Episode Transcript
Hi.
Speaker 2I am Kate Hudson and my name is Oliver Hudson.
Speaker 3We wanted to do something that highlighted our relationship.
Speaker 2And what it's like to be siblings.
We are a sibling.
Speaker 3Railvalry, No, no, sibling, don't do that with your mouth.
Speaker 4Vely, that's good, Ollie.
Speaker 3Have you done any Christmas shopping?
Speaker 2A little bit?
Speaker 3Oh so?
Speaker 2Behind Well, you're a very very busy person, so it's understandable.
I sent you a text yesterday because you want to know what I want.
And then I said, I'm gonna send, but you're not gonna like any of it.
Speaker 3I didn't look at it.
Speaker 2I didn't send it.
Speaker 5Oh well, then send it because.
Speaker 2I need a response before I send it.
Speaker 3Why won't I like it?
Speaker 2Here's the thing how, here's how it usually it works with you on Christmas.
It's like, what do you want?
And then I text you some things and you're like, that's boring, I'm not doing that.
I'm like, okay, no.
Speaker 3Yeah, no, that's I want to reel.
I want like six hundred, like deep water real.
Speaker 2I want a transducer, you know, so it's a transducer.
Don't worry about it.
Speaker 3Sounds like a sex you like take.
Speaker 2Trans that's a good.
Speaker 3I don't like that, so I know I'm not I don't even care.
I'm not getting it right.
Speaker 2I told you I don't send these things.
Speaker 3Really, what is a transducer.
Speaker 2A transducer is something that goes on the bottom of your boat.
I already have one.
It's what reads a sonar.
It's what reads the bottom and.
Speaker 3You want to fish.
Speaker 2It's still there's still time.
Oh really, And this transducer specifically, there's different frequencies, and this is the better one that I want to put on my boat.
So it reads the bottom and it reads targets better.
No, no, no, But there's another thing that's ten grand that I'll put on there too.
Speaker 5What is it.
Speaker 2It's called the seakeeper.
And the seakeeper is what replaces the trim tabs on your boat, and it stabilizes the boat so it doesn't bounce.
Speaker 3There's that that sounds like something for your safety.
That sounds good?
Speaker 4Oh?
Speaker 2It for sure is yeah, I mean I like that one.
It's definitely for safety.
Speaker 3A seakeeper.
I got you a seakeeper.
It's like I am your.
Speaker 6Seatkeeper, I guess.
Speaker 3So, Ollie, is it too early for you.
I know, we're waiting on Hugh Jacques.
Mom.
Speaker 2Well, while we wait, we just need to talk about The Whirlwind and that you have been on miss fucking Golden Globe nomination.
You know what I think they should do, you know they have like the actors, like the siblings.
Speaker 3Thought that was such like hostility.
Why don't you say?
What don't you say you should say?
Is say it like you're excited?
Speaker 2No, you know, I am excited for you.
I was the first one to call you in the morning.
I'm extremely excited.
The only thing I'm concerned about is like, who do you invite?
Because you only have one table.
Speaker 3I don't have a table.
I have one date.
Speaker 2That's it.
Yeah, Oh that sucks.
Well, maybe I go to the party afterwards.
Speaker 3They're definitely coming to the party a night.
Speaker 2Yes.
Anyway, Whirlwind, you barely have a chance to breathe press playing the gas.
Speaker 3And you know, it's been really interesting and important because this movie is so good and I really want people to see it in the theater, you know, and our industry has been very hard to predicularly when it comes to theatrical releases, and this is one of those movies that you're like, oh, come on, I really wanted to have great success of people make movies like this.
You know.
It kind of has that you know, touchstone like old touchstone movies, things like in terms of endearment or movies like moon Struck, and it kind of gives you that feeling like extraordinary circumstances real life, but you are like entertained and then you go through the gamut.
Speaker 2Yeah, I agree.
It's definitely a throwback when when I saw it, that was the first thing that came to my mind, is that we don't Hollywood doesn't make these movies anymore, you know, I mean, and they need to be made because they feel good, and like you said, it's the gambit of emotion.
It's fun, it's sexy, it's extremely well performed.
They're singing, you know.
And then for me, there is tragedy, no doubt, but it's not heavy handed, you know what I mean.
There's there's light within it, you know, you know that there's the outcome is going to sort of make you smile and cry at the same time.
Yeah, and that's what's special about it.
Speaker 3It's the Cameron Crow word happy sad like life like life is just happy sad like one can't really exist without the other.
And in order to creatively hit that sweet spot, it's actually a really hard thing to do, you know, and Craig did such a good job of of threading that, you know, no walking that line of not a getting too sentimental either, you know exactly, it's not cynical.
There's like not an ounce of cynicism in this film.
It's very pure of heart.
And yet it doesn't get too sentimental like you want to.
When you're done watching it, you're like, I just want to do the things that I love to do, and I want to be with my family and you know, and I want to like live a good life.
Speaker 2I have a question for you, because you've been interviewed for the last two months and say the same things over and over again.
We know how that works, but I bet you haven't been asked this.
What does Hugh Jackman smell like?
Because you were very close to him the whole movie.
You know, I wish he was here, Like does he have a scent?
Is it woodsy?
Is it floral?
Speaker 3That's a really good question.
It is kind of more.
It's not woodsy, it is more floral.
It's more like crisp.
It's like a clean It's like it's like grass.
It's like fresh cut grass.
Speaker 6Oh.
Speaker 2I like that smell.
Speaker 3I can't wait till we get to tell her.
Speaker 2So funny, it's what.
Speaker 3I would say.
His smell is like, isn't that funny?
Oh, let's do this with all my co stars.
Speaker 2I was gonna go there next.
I'm like, it's funny because everyone does have some sort of a scent.
Speaker 3Yeah, like Kane is much deeper, it's much more.
Speaker 2That's much more like musky.
Speaker 3Like yeah, I would see it's in the earth.
Speaker 6Yeah.
Speaker 7Yeah, it's like dirt.
