest, weak direction, like they needed to come up with a better way for her to walk out there.
Yeah, it's weak.
But I want to point out the really good thing about that scene, which I love, and I think this is you speak about how good Julie Roberts is and the depth that she found in this character when and then Hugran as well when he says, you know, when she says, oh, regret it forever.
Her reaction as soon as she says it, and she hasn't been able to stop herself from saying and she hears it out loud, she hears it come out of her her mouth is I think one of the things that gives this film real heart and depth.
And then he's you feel the hurt that he has is maybe the greatest night of his life where he's kind of already maybe envisaging and fantasizing about the future as it's being torn out of him.
Yeah, I think it's beautiful.
Yeah.
Speaker 2I thought that scene was like particularly good, that whole argument because I was watching it with these two girls who I hadn't seen it either, Like both well around the same age, and they were like, oh, that's a bit that's a bit mean of herse she acted out and I was like, no, but it makes sense for her character, Like you have to think of the history that she has, and like, I think that's why Julie Robins so good.
You can feel the weight of like everything this woman has experienced in this one singular moment.
It's just kind of all come to her head in this one particular moment.
It's not necessarily about him.
It's about she's tired of being ogl dat.
She's tired of not having genuine connection.
It's just come out in this like yeah, three lines.
Yeah, it's quite incredible.
Speaker 1And then the conversation about the perspective they have, and it's it's like they have different perspectives because she has to live her life differently, yeah, than what he has to live his life.
And yes, you can understand that news travels fast, that all news moves on quickly, you know, and there'll be a new news story tomorrow.
But we see it, you know, when when something happens to somebody it's been on savory.
It keeps popping out.
You read you know that online, you read the articles.
It's always there at the end, it's just like, well, it's got nothing to do with that, but they just keep it on fine, and they just keep maybe even more so now than then, to be honest, Yeah, which is incredible.
Did you like One of the things I think Richard Curtis does really well is inhabit his worlds with friends and it's not just about this romance.
Speaker 2Do you want to live in that?
Like you want to be a community being built in there?
Speaker 1He does it really well for weddings and a funeral and just as well here.
And I mean, and I'll be honest, I've Richard has been the massive influence on me.
I did a movie I Love You Too, you know, which you know, has an airport running, you know, like Chase of the Airport kind of seen at the end of it, and it's a date and how to stay married.
It was a lot, I think to Richard Curtis.
So I'm unabassed Richard Curtis fans.
I think some I think love actually has not aged particularly particularly particularly well.
But I was very really and I relate that to hear you say that you think not notting Hill has aged really well.
Speaker 2Yeah, yeah, I was genuinely surprised by that because I love I still love love actually.
Speaker 1Yeah, and we did it with Eddie Bannon on the show and Eddy kind of with the Shreds and I kind of we had some fun with it, and I'm like, I agree with almost everything he said, but I'm still gonna choose to enjoy it.
Speaker 2Yeah, I know.
Speaker 1I don't want to ruin love actually for anyone, because there's still so many good things about love.
Actually, Emma Thompson's one of the great performances in any movie I've seen from it's so heartbreaking with it.
Speaker 2Yeah, the shawl, she's wearing the red shawl.
Speaker 1Yeah, vivid, It's it's all there.
But I'm not sure they needed a story about the guy going over to America and sleeping with three women.
Speaker 2That was actually my favorite story.
I'm actually really connected with that one.
Speaker 1Well, walk me through it.
Walk me through how you connected.
It's actually not your business, but the mates say popular.
And the other thing he does really well is he finds ways to inject humor into it was so funny.
Speaker 2Yes, I didn't expect to be as funny like the scene you played at the start of last week's episode that I remember very vividly today, but it's such a British humor just that like letting.
My favorite kind of comedy is lines that are given space to breathe.
And I love negative space and comedy and like playing with just emptiness around a line and what that can do to elevate it.
And to me, it's just full of that.
It's just full of these.
They'll say a line and then they just let the characters sit in it and be like, oh, well, yes, I suppose that could be right.
Speaker 1It's so good.
And it's interesting that the first time we have the little I guess that little meet cute between Julia Roberts and Hugh Grant, there's a disruption in that with the first one is the Diyla Moran, who ironically it was in Black Corks at the time, and it's very funny, you know, and there's an interaction with the Anna Scott, and then the second time it's with the He's co worker who's very very funny and the call from his mum and then the exchange about her being in Ghosts and you know how it was Patrick Swayzey to work with and all that.
