Episode Transcript
This is me, Craig Ferguson.
Speaker 2I'm inviting you to come and see my brand new comedy hour.
Well it's actually it's about an hour and a half and I don't have an opener because these guys cost money.
But what I'm saying is I'll be on stage for a while.
Anyway, come and see me live on the Pants on Fire Tour in your region.
Tickets our own sale now, and we'll be adding more as the tour continues throughout twenty twenty five and beyond.
For a full list of dates.
Go to the Craig fergusonshow dot com.
See you on the road, My DearS.
My name is Craig Ferguson.
The name of this podcast is joy.
I talk to interesting people about what brings them happiness.
Here's my favorite car collector.
I think he had a late night show at some point I can't remember here he is j Lena.
Speaker 3Up.
Speaker 1So here's the thing.
Speaker 3Oh so we're not no video.
Speaker 4No, Well, here's the thing about no video because this is the reason why I don't do it, because people like you, some performers want so much makeup and hair done.
Oh yeah, not me, No, No, So I tell you what I'm doing right here, right right as I'm enjoying a cup of coffee.
Speaker 1Now, I know that you don't drink coffee.
Speaker 3No, don't drink coffee.
And those a couple of CoFe Ever had of Seinfeld on comedians and cars getting coffee?
It was awful.
You know, I don't like hot liquids.
Speaker 1Now, see this is but this is what what about soup?
Speaker 3Do soup come into the soup is just a way to screw you out of a meal?
Soup?
Oh, here's a ball, it's wet.
Thanks, all right, so now waiting out a wet ball?
Yeah, something I can chew, Thank you.
Speaker 1But hold on a second.
Is it because it's a whole liquid or because it's just a liquid.
Speaker 3It's not a meal?
Speaker 1It does it have to be a meal?
Yeah?
But do you but you won't have soup because it's a drink.
Speaker 3Well, Plus, I don't like hot liquid.
Speaker 2If you don't like, what about gaspacho or maybe a cold borsch No?
Speaker 3Horrible?
Speaker 2So so really it's about liquid.
And do you ever drink any liquids at all?
Speaker 3Yeah?
I drink a lot of water, a lot of fruit juice.
Speaker 1You drink beer?
Speaker 3No, never had a beer.
In my life, you.
Speaker 1Never had a beer, never a beer, you ever drink any of the hoots at all.
Speaker 3No, no, no, I have nothing to guess that I have no interest in it.
I was always a designated driver.
I was always a car guy.
So to me, it's not true because you love the car.
I'll drive you dregs home and that's fine.
Speaker 1All right.
Speaker 2So you so very few liquids and no soup.
Speaker 1Well, I see, I'm worried that.
Speaker 3You know.
Speaker 2Look, none of us are getting younger, Jay, right, right, So the certain point in life soup is kind of gets attractive to the older gin.
Speaker 1That's all I'm saying.
Speaker 3Seventy three and I haven't been there yet.
Speaker 1Well, saying that you know that there was your souper years, maybe coming.
Speaker 3Up and get used to it, let's hope not.
Speaker 2All right, So listen, your mother was Scottish.
I and my mother was Scottish.
And my wife has a theory about stand up comedians that their mothers have to be Scottish.
Speaker 1Or they have to be cold with bad boundaries.
Speaker 3So my mom was not cold.
My parents are very good that way.
Speaker 1She have good boundaries.
Speaker 3I don't know what you mean by boundaries.
Speaker 1Well, you know, and now do I But you know a lot of people talk about it.
Speaker 3You know, how long are you in Hollywood?
In an hour?
Now?
And you've got boundaries?
Speaker 1Yeah, I mean, I'm just wondering that.
Speaker 3You see, I never heard any of it.
You know, It's so funny.
Where I grew up, I was the laziest person that anybody knew.
I come here.
Oh, Jay's the hardest working guy.
No, it's just where you grow up.
It's that, you know, you grew up in New England with Silas Manor and Ethan Frome and all these depressing books about freshet.
You work hard that you die you then you got Lulematoya.
Speaker 1After you get.
Speaker 3Then die whatever it is.
Yeah, it's just all life is awful.
You know, Sonny, you comes to Hollywood and all the lights of ride and it's sunny outside.
Speaker 1Wage were you when you came here?
Speaker 3I started coming here, I guess when I was nineteen twenty something like that, not in nineteen twenty when you were nineteen nineteen.
Speaker 1But here's the thing.
Speaker 2You came out here to do comedy because you're you're Boston right right right right?
So did you never do stand up in Boston before you came out here.
Speaker 3Oh yeah, you know that was a great thing because growing up in Boston I never met another stand up comedian.
Occasionally, comedians would come to like the Chateau ta Ville in Framingham.
It was one of those fancy well yeah, it's one of those places like near a mall and it's got like a fountain in front that I worked there with Tom Jones, I worked there with Perry Como, I like Dion Warwick, you know all those acts from that era.
Yeah, and that was and that was an opening act.
Speaker 2That was literally you wanted to be a stand up?
Dot Young at nineteen and twenty years old.
Oh yeah, you got to be fucked up in some way then, because nobody wants to be a stand up.
Speaker 1Why wouldn't you want to be a stand Well back in the day, nobody wants.
I mean nowadays people want to do interesting.
Speaker 3When I watched TV, yeah, all comedians were middle aged Jewish men like Rodney, like Henny Youngman, all those guys, all all the Catskill comics, and then all of a sudden Robert Klein came along.
Was a huge influence on me.
Robert was about ten years older than me.
And he was a middle class kid.
Parents weren't wealthy, but he didn' grow up doing a depression, just talking about the same kind of things I talked about.
And then Carlin at that point had just about nineteen seventy early seventy to one, released his Class Clown album.
And I used to do George's routines in my head, and I'm doing silent to myself, and then I'd add my own jokes at the end.
So when I would go to audition to places, I would stand backstage.
I would get into it by doing George's thing.
And then when I walked, I say, you know, when I'm in school, you know I didn't I didn't do any George material, but I just get a rhythm to it.
Speaker 1You know that's interesting.
Yeah, and you and were you friendly with George?
Speaker 3Yeah, it's very new judge from the very beginning.
It's always very nice to me.
So was client.
You know, all comics are pretty nice.
Steve Martin helped me get this and IHO.
Steve Martin told Johnny about me.
I chose Johnny about Ellen DeGeneres.
I find comedians help other comedians.
I don't find it to be this.
I mean there were there obviously some cutthroat people around, and that's not unusual, but it's not the norm.
You know, as a comic, you can't do every job.
If I couldn't get something, I go, oh, you should.
Like, there's a gig I do in Rhode Island.
I at the Audrey Museum.
It's it's kind of like Pebble Beach East.
It's like it's a car show and I've hosted it for the last four or five years.
But I'm out of material at this point.
You know, I said, oh, I'm being Bill Billy Gardellen, so I brought you know, Billy Gardell.
Speaker 1Billy's great guy.
Speaker 3Yeah, wonderful comment.
Yeah yeah, And he did a great job.
He killed and I felt good that I helped him.
He felt good.
They got to do a corporate day that paid a lot of money and it was fun.
Speaker 1So I'm so, wait, hello, you and i'd be friends for a while.
You don't think of putting me up for the fucking corporate No.
Speaker 3I never never thought that.
What I actually want to do it next year?
Speaker 1Yeah, I'll do it next year.
Speaker 2I'll get a fun yeah.
Yeah, okay, because let me just say it's on the East coast.
I like the idea cars and like cars gotta work.
You gotta work reasonably clean that super I could.
I did gigs with you, right, Yeah, let's do it.
Speaker 1I'll do it.
Yeah.
Speaker 2I don't mind working clean.
The older I get and fight, the easier it gets to work clean.
Speaker 1I've noticed that.
Speaker 3Well, you know, I find when you're twenty five, Yeah, and you say the word pussy girls go oh, well, we said, oh my god, when you're sixty five, Oh that old guys, and you know what, they got a point, Yeah, exactly, it is.
It's true.
Speaker 1It's true.
Speaker 3You know, it's fun to grow India.
Yeah, because my point of view is always from an adult observing things, how stupid this is or whatever it is, you know, and as a young person it didn't work quite as well as it does now.
Now you can be a bit curmudgeonsly.