It's like it's like it's like amber dirt.
It's kind of good though to amber is a little like powdery.
Speaker 3I think maybe it would be more like it would be like more petuly.
Yeah, yeah, like good dirt like that, like that, like the kind of dirt that grows really great vegetables.
Speaker 2Exactly.
Speaker 3So funny, they really do.
I'm trying to think of like like I could do the whole cast of Running point at this point.
Speaker 2Oh I know, Oh God, well who should we start with?
Speaker 3So funny?
Uh?
Speaker 5Justin Threau.
Speaker 3Is is like is like Palo Santa?
Speaker 2What is like the candle?
Speaker 3No, he's like he's like he's like not incense, He's like the wood, you know, Palo Santo.
It's like it's like that meets like a little bit of like a citrus like high note.
Speaker 2Oh okay, but who's like like a vetty air you know that like sort of deep sort of vetty bee French.
Speaker 3Well, that's citrus, isn't it?
Speaker 6Yeah?
Speaker 2I thought like he he reminded me of the vetty be throw.
Speaker 3No, No, he's more like fig.
Speaker 2Fig what about?
What about?
Speaker 6What about?
Speaker 2Ike Barenholtz?
Speaker 3Oh is like it's like Bristin.
Speaker 2But I'm I'm feeling groovy.
Speaker 3Oh is that what you're singing?
Speaker 6Gotta watch powers growing.
Speaker 2Looking for love and feeling groovy when.
Speaker 3I'm feeling blue?
I know, Oh I got it?
Speaker 6Look you who is that I'm not so blue?
Speaker 2That's Phil Collins.
Speaker 6That's who is quicket to song all of her?
Okay?
Who going around the house?
Who's singing more?
I?
Speaker 2Well, Kate?
I don't know that, probably Kate.
But I do like to sing.
It makes me feel good.
Speaker 3It's really me.
But all does weird like sounds.
Speaker 2I do some good like you know, vocal gymnastics that a lot of it can't that can't do well, Hugh, I want to hold on.
I want to start this whole thing off by saying that.
Before you came on, I asked Kate a very poignant question because I know that you guys get a thousand of the same questions every single day when you're doing these press junkets, right.
Speaker 3But.
Speaker 2I asked Kate, what does Hugh Jackman smell like?
Because she's with you all the time, through the sweaty moments, through the tender moments, and you know, she gave a very nice answer, So why don't you why don't you tell them?
Speaker 6Yeah?
Speaker 3And then I thought, well, this is a really fun thing to do with any coastar.
I feel like you, I said, like grass, like freshly cut grass.
Speaker 5Wow, you like that?
Speaker 2Mean?
Speaker 1First of all, I love that smell.
I told you meant like grass.
Speaker 2That's how I smell.
Speaker 6That is not me.
Speaker 1I mean, in the past, maybe the smell.
I'm sure there's been some funk in some points, and there's uh.
Speaker 3But even in those moments, you're always kind of there's like a freshness.
Yeah, you're And then we went into other coast stars and then even the guys, even the people that I work with on running point and started to get weird.
Speaker 2Well, the the ike parent holds smell was spot on.
She said, like it's a Michelin star brisket.
Speaker 3With caramelized.
Speaker 6Wow, that's very edible.
Speaker 8I like that.
Speaker 3You usually when we do our podcast.
This is so fun.
Now I get to interview.
We get We talked mostly about family, right, you know, we like we break down like how people grew up and.
Speaker 5Like what their childhood was like.
Speaker 3And actually, you have such a fascinating childhood.
You are one of how many kids.
Speaker 1So six from mom and dad.
I was the youngest of five.
My mom remarried and had Rowan when I was eleven, and she's so my I guess officially my half sister, but she's my sister, so six, but she grew up in England.
So for the probably for the purpose of this, like the growing up, most of my time was I was the youngest of five.
Speaker 6I hated being the youngest.
Speaker 2You did hated why my whole.
Speaker 1Life felt like someone else was allowed to do stuff that I wasn't allowed to do.
I was and my dad was very regimented.
So you know, everyone got the same, like at this age, your bedtime is seven thirty.
At this age it's eight.
And this is how much money you get when you're six, Like you get fifteen cents pocket money, and you get twenty when you're right.
Speaker 6All of that So my whole life.
Speaker 1Everyone's getting more than me or staying up later than me.
Now I'm six, so I don't care like it was In a year.
Speaker 6You'll get to land and care.
I'm going to go to bed and you're all watching six million Dollar Man on Sunday night and I got to go to bed.
I used to hate it.
Speaker 2So it's actually interesting because you don't get to be a part of the sort of family affair or the family get togethers when it is past your bedtime and you're the little one, so everyone else is up except for you.
Speaker 1Everyone else assumes I had the plumb the pole position being youngest, and I can look back now and see like my dad in particularly got so soft.
Speaker 6By the end.
Speaker 1I mean, we ever did one holiday that wasn't like a camping holiday, but once the older the others were off, I think he's probably like I got a little extra cash when we went.
Speaker 6To like the Great Barrier Reef and we stayed.
Speaker 1I got like a room me and my brother shared like a hotel, like a bungalo on the beach, and all my older brothers and sisters like we went to Bali, like we went on an overseas trip.
Speaker 6Ye, none of my older brothers and sisters got any of that.
Speaker 3What is the age difference?
Speaker 1So like your oldest, we're basically for school.
It was two years but I think like me and my next brother, so Zoe, basically eight years older.
Speaker 3Okay, so within eight years.
Speaker 1Zoe and Sonya Ralph Hugh, and we were at school two years apart, although my brother ended up repeating a year, so he was only a year older.
But he was only seventeen months older than me, and he was he was the best man at my wedding.
But we we were at each the whole time.
Speaker 6I was.
Speaker 1I was terrified of my brother because he was just even when I was like a foot taller than him, I was still scared of him.
Speaker 6Totally, yeah, totally had it over me, and so I had to become all varen.
That was it.
