Episode Transcript
The Price of Fear, brought to you by Vincent Price.
Hello there, do you like fish to eat?
I mean, not to look at or catch what I do.
I am, in fact one of the world's most compulsive episcopores.
I find there is an almost ritual purity about fish.
The Japanese, you know, eat their fish raw, shredding and flaking the flesh and dipping it into peco sauces.
So yeah, horseradish, that sort of thing.
The effect can be delicious, a delicate point and counterpoint, air and descant plucking at the palette.
The taste can be exquisite.
And yet if you should think too hard about those raw, gelatinous strips of fish, you may find the feel of them, the sight of them even is somehow obscene.
But in my attitude in these matters is colored by a most unnerving experience I underwent in Australia.
I'll call this story simply fish, because as each stage of the episode unfolded, it was impressed on my memory by some episcatorial piece of gastronomic delight.
It started in a Sydney restaurant about five years ago, with a dozen of the celebrated rock oysters, with lemon and cayenne pepper and all the usual trimmings.
I was lunching with Greg Rossmark, an aspiring actor who wanted to come to work in London.
We were just debating whether another half dozen would be sheer bliss or pure greed, when suddenly Vincent It.
Speaker 2Is Vincent, isn't it Vincent Price?
Speaker 1Well, yes, Jane Williamsy.
Speaker 3I don't suppose you remember, but we did once actually work on a film together.
Speaker 1Well, yes, I believe I do remember.
Speaker 2It was a long time ago.
Speaker 1At Elstreet, wasn't it.
Speaker 2That's right?
Speaker 1I strangled you?
What a charming fun But I only strangled the nicest people.
Sorry, Jane, let me introduce you to Greg greg Rossmark.
He's also an.
Speaker 4Act, an eminently unsuccessful one.
Hello, how do you do?
Speaker 1Won't you join us?
Speaker 2No?
No, thank you very much.
I must be going.
Speaker 4Are you working over here?
And no, missus Williamsy in the theater, I mean.
Speaker 3No, no, the theatre gave me out for dead right after Vincent strangled Well.
Speaker 1I can't believe that I was that realistic.
Speaker 2It was probably symbolic of something.
Speaker 4Or other, don't you miss it?
The theater maybe, but.
Speaker 2You can't have everything.
Speaker 1Can you sure you won't join us?
Now?
This seems so much we might talk.
Speaker 3About No, No, really, I can't.
Richard's already waiting at the table, and he's due to start glowering any moment.
Speaker 1Now, Oh that's a shame.
Speaker 2Look how long are you here for?
Speaker 5Oh?
Speaker 1Just a week or so.
I started filming in Hong Kong at the end of the month.
Speaker 2Why don't you come over to lunch with us on Sunday.
Speaker 3We're only over at Manly and I'm a much better cook than I ever was an actress.
Speaker 4I'd love to come.
Speaker 1Oh well, very well, then we'll both come.
Speaker 3Oh well, fine, Well it's number six Sandy Avenues.
Speaker 2It's right on the beach.
You can't miss this right till Sandy Then, anytime after twelve.
Speaker 1We'll be there.
Bye bye, good bye, Lovely one.
Speaker 4I do apologize, Ben, since whatever before falling in on your invitation like that, it obviously through you.
Speaker 1While I suppose it did, I just wasn't expecting it summer.
Speaker 4Neither was she.
Speaker 1I was.
Speaker 4I was trying to stampede you into accepting that.
Speaker 1You succeeded admirably.
I don't see why that.
Speaker 4And I thought that you were going to refuse.
Speaker 1Well, would that have been so disastrous?
Speaker 4Not to you, maybe, but it it might have been to her.
Speaker 1I didn't see how it could have been.
I hadn't seen her for years, and I barely knew her even theirs.
Speaker 4I know, I know, but there's just something about her.
It's well, it's sort of difficult to put your finger on.
But the eyes were out of phase with the voice all the while she was talking.
The eyes looked, well, they looked.
Speaker 1Oh, come on, Greg, don't let your imagination run away with your imagination?
Be damned imagination?
What is imagination?
A mental trick?
A simple piece of sleight of mind that projects facts into fantasy or fantasies into fact.
Anyway, the following Sunday, Greg picked me up at my hotel and drove us out across the Sydney Harbor Bridge towards the North Shore and Manly.
Speaker 4The other day in the restaurant Vincent, when Jane Williamsey introduced herself, did you really remember her right off?
