Episode Transcript
Hi, I'm Kristin Davis, and I want to know are you a Charlotte?
Hi, everybody, welcome to Are You a Charlotte?
I am back with the incredible, knowledgeable, brilliant Alina Waite for part two of Are You a Charlotte?
Rewatching No ifs ands or butts.
All right, now, we have not talked about all the different things.
Let's talk a little bit more because you know, we like talk about the macro here.
Speaker 2I love that about you.
Speaker 1But I wanted to get your point of view on Aiden and Carrie.
But Aiden especially because obviously at the time that Aiden showed up, he was like the anti big yes right when I see his little baby.
Speaker 2Face, Oh my gosh, hair, I mean.
Speaker 1Just so adorable.
And he was always wearing what he wanted.
I just want to go on record about this because people really criticized what he wore on just like that.
And I was at his fitting.
I had pulled out some things I had fitting right before him, and they were like John is coming.
I was like, oh, these clothes are beautiful.
So I pulled out all the beautiful things.
I put them together like I was picking outfits for Corbett, right, and he got there and he was like no, And I was like, okay, all right, I'm leaving goodbye, right, and I left Molly with him and he wanted that narrow jacket thing.
That's what he wanted to wear, right, And then everybody was like, why did Molly Rogers put him in that?
She did not put him in that, right, Like when he was wearing the double jean in the beginning, that is Corbett right with the rings.
This is Corbett, right, No one put that on him.
Speaker 3Well, the child he is supposed to be, like, is he like a Midwestern type guy?
Speaker 2I mean, ever say?
Speaker 1I mean.
Speaker 2Where Maybe he doesn't say that.
Speaker 1I don't know, because remember he had been on the Northern Exposure.
Speaker 2Okay, I remember that show.
Speaker 3I mean what I what I liked was the voiceover is that he's very all American, right, so he's also something that's been out of a rap Lauren ad you know, think about it.
Speaker 2They're wearing the dinner on dinner the turquoise way.
Speaker 1And he's got his longer hat.
The dogs babyface, and the dog who wants to hunt carry's legs about this.
And he makes.
Speaker 3Furniture, literally makes furniture, which is so dreamy a chair that lives in the show long pastes him.
Speaker 1I had forgotten all of this.
Speaker 3His chair survives him.
I think, you know, I think I love the introduction of that character.
I love how they introduce him.
I love that she says she has a crush.
I love that she has to There's always going to be a conflict, so I love that she has to choose to see him and cigarettes.
And I even googled.
I said how addictive are cigarettes?
And I'm like, I just googled because I'm not a smokeer, but I saidtive, like, I mean, yeah, there was like there is addictive as heroin and like you know, like all other kinds of the hard drugs.
Speaker 2So you really feel for her, you know, trying to think.
Speaker 1About and everything right.
Speaker 3But what I do appreciate is that she's willing to say you know what, and all of the girls who are like, we all hate it.
Speaker 1We all hate that I forgot about or were like he's right, yeah, like we put up with it, Like that's so rare that we're like some guy we've never met.
We're like, yeah, you should listen to him.
Speaker 3Well, but doesn't even listen.
It's more about it's not a great habit.
You know, it's tough, and so I thought, that's what's so great about that argument is because you can say, oh, he's being controlling, and so I can say or he's trying to say, yo, it's not healthy.
Speaker 1Definitely, absolutely.
I mean I feel like.
Speaker 3Also, if anybody's ever kissed somebody who just tooked a cigarette.
Speaker 1I'm with you.
That's so funny to me.
When she so she gets the cigarette out and he goes, oh, we have a problem, and then she's like, what she thinks it's about that she lied that she was a designer, right to get the chair, but it's not.
It's a cigarette.
And he goes, you know, I can't date a smoke her.
And then she's like, oh, I'll just put away.
She turns her back.
Then she turns back to him.
She's taken a puff.
And then he gets her and then he goes and it doesn't.
Speaker 2Even occur to her that she took away.