Speaker 1I remember, do you remember that, Michael remember the last dand so Michael Jordan's saying, what was a turning point in your career and he goes beating my brother.
Speaker 6It was just all about beating my brother.
Speaker 2That's where it starts.
Speaker 1I remember having Wow, Ralphie doesn't want me saying this.
I remember saying a winning a table tennis competition at a beach holiday and in the final, I'd beat my brother and I'd never really beaten him.
It was always a little better than me, a little older than me.
And I got a beer can with all the ring pools were put together, but that was wrapped around the beer can.
Speaker 6I had that.
Speaker 1I still have it to this day, like there's nothing I won, No nothing, I could win an oscar, it would be behind that beer.
Speaker 6Can because it was huge.
Speaker 1Although I remember thinking, are you sure you want to win this because you're gonna pay for it?
Speaker 6Like he's gonna punish you for beating him.
Oh yeah, no, I don't think you did.
No, I'm sure I exaggerated at all.
Speaker 2Were you a competitive family?
Just generally?
Yeah, very very in sports, athletics and everything.
Speaker 6The boys, yes, my sister is not so much.
Speaker 3Zoe might two sisters, three boys, Yeah.
Speaker 1And then rowin another girl.
So we're now three and three.
But I grew up with yeah, two sisters, three boys.
Speaker 3Oh my gosh, that's such a big family.
Speaker 6It's huge.
Speaker 4Yeah.
Speaker 3Who was in the dynamic?
Who is the one that you would like tell your secrets to, like, or that you would go to if you needed, like, you know, advice.
Speaker 6Secrets was Ralph.
Speaker 1He was the next brother up, but we went through periods of like, he's the last person I would tell, but ultimately yeah, and then it was probably my brother Ian.
Speaker 6If I needed advice.
So my elder sister.
Speaker 1To give you some context, my mom when my mom and dad split, So my first two years, almost first year and a half, I was living with another family because my mom was not very well.
And I'm speaking about it now because I've spoken about it before, but I want to be mindful of her.
But she was just not doing great.
And so I was the youngest and there were four kids at home, so I stayed with my godparents.
I came back I was probably two, and between two and eight.
Speaker 6I was at home and then my mom and dad divorced.
My mom moved back to England.
Speaker 1So I was raised from eight by my really I guess by my dad and my siblings and.
Speaker 6My Why am I telling you this a long way around.
Sorry, Kate knows.
Speaker 1I can just I can see her glazing over sometimes like at a chunk It's like, yeah, dude, dude, we have four minutes and we have even started talking about the movie and.
Speaker 2Which no, Hugh, you guys are two peas in a part.
Sometimes Kig will go on these rants where I have to put it through like a Google filter because I'm like, what is she saying here?
Like how do I?
Speaker 6Oh, no, I met her all the time.
Speaker 2I'm like, you know, on point, I need real time AI to like understand what she's saying.
Speaker 1Okay.
So the point of the story eight was my elder sister Zoe moved to England to go back to England where my mom was when she was eighteen nineteen, so I would have been ten.
So I'm very close with my sister Zoe and my sister Sonya, Sonya, poor Sonya.
Speaker 6She was left with just a house of men, I think in.
Speaker 1Australia and Australia in the seventies eight pretty much you know, a little old school.
Speaker 2So she was has that shifted and changed it all because it's always been the stereotype, of course, you know, but has that it had it's changed.
Speaker 1Yeah, it's changed a lot, although I you know, I still think there's remnants of it.
You know, my mate Kate knows, my best mate Gus runs a foundation called Gotcha for Life, which was really based around the epidemic of male suicide in Australia and a lot of that's got to do with this notion that you don't ask for help, just get.
Speaker 6On with them, mate, What do you mean you got a therapist?
Speaker 1Just not good enough to hang with you mates at the pub like you're gonna have chat with your mates.
Speaker 6That there's still a little bit of that.
Speaker 1I think that's sort of baked in a little bit, but it's it's changed, thankfully a lot.
Speaker 3Now.
Who in your family was creative?
Speaker 6Huh?
Speaker 3Like, who was the the Did you come from any artist?
Did you have any aunts or uncles or grandparents like that were in the art?
Speaker 1My great aunt was apparently on the stage in the West End in London.
My mom was is incredibly creative.
My father was an accountant and his brother Michael, I loved like it was a teacher and just full of life, Like, oh god, Kate, you would have loved it.
He was very your vibe.
He would have fit in with your family.
Your mom would have said, Michael Jackman, Ah, we want him around.
Speaker 6All the time.
He was just all you would hear.
He lived in France.
Speaker 1He married Claudeine and France, and you would hear in the morning, you're waking up and you just hear this.
Speaker 6Everyone's a winter.
He would come in just completely naked, like my hair, let's go, just.
Speaker 1Go and jump in the lake.
Full of beans, full of life.
Here here creativity.
My mom incredibly creative, creative, creative, every bone and her body is creative and in another generation would probably have been an or something.
Then my dad also, who I thought was really not I've had people say to me, is that he was the most creative accountant.
Speaker 6He was the maverick.
Speaker 1He one had the crazy idea, which is interesting.
Then in my family, Zoe amazing.
She's a fiddle player, she plays mandolin, she's a chef, she can do needle point of growing up as always she was making things.
Speaker 6Then I and my brother Ian Rhodes scholar, very very eminent.
Speaker 1Judge, like I guess our equivalent of a Supreme Court judge.
And you know, yeah, but I remember him at school like he was the best actor I've ever seen, but he was just like, yeah, I'm not going to do that.
Speaker 6He was anything he did.
Speaker 1He was great at my sister's sonya dancer, actor, singer, did everything my brother Ralph, also an actor, did and me, so he was always there.
Speaker 2It's interesting because you said you also grew up, you know, sort of been a rigid.
Your dad was a bit rigid, right, which I'm assuming meant that he was a bit strict, very So it's funny squaring that with creativity because usually when someone is when you when you're when you're strict and you're holding anyone someone back, they don't have that freedom to create unless you're rebelling against it somehow.