Speaker 2And I was struck by your stand up bike when we were working in the Midwest this summer, Like you threw a down manion.
It's like a full solid hour and you and like the material.
It's fresh and well.
You try to have a joke every six to nine seconds.
That's that's I think, really, you.
Speaker 3Think because I don't think of it like that.
I mean, everybody's different, it's it's just different to me.
It's like a music show.
You open with your heads boom boom boom, joke, joke, joke, junk joke, and then in the middle you do the comedic version of a ballot.
You tell story, Oh, you know, my ife and I would go to this place, and there are little humorous jokes along the way as opposed.
Speaker 2To That's very interesting to me because I do think of it in kind of musical terms.
Yeah, as well, it's a it's kind of a musical performance.
Speaker 1Are you a musicians?
You play anthing?
Speaker 3I played trumpet, but then I realized I couldn't talk and play trumpet at the same time.
Speaker 2That's a terrible instrument for you to play.
You should play like a guitar.
Speaker 3I was in fourth grade at the time, and.
Speaker 1Jay, I'm going to tell you something right now.
You know I adore you.
Speaker 2But because you played trumpet in fourth grade doesn't mean you played the fucking trumpet rightly exactly.
Speaker 3That's why I quickly got rid of it.
Speaker 2But you do see, I think a lot of the stand ups that I like are also the thinking musical terms of what they do.
Speaker 3You know, the most musical comic I can think of as Franklin a Ji.
You know Franklin, I don't know.
African American comic very big in America.
He had an album out thirty forty years he moved to Australia.
Speaker 1Right.
Speaker 3He's a jazz comedian.
He plays jazz and he does comedy.
He has one of my favorite bits.
He talks about the guy.
Oh, there was an Olympic guy from some country and he ran in the marathon and he came last.
He was dead last, and he just as he's running, he's going on.
I mean, I've been training, I've been working a I could have sat on the couch and watch TV.
I'd still be last.
I mean, it's still it.
There's a lot more to it than that.
He does a lot better, but it's just very funny and he just thinks in jazz terms.
You know, I was fortunate I got to work with all the great jazz musicians.
Miles Davis stands against Mose Allison and Montremal Rousson, Rowland Kirk, all these guys, and with jazz.
There was a place called Lenny's on the Turnpike in Boston, okay, and that was a jazz club and real hard called Buddy Rich, real hardcore jazz, real deal.
You went to see that and the first time because usually I used to play scriptuis, but now you suck, you suck good.
People just screamed, so you really didn't know if you're any good or not right.
But with the jazz on its men and walked on says silence.
Speaker 1Did they know it?
And snap their fingers when you.
Speaker 3Know, not quite that much, but they would listen, you know, like Miles's audience, any of those audiences.
I went, oh, this is really you know, Ross Sound Roland.
I don't know if you've ever heard of him.
He might be before your time.
Speaker 1He's possible.
Speaker 3Ross Sound Roland correct, African American guy, blind right, but famous because he could hold a note indefinitely, and he could play two instiments in the same time.
He could play the sax and the clarinet at the same time.
Speaker 1And that's crazy.
How does that even pause?
Speaker 3Because he could breathe through his nose.
Okay, but he was blae so and we played primarily African American audists.
It places like the Sugar Shack in Boston and He would go on stage and you go, I'm gonna bring a young brother.
My brother's gonna tell that it is, you know.
He gives the whole thing like I was a blackad.
Yeah, please welcome j leto you know, and I come out and go sh He doesn't.
And he thought that was the funniest thing, right.
He loved doing that routine every night with people, bring on a young brother, tell it leg it is?
Yeah, who you know black audiences.
I get all worked up, you know, and then I walk out, what's this?
You know, here's.
Speaker 2The thing because you talk about that right now, like you even telling that story to me right now, like people are going to get bent out of shame because of you know, you mentioned race of any kind and just you know, different races of any kind.
And people are already on the balls of their feet looking for a fight, which I kind of I'm getting a little tired of it.
I think everyone else is too, does it?
Speaker 1Well?
Speaker 3I had the best one happened a couple of months ago.
Yeah, my wife maybe in a little Chinese restaurant in Westwood.
It's got like fourteen tables if that many, and the mother runs the cashier and takes the orders and the dad's to cook and looks like the kids or cousins.
It looks like a family.
So we got our food sitting there, and you're kind of it's right next to UCLA.
In fact, it is UCLA right, and a lot of students are on the table.
I just said to my wife, God, this woman's really working our ass off.
And a girl in the next table, or a young woman at the next table, go, uh, she's a server.
And I said, I'm not mad here, but I do think before I speak.
I said to myself, is she a waitress, No, she's stewardess.
No, she's a woman.
First, let me say this woman is working her ass.
Now, if I had said the server is working her ass, you probably said she's a.
Speaker 2Woman, right, and she should have probably just said, hey, you're doing a great job in that way.
Speaker 3But to me, because I don't really want to.
I mean, first of all, I get an annoyed because I think, oh, do you really think I'm being sexist by saying that.
I would say this man.
I didn't say girl, I didn't say chick, I didn't say waitress.
I said this woman, I mean, what is wrong with her?
And she had to well, now you're if I had said server, isn't that demeaning?
I mean, that's all she is.
Speaker 1Isn't she a woman defining someone by their job?
Speaker 3Yeah, I said so, but she was so anxious to jump on this.
Speaker 2Well, I think it's a it's a little kind of fat that the young folks went through for a while that they wanted.
Speaker 3Fine.
Speaker 1You know, well when I was, when I was their age, I was a punk rocker.
I was a pan of the ass too.
Speaker 3Oh yeah, I know when you think about a stupid people.
Our generation was the burning down the Bank of America building and oh my god, remember the SDS.
To make up for racial injustice, they should kill every third white baby born.
I remember something.
I remember some SDS guy saying that early on okay, you know, just crazy talk, just crazy talk.
So to me, a lot of his like, I never use the word bitch on stage.
I know women don't like the words, so I don't use it.
And to me, you know, it's funny because I do a joke where I see the women where I say your Northwestern University did a study about the differences between men's brains and women's brains.
This is amazing listen to this and you see the women go, you know, they kind of like it seems women's brains are located in their head.
Who saw that coming?
And then and they laugh more than it is funny because I'm not it's not an insult.
It's not the usual.
Speaker 1Well I never understood anyone.
Speaker 2The look to me, an audience is it doesn't have a race or a gender or anything like that.
Speaker 1It's an audience is an audience and you.
Speaker 3Don't know, but no, but an audience does have the best audiences.
It's a fully male, female, black, white, Asian integrated audience where they all totally For example, you know, if you have done a corporate event where it's all men, yes, unless it's all football jokes or gun jokes or something, it's terrible.
Speaker 1I did.
I did a corporate events once.
It will be yeah.
Speaker 2And I used to do this bit about Tom Cruise.
This is a long time ago because I actually am a big fan of Tom Cruise.
But it wasn't the most flattering really yeah.
Yeah, it was a piece of stand up right, And it was just after he jumped an Oprah's couch and I was sticking around with that and I was doing this piece of this piece.
It was a good it was a good bed and every night it killed.
I said, well, I'll do it this corporate It was a clean bit.
It was nothing like bad in it.
And at this corporate event, I did this Tom Cruise thing died on his ass, like really badly died nothing, sure, nothing crickets And I come up with it.
Wow, that was a rough ground, and went somebody should probably tell you it's Tom Cruis law firm.
Speaker 1There was this lawyer.
Speaker 2Oh my god, it was because you do a lot of corporate gigs and you work clean.
Speaker 1I've seen you don't work.
Speaker 2You don't work squeaky clean, no thirty right, so you you work clean, you don't you drop the F bomb and you don't do that kind of thing.
But you But it's kind of it's grown up, right, it's an adult show.
Speaker 1But it's not an adult.
Speaker 3It's not balloon animals.
Speaker 4Right.
Speaker 1No, it's definitely not that you ever run into it with.
Speaker 2Because I've had people say to me at corporate gigs, you gotta be really careful here.
Speaker 1They really do you ever they ever say that to you?
Now, nobody trusts.
Speaker 3I always ask, I go, is this like a born again thing is the chairman, the born again guy or something?
Speaker 1Would you be able to cope with that?
So if he will, I can work.
Speaker 3You know something.