Speaker 1She's yeah, And I think some of that is the nineties New York, like everybody was just smoking.
Like when you see the first season and she goes to that book party of the justin what's his name?
Thank You Throw's character like he plays two writers.
Do you remember the writers?
His first rider is like kind of an ick, like, oh, now I'm gonna say name, but I shouldn't say name.
He's like one of those, like, you know, super cool young guy writers.
And every one of that party is smoking.
That's what I remember.
Yeah, you know, and like on our set, everybody would smoke.
So we'd be in that small like the sound stage at Silver Cup.
I feel like the ceiling was this low, and like our first a d would smoke like a chimney start just with smoking.
Speaker 2Everyone there's just.
Speaker 1A cloud of smoke, do you know what I mean?
Like all night long, you're just in there.
Speaker 2You be like outside to breathe.
Whoa.
Speaker 1Yeah, it was a lot.
There was a lot.
I know.
I just want to talk about Aiden some more.
Okay, I don't know what to make of Aiden when I look back.
Speaker 3Oh, I think I think Aiden is actually quite old fashioned.
Speaker 2In a good way.
Yeah, I mean, I think just in many ways.
Speaker 3I don't know if it's good or bad, you know, but I think, and obviously I love I started.
It's Netflix, so the next episode begins, and you know, just kind of let it all a little bit.
But I do love the episode where he waits to have sex with Carrie.
Speaker 1I've forgotten about that.
Speaker 2Yeah, She's a little like what is happening?
Speaker 1Yeah?
Speaker 3And I think that to me again, what's cool about the Second the City is that that's why I don't get too concerned about the politics around certain things, because it's more about how do I age with the show rather than how does the show age?
Speaker 2Interesting because for.
Speaker 3Me, you know, in my early forties now and watching a character say, you know what, I want to hold off on like just jumping in the bed right away.
Speaker 2I want to really continue to get to know you.
Speaker 3I want to make sure we have a foundation that's something now that you can look at and go, oh, I relate to this.
I understand the idea of not sitting terring sex.
Speaker 2In a relationship.
Speaker 3And it shows his maturity and that he's like, look, I've done the we have sex early and it hasn't quite worked out, and so he's like, I want this to work.
And I love that She is like, huh now, I'm like nervous to have because because there's there's an investment definitely, and I just sort of think that and also, you know, Ai, I'm talking about Aiden later too, like when he there's a breakup obviously, and then he comes back and it's a willingness to forgive, there's a willingness to keep trying.
But I also think because look, I'm childless by choice, and I think some Aiden was very determined to be a father, and we see how that choice affects his life later with Carrie.
Yeah, and sometimes it can be frustrated because you're look at You're like, okay, bruh, your kids are practically grown, like they're.
Speaker 2Their own people.
How much micro manager do you need to do?
Again?
Speaker 3You have to have conflicts in TV, not complaining.
But I do think there's this idea if he hadn't been so concerned with being a father, he might have been able to be a better partner and a for sure you know, free version of himself.
Speaker 1That's so interesting.
I like that so much.
Yeah, I mean, I'm gonna, I'm gonna now that I'm back in the old Aiden, right, Yeah, No, we're early Aiden.
Speaker 2Early Aiden with.
Speaker 1That little little baby face of his is so adorable, and he is so different and the just the energy that he brings is so different, just it himself.
It's very it's specific and interestingly different.
Speaker 2Yeah, he's a bit of a hippie and you know, a free spirit.
Speaker 1He's got a strength.
Speaker 3Very grounded, yeah, very comfortable in his skin, yes, yeah, which is so nice for her, absolutely, Like he wants her to meet his parents and she's all like what right.
So it's that thing of I love how he's offering obviously everything Big didn't.
And what I really appreciate about the difference between the two is that Biggest who women won.
Aiden's almost like the person you need and so you because because Aiden's concerned about her health, right, Big is like I smoke too, definitely, Big like, I'm not really trying to commit and she's like, well that's frustrating.
And Aiden's like, how about I buy the apartment next to us.