Speaker 1But I mean, I can remember him my whole life saying stop singing, stop whistling, it's annoying.
So there was that, But I was always in the school player, I was always doing something.
He was driving me to rehearsal and would take me to every theater show.
Speaker 6He would take me to the movies.
Speaker 1My standard gift every year from my dad was a subscription to the Sydney Theater Company, so I could see Tim play like he.
I think for my dad it was if I'm if I'm right, I think he was like, the art is a really important part of life.
He would take us to the opera, he would take us to classical music.
He would take us to the art gallery.
He would he would do all these things.
I think in his mind that's important.
But that's I think he's a bitch.
I don't know how he was about us doing it as a job.
I asked him minds when I said, Dad, I want to be an actor.
I think I want to go off to drama school me an actor.
And I was really nervous about his reaction, and he said to me, he goes, well, I think you have the talent, but I think you're too thin skinned.
Speaker 3So yeah, how'd that work out for you?
How do you feel about that?
Now?
I think you're doing all right.
Speaker 6I'm doing it okay.
But I understand what he was saying.
Speaker 2Did you have to get callous to have to grow that thick skin or or were you just will.
Speaker 6Ignore any place I might go.
I don't read any reviews.
There is if there's comment, I know.
Speaker 1There's comments on my social media, but oh no, people said you're read I'm.
Speaker 2Like, oh no, what about do you do you mind watching yourself?
Speaker 6Don't love it?
Speaker 2Yeah?
Speaker 6No, although I'm getting better, I've sort of forced myself to do that.
Yeah.
Speaker 2When you do watch yourself, do you are you hypercritical in the sense that you look at you're like, oh, that was pretty good, and then another scene and you're like, oh, Jesus, what am I doing here?
Speaker 6I mean often no, I'm often like pleasantly surprised.
Speaker 1Yeah I'm not that actually looked better than it felt, or I thought I stank up the entire set, and.
Speaker 6I'm like it's okay.
Yeah, And then sometimes I can go, oh, that was good.
Speaker 1But I also, you know, I can look at scenes even the other night of the premier, it was about the fifth time, was saying I'm like, yeah, that's it right.
Speaker 6Someone said to me, my mats goes how many?
How many sings?
Speaker 1I said, I'm not sure, but it's somewhere between eight and twenty, And I was like, yeah.
Speaker 3Of funny, what are you out of your mind?
Speaker 6What about you?
Speaker 3Oh my worst critic?
I think everything's awful, do you?
Yeah, But I'm also like it's like a weird, like I I can't even decipher sometimes if it is I just don't like watching myself.
Speaker 6You ever watched the monitor on set?
Uh?
Speaker 3Yeah, you know.
I actually like doing that because I see it more like choreography, right, so like but but not not on serious things.
I think like when we're trying to sometimes when especially in comedy, I like to see the frame because it helps.
It's like dance, you know.
It's like if you know you're supposed to like trip in a certain place, like you when you see the frame, you it kind of informs you know or how you do it.
You're like, oh, you know what, I can lean more into the fall or you know.
Speaker 1By the way I was watching a running point, I'm like, are you're so You're really good with that, like.
Speaker 3With like pratfall running into the glass.
Speaker 6I just was thinking about something I can.
I tell you a little.
Speaker 1It's sort of a family.
It's not so much sibling, but it's a cool little story for my past.
I don't know if I've said that much, but I just remember when I was talking about my dad, I said, I want to go to this school.
And I auditioned for this school and it was three days a week.
It was called the Actors Center in Sydney.
And I got in and I was so excited.
And the next day I got the letter saying you're in, and at the very bottom is said, please show up with your check for three and a half thousand dollars.
And when I was growing up, tertiary education, all college or university anything was free, and even my acting school was free because it was a state run thing.
Speaker 6So I was like three and a half thousand, I don't have three.
Speaker 1Enough and I'd already done a university degree which my dad had helped me with, and so I just ripped it up and put in the bin because I was like, I don't have three enough grand and there's no way I'm asking my dad for three enough grand like I've just finished.
And the very next day I got a check in the mail from my dad's mum, my grandmother's bequest for three and a half thousand dollars.
Speaker 6I sweated.
I literally went.
I was in shock.
Speaker 1And then I went to the waste paper basket and I picked out the scrumpled up acceptancing just to check.
Speaker 6I'm like, what is happening?
Speaker 1And there was my train.
And so I went to my dad and I said, Dad, remember I asked you about being an actor.
I said, I got this money, I was like, from your mom's but will and I want to put it towards that.
And he said to me, I couldn't think of a better way for you to spend her money.
He was always about education.
My dad was always like to do everything you can to be educated.
Always like, just feel like you belong, feel like you deserve to be there.
Do whatever you need to do so that when you turn off for that interview or that audition or whatever it is, you go, oh, yeah, no, I'm ready for this.
Speaker 2That's amazing.
Speaker 6You.
Speaker 3Was there a lot of laughter in your house?
Like was there?
Was it boisterous or.
Speaker 6Was it between the siblings?
Yes?
Speaker 3Right, but when Pops rolled around, everybody got more behaved.
Speaker 6When I yeah, it was sort of, I would say.
Speaker 1Dinners.
We always had to sit down dinner.
No one was allowed to answer the phone.
If the phone range you'ring dinner and you do not get up to answer it.
Yeah, there was.
We had Sunday morning break together.
We had to have this Sunday lunch together.
Sunday lunch we get a bit more boisterous because my dad would have a few but always amongst the siblings there was so there was a lot of giggling that wasn't meant to be happening.
That was my main memory, and camping holidays.
My dad was an accountant, he was tired.
He had literally a five it was called a five man ten and there was five children and my father.
So I'm sure my dad's like, I got two kids, they're young, two of them are young.
Speaker 6That's one person.
Fine, that's all we need.
Five man ten.
Speaker 1So I was at the top where I had to sleep in like a bend like that, so if I could go around the pole, and there was iris.
So I remember a lot after there.
I do remember a lot of and to this day when we get together, Oh this is the coolest.