So there are insting choices to make to have these moments interrupted.
But he's very good at just injecting comedy into when you're having moments of pathos or drama.
I've still finding ways to get comedy in there, and I it's something that I've certainly taken in the stuff I've written, and I think it comes directly from Richard Curtis, to be absolutely honest.
And I think Reese Farns is so good as a Spike, but there's there's a whole cast of him that I'm.
Speaker 2The one that delighted me most was I can't remember last name, Emma something.
She plays Alice and Vicar of Dibley.
But I was like, I'm a massive Vicar of Dibley fan.
I grew up on it and so seeing al I was like, that's allous, what's she doing in here?
Speaker 1So she who was she in this?
She was the sister, the sister yes, who sadly is no longer with a pass away a couple years.
Emma Chambers, who played Honey Yea and originally one of the original scripts drafts, she was going to play almost a romantic rival with Anna who was vying for Will's heart, and she was going to own a record store across the road from the bookstore, and Will was going to choose her over Anna, and then Richard Curtis, I think kind of rightly for this kind of film to say, you don't want to overlook Anna.
Speaker 2Yeah, you don't need to add competition.
No, no women, No exactly, that's for the Olympics, all right.
I don't want to see it in my movies.
Speaker 1So made her the sister and she's, yeah, she's as soon as she walks in on that scene where they're meeting Anna for the first time, and just like you know, he's like, holy funk.
Whatever she says, yea is she's immediately immediately funny.
Geene McKee plays Bella, who had the accident a few years ago, and he's married Max Tim mcinerni.
Tim McInerney I knew from Blackadder black auDA goes forth.
Speaker 2Great and that I loved their relationship in that movie.
Speaker 1That was lovely, wasn't I loved when they went off to jump in the car.
Speaker 2Yes, that he's I'm not leaving her behind.
Speaker 1I'm not leaving her behind, and it just that was a really lovely touch.
Speaker 8Ye.
Speaker 1So, yeah, that they were.
They were great, And of course mister Downton Abbey, who were Hugh Bonneville was delightful.
Speaker 2Oh my god, yeah, yeah, yeah that was him.
Speaker 1That was him.
Yeah, he's like a big star now obviously.
But the whole cart, all the way, all the way through it are really are really good.
And then when they have like the moment of yeah, him rejecting, let's do this in order.
Now, okay, let's let's let's have that famous moment.
We'll work through it in order.
This is the famous moment, the line that I'm sure you all heard from notting Hill when Anna comes in and after she has you know, surprised him with by having a boyfriend, alex Alec Bordwin and and then come.
Speaker 2Back and Steven Baldwin's brother.
Speaker 1Hale, and and some time has past.
Beautiful by the way, shot got of an iconic shot of him walking through notting Hill with the seasons changing.
Speaker 2Yeah, it's not one seasons in one day.
Speaker 1It's almost like that could describe.
Speaker 2A city bloody and bloody day in Melbourne, like.
Speaker 1The seasonal change around at least four times in the day, perhaps betweenty four hour period.
And I so that's an amazing shot done in four different shots.
But it looks like one shot.
It's beautiful.
He goes to set.
Yeah, he's given one of those the headphones that listen.
Ta can hear the audio when they's having an off air conversation.
She kind of you know, discards him when asked by her co star, and he walks off, thinking this relationship is definitely done.
She appears back in the bookstore and basically hard on sleeve asking him to whether she would consider taking her back.
Speaker 7The fame thing isn't really real, you know.
Don't forget I'm also just a girl standing in front of a boy asking him to love her.
Speaker 1Not only is it a great line, it's so well the liver it.
It's so easy to forget how well Juliro was delivers that line.
And the space the space said the space, and you really hear because you could get through that line quicker.
Yeah, you know, I'm just a girl in front of a boy asking you, you know, love it.
There's a version of.
Speaker 2You read for that.
Speaker 1I'm sorry I did that.
I did it really quick, even quicker than that.
Speaker 2Really, I'm just love me, Robert de Niro, drive it.
Speaker 1I won't do an impressions.
Yeah, it's the space in that I think that whole scene goes for nine minutes, and that involves, you know, the him going to take the phone call with the mom and the beautiful exchange with the coworker.
It's it's really nice.