I booked myself into Oral Robinson University once just to see if I could play it, and they said, look, we don't like sex jokes, we don't like drug jokes, politics, everything else is fine, and they were fine.
They just didn't want any dick jokes.
Speaker 2Right, fine, so that's probably not one I should be doing.
No, no, no, I don't do it, none of those jokes.
No, no, no.
Speaker 3But what I mean And to me, a guy is paying me to do a job.
I don't quite get guys to go.
So I told him to go shove it and I did what.
Speaker 2Yeah, I don't get I got to agree with you.
I don't understand that.
Speaker 3What do you like?
Then?
Speaker 1Don't take the gig?
Speaker 3Like to me, I know the you know, to me, an audience is like an orchestra.
You want to get a nice rolling laugh going.
I remember I had a joke.
I'm sorry I don't remember the joke, but it was when Hillary Clinton was running for president, and also so was Reggie Jackson and a bunch of other people and I had a joke about each candidate, and the Reggie Jackson joke was a political joke, wasn't about him being black.
It's just okay, that got a laugh.
When they got to the Hillary joke, I remember what I was going, and I just hated the guttural laugh.
I got on here because I realized, oh, they think I'm they think I'm making fun of her because she's a woman candidate as supposed to just a candidate.
So I just dropped the joke.
I took it out and it kept it and the audience is much better because it just kept a nice even you know, you got a nice rolling boil going with the crowd and then you do something that's overly sexist or overly whatever.
Speaker 1I know what you mean.
Speaker 2I felt it as well.
There are gags that the joke's not worth it.
Yeah, yeah, l Sally, you still always say that to me.
Peter Sally was my boss and late I know, you know, did the Tonight Show for so long and whenever I did a joke that I you know, it was like near the knuckle right, and you E would say, is it worth it?
Speaker 1Is it really worth it?
That joke?
Isn't that good because he would say, you know, joke's like a house or a car, there's always another one.
Speaker 3You know, you can do another joke right right.
Speaker 1And when I first started, I was like, no, that is worth it right.
Speaker 2Very quickly I was like, now you're right, fuck it, We'll be here tomorrow night.
Speaker 3It's h yeah, yeah to me, you just sort of learned to read your audience.
Speaker 2Hello, this is Greig Ferguson, and I want to let you know I have a brand new stand up comedy special out now on YouTube.
It's called I'm So Happy, and I would be so happy if you checked it out.
To watch the special, just go to my YouTube channel at the Craig Ferguson Show and is this right there?
Speaker 1Just click it and play it and it's free.
I can't look.
Speaker 2I'm not going to come around your house and show you how to do it.
If you can't do it, then you can't have it.
But if you can figure it out, it's yours.
Speaker 1Let's talk a little bit about Late Night though.
Speaker 2Bring that up because of Peter when you took over on the Tonight Show.
Speaker 1So when was that early nineties ninety one?
Speaker 3I started guest hosting in eighty six eighty seven.
Speaker 2Right, how long would a guest host gig B would be like a week?
Would it be like a night?
Speaker 3No?
Well you get one night?
Speaker 1Right?
Speaker 2And Johnny used to do that towards the end of his run.
Right, he would bring people in.
Speaker 3And yeah, and there were like, uh six or seven guys that were being considered.
Speaker 1Did you ever have guest hosts when you were doing it?
Speaker 3No, I had to die once.
I did it once because Katie Couric wanted to switch seats.
NBC thought it would be a fun thing to so we did it one day.
Speaker 2They did the same thing with Drew carreyh Yeah, right, Yeah, I didn't quite get that, but no, I didn't know.
Speaker 3To me, when you have guest hosts, it just means more work for the staff, right, because they may have to put the monologue together instead of you.
They have to figure out can this guy talk to a guest and go over every single note.
Speaker 1It's a job.
Speaker 2It's very hard to do for one night.
It's a little easier to do it for, you know, a couple of years.
Speaker 1One night.
I get that?
Is that something?
Because it's fun?
Speaker 2You grew up in an ear Correct me if I'm wrong, But I think I'm right.
You grew up in the air when Johnny was the gold standard and obviously.
Speaker 1He was the king.
Speaker 2Yeah, so did you have aspirations to be the Tonight Show holster?
Was it just like because you were a comic you kind of drifted into that direction.
Speaker 3You kind of went that way.
Yeah.
It was the only job in show business that I liked, right, because I like to be a round show business as opposed to in it.
You know.
Yeah, I think I saw a movie with you in it once, like years years.
That's been some terrimoryes so, but to me it was a jungle movie.
Did I see you in The Jobs Bill Maher and the Job Jule?
Yeah?
Speaker 1Yeah, I can't remember what the movie was.
After some real clunkers.
Speaker 3As I just like you because, like I say, I don't want to be Charlie Sheen, but I boy, I enjoyed being a round Tarlishon.
I enjoy watching Charlie crash and burn and and not in a mean way, just in a funny way.
Speaker 2You want to be around the circus folk, but you don't necessarily have that's right.
Speaker 3That's right, and I used to enjoy it.
That's what's great about being your host of it.
I don't have to go to the party.
To me, it's really what happened to the party.
Oh my god, I can't believe that you know and you hear the story or whatever it might be.
Speaker 1So yeah, I felt that way about did you watch the movies?
When people were on the.
Speaker 3Show, always watch the movie?
Speaker 1See I never watched the movie.
Speaker 2I had a completely different What was your philosophy then, that you wanted to know the movie?
Speaker 1It would be to be able to talk about it.
Speaker 3I think people like it.
I know a lot of guests if you made the effort to read their book or whatever it is they had, Yeah, they would really be impressed.
I mean they would write you a note.
I can't believe you went to my movie.
Speaker 1No, I never I never did.
I did the complete opposite.
Speaker 3That's funny.
Speaker 2No, just because well you were clearly much more successful than I wasn't it.
But what I felt about it is if I knew about it, then the two of us are talking about the movie we've both seen.
If you were on plugging a movie and I haven't seen it and we're talking about it and you're telling me about the movie, I'm like, Oh, this sounds like a movie and I want to see And that was my philosophy.
And Pete used to fight me on a law.
You're like, nah, you just told me it's a big star.
You got to go see this movie.
I'm like, but if I've seen in the movie, then I'm going to talk to him about the movie that ever we're both seen.
Speaker 3Yeah, but you talk about what you liked about it or what the you know, the character delineation or whatever it is they did.
Come on, No, I enjoyed that part of it.
I would try watch a movie if I got to a part of that was particularly challenging for the actor.
I remember that, and I bring it up in the interview and oh, you know, because everybody in show business is insecure.
Oh sure if they think I remember once.
You know, publicity agents are my favorite I wanted to see.
I guess I say the guest is but one of those subtle notes through I said, hey man, pretty good job.
Really enjoyed you in the movie, and the president pretty good, pretty good?
I go, well, it was great.
You didn't say great.
No to me, I meant really that means oh, I went like, whoa pretty good man?
Nice job?
And I said nice job, but I said I generally enjoyed it.
Well, didn't sound like okay, guys young at me, so shut up.
Speaker 1You know, I bet you I can tell who there's like off the microphone.
I bet you I can tell you this is.
Speaker 2But the thing is, I think about it as well, like the show business.
Because you said everyone in show business insecure.
I think you're right, and I think that a lot of people in show business they're crazy, damaged, you know, unemployable in any other business.
Speaker 1That's true, and they're all a little little nuts.
Speaker 2And the question that I go asked, I don't know if you guy asked this, but like if there was somebody on who's like super famous, like Tom Hanks was on or so, people will always say, well they nice?
Was he a nice guy?
Was was she a nice woman?
Was Are they nice?
And like, well they were nice to me?
But because they're doing a talk show and they're professional.
But the truth is, why is that important to people like you know, like I don't know.
Speaker 3Well, I'll ask you a question.
Did your opinion of Woody Allen movies change after you heard all the.
Speaker 1Things, oh the stuff about Woody Allen?
Speaker 3Yeah, I mean, did a change or did you think.
Speaker 2Well, it's a it's a good question, but it's a little tricky for me because I wasn't a huge fan anyway.
Speaker 3I wouldn't a huge anyway.
But I like someone I like to think like.