I told you, man, I am talking a lot this.
Speaker 6Yeah.
Speaker 1So January, I won't tell you where me and my siblings are getting together for a week for the first time since my sister's.
Speaker 6Wedding twenty five years ago.
You know what wedding's like.
Speaker 1There's one hundred and fifty people, So technically we were together and there's a photo of all of us, but there's no partners, there's no children.
And it was after my father passed away during COVID.
We couldn't go to the funeral.
Australia was so strict.
So my brother Ian was there and gave the eulogy and I was like, this just feels we should be getting together and telling stories and laughing in getting drunk and remember crying and doing all that, and so not long after that, I contact them all.
I said, guys, let's get together, and they immediately jumped on and said, let's do it.
Speaker 6That was four years ago.
It's happening in January.
That's how far I did.
We had to go.
We were like, what at this date, I can't do it?
This one?
Three could do it?
Two good happening in January.
I'm so excited.
Speaker 3That's so exciting.
Speaker 2Special you now.
Speaker 6I feel you guys do that.
Speaker 3We like live that way.
I wish we spent more time apart.
Speaker 2Yeah, me too.
Speaker 3I go somewhere else for Christmas.
Speaker 6You know where I was, You know I was.
I just did Kelly and Mark, which you're doing.
Speaker 1Yeah, yeah, but we're doing a TV show without you.
Speaker 6I was like, I'm not going to do all the talking.
So we go and.
Speaker 1In the commercial break, Kelly just goes I want to be adopted by the whole family.
That whole I want that whole family.
She told me a great story about you, but you can eat it out if you don't like.
But she said, I remember Kay coming to my house and the first thing she did was like, can we have a kind of a tour, and they way, oh, okay.
Speaker 6So we're in the bathroom, sit and Kate just opened up my medicine.
Speaker 1Drawl all of us, like she said, and just looked up went oh my god, and literally she said she got every cream she.
Speaker 6Goes you is this one good of this?
Speaker 1And said, lathering herself all over her body with every cream that I had.
Speaker 2Yes, So that's that's that's that is genetic, that is Goldiehn and that is Kate Hudson.
Speaker 3That was very female.
Sorry, but every girl who's listening to this understands.
I mean, I guess I guess, like I guess I have a different version of that story, but but I guess, like when you I she had just her house is amazing and we're in one part of the house and I was like, she was telling me all about the house and the kids and where the kids are, and I was like, I have to see your house.
But we had like one of those great girly moments in her bathroom.
And yes, I tried on like every cream.
I wanted to need to know everything you're doing on your face.
Speaker 6You're used to having a lot of people around, Kate.
That's not you.
Speaker 5Oh yeah, yeah, you're very comfortable with it.
Speaker 3Yes, and no, like I feel like I like my alone time.
I think all of it.
And are actually really similar like that, Like we're really good at being social and then we just go and do our whole like our we hibernate in our you know area.
Speaker 2As I get older, too, I'm just becoming more antisocial.
Yeah, I'm just yeah, I'd rather just be home and reading or doing something else rather than going out.
But then when I do go out, I go out.
Speaker 1I go out that if you got that kite thing where you go out, and then as the hours get lighter, the energy just goes up and up and up.
Speaker 2Oh yeah, oh god, I I don't know.
Two drinks.
I can't do that.
I don't even know what that is.
No clue Kate does.
If I get a little taste, I'm like, oh, we're out and about, all right, Let's let's let's say have a long let's sell late we can take this.
Speaker 6You know, that's fine.
Speaker 2I get it's pretty good.
Speaker 3Like I have that thing where I pop right out of bed too, Like it doesn't.
It could have been four hours of sleep and I pop right.
But then like then the next day, like I'm the person that can sleep for ten hours.
Speaker 6Nice, you still have that ability.
Speaker 2I don't.
Oh my gosh, I'm up at seven every morning no matter what.
Speaker 6Same paying once or twice and not all of them.
Speaker 2Where are you at twice twice?
Speaker 6Yeah?
Speaker 2Twice a night, well once last night.
I The thing is, I love my water, so I drink too much before bed.
Speaker 1You know.
Speaker 2I have to stop drinking water like an hour before bed, and then I'll be all right.
But I'm you know, sometimes it gets bad.
Sometimes it's like four times I'm like what the fuck?
Speaker 6Oh, here's the game changes.
Speaker 1So an astocrat told me, like stop at five or six, stop pounding it by five or six pm.
Speaker 6Yeah, then just sit.
You said you've had enough water.
Yeah, now I'm down at one pen.
That's good.
But I haven't drunken eighteen months.
Speaker 1That's really helped my sleep a lot.
Speaker 6I've had like two blasts of one.
Speaker 3Wow.
Speaker 6Yeah, I have restless leg and I heard that thing and it runs my family a lot.
Speaker 1And and so when you get over tired, it's this cycle.
You get over tired, so you get it.
Then you can't sleep, so you get more tired.
So I just stopped drinking, not really because of that, but it's got so much better.
Speaker 2Wow.
Rls.
Like I feel like I have it sometimes because I just can't stop moving my legs.
But how do you how are you even diagnosed with something like that?
Speaker 6You know, if you got it.
Speaker 1My mom, who has a pretty bad she's like, she said, it's like chewing aluminum foil, So you know, I get it.
Sometimes you just sit there in your leg or you're in bed and your leg jolts out of the blue.
Speaker 6That's not it, right, It's like.
Speaker 1It's like an internal itch that you can't get to unless you move around, so you get up and walk, or you if you eat.
Speaker 6So being The worst is on a plane.
Speaker 1If I'm on a night flight and there's no flap head, I don't, Thank goodness, I can do that.
Speaker 6I'm just a guy walking up and down and it's just ya wow.
Speaker 3Yeah.
Speaker 2I mean when I pee at night too, you know, I like to sit down and just relax for like a while.
I think more men sit down and pee than they want to let on.
Speaker 6Oh yeah, no, I've I've switched.