So that happens, and he he says, do you mind you know, I'm just going to say no, you know, and and the lovely line of I just don't think my inexperienced heart could take another There are just too many billboards, too many movies, and that would be true, you know.
So I remember my wife and I had like a little bit of time apart, like you know, we met together for a mus or so, and then you know, had like she did a bit of traveling.
But she later when we got back together, she later would tell me, yeah, you don't realize how many reminders there are of you in the public eye.
This is like me in two thousand and two thousand or something to that.
But that's also the friends kind of I think a lot of it was just friends asking or just radio or whatever.
Speaker 3You know.
Speaker 1So imagine that times the most famous person in the world as opposed the comedian you know, on the on the outskirts.
So yeah, so that happens, and he goes to the kind of to his friends places, is kind of restaurant that hasn't really been played much of a part in the film at this point.
I'm not sure why.
I think it's Max is a Max, No, not Max, the guy who owns a restaurant really hadn't played a part, and he's just comes to your haunting here.
But I have lovely discussion.
And there's a point that one of the characters makes when he's explaining that he's knocked her back, that I think is maybe the most beautiful line in the movie.
Let's listen.
Speaker 7Yeah, good move.
Speaker 2I mean when all setting down, she's nothing special.
I saw her taking on her trousers down and I definitely glimpse from silly light down there.
Speaker 7Good decision.
Speaker 2All actresses are as mad as snakes.
Speaker 1Turns, what are you?
Re never met her?
Never want to brilliant.
Speaker 2Max, Absolutely never trust a vegetarian.
Speaker 5Great, thanks, brilliant.
Speaker 7I was called my king?
What's that?
Speaker 2William's just turned down an a sculpt You daft crack?
No, no, no, no, it's actually quite sensible.
That painting isn't the original not.
Speaker 4I think it might appear, but she said she wanted to go out with you, yeah.
Speaker 1Last night.
Speaker 4What Well, you know, anyone saying they want they go out with is pretty great, isn't it.
Speaker 1That's Bernie at Bonaville.
I think that is one of the lines of the movie, just that very simple idea that somebody who says they want to go out with you is actually such a beautiful thing.
I just like, I remember that that line really getting to me.
Speaker 2Really, that's so funny because I read it as him just trying to downplay the magnitude of what.
Speaker 1Had happened, right, that's interesting.
Speaker 2Yeah, this is this is what it's about.
Speaker 1I'm going to wrap things up because you disagree with my interpretation of No.
Yeah, that's really fascinating because I I was just think he was because when he says, I think he's about to say, when he kind of says the line that she gave, she know he retells it.
She said, I'm just a boy, I'm just a girl stand in front of a boy, and you could see how they all react to it.
They all kind of change her opinion.
Yeah, it's like, you know, they all realize maybe she is lovely and maybe you have made a mistake.
Here and maybe she's genuine.
And I've always seen that as just him kind of almost thinking out loud.
I feel like in that moment they were all kind of always they also think about their own experiences and their own kind of lives and all that, and when he just says, and his single, so he's just thinking, it's just kind of it's kind of nice that somebody actually says, I want to spend time with you.
Is actually like a a really beautiful thing.
So at lease, yeah, maybe well at least you have that.
Speaker 2Yeah, Oh okay, I take it back.
Speaker 1I don't.
Speaker 2I've changed my interpretations absolutely.
Speaker 1Art Art is the winner here today.
Richard Curtis, if you're listening, tell us who you know?
Speaker 2He call him?
Yeah yeah, put press the Lala button on your sound.
Speaker 1Regie McAdams is clogging up the phonalist.
Speaker 2Tell her to go away.
Speaker 1He's hanging on.
She's saying, waited a week to talk to him.
Did you have an idea of how this ended?
Speaker 2Uh?
No, I knew I had an inkling they ended up together, but I didn't know about the press conference scenes.
So I was actually quite delighted by I thought, I mean, look, I it would sound like my nightmare, a public display of affection in my workplace.
But she seemed into it, so good for her into it.
Speaker 1Let's have a listen to the iconic ending of notting Hill.
Speaker 7Yeah, the last time you were here there was some fairly graphic photographs taken of you with a youngish guy.
So, uh, what happened?
That he was just a friend?
We're still friends, I think right?
Speaker 4Yes, gentlemen in the pink shirt, Yes, miss Scott, are there any circumstances in which the two of you.
