Episode Transcript
The National Broadcasting Company presents Radio City Playhouse Attraction seventeen.
Here is your director and host on Radio City Playhouse, Harry W.
Speaker 2Jenkin.
Speaker 3Thank you, Bob One, Ladies and gentlemen.
Speaker 4All week long, letters have been pouring in congratulating us on last week's broadcast and thanking John Larkin for his magnificent performance as Lloyd Bruckner.
It's impossible for me to tell you how well how much these letters mean to us.
But on behalf of John Larkin, on behalf of the rest of the play staff, on behalf of Dick McDonough, our supervisor, on behalf of Monroe Lawrence, our brilliant young engineer, and Jerry McGee are invaluable sound man.
A very sincere thanks for writing Tonight we change our pace and offer you a comedy.
The script was written by Ernest Conoy and is this outstanding young author's fourth contribution to the series.
It is called Temporarily Purple and stars and Potoniac and Lamont Johnson.
Here is Radio City Playhouse Attraction seventeen, Temporarily Purple by Ernest Connoy.
Speaker 1High above Midtown, New York, the Center Building towers into the air on the forty eighth floor, high above the street are the offices of the Porpoise Herb Barrett President.
The nap on the carpet is ankled deep, the chromium furniture sits around the office like small metallic spider webs, and the deep dream of peace pervades the reception room, but in the inner offices.
Speaker 5No, I don't care, I say absolutely no, no, no, My resignation will be in as soon as I feel my peasant pain at the.
Speaker 6Risk of a temple negative.
No, not never, gentleman.
Speaker 3Gentleman, no use losing our tempers.
Speaker 5But after all, Misteribbetic Porpois Priss has a reputation.
Speaker 7To I know, yes, I no reputation, but not my chelse gentlemen.
For a month, I've looked at enough read ink to fill every thermometer between here and Seattle.
This company is not only short of funds, bankrupt, deficient and credit, but also flat broke.
Speaker 3On its face.
Speaker 7We have made a profit since we pirated an edition of McKinley's memoirs.
Speaker 5But we have published the most important books in American literary history.
Speaker 8Clifton Federman said Shaw Hymn Show.
Speaker 6York University, awarded US this year's scroll for the best volume of post expressionist, non objective, neo Paleolithic poetry.
Speaker 7Unfortunately, yes, unfortunately, mister Perks, we can't list scrolls under cash assets.
Speaker 3Other trouble with porpoise presses that it it just isn't printing what the public wants to read.
Speaker 2Just look at our spring list.
Speaker 7Through the Upper Zambezi River with gun and camera, a revised list of Colonel George Custer's executive officers in the campaign.
Speaker 3Of eighteen sixties and sixteen.
Speaker 7The life and mating cycle of the Australian that built Platypus.
Speaker 8Brilliant.
Speaker 7But don't you see nobody wants to read a gentleman.
What we need our adventurous stories, blood and thunder, cloak and dagger, dollars and cents.
The public wants historical novels with romance, beautiful women with plunge necklines, wash buckling, swordsman, murder, intrigue.
Yes, well, we better start publishing some of the finance company's going to be around and repossess the rugs we've got to put to publish a best seller.
In the next month, we'll all be on unemployment insurance.
Speaker 6So we haven't had a popular novel on our list since Harriet Beat Your Stone.
Speaker 2Well, then we'll have to make a best seller.
Gentlemen.
Speaker 3Where's that manuscript that came in last week?
Speaker 6And this one Social Customs and Traditions of the French Court under Louis Pilippe.
Speaker 8Color excellent, Intrea exactly.
Speaker 7Now listen, gentlemen, in this manuscript, we've got every detail on one.
Speaker 2Of history's wildest periods.
Speaker 7Now we're going to take this and we're going to make it into the roughest, raciest, wildest novel they hit the bookstands.
Speaker 6What's that?
Speaker 8But the author?
After all?
Speaker 7You don't you worry about the author?
We've got him signed up to one of our regular contracts.
Yes, to accept all editing.
The author can't kick got his name right here on the dotted line.
Speaker 3And see what's the signature.
Michael Ferrell, York University, Billy's Creek, New York.
Speaker 8What's the writing?
Who's going?
Speaker 7I am, gentlemen, get me three stenographers and I'll have it done in a week, temporarily purple.