Speaker 2Yeah, dude, I think men you know, no longer it's not much.
E's not you know macho anymore.
Speaker 1America does not set you up for success, right, I've really only taking me a long time to notice this.
There's a lot of water in the bowl to begin with, stand up pin, Yeah, you're cleaning up or you're not.
Speaker 2No, hey, if there's any time in the day to take a little rest, why not take a rest?
So you just sit down and pee?
Speaker 6And is it a heated seat now, Oliver beginning?
Speaker 2Then you got heat a sea.
Speaker 3Maybe that's what you should ask for for Christmas.
Speaker 2A total to Toto.
Speaker 3This reminds me of yesterday we had to do.
We went and did Eli Manning's podcast, Oh you did, and I had to sit and listen to the guys talk about how much they bench pressed.
It's very interesting their bench press number, your guys' number of peeing in the night.
Speaker 2Australia is where you made you know, hey in the beginning, correct and as an actor, and then did you then graduate to sort of the States or were you were you?
Were you a known entity in Australia before anyone knew you in the.
Speaker 1I sort of came out from drama school and did a TV series which made me semi non, and then I did a couple of things on stage which sort of might be known.
Speaker 6And I think I was semi non.
You know, I was not.
I wasn't Nicole Kidman or Crab.
But I was there and then went to England to do Oklahoma.
Speaker 1And that was a big hit over there, and I auditioned for X Men from that and so but it was x Men was a massive game.
Speaker 6It was like I was here and then massive Oh shit.
Speaker 2So it was literally Oklahoma to x Men, right.
Speaker 6I auditioned with a perm in my hair.
Speaker 1I put on a baseball cap and I remember the Carci agent going, I don't think the baseball CAP's a great idea, and I took it off.
Speaker 6She was I think it's a good idea.
Speaker 2Well do you remember your audition for X Men?
I mean totally you do.
Did you bring the voice already?
Is that your interpretation?
Speaker 1I think I can't remember that, but I remember.
Here's one of the great bits of block I had to go in between.
It was a Wednesday and I had to go in between a matinee and the evening show was a long show.
We came down a five.
I had to be backed by seven.
So I go into town.
I ran into town and I'm waiting to do this audition, and I remember just going.
They knew I had a show, and I was like, I've got to go.
I've got it, I've got it go.
And finally I did the dick thing i'd sort of someone left.
I knocked on the door, I said, guys, I gotta go, and I said, well, you're not next.
I said, that's cool.
I've got a show to do, so I'm out.
Thanks all the best.
Speaker 6But I was pire.
Speaker 1I was pissed and didn't give a shit, and in whatever nerves I had about doing it, I was just like whatever, and I went in.
Speaker 6There were of course perfect for for Ren right, so I went in with her.
I didn't give a ship.
Yeah we done, We've fucking done.
Let's go.
And I walked out the door and they were like, we love this guy.
Let's get it back.
And then my next audition, I was like, what would you like?
Speaker 3That's great, that's so funny.
Speaker 2Gosh.
Speaker 3I just saw this really interesting like on you know, Instagram, where Jacob Alordie was talking about what his acting coach said is the best thing to do in an acting I'm going to I might butcher this, but is when you go into an audition that you treat it like a crime scene?
Have you heard this?
No?
Speaker 2I love this already though.
Speaker 3He's like, you treat it like a crime scene, but the blood's all over your body.
Speaker 2Mm hmmm, I think I've heard this.
Speaker 3Just you're you.
You know, you walk in there and like you entering the crime scene, and it's so clearly you're the one who did it.
That's so cool, And I thought, what an interesting kind of thing to think about before you go into an audition.
Speaker 6I had to trick myself in every audition.
Speaker 1I had to do something all these costing directors go, that's what he was doing.
I had to do something to make me feel like I was in first rehearsal, like I already got it.
Then I was like, so there's I'd walk in and there'd be one chair and the camera's on the chair, and I'm going I go, yeah, i think I'm going to do this standing and I think I'm gonna do it against that wall over there, and they're like, always sit up here.
No, I think that's important.
Somehow that made me feel like I had some ownership over it.
Speaker 2It's very cool.
Yeah, yeah, and I think that's great.
I think it's a great idea because everyone, well, you walk in there with nerves and fear and you don't want to disappoint or make anyone, you know, shake anyone, so you're like, I'll do whatever you want rather, but it's your time.
Speaker 3What happens when a woman does that and an audition is they don't keep it.
They tell her to leave the room.
Speaker 6I mean, like, hmm, absolutely is different.
Speaker 2I agree, Well, now it's all self tapes.
I got to do one.
I got to do one today.
So if I do that to Aaron's the one filming me, like it's tear and move out of the way.
I mean I could, I could try to be.
Speaker 3I like that tapes gets people more people in the room, like you, I hate more actors, but I really think, like I love this the auditioning process when you had to get in your car and you drive across town and then you had another audition, like on another part of town and you'd get in the room and you'd sit in a waiting room with other actors and see them in the room.
But such a huge part of what of the beginning process of what we did?
I mean you, I mean I guess you didn't really get that part because you did Wolverine.
I mean you just went Now.
Speaker 6I'd have four or five years of auditioning.
Speaker 3For sure, Oh you did.
Yeah.
Speaker 6Another thing I don't know about you.
Speaker 1Okay, But on movies, I'm noticing a lot of people come in and have one scene or a day.
They just come and do a day.
Seem more frightened than in the past, because I think when you go into a casting agent and you have to do it then and you've been sitting out there with fifteen people, Yeah, the pressure is there, and you go on and it somehow replicits a little bit of what it feels like on set.
All right, quiet On said, you know, yeah, are you doing it?
Speaker 6I'll do six hundred tights.
I'll do what.
Speaker 2Oh that's the problem with the self tape is you do seven thousand takes.
I'm there from like six am to six pm for two scenes, and Aaron's like, can I go, I need to do things.
I'm like, babe, no one more, one more, Oh my god.