Just like that?
Speaker 1Yes?
Yes, she wasn't the sort of woman you'd forget easily, especially after her performance in that film.
Was she good in it?
Very good on it?
Positively scandalous, Yes, quite literally.
So she brought the picture to a grinding halt about halfway through the schedule, or how she managed.
She ran off with the director.
Oh yeah, she took off just like that, left us, her husband, everybody flattened, just a cough.
Believe me, it was no laughing matter.
It couldn't have been, and at least it wasn't.
At that time.
We had to get a new director in and a new lady for me to strangle, and we reshot every scene that Jane had been in.
Oh, it was an absolute nightmare.
Speaker 4And h and what happened to her, Jane.
Speaker 1Was she just disapeated.
They both did off the set, out of the business, off the face of the earth, for all I knew.
Her husband hired some inkury agents to find them, and for a few weeks we were all up to our ears in private eyes.
I sometimes wonder why he bothered.
It could hardly have come as a surprise to him, not with a woman like that, A woman like what, well, she was younger then, of course a lot more arrogant.
She seemed to generate a sort of sexual electricity.
She had an almost animal magnetism that could devastate a man.
Speaker 4I'll tell you something, Vincent, she still got it.
I wonder what a husband's lying.
Speaker 1Were more important.
I wonder if he's a film director, or even an ex film director.
Speaker 4I guess we'll soon find out.
Speaker 1We did and he wasn't a film director.
Jane's husband turned out to be a broker on the Sydney Stock Exchange, but even that turned out to be more of a sideline.
His real occupation was swimming, surfing, yachting, all the classic activities of the professional outdoor type.
Richard was a good outdoor cook too, and what he could do with an open fire was beyond belief.
Speaker 6It's going on nicely, won't belong Benson?
Speaker 1You always eat our fresco like this, Richard.
Speaker 6We only make a think of it at the weekend, and I can.
Speaker 1Think of worse ways of passing the right.
Speaker 6Nice to see Jen enjoying yourself so much, and I'm surprised takes it out of you, especially when you're not used to it.
Speaker 1Greg was.
Speaker 2He was teaching me to ride the sun?
Speaker 1Sure, Greg, what's that mark?
But they're on your leg?
Oh?
Speaker 4Oh that that's a birthmak all right.
It's almost a family crest.
It occurs at least once in every generation in our family.
Speaker 2Always the same place.
Speaker 7No, but it's.
Speaker 4Usually on an arm or a leg somewhere, and it's always but always the same shape.
You see an open rose.
Speaker 2Oh, yes, how you pointed out it.
Speaker 4Is like a rose my uncle, my grandfather.
There's more identical.
Speaker 1What's extraordinary?
How far does that go back?
Speaker 4Well, you see, my family's name is ros Mark, and I suppose originally it was a rosemark.
But well, god knows when that starts.
Speaker 3Oh, that really does smell delicious, Richard, it's coming on.
Speaker 1What is it inside the tinfoil?
Speaker 6I mean, it's a whole big time.
Speaker 2It really is very good eating.
Speaker 3Richard carves it off in great chunks, and you dip it in.
Speaker 2The showy sauce.
Speaker 1Well, I can hardly wait.
Tell me where on earth did you learn to cook food?
Japanese star Richid I found any style of cooking absolutely fascinating.
Speaker 6We were taught this by a party of Japanese stockbrokers.
Speaker 1That we took fishing.
But what sort of fishing?
Speaker 7Tuna?
Speaker 1Barrakuda?
Speaker 4Marlon, if you're lucky, oh, the big game bit huh.
Speaker 3Richard has his own boat down the coast at Burmagooey.
Speaker 6We charted it out most of the time, but we reserve a few odd weeks for ourselves.
Speaker 8You go fishing, Jane, No, he prefers to stay here.
Speaker 6Hmm.
Speaker 4I can imagine.
Speaker 7It must be a far cry from el Street to burmagoy.
Speaker 6Don't drag all that up rosmuck, for peepsake, drag all water, the theater, the bright lights and all that crap.
It's much better up where she is.
Speaker 1Anti Jane, Yes, did did you two know each other before before?
Speaker 4What?
Speaker 1Well, before before Jane gave up the theater?
Speaker 6My yes, of course I married her when she was still a drama student, and in the end it was me that made her give it all up, wasn't it done?
Speaker 1Could hardly believe it.