Speaker 5Might be more than just good friends?
Speaker 7I hoped there would be, but no, I'm assured there aren't.
Speaker 4But what would you say if I'm sorry?
Speaker 3Just the one question?
Speaker 7Please?
Speaker 1You were saying, I was just wondering if.
Speaker 5It turned out that this persona his names?
Thanks?
Thanks, I just wondered whether if mister Thacker realized he'd been a daft prick and got down on his knees and begged you to reconsider, whether you would in fact then.
Speaker 1Reconsider?
Speaker 7Yes, I believe I would.
Speaker 5That's very good news.
The readers of Horse and Hound will be absolutely delighted.
Speaker 1He gets the joke in and the cuts at the emotion with the last.
Speaker 2The perfect The perfect cut in also crazy to divulge the intricacies of your situationship at a press Drouncket.
Yeah, we were more than friends, but I'm not sure about it now.
Speaker 1To tell them, I think a lot of you know Richard Curtis's film, sometimes it's like you think too much.
You need who approach these films with a certain open heartedness.
Absolutely, and you know, and I I really did watch this film last night and it really did take me back to watching it and when you're in you know, a cinema of people in it and they're laughing together, and that we're getting a big laugh and and like like we said when Honey came in and said, what are you like?
Oh my fucking girl when she saw Anna Scott, Like, they're just big laughs, you know.
So you know, I I there are laughs all the way through this.
I think it's Yeah.
I do think it's an excellent film that does hold up really well.
We do have some fun facts.
Speaker 2Trivia from IMDb.
Speaker 1Yeah, basically divulge that as a secret, but something not all these are on IMDb.
I should let you know.
I did some other some other places fate of my sources on the ground ground Richard Curtis, this is the park Bench is we love a nassy connection to movies, and the one we found is that the park bench is currently in queen's gardens in East Perth.
It was really yes, the bench was brought an auction for some failed relationship.
It kind of went hour after that and then the it was donated to the City of Perth.
So funnily enough, it is in a queen's gardens, which I think, is it like a locked off.
Speaker 2I love the idea that he did that to punish her.
Speaker 1Fine the movie the final cut was three and a half hours, so ninety minutes was thankfully cut from it.
Speaker 2You can't be doing that.
Speaker 1No, no port Tom Sanderson.
Maybe it gets away to magnolia, but I'm not sure if I want three and a half hours.
This is it feels like the perfect length.
Speaker 2Yeah, it didn't feel too two hours.
Speaker 1Julie Us hated the line, and she you know, she was loath to criticize Richard Curtis's writing because she thinks he's a genius.
But you need to hate the line about Rita Hayworth.
When men go to sleep with Rita Hayworth, they go to they go to bed with Guilder, which is most famous character, and they wake up with Rita Hayworth.
She kind of hated that line.
She didn't think it was particularly true.
Yeah, but sometimes you just gotta say the lines, Julia.
Speaker 2In this industry, you know how it is, Oh Dan straight door, I do?
You're right a lot of yours, don't you.
Speaker 1Yeah, Yeah, little ironic kind of mentioned of meat Life's breaths in this In this movie, you're going to mention meat Life's breast.
He has a lovely pair of breasts.
Yes, because in the same year nineteen ninety nine, great year for movies, Fight Club comes out, where meat Loaf has a pair.
Speaker 2That's right, never heard of the movie fight Club.
Speaker 1You're not supposed to talk about it.
Speaker 2That's why you never heard about it.
Speaker 7That's right.
Speaker 1In the when they were shooting the bump into when Julie Roberts, Anna Scott and Will thaka here Grant bump into each other after the which always find these kind of bumpings can be a bit you know whatever.
But they realized on the first take that orange juice doesn't actually stay.
So it's just like this damp quite wet.
It was wet patch, which is not as cool as seeing the orange.
So I had to get some orange paint into the orange juice to make it a carp there.
Richard, this is interesting.
Richard Curtis often tells the story that he came up with the idea just one night.
I was in bed, thinking, what would happen if, you know, a regular person went out with a movie you know, a movie star, Like if I went to a dinner party at my friend's house and Madonna was there, Well, yeah, and we and we kind of there's some chemistry.
Could could that happen?
Speaker 2Here?
Speaker 1Grant tells a different story here.