I always have so much compassion for the day players who have to come in and do some scene, and I never, oh gosh, I'm always like, hey, it's all gonna be okay, buddy, like you know, yeah, it's you go fuck up, everyone fucks up.
It's okay, It's okay, Oliver.
Speaker 3Yeah, so okay, Oliver.
Now you get to be our interviewer and ask us questions about our new movie.
Speaker 2All right, they're movie song Sung Bloom.
First of all, who had the gig first?
Okay, Craig.
Speaker 6Well, Craig came to me with the documentary.
Speaker 2Oh that's right, yeah, to see if I was interested and you work.
Speaker 6Yeah yeah.
He hadn't reaten the script yet.
I was just like, it's the best story.
I've got to do this, Okay.
Speaker 2Next question, were there other iterations of actors actresses that were supposed to come through.
Speaker 6There were, there were discussions.
Yeah, there were discussions.
Speaker 1There were there were sort of lists, there were discussions that it was it was the turning point was Michelle you know, well, miss REI watching Kate on CBS Sunday Morning and I just texted Craig that morning and I said, Claire's Kate, Kate's Claire, And he was like, oh my god, one hundred percent like but he said it like that, I've already had that in mind.
Speaker 2Mm hmmm.
Wow.
And then Kate, when you heard first heard about the script, you knew he was involved.
I remember you said to me, I'm worried about Hugh, that he's going to sing like he did in the Greatest Showman, And that was one of your major concerns, which, by the way, is like my favorite movie, my kid, Oh my god, I think it's amazing.
But when you read the script, were you immediately in yeah, yes.
Speaker 3Yeah, I mean, if I'm being really honest, I was a little worried about location because it was the first time that I was going to be away from the kids and in a long time, and we were going to shoot somewhere other than New York, and I was like, oh God, I'm gonna have to be away from Ronnie and what am I going to do?
Because it was like, you know, it was about two plus months, and I was having a little bit of anxiety around that, but I was always going to do the movie.
You know, there was no question that I wanted to make this the I mean I actually had read the script.
I slipped the script before I got offered the script, so I had read it and sort of Ali had like put our feelers out there nice.
Speaker 5Yeah.
Speaker 2And and had you guys known each other before this?
Speaker 6Yep, we've done a Was it a one day reading?
Speaker 3Well, we did, like a workshop like a shop for.
Speaker 5As the goal.
Speaker 3That yeah, and it was really fun.
But but it was one you know, full day pretty much just long.
And then other than that only at like events.
But we didn't really know allough I meant.
Speaker 1But she has no memory of it.
At Galdi's house, I don't remember who took me a bit.
It was early two thousands, and I remember going to I think it was a Christmas holiday ish party, although I don't remember any trees so because I'm sure it's just like a forest of Christmas trees.
Speaker 6So, but I remember being in the kitchen.
Speaker 9My memory is like A said, kitchen edge unk to the kitchen which feels like a living room, and kite walked in and on fire just like hi, and I'm like hi, and I just like the coolest kid in class and then walked down that she.
Speaker 6Has no memory that now.
Speaker 3Well and then and then like you told me this like two weeks ago, I was like, wait, wow, you're having like we did a whole movie together.
Speaker 2Well, chemistry is obviously massive, right when we're doing anything as an actor or whatever, even even even past it, even with the directors and everything else.
But of course the chemistry between the two have to be there, and that can be created or it can be instant you know.
I think that when it's not there, you have to find a way to make it happen.
But with you guys, obviously it seems like just knowing you Hugh in the short time and watching you together, it seemed like almost instantaneous.
So yes, you knew each other, but you didn't you didn't have much of a relation chip.
When you guys first started rehearsing and seeing it was like, oh shit, this is fucking immediate, Like this is it's on?
Or was there a feel out?
Was there a feel out period?
Speaker 6Okay, and I've talked about this.
It was like it felt easy.
Speaker 1It didn't feel I think I've thought a lot about this chemistry word, like you want everyone to believe it obviously, and yeah, you can fake.
Speaker 6I mean, that's what we do, whether we fake it.
But I think if there's trust between two people and.
Speaker 1You can maybe share vulnerabilities, whether it be around performing or just live for whatever that is, is there a feeling of trust, then then that's.
Speaker 6The door that needs to open.
Speaker 1And I think on top of that, Can and I have a lot in common the way we approach work, the way we approach people, the way we approach life worth quite optimistic, forward moving people, and I just feel easy.
Speaker 2So when you guys doing these emotional scenes right when Kate has to lose it, when you have to lose it when it's happening, how much of it is on the actor who is not necessarily the one who has to be that vulnerable and emotional.
How open does the person opposite have to be to allow that to happen?
Speaker 6You know what I mean.
It's a great question.
And I think that's the thing.
Speaker 2Because sometimes you can get afraid even if there are even if you have trust.
It's like, you know, I'm going to do this big scene in front of you right now, Like it's almost like you have to receive it so she can give it.
Speaker 1Yeah, that's where the trust is well I have someone to say, Okay, what do you think about that?
Speaker 6No?
Speaker 3You?
You?
Speaker 1You?
Speaker 3I mean I think it's that's a really interesting way of asking that question, because it really is, it's like feeling free to feel emotionally naked in front of somebody and risk making a mistake or looking silly, or feeling like your choices aren't good enough, having like the confidence to make maybe what could also be a bad choice.
But like a great co star, a great acting partner, elevates you, like you kind of guide each other through it a little bit, Like it's like there is a reciprocated like you feed off of each other in a way.
And when it's actually really working, when you're doing I think what it is that we're supposed to do, which is you give and you receive and you listen.
Like if you're actually doing that in a way where you're fully connected, fully open, vulnerable and feel trust, then it's like it becomes you kind of lose yourself.
It allows you to lose yourself in it a.
Speaker 6Little bit, you know.
Speaker 1I think about that same where I had to sort of where Mike finally sort of breaks down because it's I've got to let go of lightning.
So it's this lifeline for him, this character he's created.
I've gotta let go of it.