Speaker 6What's that?
Speaker 2That's that's the title.
That's all I've got.
Speaker 7So far, but a little cell a million copies with the right picture on the cover of five million.
I'll bring on those stenographers, ready, miss.
Speaker 2Barrett, Okay?
Speaker 7Chapter one and a small hut on the outskirts of Versailles, where the sweep of a dying French feudalism splashed vivid colors against.
Speaker 3The ruins of a recent revolution.
Speaker 2There lived a girl whose dark purple beauty flashed amid the.
Speaker 3False swash, he said, panting with emotion.
Speaker 7Louise suspects purple, he said, brushing her scruples aside.
Speaker 3His dark brows, flashing.
Speaker 2I love you.
Their lips met in a passionate kiss.
Speaker 7She fell, her soul melt within her deep purple flashes swam before her eyes, and her senses reeled.
Speaker 2Row of asterisks.
Speaker 7Suddenly, the door burst open, and Louis stood rape her in hand, turn sir, or you die.
Speaker 3Swords rang, and the flickering can.
Speaker 2No, no, no, No'm gonna may make that.
Speaker 7Swords clashed, and the flickering candlelight, And somebody give me some black coffee?
Speaker 3Are you.
Speaker 2Here?
Speaker 9Was I?
Speaker 3The ring of steel filled the Parisian night.
Speaker 7Purple's ruffles were stained with a slow creeping crimson.
Speaker 3And no sugar in that coffee fellow.
Speaker 7Then, sweeping down the grand staircase, Purple smiled at the populace and waved her hand.
Speaker 3Come by, dear, said Louis.
Speaker 2The people await their queen.
Speaker 7It's finished, six days, three hours, A masterpiece Temporarily Purple by Michael Farrell.
Speaker 2Somebody get me from bed.
Speaker 10Oh the fantastic.
Speaker 3All right, gentlemen, order please, gentlemen.
Speaker 7I've got the sales reports in for Temporarily Purple tink a list in New York five hundred thousand.
That's Chicago four hundred thousand, Los Angeles three hundred and fifty thousand, Boston won one.
Speaker 3Yeah, the vice squad bought a copy.
They're having a band.
We're all set.
Speaker 8I still don't feel right about it.
Speaker 7Relax, well you Hollywood offered half a million for it.
But the author, that's right, the author, Michael Farrell.
He doesn't know it, but he's written the biggest thing in publishing since Uncle Tom's cabin.
When he gets a load of his royalty checked, Michael Farrell's going to be plenty glad.
Speaker 3His manuscript went to the Porpoise Press.
Speaker 9Where is he?
Speaker 6Where is he?
Speaker 11I just want to get my head hey here, now, let's help him.
Speaker 2So help me here your pardon him, lady.
Speaker 3We're having a conference here.
Speaker 12This is the press.
Yeah, I'm looking for mister Herbert Barrett.
You're sure you're Barrett?
Speaker 3Certainly?
Speaker 9Well, that's just fine.
Hey what I'm Michael Farrell?
Speaker 3Oh this check is uh but you're your girl?
Speaker 9You can't, I can't and I am.
Speaker 12And here's your check in fine, delicate, infinitesimal pieces.
Speaker 9How dare you?
How dare you?
Speaker 12I turned in a careful piece of research on Louis Philippe and you turn it into a cheap, treasy Oh.
If I hadn't signed that contract, I'd sue you for everything, right.
Speaker 3Down to your hearts, farrel.
Speaker 2Can't we talk this over?
Speaker 12Perhaps drink only drink i'd have in your presence, mister Barrett, would be at a wake with you as guest of honor.
Speaker 2After all, I changed it.
Speaker 12Aloo by the only thing left of mine was the date of Louis Philippe's birth and you even changed that from Sunday to Wednesday.
Whoa, I'd horsewhip you, But father's all the buggy.
Speaker 3For a miss.
Speaker 12Don't you give me any more of your slick alibis.
There's only one more thing before I go.
Speaker 3Yes, just this, gentlemen, the author.
Speaker 8Pluck left ye free muck.
Speaker 3Gentlemen, we're in a jam.
Speaker 7You know, she can't sue us, but if the papers find out that we fake that book is going to be plenty of trouble.
Speaker 6And besides, she destroyed a Porpoise press check.
We've been Insulta're right on her ish come from.