We can break down that wall and make this a home, right, And she's like what you know?
So it does kind of push, you know, Carrie or a woman to ask themselves, wait a minute, what do I actually want?
Because the thing I said I want right right, And that is something I'm so fascinating.
Speaker 1And it's so real.
Speaker 2It's so real, so real.
Speaker 3Because she literally is having a panic attack with the with the gag with the wedding gown with him coming through the wall, and it's like she can't, you know, keep the track of his dog for the enough time.
So it's just sort of like Carrie.
And I think that's the that's it's interesting because it's a question I ask in my work on the page and also in life a lot is what do you actually want?
And I think you know in life, in a relationship, in your career, and I think people are almost afraid to say it out loud because then you can't you can't unsay it.
And once you've put it out there, and also you have to ask yourself, is this what I want?
Or this is what I've been taught to want?
Is this what my parents want?
Or is this what society is telling me I should want what my friends want?
Speaker 2Yeah?
Speaker 3Or is this what I actually want?
And I think we as individuals have to really decipher what is what because you've been fed something your whole life, particularly if you're a woman, particularly if you have a certain class, if you're a woman of color, because a lot of times you're raised to be straight, you're raised to be of a certain religion, you're raised to make money, you're raised to be successful, and we don't even have our own definitions what success, what is success and so, And that's why I even say it goes back to like how do we handle this?
I'm like, you handled it the best way you could at the time.
Speaker 1I mean, that's true, that's true.
I guess for me, I I you know, because I'm in it, right, I was in it then, and I always want us to.
I guess sometimes when I watch it, I'm like, Wow, it's so great, it's so much better than I remembered.
Sometimes I feel that right, which is of course so rewarding and amazing.
And then sometimes I'm like, hmmm, I don't know.
I know the idea maybe, but I don't know exactly how that got how that got got fleshed out well.
Speaker 3As a person who's on the other side of it, where we're writing, a lot of times we're under in terms of like, yeah, we're kind of.
Speaker 2Stress, so stressed, or an actor can't.
Speaker 3Do a thing, wants something, and we're trying to do this and we have to do it quickly.
We have to lose a scene, and you know, and oftentimes with TV people on us, it's quick.
Speaker 2Like you have to hurry up and turn the script around to get it out.
Speaker 1Third season we did like twenty something or whatever, and we were you know, it was like kind of the end of that era in a way.
Like I don't think after that we ever did that many.
I think we did a lot for season, but not that many.
And I think it HBO very rarely said that much to us, So it wasn't so much that though I know obviously normally do have notes and yeah, different things, right, But I think also, and I'm curious your thoughts on this.
You know, the way that we're living now, the way that we're able to immediately critique everything, line and everything is kind of like open season, open season and compounded, right, So like if someone starts complaining about something, everyone kind of jumps on that bandwagon in a way where they somehow feel community with each other.
Right, what do you make of that in terms of what we do for a living.
Speaker 3Well, I think here's the deal.
As artists.
We if a Bob isn't chasing you, you're not doing it job.
Speaker 1Wow, love it, I'm going to try to.
Speaker 2Art isn't meant to be kind or to coddle.
It's good point pointople feel comfortable that's a good point.
Speaker 3A lot of the art that I that has changed me or has pushed me to want to be a better artist often comes in very uncomfortable, uneasy packages, and there's no right or wrong way to handle sensitive content or material.
I think also, I think the real test is not where a piece of art sits right now, but how we examine it ten years from now or twenty years from now.
And I think the reason why you can do a podcast about the show is because it's still relevant.
Speaker 1Absolutely, it's such a gift.
It's amazing, it's amazing.
But who knew then?
Speaker 3We didn't really know, because that's how it goes, you know what I'm saying.
I love what you said too.
You said, Oh when when Carrie wound up with Big, people were outraged, she wound up along people were outraged.
Speaker 1It's so true.
It's so true, so true.
Speaker 3The truth is an artist has to do what feels right to them right in that moment, right right right.