Speaker 6And I think of you coming up, your choice to come up behind me, and I could feel you.
Speaker 10So it's so important to have that.
And if I don't have it in the actor i'm working with, I'll find it on set.
I won't tell that crewmember, but there'll be some crew member who would be for some reasona be the one if I was going through something really hard at lunchtime, that'd be the person I would trust, or or who.
Speaker 6Would put their hand on my shot that feeling of a some I won't.
Speaker 1Sometimes I've I remember Darren aroon Osky, I said I had to do these things I on my own.
They were very vulnerable, and I said, Darren, I want you beside the camera because I built up a friendship and a trust with him and an honesty.
So he was the one for me standing by the camera.
But I kind of like that because I think as an actor, you're feeling something and allowing the audience, and it's the courage.
What you said is right.
It's the courage to allow people to see parts of your own heart of your own emotional being.
Speaker 6That we hide.
We hide it all the time.
Speaker 8So it's also like what you know, what what Paul, you know, Kurt that you know, don't don't let don't let them catch you acting?
Speaker 3Like the Spencer Tracy line.
You know, don't let don't you know?
This kid comes up to Spencer Tracy and says, you know, I want to be an actor, and Spencer Tracy says, well, don't let them catch you at it, and like that's the ultimate goal.
And like, in order to do that, you have to break down so many things.
It needs to become so honest.
And if you don't like what Hughes saying, that's so interesting, If you don't have that in your actual scene partner, you have to find it somewhere else.
Speaker 2Did you guys get nervous, Hue, You get nervous before anything anymore?
Speaker 6Yeah, straight to hell out of me?
Right?
And I think often about Travolta.
Speaker 1I did a film and my second film was with Travolta, and I grew up watching Greece and said that my fever like walking back Cotter.
I'm like, and I asked him, I said, you get nervous?
He goes first two days of any film, you can just throw it in the trash, I gues, he goes, I still get it.
First takes me two days.
You're putting on a new skin.
It's like putting on a new pair of shoes, as a many of you wear shoes every day, and new pair is going to film not great, and it drives me crazy.
Sometimes it's much better.
It's one of the reasons I don't want to I used to not want to stop because I was like, I was going to keep going with this, like I want to have more time in the saddle, please, more time.
Sometimes I think doing it the beauty of doing a TV show, which is the first thing I did.
You're on camera so much, and you're so tired, and we've got so much dialogue.
You have no space for nerves.
Speaker 6But I don't know.
Yeah, I still feel it about you.
Speaker 3Oh yeah, really I feel it.
Yeah, I get nervous.
Speaker 6I didn't see that at all.
Speaker 3But I don't.
I don't let it show like I think I think that people think I'm much.
Speaker 2More like.
Speaker 3I'm good at like powering through my nerves, Like it's almost like fuel for me, Like when I get nervous or if I get that like anxious feeling or that like excitement.
I it's like it's my fuel.
Speaker 1I remember asking a sound sound recordist, maybe he was He just came out and I said something about nerves, and he goes, how if I could play you what?
I hear the hot bait in all these actors interesting cool guys.
I reckon some of them are getting one hundred and fifty baits per minute and then maybe on camera looking all cool and suave as I.
Speaker 6Know the truth.
Speaker 2That's cool.
Yeah, not to mention everyone talking to themselves like.
Speaker 6Come on over, you can fucking do this.
Don't forget you trying.
Speaker 2Don't forget your line again.
They're gonna hate you even more.
Well you guys, Yeah, I love you man.
This has been so much fun.
I know you guys can't tout that you can.
But the movie is so fucking fantastic.
And I'm not just saying that it's a throwback movie.
We don't see anything like these anymore, and I think it's time we do.
It's feel good, you know, it takes you on this journey.
It's not it's not it's not too sentimental.
It's like it strikes this perfect balance, you know, where you are happy crying at the end, and we don't get we don't get that much anymore.
And I think it's important now to see these things, to go to the movie theater, to go watch these things with a group.
It's a great movie to see with a crowd, you know what I mean.
It's not just the Marvel movies that you want to go see with the crowd, like, there are these kinds of movies you want to go see with people because we are all energy.
And when that energy sort of comes together in a room and you're watching this moment, these moments, you feel it throughout the theater.
So that's why you should probably go to the fucking movie theater to watch this thing.
Speaker 5Thanks man, Holly, we love it.
Speaker 6Wait, good luck crush that audition to that man.
Speaker 2Oh yeah, it's gonna be great.
Aaron's gonna be hating me.
A handheld a handheld iPhone.
The kids screaming, the dogs are barking.
You can understand.
It's it's complete mayhem.
When I do these.
Speaker 6Things, I might have a RT holidays.
Speaker 2All right, all right, I love you, Thank you everybody, Thank you man.
This is amazing.
Speaker 3That was so great.
How much do you love you like so much any of the best.
We were doing it on the carpet one time and someone said, someone said to who do you want to be the celebrity who would play you?
And he goes all the.
Speaker 2Well, I wanted to show him my my wolverine body.
Speaker 3Oh well, I'm glad you didn't.
Speaker 2No, because I wanted to.
I was going to pitch him because he's gonna but he's gonna be I'm going to pitch him.
Speaker 3To do great and lean.
Oh look, oh my god, you're getting jacked all of her hotel.
I'm so proud of you.
If anybody could see my brother, just my brother just gave me like a well, he took his shirt off.
Speaker 6But I wanted to pitch.
I wanted to.
Speaker 3Sort of abs starting to show through.
Speaker 2You got to get some fat off of him.
But the Wolverine needs a younger brother.
And his name's like the little guy, you know, it's like wolf.
It's like the Wolverito or something like that.
Speaker 3Italian Italians an Italian Wolverino.
Speaker 2Right, he's an Italian.
He's come to live in the United States and he's like, where's my brother.
Speaker 5With your horn?
Speaker 4Totally, it's like some.
Speaker 2You do do.
Speaker 4Horn is like your we.
Speaker 3I gotta go.
Speaker 2I love you, Okay, but