We've been definitely sal to.
Speaker 3Mention the soul on the president.
Speaker 7Oh, if she ever spills that story to the press, Clifton Fatimin is gonna laugh us clean out of the algonquin bar.
Speaker 6And Simon will whisper to Shuster, who'll be drummed out of the book of the month.
Speaker 3Horrors, gentlemen, We've got to get busy.
Speaker 2Where's that address here?
Speaker 7It is Michael Farrell, York University of Billis Creek, New York.
Gentlemen, pack your bags.
The Porpoise Press is on the march.
I beg your pardon, sir, Can you show me why?
Speaker 11For Heaven's sake, young man, this is the lie of the York University.
Speaker 3I'm sorry.
Speaker 7I was told I could find a miss Michael Farrell doing some research here.
Speaker 3I want us to be perfect quiet.
Speaker 11You know, I wonder if anybody shouted, there'd never be any worktime.
Speaker 3No, but that's musty hush.
You know I'm looking for miss Way.
Speaker 11Everybody talk, that'd be chaos, just chaos.
Speaker 2Yeah, look, could you tell me why.
Speaker 11We insist upon complete side?
Speaker 3Look I want miss Michael Farrell.
Speaker 11That's setting me nothing to shout about.
She's right over there by the catalog.
Speaker 2Thanks.
Speaker 11Remember now, there's absolutely.
Speaker 13No reason for any collodion s.
Speaker 3Missus Ferrell is.
Speaker 9Oh it's you.
What do you mean by following me?
Speaker 3It's not allow?
This is the library of definitely hush.
Speaker 9You know, haven't you done enough?
What's the idea of coming up here?
I've got an academic reputation to uphold.
Why I ought to slap you?
Speaker 3Not again?
I had enough of that yesterday.
Speaker 7Hey, look, has anybody ever told you pack a mighty wallop for an adequarian h like Samson?
Speaker 9You know, hope it broke your jaw bone?
Speaker 3Oh?
Sure, Samson and the job on him.
Speaker 12And hey, exactly miss a little quiet?
Speaker 13Please?
Speaker 8Oh I'm sorry.
Speaker 12Strange women call me up to accuse me of contributing to juvenile delinquency.
Every day somebody asks if Purple was autobiographical, and a man rode on a bicycle all the way from the home of Falls, Michigan to propose marriage to me.
He's got me confused with Purple and those newspaper reporters.
They keep bothering me to pose in tight dresses.
I'm Windy Hills.
Speaker 7You haven't talked to meet, you haven't told them my name.
No, come on, let's go.
Speaker 9Go What are you talking about?
Go wear what?
Well?
That's the last straw.
Speaker 12You, you egotistical, self centered with.
Speaker 11Herald have warned you twice we simply cannot have noise in the library.
I would not stand for.
Speaker 9I am terribly sorry, mister.
Speaker 8No excuses.
Speaker 11I have taken all that mortal men possibly can stand.
Now you will have to do.
I insist upon perfect silence in the library.
Besides, you've got me positively fevery should all this is this arguing?
Speaker 3Come, come, come, come on.
Speaker 11I'll see you out, and I don't ever want to see you skulking in the library again.
Don't let me catch you even sticking around the magazine.
Right, but I'm miss Ferrell, so far as the library is concerned you have a vicious, communicable tropical plague.
Speaker 8Goodbye.
Speaker 3Oh no, I haven't say, don't start crying.
Speaker 14Oh no, I won't be able to finish all those lovely Middleish manuscripts with the only complete cross index outside of the British Museum.
Speaker 3I'm sorry, and it's.
Speaker 14All your fault, you with your cheap novel and that horrid heroine.
Speaker 3Oh she's a stupid name for a character, Purple.
Speaker 7What's wrong?
At least just got color anyway, I kind of like purple.
Here, take my handkerchief me.
Speaker 2You know that red hair.
Speaker 3She even reminds me of you.
Speaker 7Oh oh look, miss fellow Michael Mike.
Speaker 2Nicky, Nicky.
Speaker 7I'm really sorry about this, but it isn't as bad as all that.
The Porpoise Press has a lot of influence with libraries.
I'll get I'll get that straightened out for you.
Aft in our whole wing of Etruscan poetry.
Speaker 3Do you think you can no wing?
Speaker 6No?