To me, it's funny when I hear someone tell an exaggerated version of a story where they did something mean but didn't mean to But if I know there really means oh no, that kind of really did mean to hurt somebody.
Yeah, you know, so to me, yeah, I think it does matter.
I always equate kindness with intelligence.
I've never met a kind person who was not intelligent.
And by intelligent, I don't mean it's mathematically smart.
I mean just the idea that a kind person can read another person's face and realize where to go, or that how to be sensitive, how to whatever.
To me, that's intelligence.
To me, I find really cruel people and mean people.
They might be BookSmart, but they're not intelligence.
Does that make any sense to you.
Speaker 1Yeah, of course it does.
Speaker 2It's actually it's a very nice way of looking at it.
I think that that's true.
But if I look at someone like, here's someone I don't know, I know nothing about them, but I'm a fan of his work.
Speaker 1Ousio was born right right.
Speaker 2Osio was born, is like, you know, he's a game changer of a singer in a band hugely important.
I don't need him to be nice.
Did he bite the head off the bat?
Or did he not buy the head off the bat?
I don't know if I was, you know, like, if I was heavily involved in the world the bats, maybe it would be.
Speaker 3Well, but let's go back.
Did the wordy Allen stuff change your opinion of his work?
Speaker 2You know, did it you know what it probably did?
If I'm honest, I probably yeah.
Speaker 1I mean, I think.
Speaker 3Fighting a bat is different than you know.
Speaker 1Yeah, well, you know, yea marrying your daughter?
Speaker 3Yeah, so what did you do?
Did you bite head over?
But maybe right?
Speaker 1Did you actually.
Speaker 2Definitely marry your step dough exactly exactly?
Speaker 1I hear what you're saying.
Speaker 2These are extremes, all right, But what I think is kind of weird to me is that maybe not the nice, but the idea that everyone's.
Speaker 1Going to be like a Sunday school teacher.
Speaker 3While giving sample someone it's a way to get here.
I'm not a big road rage guy.
One day I'm here in La you know a guy behind b b BB, you know, like, oh, he wants to go like me, go me, It goes around me, gives me the finger, yells you know, fuck you.
So I come up to the next light.
I look at him.
I go, let me guess, what are your fifty five bald, fat?
Divorce?
Your kids?
Hate your job?
What was your greatest day?
Was it in high school?
And the guy starts crying, Oh Jesus, and he goes, yes, you're right.
I went, oh yeah.
I realized as a comic you have the ability to size people up pretty quickly, and I'm hitting.
Everything I said was exactly.
So I said, let's pull over.
So I got on mic, I get this guy go look, I'm sorry because I got kids.
They got two girls.
Speaker 1They don't speak to me.
Oh my god, this is a terrible.
Speaker 3So I said, they did.
I like Taylor Swift.
I said, I tell you what.
I got Taylor Swift on the show on Wednesday.
Okay, why don't you bring your two girls?
But they like to oh god, what did you?
Okay, So and Taylor Swift, I told her she couldn't have been nicer, came out, gave the kids a couple of albums signed.
I mean, the sweetest person you could imagine.
Yeah, just a lovely, lovely person.
She didn't have to do it.
I said, I had this guy and I cut him off, and so many he's I mean the guy.
The guy literally had a breakdown.
Speaker 1Oh my god.
Speaker 2But you know what's interesting about that story, which I like that story.
I like it for you, I like it for Taylor Swift.
I like the fact that it happened.
I wonder if that guy, if that happened today, that guy would have a phone in your face record you slicing and dicing them and they posted it on the internet.
Maybe maybe not more than likely, you know, maybe No, I got you know.
Speaker 3Something you can only live in the time you live in.
That's it's like could Muhammad Ali beat the Rocky Marciano?
You know?
Speaker 2All right?
Speaker 1You want to take that?
No, all right?
Speaker 3You know that kind of thing.
Speaker 1So yeah, I know, but I mean, you're right.
Speaker 2I want to complain about it a little bit though, because I feel like the filming of everything is like we volunteered to be in Big Brother.
Speaker 1It's not even like someone each.
Speaker 3A funny thing about Big Brother, because people always say Big Brother is watching Blood you know, to me, probably the greatest day in media history was the Rodney King trial.
The Rodney King thing is Rodney King coming along.
According to the police, he had seven people in a Hyundai going one hundred and seventeen miles an hour to all exaggerated.
Okay, that's what the news said at seven o'clock.
I believe that same evening the guy who shot that footage, who chose not to give it to the news, who put it out on the internet, right, and then suddenly people saw raw unfiltered news and you saw this guy get the crap beat out of me because it looks like you did that terrible And then you realize, because what happened, You give it to a news guy and they'll go the editor will go, well, this is inflammatory people, this is cause right, let's just say it's like when I grew up in Boston, a woman was never raped, she was accosted, right, you know, they never tell you what I said.
Now, you live in a world where you get your news unfiltered, exactly as it happens.
Speaker 1Have you traveled the outside of the US, travel South?
Speaker 3Yeah, yeah, you just shows well like do England And no, I don't really work it where I well, I've been to Italy.
I'm in a Saudi Arabia but a few places.
Yeah, I don't find it totally different.
Everybody speaks English.
Speaker 1Well yeah to you, but I mean if you're doing a corporate gig in Italy.
Speaker 3People will speak you know.
Speaker 2It's like I was talking to Tomas, right, you know Tomas who works with me, right right?
Speaker 3Right?
Speaker 2So Tomas who you know produces this podcast.
You also, I.
Speaker 1Love Italy, right, I love Italy?
Speaker 3Right?
Speaker 2And to my sister me, you love Italy, I said, yeah.
He says no, he Tamasa's has managed heavy mail bands.
He has to work in Italy, right, he said, if you had to work, Oh my god, A very different idea.
Speaker 1Yeah, it's like because it is that kind of things when people say, you know what the oh I love Scotland so much.
You Scottish people are so friendly.
Speaker 2I mean you tried being Scottish with a nother Scottish person and see it fucking friendly?
Speaker 3Oh yeah, yeah, it's a saying.
Speaker 1So listen, let's talk a little bit about.
Speaker 3The cars, all right.
What do you want to know?
Speaker 1Well, I want to know how it started.
Was it your dad?
Was it was.
Speaker 3I grew up in a rural area, and they're always broken snowmobiles and abandoned cars.
Not so much now Now, when you abandoned a car, it's software does work, Yeah, it's got a computer.
In the old days, people are abandoned a car because distributor broke.
All right, that's an easy enough fix to somebody has a little bit of mechanical knowledge or are things of that nature.
You know, a car from the teen's, twenties, thirties, forties, fifties, you could leave for one hundred years and you probably get us started pretty easy.
Because mechanical things break, electrical things erode, and you look at a relay box.
It might be shiny, but you can't tell what's going on inside it, you know.
But you can look at a fuel pump and go, oh, well, here's the gear.
The gear is broken or the keyway is busted, you know.
So they're easier to fix.
Speaker 2So that was what threw you in, was the mechanical nature of the fact that you could fix them when they.
Speaker 3Were Anything that rolls explodes and makes no you know.
When I was I was like eleven, somebody abandoned a Renault four CV, which is like the French version of the Volkswider, And we had three acres behind our house and my mother would watch us through the kitchen window and we just drive around.
And so of course now the parents would be taken away, you'd be putting foster care, and you know, it would be it's a whole difference.
Yeah.
Well you just said it's beaar now yeah, well in some ways, yeah, all right.
Speaker 2Yeah, so you started playing around to the but as you go older, right, and you start like you.
Speaker 3Here's the thing, h here's the main facts of it.
We are in an objective business.
Some people like you, some people think you suck, some people think you are better than me, some people better than you.
But when you have a car and it's broken and now it's running, no one can say it's not running.
You know, you can say it's still not funny, even if other people laughing and you're not right, No one can say the car is not running.
Speaker 1You think that's why.
Speaker 2Old comedians, well, a lot of comedians that are in the cars because of the same reason you.
Speaker 3Actually most comedians are not into cars.
Speaker 2A second, Jerry's in the cars.
Yeah, I'm in the cars a little bit.
I know a million guy.
I remember, you know, rich Jenny called me one time.
He goes, oh, he was funny.
He had the best gay marriage joke back in the days.
Speaker 3When it was illegal.
Yeah, he would go, gay guys have the ideal life, Larry, I'd love to marry you, but it's against the law.