Speaker 1I mean the kissing.
All I remember is this.
It was Nicole holoffson Er.
Speaker 2Do you know her, I mean I know of her, Yes, yeah, she would come.
Speaker 1I don't know how we got her to do so many episodes because she was always trying to do her own films, right, yeah, exactly, but we would just deal her in between, and she was so funny and kind of light about it all, but also sometimes she would just give crazy direction.
And I remember her telling that guy whose name I could never remember.
We would run into him and said they would be there's that guy, and I'd be like, which one you like?
The one who licked your face?
He's over there.
I'd be like, oh my god, what's his name?
We could look up his name right now, but I just remember standing.
That was before I married Kyle, so I hadn't moved to Park Avenue.
So I'm actually on Central Park West at an apartment building that I actually looked for an apartment in, not realizing it was Charlotte's apartment building.
This is very meta, so meta, and I was like, oh god, I can't live here.
Speaker 2Like like it's too much.
Speaker 1If I was just going to work out the door with that that frilly iron work, this door looks familiar, and they were like, yeah, you filmed, yeah, the door, So sorry that you and a number of other things.
I think like other other men have been standing at that door with me in the beginnings out there, the husband I know, and just just sampling all kinds of different people.
Wait, was it is it?
No Brad the bad yet Ross Gibby.
Speaker 3Rosy say in real life he's like, I'm not that bad.
This is I'm sure he was acting that almost.
Speaker 1Like just like liquor liquor and I would just be like, ah, it was hard to watch it.
Speaker 2It was it, yeah, because you're like, yeah, man, that's bad.
Speaker 1It was bad.
It was.
Speaker 3You need coaching, though I thought was nice because you were always trying to like you were really trying to get the guys to.
Speaker 2Let me help.
Yeah, just just like that unless you're.
Speaker 3Not giving up on the guys straight away.
The girls got like dump.
Speaker 1Kiss because he does seem really nice.
We never see him other than when he's like my face.
But previous to that, in real life, I had there's a guy and he had a prominent chin, and I have a prominent chin, and I had gone to work with like a like a rug burn on my chin.
Wow, you know when you just really kissed a lot.
Speaker 2Okay, I've never had rugbun on my chin.
Speaker 1I couldn't find okay, but you know when you've kissed a lot, right, sure, yeah, and it's fun.
Yeah, yeah, for sure, for sure, for sure it was like that.
But I had like a like a scrape on my chin like a kid would get if they fell down.
Speaker 2Wow.
Speaker 1Yeah.
And it was fun, it was worth it.
But then it was bad at work, do you know what I mean, to the point where I think they had to go in and post and fix it.
Speaker 2Really yeah, it was.
Speaker 1It's the really embarrassing.
It's second season.
It's when the old Man the sex Charlotte has a guy who falls asleep while she's having sex with him, so she goes.
She gets the girls to go with her to a workshop given by this older lady who demonstrates on her husband.
Speaker 2Right, and then that's when bad episode.
Speaker 1I had like a scab on my chin.
Speaker 2Wow.
Speaker 1And I sit in the episode like this, oh see.
So then Michael Patrick had me sit in the coffee shop of the Kissings with my you don't see it for the longest time.
So I'm listening, I'm listening, I'm listening, and then I take my hand down there.
Speaker 2Like wow, I know it's very It was.
Speaker 1Him writing in something from life, which is bad behavior on his part.
Speaker 2I mean it too.
Everything is come on, we all decend us some NOI efron.
We just wanted to put it all in there.
That is the goal.
Speaker 1So embarrassed.
Speaker 2Real life is better than fiction, that's true.
That's true.
Speaker 1Sometimes it is, but it's so embarrassing when you have to play something that was your own thing.
Which another time that that happened.
I did a play about people wrongfully convicted and put on death row.
Wow, and it was all based on true stories.
And we were downtown off Broadway, and this interviewer came down to interview me for the New York Times.