Speaker 7As a matter of fact, all my money's tied up in tempor early Purple, and the sales receipts haven't come in yet.
Speaker 2I owe everybody, even my analyst.
Speaker 7If I miss one more payment, it'll have the finance company repossess my psyche.
Speaker 9You're still that's absolutely ridiculous.
Speaker 3I know, but it stops you from crying.
Hey, look, what do you say we go writing somewhere?
Speaker 9I should say that my car down.
Speaker 7The black maybe with the wind blowing in your face, we can talk this whole thing over.
Speaker 2Sensibly, I think.
Speaker 12You're forgetting mister Barrett, that I despise you and everything connected.
Speaker 3With you, I know, but tell me about it in the car.
Speaker 9I will not.
Speaker 12I wouldn't go writing in your car for all the money in the world.
Speaker 3Honestly, making I feel like a heel about the whole thing.
Speaker 7I mean, the trouble about the book and you're being thrown out of the library and all.
Speaker 12Well, I guess you were just trying to do your job, but it really is so exactly.
Speaker 2You know, you're very pretty when you're man.
Speaker 12Well, are you trying to say that you deliberately annoy me just for that on aesthetic grounds?
Speaker 3No, not exactly.
It's just that blasted coincidence.
Speaker 9Something new.
Speaker 7I mean, my making up the most fascinating, dangerous, irresistible woman I could think of purple, and then you turn out to look just like her red.
Speaker 2Hair and all.
Speaker 9Ugh, it's red and purple.
They clash.
Speaker 2How but you do look like oh I do not well.
Speaker 7You do have a loose turtleneck sweater on, but outside of that, the image is spitting.
Speaker 9You have a charming way of putting things.
But I'm not in the least amusing.
Speaker 3No, don't mind.
It's just intellectual patter.
Speaker 7I learned it as a child, teething on a barstool at the store.
Speaker 3You're crazy, it's neurotic, you know.
Speaker 7I think the Porpoise Press Board of Directors is going to stay in Billery's Creek.
Speaker 3A long time.
Right takes Why I can take you out to dinner every night.
Speaker 9Every night.
Speaker 3Oh, don't worry, I'll put it down the expense account.
Speaker 5But mister Bennett, you can't spend old wicked Billish Creek.
Can just come down to New York on weekend.
Speaker 6Mister Fuddy and I are at a loss.
We've never published anything like Temporarily Purple before.
No one never had to take it easy.
Speaker 7Boys, Everything's all right, It'll be about one more week.
You just keep busy on your publicity campaigns and the.
Speaker 5Yes, yes, I've had a wonderful idea why not have Miss Federer marry five orchestral leaders in rapid succession.
It's the very latest thing for Lady Orphane.
Speaker 6They invariably make the first page after the second divorce.
Speaker 2Ah, that'll take too long.
I'm working on a much bigger project.
Speaker 8I hope there's no risk involved.
Speaker 5Sometimes I wish we were back publishing McKinley's memoirs.
Speaker 7So do I fundy, don't worry fuddy.
You know perfectly well at everything I do is bound to be absolutely safe.
Speaker 12Her I really hate to bring it up, But don't you think driving with one hand is just a little dangerous?
Speaker 3I guess so, yeah, there's only one answer.
Speaker 7Stop driving.
It's been fast as nimickey, it certainly has.
That's what I don't like about.
Speaker 3It about us?
Speaker 2What do you mean pattern?
Speaker 3It's just like a Saturday Evening post story.
Speaker 7We meet cute, that's the first step, we fight, second step we make up.
Third we fall in love and we get married at the end.
Speaker 9But but herb, is that, by some stretch of the imagination a proposal?
Speaker 3I guess you could call it there.
Speaker 9You certainly do put things oddly.
Speaker 10Well.
Speaker 9I suppose it would be a shame to spoil your storyline?
Speaker 3Is that by the same stretch of the imagination on.
Speaker 9Acceptance a two way stretch?
Speaker 3Oh no, I withdraw my right, all right, I won't do it again.
Speaker 9Really no, there's only one question when.
Speaker 7Oh, let's see, it can be this week.
I'm all jamed up with literary cocktail parties.
Speaker 3That's right.
Speaker 7Can't be the Sunday after I'm on the offer meets the critic.
It's going to be a tough broadcast.