Imagine if you can say that to a girl.
Oh, I love to marry your honey, but it's against the law.
Oh.
I used to love that bad.
And you know it wasn't offensive.
Speaker 1It was because that was It's just totally.
Speaker 3He wasn't enough anybody.
He called me my time.
He goes, hey, what's the best car to get girls?
I go, well, I said, I I only have one girl and I've had her for like twenty six years at this point, so I couldn't tell you that.
But what are you like, Well, a Corvette?
Could can you get girls with Corfette?
Some girls like Corvette?
Some girls think, how old are you?
You have a Corvette?
You know?
I said, So he gets a Corvette, you know, and of course he knows nothing about what it's capable of whatever.
Speaker 1Just all this.
Speaker 3Maybe he just got it together.
What's the best car to get girls?
This is just my favorite thing.
Speaker 2It's funny because I've never really understood that as a thing.
I guess maybe back in the day when you know, hey baby, do you want to sit in the rumbles sheet or something?
But a rumble seat, Yeah, back in the day, in the day, in the Yeah, it was the nineteen twenties in Scotland, So it's funny.
Richard Jenny rich was one of the last gigs he had actually, or one of the last things I remember him doing.
Speaker 1He was on my show.
Yeah, yeah, and he it wasn't long after that that he that he you know, that he killed himself.
Speaker 2But I don't like it was anything to do with my show, but I'm be sure.
Speaker 3Yeah.
Speaker 2I met him in Australia when I was starting out.
I was at the Melbourne Comedy Festival, right and he turned up.
He had these two very glamorous looking women right in each arm and he walked into the and I was like, does the guy do that?
No, I realized he must have had a Corvette, That's what it was.
But really funny, Oh yeah, super funny.
Speaker 3Oh.
He had very fast, quick fast, very New York.
You know, he had that New York attitude.
Yeah, yeah, No, he's really just a great, great comic that was a sad, sad story.
Speaker 2It's an interesting thing, and Rich is a good kind of example of it is that the persona that he had on stage was very different to who the guy he was.
Rickles was very like as well.
People used to think Rickles was like when he was on, he was the inso guy.
But you remember Don, he was, Okay, he's a pussy.
Speaker 3Oh yeah, very nice guy.
I love I love Don.
Don was great.
Don was great, but even Don, you know, the network would censor him and he would.
I remember one time he came on and you know Kevin and Kevin eu Banks.
He going, that's Kevin, ke Kevin's people in the park a lot stem on hub caps and I go no, I go down.
I don't have hub caps anymore.
Yeah.
You know what's interesting.
I remember seeing Rickles once and Rickles never swore, that's right, okay, But when he did racial stuff, you know, and the Puerto Rican guy is this, and the black guy is this, and the younger audience is kind of like hmm, and older people laugh hysterically.
And then he had a joke with a punchline with him saying shit you know, just like that, And the young people laughed and the old people went, oh yeah, So it was really two different audiences.
Speaker 2Yeah, it's funny.
I never had him say do the ship joke?
Speaker 3Well, it was one of those things where you know, it leads up to it, and then he said, yeah, I can't remember what the bit was.
Speaker 2When I first when I first met him, he Peter Sally introduced me to Recles and and I said, we we come on the show, mister Rickles.
Speaker 1He went, I gotta be honest, kid, I'm gonna wait and see if you're ahead.
Speaker 2Okay, So when he came on the show, he said, I said to him, I am I am I hit now He went, no, but I felt sorry for her.
Speaker 3Yeah, yeah, it's funny.
Speaker 1He was a strange, strangely lovely.
Speaker 3He a lovely guy, and he grew up in the era when the mob guys really controlled it.
And till the day he died, he would never tell a story I go down, let me ask you about no, no, no, I know, like I remember we went to Downtown's once and I said, well, let's let's talk like the mob.
But yeah, yeah, I mean, he would just not even joke about it.
Speaker 1He was as Larry King.
You remember Larry was kind of yeah, yeah he was.
He was connected in Miami at one point.
Speaker 3Yeah, that was Yeah, that was the old school.
Guys.
Speaker 1Do you ever run into that Boston when you were a kid.
Speaker 3Well, i'll tell you people there, I'll tell you a story.
One day I get a call from Sinatra had an age named Jack Sularti.
They go Jay Sinatra watching to play this Italian thing.
Some some benefited in a country club in Chicago.
It's Italian American thing.
And you gotta work clean, you instance, you gotta work clean.
It's gonna be a priest there, you know, I said you, okay, I'll work clean.
Speaker 1Okay.
Speaker 3So I get there, I get up and I do my little thing.
I get some laughs and thank you very much, and I sit down.
So they introduced this guy.
I'm not going to say the name because his kids are still alive.
A real gangster, right, okay.
And he gets up there.
You don't want everyboddy, Hey, what the fuck's going on?
You know?
Like that?
And the priest goes like this, and the priest goes, but they fought shut.
He's just screaming, and I mean the veins are popping.
Is that when you see a psychopath?
Speaker 1Just lose it because you got your.
Speaker 3Ten grand of paper bag?
Right fu shut just scrap.
And the priests is holding his bag with the ten grand in it like this, you know, and he's just and guys are holding him like.
Speaker 1Mother fuck, just go after the priet.
Speaker 3You're just screaming at the guy, you know.
He said, I'm like, oh jeezuz, and the crowd is like, oh my god because this guy.
Speaker 2Yeah, that's the way to lose a crowd if you if you go cycle on.
Yeah, and it doesn't even have to be the priest, just anybody.
Speaker 3If I remember the story they told, the heartwarming story, some teenagers had broken into his house, yeah and still stolen something.
Okay, They found them two weeks later, and they'd been skinned alive.
Somebody somebody hung them by their wrists, stripped them and run a straight razor from their arms down to their toes and just peeled off, peeled off a layer of skin until these guys slowly blended it.
And it was like, oh, okay, So so that was like ho scary, you know.
So so I'm sitting there and just watching this whole thing play out and they take him away.
Right, So ladies said, he go, hey, hey, comme here.
Come here.
He goes, he says, you play golf.
Well, come on, God, come come with you.
So he and I am the golf card.
He goes, you know, we we have stallone to come to this.
You know what he said?
He said no, and I said, well, you know, he started busy fucking explodes again, you know, and I was like, I'm sitting.
Speaker 1I could never play golf with a guy who had skinned people.
Speaker 3Exactly, and I'm not doing it again.
Speaker 1Do you play golf?
Speaker 3No, no, I don't think if you could play it in twenty minutes, maybe, but also.
Speaker 2If you know, the carts are ship I mean, if it was maybe if you got it, but maybe if you had a Corvette.
Speaker 3Yeah, Corvette.
But I mean but the point of this was just most people think, you know, my favorite thing and the French Connection was the best movie to whenever you watch TV, the guy Bob put the gun down.
I know you don't want to shoot me, okay, And the guy always puts the gun down and cannon or magnum or whoever it is takes the gun away from.
Speaker 1That's pretty good.
I believe right.
Speaker 3Remember that that was a French connection where the transit cop, the French guy was running from Popeye Doyle.
He's on the train, he's got a gun and the guy goes, look, I know, you don't want to shoot me.
You don't want to He just shoots him at four or five just he's the guy away, go okay, thank you.
That's what really happens in real life.
All these people think they're going to be a hero because they know he's really a good guy.
No, there are evil people in the world.
There are bad guys out there, you know.
Speaker 1But I'm still I'm still happy about you bringing up Cannon.
Canon Cannon.
I love Cannon, you know what.
Speaker 2Like he was like a three hundred pounds dective eight.
Speaker 1Right right, and he would run after teenagers don't know, no, no, what it was.
Speaker 3Right.
He would park in the alley at his big Lincoln and the crook would run towards him and he opened the door.
The drivers don't bang, and that would hit them, you know, and knock him out.
Speaker 1Yeah.
Yeah, man, I think it's maybe time for a Canon reboot.
Speaker 2I know, if Billy hadn't lost all that weight, it'd be he'd be Yeah, but he's all finn and gorgeous.
Speaker 1Now that's the problem.
Speaker 3He does look great.
He does look like one hundred and seventy eight pounds.
It's unbelieved.
He lost the whole person.