Grant he reckons he Richard Curtis has got on the cans with him a few times and told him the story about a friend of his who met a famous woman of the world in Harold's and they went back to his place and Shenanigan's ensued on and off again relationship ensued.
I believe he's an American actress, and he's so fearful of the name of the people getting out, or particularly the name of the actress, that he's just kind of he's just like ignored the fact that this that's how the idea for the movie actually began, and he's just kind of came up with this.
Oh, I just thought of it.
Speaker 2So is there any theories on I didn't.
Speaker 1Track it down.
Maybe I should have got on get on Reddit maybe and check that theory down.
But it's a better it's a better story.
Speaker 2Then we can check out.
Speaker 1I just thought about it.
I mean, yeah, apparently.
And he's not based on Julie Roberts Grace Caley analogy hepboom where the inspirations for the characters, but she feels kind of Julia Roberts to me.
But yes, Emma Holland, thank you so much.
Speaker 2Thank you.
Speaker 1This podcast comes with a little bit of homework, and you did it.
Okay, you've already done your homework.
Thank You've already done your homework.
Wonderful, So thank you so much.
Is there anything you're you're doing at the moment you would like to get to the world.
What do you go?
Speaker 2I've got a plug.
I just released a kid's book, of course, Welcome Class.
Thank you.
I I wrote it specifically because I knew you hadn't I wanted to shove you out of the industry.
Speaker 1Oh, you've got a bit of catching up to Galileo.
Book two, The dog Father, comes out in November.
Yes, if you got your movies, there's a little ty in.
Yes, tell us about your book.
Speaker 2It's called Stories for the Kid next Door.
It's short stories and poems.
Kind of absurd if you like Andy Griffiths Paul Jennings, it's kind of in the same break.
Speaker 1Paul Jennings is a massive influence on me.
Yeah.
Speaker 2I think he was for a lot of comics.
So good, so good.
Speaker 1Yeah, so yeah.
Speaker 2I hope this book is at least some kind of owe to his influence on me.
Speaker 1Have you done signing the book signings at schools or have you no?
Speaker 2Kind of just starting.
I'm doing my first library visit on Thursday, which is very exciting.
It's you.
Speaker 1You love it so much.
It's such a beautiful world of like they're very honest the kids, yes, which is kind of great.
But there's a complete also lack of cynicism, you know, like they just they just open hearted and they're they're excited.
They'll be excited for you to be there.
Speaker 2They love I'm so nervous and no one's going to show up.
Speaker 1They will, they will, they will.
Speaker 2Yeah, I'm sorry.
Start I love kids.
I love like working with them and getting to make art for them.
So it's very cool that this all came together.
Speaker 1Well, I haven't read the book yet, but I've seen I've seen the artwork and the.
Speaker 2Yeah, shout out to Chris Kennet, the illustrator, for doing that.
Speaker 1It looks amazing.
Speaker 2Yeah, it's incredible.
Speaker 1How good is it?
I've been with any joiner on Galileo, and when you get the pictures the illustrations back, it's an exciting day.
You can think, oh, this has got better.
Speaker 2I specifically wanted him as well.
Like his style.
I felt really much the energy of what I was writing, and I was so nervous about them asking him because I was like, oh, what if he says no?
And then he did and I was so happy.
But yeah, it's just like it's exactly what I pictured for the book was just the amount of I always just describe it as the energy he brings to it, like the stories come alive with his illustrations.
It's incredible.
Speaker 1No, it's one of the really happy days of my life when I'm writing something and the illustrations coming from talented illustrators, well fantastic.
Get that it's in all good bookstores, every single one of them.
If you look out for book signings and opportunities to meet Emma.
Speaker 2Yeah, please come just for my sake.
Speaker 1You heard her on look you fe a little bit sorry for her, a bit nervous about people rocking up and no and any travel bookstores appearances coming up.
Speaker 2None currently, but it will be in the future, so keep an eye out.
Speaker 1Thank you so much, Thank you.
How great is Emma Holland?
That was a fun couple of episodes, both her three favorite films in Finding the Email, About Time and Boiling Point.
I have to get onto that and to chat about notting Hill.
I was very relieved that she enjoyed it.
The onus is not on our guest to have to enjoy the film they just watched, but it Yeah, I'm just glad she did.
When she mentioned it About Time was one of her favorite films, I had a feeling at an inkling that notting Hill might be thereabouts.
Thanks for listening to everybody.
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