We're at a disadvantage.
They'll have read the book.
Monday, I'm on with Murray Margaret McBride.
Tuesday you're going to be on.
Speaker 9Texan Jinks me, Oh no, I'm not.
Speaker 3I would have got against Texan Jinks.
Speaker 9Nothing for all.
Speaker 12I know they're a fine couple, but I'm not going on the radio with them.
Speaker 9And that's final.
I'm not going on the radio for anyone.
Speaker 3What are you getting so excited about, honey, It's only publishity.
Speaker 9That's it.
Speaker 12Herb Barrett, I will not of my married life inside a fish bowl.
Now, if there's to be any of your wild press agents stunts, you can call the whole thing off right now and.
Speaker 9I'll tell the newspaper's.
Speaker 2All about templar make it.
Speaker 9You wouldn't I would, so I'm pigheaded.
Speaker 7Well, look, I'm sure we can iron it all out.
You don't have to worry about a thing.
Speaker 2No, no publicity.
Speaker 9You promise, I promise.
Speaker 6To the future.
Missus Barron in Sicknish engine hand death do us part?
Speaker 8Why?
Speaker 12Thank you, gentlemen, thank you, And I'm sure the four of us will be very happy together.
Speaker 6And will you be taking a honeymoon, Miss Farrow?
Speaker 9Yes, we're not sure.
Where are we here?
Speaker 3No, not not yet.
Speaker 9But Herb and I have a great many plans.
Speaker 3Ah.
Speaker 6Yes, mister Barrett's plan.
He was telling me about them this morning.
The whole publicity campaign.
Speaker 7Yes, go on, py, No attention to the money.
This promotion for purpose press, that's all means absolutely nothing.
Speaker 9I'm not so sure.
No, go on, mister Perks, you interest me strange.
Speaker 3There we go again.
Speaker 6Well, the plans are remarkable.
They will make you the sensation of the literary world.
Speaker 9I see anything else.
Speaker 5Mister Barrett wants a picture of you in a Wedgewood chiral on the back cover of every.
Speaker 6Copy in historical period you Now, we'll have hatch named after you, the Mickey Farrell close the only hat that tells time.
Speaker 8No hock tails named after.
Speaker 6You, the Mickey Farrell Finn go on, we range to have.
Speaker 5You voted by the Columbia Senior Clash as the girl I like most to stand next to on the Van Cortland Express.
Speaker 9How utterly charged?
Speaker 6Try it to be the greatest personal publicity campaign since Barnum built up Jenny Lynde.
Speaker 8And it's all mister bennettses.
Speaker 6It is all mister Barrett's side, down to the last exciting photograph.
Speaker 3They weren't so exciting her.
Speaker 12Barrack, I, oh something wrong?
Speaker 9You promised, you promised we'd have privacy, that.
Speaker 12We'd live a normal married life, and then behind my back, with a wolf pulled over my eyes, you stab a knife in my.
Speaker 3Heart metaphor showing her.
Speaker 9Now, don't you try.
Speaker 12To get me to laugh, because I won't do it her, Barretts, you are an unprincipled, unmitigated, unethical monster and I'm through with you, you intellectual Amba the devil.
Speaker 2Did Ambas get into this?
For Heaven's sake?
Speaker 3Mickey, I'm a man and you're a woman.
Speaker 9Exactly we have nothing in common.
Speaker 7Look Mickey, you don't realize that even the best things today have to be publicized and promoted.
Authors like Hemingway to my Sman huts t s Eliot, why were that publicity?
Speaker 2No one would read them at all.
Speaker 6That's right, miss Ferrell.
Why we even had to publicize McKinley's memoir The.
Speaker 7Great Masters of the pastor read more often than ever before because.
Speaker 3Of modern promotion methods.
Honey.
Speaker 7Even Shakespeare, if he were alive today, without publicity, he'd end up writing writing toothpaste ads.
Mozart would be composing soap jingles.
Speaker 3Let me see, Mickey, honey, is it on again?
Speaker 9Well, all right, I guess so.
But honestly, her problem?
Speaker 3Oh that post steady?
Thank you?
Speaker 6Say?
When is the wedding?
Speaker 3Don't you read your own paper?
Speaker 7Come on, Mickey, it's tomorrow morning and it's going to be the biggest wedding and publishing history.
Speaker 9Congratulations.