Speaker 1Yeah that's crazy.
Speaker 3Yeah, yeah, but he looks he looks great.
And you know something, I was telling him this the other night.
A lot of guys that used to be fat aren't really funny anymore because their whole persona was based on being fat, being fat and being but you know something, You look and now you're thinking, well, he's always been a skinny guy, right, because he doesn't.
It doesn't reflect in anything that he does.
I mean, he's really he was.
Speaker 1A graceful man.
I mean we talked.
It was funny.
Speaker 2We talked ages ago because he was a big final Laurel and Hardy I was a yeah, I loved, Oh my god.
And one of the things about Babe Hardy was that is his grace.
Yeah, you know, the lightness of his feet, that kind of it was funny.
Speaker 3You know, Louis Anderson the same thing.
Louis had great dignity about it.
He was he moved his hands very slowly and fold them in his lap.
And and and you never sawld sweating on stage, right, But he always had those bits about his mom didn't like cats because they liked the butter and all that kind of stuff.
You know.
Speaker 2You know the guys you're talking we're talking about, you know, the like Louis was one, Gilbert was another one, Gilbert Godfried was another one.
Like real kind of idiosyncratic character that I don't look, I don't pay a lot of attention to the young comics right now.
Speaker 1I don't know if you do.
I don't see a ton of that.
I see a lot of.
Speaker 2A lot of the same, like you know, you you know, a lot of not as much eccentricity of performance.
Maybe there's some really good ones.
Speaker 1I mean I watched Michelle Wolf and Netflix.
Speaker 3You see her, you see her new special.
Yeah, you know something, I thought it was terrific.
Speaker 1Yeah, I mean I thought she was.
Speaker 3Because I thought, you know, when she done all the White House stuff, it's like that's a terrible gig, you've done it done.
Yeah, well, but I mean it's all politics.
It's like it's how stinging can it be?
And to watch her latest one, Oh these are real jokes.
Speaker 1She's really good.
Speaker 3Yeah, And really.
Yeah, she's really funny.
Yeah, and yeah, I really enjoyed it.
And the one that's done in three parts or four parts, that's what I'm talking about, twenty minutes segment.
And I watch it and I thought, boy, she's really really good and it's a shame that she got beat up so badly over.
Speaker 1Well, you know, it happens with the white like Colbert w be.
Speaker 2Up pretty badly for what he did at the White House as well, but ultimately it worked out for him.
And I think that it's one of those weird gigs the way dinner.
I remember when I did it.
I talked to you before I did it.
You remember that, yeah, because you remember you said to me, it's just not about you.
Speaker 1Just remember it's not about it, right right.
Speaker 2And I talked to you, and I talked to Drew Carey because Drew had done it as well.
Speaker 1But I thought it was a hard gig.
It's like a really tough corporate.
Speaker 3Well, it's an impossible gig, yeah, because everybody's you know, looking in the mirror, you know.
Speaker 1Yeah, that's right.
It's like, no, it's really no about it.
Speaker 3And when you have something about like Obama, who is a really good comic up.
Yeah, he goes on first, and now you follow him.
Speaker 1I didn't.
I didn't do it with it, but I did it with George Booth.
Speaker 3I did it with Reagan.
I'll tell you what I did first time.
I did it with the Reagan.
So I'm backstage and this general comes in.
He goes, hey, hey, hey, you're the comic.
Yeah, yes, sir, I'm Jane Let He goes, I'm selling.
This is my committed to chief.
You understand that this is my boss.
He is the leader of the free.
Will you don't assault him?
You don't tell you.
He's just and he's poking me in the chest, you know.
And I said, well, okay, yes, you understand.
Yeah, And then he leaves.
Okay, I'm thinking, oh man, I'm starting to change jokes now.
And then and then all of a sudden, George Schultz comes in, remember him, Yeah, and he's really drunk.
He goes, but now come here, when you get up there, you nail Ronnie's ass to the wall.
You understand me.
I go, but that guy, tell me, Scar, he works for me.
I'm the t a minute, I'm the defense guy.
You make fun of that thing on Reagan's you think got his hair color?
You think got his real hair color?
And I go, I don't know, No, you got I said, now, the what do I do?
I remember my opening joke was, I want to cry to you, late Nancy Reagan.
I'm winning the Humanitarian of the Year award.
I'm glad she beat out that conniving little bitch mother Teresa.
That's funny, Joe and Reagan fell off the chair.
I thought, well, then I knew I was in Yeah, I knew it was okay.
But but yeah, but that way it is.
It's an impossible game.
Speaker 1It's really hard.
Is there any because I've got a couple of jokes.
Speaker 2One of them was the white of course wonded the dinner that I never told that I was going to do the joke right to the last minute, and then I did.
And I have tuned my life that I've never done.
I'll tell you them in a minute.
But do you have any that you thought I was going to do this joke?
Speaker 3You know, it's so funny.
The only jokes I remember are the ones that made an impression, because as a comic, you have things that put a notch in your brain.
You just remember, like that first joke I told about the you know, the robin Hood thing and all that.
I remember, so you remember everything.
I remember being five years old and my mother taking me to because we didn't have babysitters then, so he just took me everywhere.
So we went to my aunt and Eddie, my aunt Edia's house on the Italian side, and it's all women drinking wine and I'm sitting on the floor and I was looking at the women and I said, hey, Mom, why do women have humps like camels?
And they're they're all drunk anyway, and they're all.
Speaker 5Screaming, and I'm thinking, what did I said somewhere about humps?
Speaker 3And I always remember that because it got it.
So is a comic.
I think when you say something and it gets a laugh, you just, for the most part pretty much remember it because I'm told you the ones.
Speaker 1That you made a decision to tell the joke for another reason.
Speaker 3Yeah, I can't remember the joke, so I can't remember what.
Speaker 1I have two I'm going to tell you them.
Speaker 2One was a White House correspondence to her where there was a lot of trouble was the very last Bush and Cheney and all those guys were up there Rumsfelders around all that stuff, and I was going to say at the start of it, it's great to be up here.
We want see all these guys together in one room again until the trial.
And I thought that was a pretty good joke.
And they said to me, probably a good It wasn't the White House.
It was one of my own guys said, probably a good idea.
If you don't do that joke, people are still a little, you know, uncomfortable as a pretty decent joke.
And the other one, I'm kind of still thinking that maybe I should have done it, and maybe I shouldn't.
And here's what it was.
I had a book come out, my own, a biography come out, right, And it was the same week as Ted Kennedy, his biography came out.
He had just died that week, right, And Mackenzie Phillips' book come out where she talks about having sex with her dad, oh right, And there were all three of us buying for the number one spot in the New York Times bestseller list, and I knew I wasn't going to get it because Ted Kennedy had died and Mackenzie Phillips talks about having sex with their dad, right, right.
Speaker 1So I was doing this event in Union Square, the Barnes and.
Speaker 2Noble, and I wanted to do this joke and my publicier says, that's a great joke, and I beg, you don't do it.
I went, okay, but the joke I was going to come on stage and say in my book, Mackenzie Phillips focks Ted Kennedy.
Speaker 1I didn't do it, and I kind of wish I had done it, but I'm kind of glad I didn't.
Speaker 3No, No, that's a funny joke.
Speaker 1I think so.
Speaker 2But you know, the tempers were flaring at the time, and it was probably ay.
Speaker 3I always did that because a those things you want to say.
I'm not going to say who it was, but I had someone on who was very sensitive and they just gotten glasses and they had a big nose, and I said, and I wanted to say, oh, did the notes come with the glasses, But I knew they'd be ye, they'd be hard.
Speaker 1Yeah, yeah, you can.
Speaker 2You know, you don't want to hurt someone's feelings.
We were not in that game, you know what.
I feel bad.
Speaker 3That was the thing about being a talk show.
She got to know when I was a comedian when I did the monologue, and I was a host when I did there because a lot of times, yeah, I totally agree with the battle and you lose the war, you know, totally totally.
Speaker 1I always felt as well.
Speaker 2And this is why I love doing your show is because I felt like I was.
You took the word host like literally like I'm here to holdt I want you to feel good when you having a good time.
Speaker 1I want you to enjoy yourself.
Speaker 2And that's how I took that from, you know, like it was on your show.
Speaker 1I was like, no, that's how I want to be because.