I was so excited, right, and they take your picture like they're not a photo shoot, like while you're rehearsing, right, And when that piece came out in the New York Times, there was like a smudge on my upper lip and it looked like a like a Hitler little mustache.
So Michael Patrick wrote it in for my engagement pictures.
Do you remember this?
Speaker 2WHOA?
Speaker 1I like, open the paper and I'm like, oh, oh yeah, that was from real life.
Speaker 2Oh wow.
You can't tell him anything.
Speaker 1I know it.
Speaker 2He'll use it, right, But that's what good writers do, I know.
Speaker 1But we learned that.
So then if you'd walk over, we'd be like, get in there, right, and then we told everybody that was always the writers, which usually it was the writers right there and there, yeah, but occasionally it would be so when that.
But the thing that was funny was that Nicole's direction to the guy was like, liquor, How would I get a rug burn from the tongue?
Speaker 2I don't.
Speaker 1I don't think that would happen.
Speaker 3I just feel like there is a frame where he's legit sucking on your chance.
Speaker 1Okay, but eye witness, do you feel like i'd have like an open wound from that?
You didn't bother you?
Speaker 2Okay, it didn't, But it's very given TV a.
Speaker 1TV storyline, Yes, yes, yes, on the street even like we're on the street, what would we be doing?
I mean yeah, yeah.
And also I got my actual rug burn from like a lot of kissing, right, not a bad kisser, really good kisser.
And I'm saying so there were some similarities, so it.
Speaker 2All kind of it's all kind of real.
Speaker 1It is all kind of real.
It is all kind of real because obviously we've all kissed a bad kisser.
Speaker 2Right, I'm grateful to not have had that experience.
Speaker 1Actually, women and women are generally I think that they don't like to make generalizations.
Speaker 2I haven't.
Speaker 3I don't know if I can confirm that.
I mean, but I've never had no a bad experience.
Speaker 1That's nice.
Yeah, that's nice.
That's nice.
Speaker 2This is promoting women.
This is what they say.
Speaker 1They're like it.
Please go ahead, go ahead, as you as you brought up earlier.
It is something more people are now considering in the face of Look, because.
Speaker 2What is what is straight?
Speaker 3Even like, we're all humans having a human experience?
Absolutely what don't let gender get in the way of your And that's that's the Miranda your Hello.
Speaker 2Yeah, don't don't let it get in the way.
Speaker 1Be open minded, open you live a better life.
Speaker 2That's absolutely true.
I'm a testament to that.
Speaker 1I think I am too.
Yeah, in my own way.
Speaker 3Hello, yes, yeah, You'll still be still a work in progress, you don't.
Speaker 2We all are.
Yes.
Speaker 3You don't have to be partnered, you don't have to have children, you don't have to get married, you don't have to do a lot of things society tells you to do.
Speaker 1That's right, Lena.
We want you every week.
We love it so much.
Speaker 2You're amazing, You're amazing.
Speaker 1Thank you for having so wise and wonderful.
I'm just so honored that you're my second repeat, my first repeat, you're my second you know, to come.
Speaker 2Twice person, to come a second time, and.
Speaker 1Rightly so you should have a place of honor.
Speaker 2Look, I'm honored.
You know.
I study the show you studied in real time.
I continue to study.
Speaker 1I know it.
Speaker 2I love it.
You know, it's a joy, and it's it's a time capsule for us.
Speaker 1And also I never know what you're going to say, and I love that so much.
You know, I love that you have a point of view that's unique in your own and so well studied.
Right, It's not like you're like knee jerk.
You're you have a lot of evidence, you know, a lot of deep thought, and I appreciate that so much.
Speaker 2Thank you.
I'm gratefully that you'rereciate it.
Speaker 1When I first as Lena before we started the podcast, she was like, I say, I wrote to her, you're an encyclopedia and she was like, well, thank god, someone wants that.
Speaker 2That was like, I do I want everybody does?
Speaker 1I get it?
But whatever, I love it.
Speaker 2I love it.
I love you.
I love you too.
I know they have to wrap us up.
Speaker 1We just be here,