Why what's the matter, miss birth?
Speaker 5He always cries the train tickets for me, fuddy, Oh yes, yes, that's old.
Speaker 15Here look this way, mister Barrett television cameras.
Speaker 8Hey kiss her now, that's right.
Speaker 3That's all boys will have to go.
We're gonna miss our train.
Come on, Mickey, we're gonna miss our train.
I'm so glad that's over.
I was never so glad to see a train in all my life.
It's gonna set the bags on.
Reporter can put him away when he makes up for birth about ten minutes.
Speaker 12Oh, it's a lovely wedding, girl, But couldn't it have been no more private?
Speaker 7Blok, honey, that wedding's gonna sell a hundred thousand copies of purple.
Speaker 9That's all I wanted to know.
Speaker 7Seeah, that's good to be alone, you know, honey.
I don't know quite what to say.
Speaker 3Now.
Speaker 9You never really told me that you love me?
Speaker 3Well, I guess it's a little late now.
Speaker 9Oh, no, her, please tell me, won't you please?
Speaker 3How about that poem?
How do I love THEE?
Let me count the way?
Speaker 9That's lovely?
Speaker 3I love THEE to the breadth and height my soul can reach?
Say?
Do you hear something?
Humming?
Speaker 9Humming?
No?
No, let me the air conditioning go on?
Her, that's view.
Speaker 3I mean to make you every word of it.
Speaker 9Kiss me, darling, wildly passionately.
Speaker 7Sure, honey, I'll kiss you the way no woman was ever kissed before.
Speaker 3Comming maky That humming comes from the next drawing.
No, I'm in that door.
Speaker 6I'll be all right, mister Barrett.
Speaker 8We're finished with the motion pictures.
Speaker 6Ready for the still that.
Speaker 3Was going on?
Who are these people?
We're off from Life magazine?
Speaker 6Mister Life man?
Speaker 15Shall we set up the lights?
Speaker 12Dear?
You were so convincing about publicity that I arranged to have Life go on?
Speaker 9Honey, you're arranged, Yes, dear, they've got everything down on film.
Speaker 7Oh you mean you let me?
You trapped me with silence and part of the great left.
Speaker 6Oh lord, a little outside?
Speaker 3Oh you beat it?
Speaker 7Whoa but on our contract, missus Barrett's been doing.
Speaker 3Her half of the honeymoon, not mine.
Speaker 6Outside Mister Luce won't like this.
Speaker 7Oh Mickey, dragging our honeymoon on the desk with all those profaning Haven't you got any respect for our marriage?
Speaker 2Planning a sound camera reporters?
Speaker 3It's infamous?
It's Oh no, I still think all right.
Speaker 2I guess she taught me a lesson.
Yeah, I guess you can have too much publicisty.
Speaker 3Oh mackey, will you forgive me?
Speaker 9Darling?
Speaker 2And you were a good sport about me.
Speaker 12I wouldn't think of really having life along for our honeymoon.
Speaker 3I were sure that I'd kiss you right now.
Speaker 12You don't have to worry no more publicity on this honeymoon.
Speaker 9No one will interrupt us now.
Speaker 2Then come here, Well, what do you want?
Speaker 15Where shall I set up the camera for the pictures of mister Barrett in his pajamas.
They're all set for Life's cover in full, Colonel No.
Speaker 1You have just heard Temporarily Purple by Ernest Cannoy Attraction seventeen on Radio City Playhouse.
Laman Johnson was Herb Barrett and Potniac Mickey Farrow.
Other members of the cast included Bill Keane, Cameron Andrews and Arthur Cole.
Speaker 3The entire production was under the direction of Harry W.
Duncan.
Speaker 1The music was composed and conducted by doctor Roy Shield.
Radio City Playhouse is supervised for the National Broadcasting Company by Richard P.
Speaker 3McDonough.
Speaker 4This is Harry Jonkon Again next Week, a gripping and dramatic story of the strange friendship that occurred between a writer and a young man found guilty of murder.
The script is five extra newses by Charles Lee Hutchings.
Speaker 13We think you'll enjoy it.
Speaker 2And we hope you'll be with us.
Speaker 13Good Night, everybody.
Speaker 1This program came to you from our Radio City studios in New York, Robert Warren speaking.
This is NBC, the National Broadcasting Company,