Speaker 2I've done other shows where I felt I've got to wash my ass here.
You know, I'll put one foot wrong and I'm going to be made a fool of.
And I never felt that when I was working with you, and I hope that anyone who was on my wo felt the same way.
Speaker 1It was like, you know, I'm not I don't know here.
Speaker 2And funny if I was talking to Kristin Ball the other day, who was like my number one all time, you know, she's like on the show every other week.
She was great, she was you know, everyone has a guess like I sure you had him and I'm going to ask you.
Speaker 1Who it was in a minute.
Speaker 2But but I was talking to her and she said, well, it was weird for me because because I always thought she was a great improviser.
And she said, no, I hate that.
I always like knowing what I'm going to do.
Speaker 1I was like, that's weird.
I always thought you loved.
Speaker 2Improvise, and then that's why you always did my show and she went, no, I just trusted you, right, And I was like, oh, that's great, it makes me feel good.
Speaker 6Yeah yeah, and so tell me who you were?
Who are your go tos?
And like, you know, Terry Bradshaw was pretty Yeah, he's very funny.
Yeah, you know the ever he hit a talk show.
Yes, that's right, he's a daytime talk show or something.
Speaker 3But you know, Terry was the best one ever.
And you could not have planned this.
He comes out and he goes JAYL I heard that monologue.
That monologue sucked.
That was the worst jokes every He's just trash around me.
Yeah, And I said, I said, you know I can shut you down with forward.
No, No, you can't.
I can't.
What I said, your fly is open and his pants were wide over.
Oh my god, and he looked down and he fell off the cherry's laughing so right.
He just felt so stupid.
Speaker 1He was.
Speaker 3He was a great one.
Speaker 1I said.
Speaker 3I had him thirty maybe fifty four times.
Yeah, and the comics are always good.
You were good, Jerry was good.
Robin Williams of course was good.
Speaker 1Yeah, Robin kind of took cover.
I used to like that.
You just hand them the reins.
Speaker 3Yeah, right right, you just let him go.
You can really interact with him.
But you know what my favorite two was with Rodney because when I would watch Rodney with Johnny, Johnny would beat the straight mane tough week, Rodney, Oh, rod Johnny, I tell you this week is all right, but last week it was cold.
Really it was cold out so oh Johnny was so cold.
And yeah, I know again when I would get Rodney, Oh, that was my favorite thing to uh been a tough week, go oh Jay, I'll tell you it's it's all right now.
But last week I got to tell you know, did I tell my Rodney story about No, I'll tell you Rodney story.
I've told this, sorry, but no to me.
I had Rodney on.
Speaker 1The show, Okay, Rodney Dangerfield Rodney in.
Speaker 3Two thousand and four, and Rodney was a little older, yeah, a little more frail.
And he comes up and he's doing the show.
He's doing his stand up.
I knowic he's sweating more than you know.
As someone who watches comics and you know them personally, you can tell when they're a little off.
You know.
I could tell what Jerry's killing, but it's it's not his normal, super hard kill.
It's just a real And Rodney he would always touch his tie.
This time his hands were kind of He's just a little you know.
So I said to Debbie, our producer, DeBie vickcause I said, I said, I think Rodney's having a stroke.
Call the cops, call it paramedics.
She goes, you think good, I think he is.
Yeah.
Okay, so if he sits now, Jay, I will tell you I'm all right now, Ja.
But last week, you know, and and he's got the handkerchief and he's really sweating.
But he gets through it and he does fine.
Okay, now the show ends.
Just as the show ends, Rodney goes, who's jess him?
And the paramedics come in and I say, so going and say, Rodney, it's the paramedics.
I think made stroke.
I didn't have a stroke.
Well he did have a stroke.
Speaker 1You saw that.
Speaker 3Well, he was just off.
He was just off.
So they took him away in an ambulance.
He went to the hospital.
I didn't live much longer than that.
And then his wife Joan calls me.
He says, you got to come to the hospital.
Rodney's in a coma.
Okay.
I get there and Roddy's lion there.
His eyes are open, and she says Jay.
The doctor says, Rodney can hear us, but he can't respond to us, you know.
So I'm telling him how much we love him and how great he was to all his comics, you know, letting us work Rodney's Club and yeah Rodney Dangerfields and all blah blah blah blah.
So his wife John says, Rodney, she goes, Jay, put your finger in Rodney's hand.
She goes, Rodney, if you know it's Jay, try and squeeze his finger.
Speaker 5So I put my finger in Rodney's hand like this, And I went, Rodney, that's not my finger, okay.
Speaker 3And Rodney's shoulders go like this.
They just move and drug he moved, and the doctor comes, I mean, he move me together and and he died right after that.
Speaker 1But but you got to laugh.
Yeah, we got to laugh out.
Speaker 3Of Runney, you know.
And it was kind of I mean, I don't say it to be mean or to be funny.
He just is a life well led you know.
He and he was a wonderful guy and he was a smart guy.
Speaker 1I you know, you never met Rodney in the middle.
Speaker 3Well, you know the whole thing about being an aluminum siding salesman.
You know, if comedy doesn't make him, well he did.
He was a lumin siding salesman.
But he was a great lumini.
Speaker 1He was.
Speaker 3He was so successful he quit show business to sell sign Then at age forty four, his face finally grew into his act.
He began to look like the sad sack that he was.
And that's when he really became famous.
Because see, I remember Rodney before he had no respect.
When he used to do bits right and he would do bad.
I remember one bit he had.
I can't recreate it, but this is the essence of it.
He goes, well, in the flight to sixty five with tw Airlines, he'd be the pilot, you know, I go, we're flying over right now, over Indiana.
Rather a Desolate Park.
If you look down on the left side of the plane you can see the remains of Flight four eighteen that crashed right there in the ground.
Bob, youer with me on that one, weren't you.
It was just like a just hilarious, just like a funny almost like a very Bob Newhart.
Yeah.
Speaker 6Yeah.
Speaker 3And then later he got into doing bits.
Do you ever see a movie called The Projectionist?
It was done I think in sixty nine.
Rodney was in that place that he was good.
He was good and back to school.
One of the funniest Yeah, to me, that that thing about in the Union, Yeah, with the guy goes I'm gonna build an imaginary factory.
Oh yeah, how are you gonna pay off this guy?
And pay off that guy?
You know?
And are just so funny.
Yeah, he was really the funniest guy.
And I knew Rodney forty years.
I have no idea if he's a Democrat, I have no idea if he's a Republican.
All we ever talked about with.
Speaker 2Jokes, he that's true, with a lot of he had the essence.
Speaker 3He had quick jokes.
One of my favorite Rodney jokes is I will pass the strip joint.
He said, topless and bottomless.
I went in.
There was nobody there.
I mean, it's a great topless there's nobody there.
Speaker 1Yeah, that's that's a great.
Speaker 3And the other joke he had, like my doctor said, he a seamen sample and he's still sampling into your own sample.
So I gave my underpants.
You know, just those kinds just so stupid kind of jokes and just just hilarious, just hilarious.
Speaker 2You ever intimidated by anyone that you ever you ever have a guest, and you guys actually get nervous.
Speaker 1I had a couple, but you ever have anyone?
You think one day I.
Speaker 3Had Roger Moore on.
So I'll tell you about Sean Connery for Roger Moore.
Speaker 1And tell you.
Speaker 3I said, when do you go on vacation where you go to India?
Going to India?
Speaker 5Quite often go to India.
Yeah that's quite a trip.
Oh not really, Well how often do you go?
Oh well, going every weekend, every weekend to India?
Yes, yeah, I mean that's it's.
Speaker 3Not a long flight.
No, no, no, we drive, really you drive to India from from England?
No, no, from California.
He was trying to say, India Oh, it's just like a whole wasted segment.
Speaker 1Yeah, you're trying to talk about.
Speaker 3Sean Connor is my favorite because Seawan Connor is the only guy I have heard my mother referred to in a sexual way.
Speaker 1That's a real man, Jamis, Oh, yeah, no, the women were different.
Speaker 2I introduced my wife to Sean Connery and her breast let up, and I didn't even know bress could do.
Speaker 3That, that's right.
Speaker 2Yeah, but Sean Connery probably went through life thinking that women's breast let up all the time.
Speaker 3That's right.
Speaker 2But I've never that's the only time I've seen it happen.
I introduced her to and she went, oh, hello, San, nice.
Speaker 1To meet you.
He's like, very nice to meet your Megan Boom hello Push.
Speaker 2Well he didn't talk to our bottom department, he I mean her, But it was.
Speaker 3Really I know, well, most people don't know he was mister Universe third runner round.
Yeah, that's right, nineteen fifty three.
Speaker 1He was.
Speaker 3He was a long shoreman and he was a tough sound very tough.
Speaker 1You know the story about him and Johnny Stumpinato.
Speaker 3Oh no, you get the fight with Johnny.
Speaker 2Johnny Stumpinado brings a gun on at the set.
I can't remember the movie.
He was doing a movie with Lana Turner, Lana try right, Yeah, And the rumor was that Big Tam as he's known in Scotland or Sean Connery was having an affair with lannat Turner, which knowing him and knowing about oday, it's probably it's a pretty good even money bet.
Stompnado, who's our gangster boyfriend?
Turns up, points a gun as showing points a handgun at Sewan corner.
Right, he takes the gun, he smacks he did ahead of the gun, and she's got the fuck out.
He bring a gun onto a place of one.
I mean, it's like he was a tough guy.
He was from a very tough part of Edinburgh and he was very kind.
Speaker 3Of and he's the only guy, you know what to say.
I was here a jokes and knee slamper.
Yeah, he's the only guy I ever saw slap you gee gee, what's the leadst filthy jewel going about?
G you know?
I mean he would laugh like like he was a pirate and he was the only guy that ever took a shower in a tonight showed jesssing room because the justsing room is a small ones I remember, just a little Chinese shower, but nobody he's and he would sing.
Speaker 1Take the head and.
Speaker 3The news crew, news guys, news had to run down with the headphones.
Who's shouting down?
I said, Sean Connery.
Second, Oh yeah, but oh yeah, you know it was it was he.
They took this rough thug.
They put him in a savile roast suit.
They teld him a little bit about wine, so he came across.
He was the only really dangerous Bond I never got.
Roger More is always a pill, very dope guy.
He's kind of like the comedy bone, you know.
But him and and Daniel.
Speaker 1Craig, Yeah, I could believe Daniel Craig.
Speaker 3Daniel, but Sean Connery had the height, he had the weight, Yeah, he had the.
Speaker 1Threat was pretty good for the nineteen eighties.
Speaker 3But but Sean Conny just had the physical presence.
I mean, the Bond films are funny, be goes gold Finger the Man, but a big fat guy can barely speak English, slabbering over himself.
How was this guy in the song?
But yeah, in the in the in the song women, Oh he's cold finger, you know, Oh please.
Speaker 2You know that Sean Connery.
I think it's in the movie Goldfinger.
He wears a little toweling many like it's like little shorty shorts.
Oh yeah, the ip that goes up the front and the little thing like that.
It's the most ridiculous looking out fit.
Oh yeah, And I remember we were watching it, like when one of my boys was Lettle.
We're watching introducing them to an know bone movie.
In my I said to Meghan, that's uh, that's a stupid.
Speaker 1Looking at it that.
She went, No, one shot Conery.
I did a preslet again.
Speaker 3Oh yeah, wow.
Speaker 1And he wasn't even there.
Speaker 3Yeah he was.
He was quite a guy, he was.
Speaker 1He was a very impressive.
Speaker 3I mean he was a guy for his time.
Because you watch it now and it's so incredibly sexy.
Speaker 1It's shocking, but it was what it was.
Speaker 2Yeah, anybody, look, buddy, we're done for the recording.
Speaker 1You and I can talk anything.
Yeah, we're done.
But listen, that went pretty quick.
Speaker 2Yeah, well, you know, we do talk a law, Yeah, a lot more than I talked to any other former host of the Tonight Show.
You're the one I talked to the well, and I think that you know, I had such a good time when we were doing gigs with our Senio this summer.
Speaker 1We should do it again.
Speaker 3Yeah, I love doing those.
Speaker 1He's a great guy to see you guys, is a great guy.
Speaker 3I tell you a story about our Sceno.
It was so funny.
I think I told you about with Berri manelog.
You know, I was saying, no, tell me, Well, he was the only real threat.
That was one Carson was afraid of Arsenio.
Well because it was hip, Yeah it was.
He was good black, it was young, it was everything Johnny wasn't you know.
And you know, like when Dana Carvey did Carcinio, he did a comedy oppression of a brilliant impression.
Johnny just hated.
Made him very nervous.
Anyway, So the first night of our Sinio show, he goes, You're not going to see Barry Manilo's ass on this show.
This show is all about the funk.
It's about to mute hit it, you know, in the band place of a game.
Speaker 5Right.
Speaker 3Okay, So I remember watching that shown.
Now this is the time when he and I were supposed to be fighting, right you understanding, Well, he had I'm going to kick Leno's ass and all this stuff going on.
Speaker 1You know, it's funny because I think of you two is being very good.
Speaker 3We were very good and we still are and we were even during that.
So anyway, so I'm watching him every night to make sure we don't do the same jokes, because you need to do that, you know.
And I hear him say about December.
Now, come on, I guess in September.
About December he goes, and next week on the show, Barry Manilow.
You know, I have to say sorry.
Speaker 1Sorry.
Speaker 3The next day I call like, oh, hi, can I speak to you, Senor Hall, This is Jay Leonard.
Just a minute.
Speaker 5Oh, he doesn't want to speak to you.
Just just he doesn't want to speak to you.
I said, no, he needs to hear what I have to say.
Speaker 3You know.
He goes, what do you want?
What do you want?
Speaker 1Oh?
Speaker 3Next week, very mentel and then he falls off the chair.
He's laughing.
Speaker 1So how I go, Oh, he wants to see his ass.
Speaker 7Because you realize when you do these shows, you need everybody you gotta take.
You can't every night you got But and from that point now we both laughed.
Speaker 1At him, you know.
Speaker 2But when the news broke that I was going to do the late night show.
When I was taking it over, I was a YouTube concert in Forum in Los Angeles, and you know the little backstage area, some backstage there, and Chris Rock is there and he comes over and he goes, you're the guy taking over the show, and I went yeah, and he goes, you guys do that ship every fucking night and I went yeah, and he went, no, man, every fucking night.
Speaker 1I went yeah.
And then it kind of to me it was like a movie.
Speaker 3But see, I found every night easier because if it didn't go well, I got some I can't stop and dwell, I got.
Speaker 1To move out.
That is the glory of it.
But the truth is, but I tell you I was done.
Speaker 2I mean, what did you do twenty five years, twenty two years, twenty three, Well, I mean twenty five kind of guessing, you know, Yeah, I had a ten years and that's yeah, that's there's a bit two more than I really was.
Speaker 1Yeah.
Yeah, it wasn't there appointment.
Speaker 3You're like, no, I'm pretty good at simple, repetitive fasts.
So yeah, well I enjoy you know, I enjoyed it.
I liked the discipline of writing, writing jokes every day.
Speaker 1Great at it.
Speaker 3I like that you got pencils down.
I gotta go.
Okay, if it didn't, if the show wasn't any good, I got another show tomorrow and three days later you forgot about that show that wasn't very good.
Speaker 1Yeah, that's true.
Speaker 2It was as interesting now though, that all these shows hang around and people pick apart from a show and broadcasting like, I.
Speaker 1Don't even remember doing that, you know, I know, I know, it's crazy.
Speaker 3You know, it's different.
You know.
The saddest thing about late night is everybody doing it is really good.
The trouble is, you have these streaming services.
You can watch the Lord of the Wings trilogy without commercials.
You can watch all three Godfather movies.
You know, every talk show you watch now, because the viewing audience is smaller, there's even more commercials.
So you watch the monologue five and a half minutes and seven minutes of commercials, then six and a half minutes a show than nine minutes after midnight of commercials, and it just makes it, you know, And it's not the it's not the host fault.
It's just it's so much.
Speaker 1Yeah, exactly, Yeah, No, I'm glad I got out with it.
We got at the right time winning.
Speaker 3Oh we did.
Yeah, nobody's making that kind of money anymore.
Speaker 1All right, well, let's get the fuck out here.
Speaker 3That's got to drive cars.
Speaker 1Yeah, anytime,