This was the husband that she had left on her runaway romance.
What could have happened had he found her or had she come back to him?
And what about the flyaway film director?
What had happened to him?
Well?
When I got back to London, I mentioned his name around a few times to see if I had got any response.
I didn't.
People remembered him, but no one had seen or heard of him since he had run off with that actress.
As they put it, they'd both run off, of course, but only Jane had come back.
I wondered, so dark a thought, So dark a thought, It lodged unnoticed in the shadows of my memory until last year when I went back to Australia, back to Sydney.
Perhaps it was the same unnoticed thought that made me phone the one time Jane Willielmsy and her husband to invite them both to dinner.
I remember the occasion.
Well, we had a quite extraordinary Australian Hawk with a quite excellent lobster, a lamorica.
Speaker 2How long will you be in Australia this time?
Speaker 1It's only a few more days than I go to Japan for eight weeks of filming.
Might come back here after that, though, just for a short vacation trip.
Speaker 3Oh well, then you must come up to stay with us in Brisbane.
It'd be lovely to see you.
Speaker 2Yes, I didn't, Richard, tell you, But tell.
Speaker 6Me what, Richard, we're moving has Well, what would you do in Brisbane?
Speaker 2Fish?
Speaker 6I've sold much this interest here in Sydney and invested in a couple of boats, awful engines properly fitted out.
You know, chair rods, harpooned, rotation barrels, a lot.
We can take anything, salefish, black marlin, the big sharks, the tigers and the great whites.
Speaker 1Why do you go all the way up to Brisbane?
I mean, why not stay in BRIMAGOUI.
Speaker 2That was Richard's decision.
Speaker 6The charter rates are much higher up in Queensland, better fishing all the year round.
Speaker 2Two Richard's going to skip a one of the boats himself.
Speaker 1Well what will you do, jays.
Speaker 3I'm sure there'll be a great deal to keep me occupied.
Speaker 1You're probably enjoyed.
Once she gets settled in.
Speaker 2We'll see.
Have you seen Greg greg?
Speaker 1Oh?
Greg Rossmark?
You mean now, have you seen anything of him recently?
Speaker 2No?
Yes, not recently.
Speaker 1How is he?
Why it's it working?
Speaker 2No?
No?
He gave up the theater.
Speaker 1After dinner.
I saw them to their car with a promise that I would visit them in Brisbane on my return from Japan.
I watched them out of sight and turned to walk down to my hotel and the cool night air.
Suddenly I became quite chillingly aware that someone was walking almost at my shoulder, following me.
I stopped.
Suddenly, I had to turn and face him.
Speaker 8Out it been surprised.
Yes, do you remember me, Greg Greg with the rosemark on his leg?
Speaker 1Greg Greg ross mark.
Of course I hardly recognized you.
Are you all right?
Speaker 4Let's just say that I'm sort of sick.
You were with her, weren't you?
Speaker 1You mean Jane?
Yes, I've just had dinner with her and Richie.
Ye I saw it.
Speaker 4Did you mention me?
Speaker 1She said, you hadn't seen you recently?
Speaker 4No, No, he won't let her, not since he found out found out her.
Speaker 1Well, is that why you never went to England?
Speaker 4Yes, it happened again.
Speaker 7You see we are.
Speaker 4Ah, you wouldn't understand you.
Speaker 1Mean you ran away together?
No?
Speaker 4Everything, But that's funnily enough.
She wouldn't come with me.
She she was frightened, frightened of what of him?
Speaker 1Of course.
Speaker 4She's terrified of him.
Then when he found out about us, she refused to see me again.
She sends my letters unopened.
Every time I phone, she bursts into tears and keeps saying, well, moaning, stay away, for God's sake, stay away from me.
Speaker 7Oh the way she.
Speaker 4Says, it tears the heart out of you.
And I know it's it's not what she wants to say.
Speaker 1I can tell Greg maybe she's right.
Speaker 4No, otherwise he wouldn't be taking her away from here, far away where he thinks I won't follow.
Well, he's wrong.
You can tell him from me that he's wrong.
Speaker 9I'll follow wherever he takes her.
I'll follow to the ends of the earth if need be.
You tell her that, will you, to the ends of the earth, To the ends of the Earth's.
Speaker 1Shuffled off backwards into the night until the shadows seemed to engulf him completely, leaving me with only the recollection of the desperation in his eyes and the strained emotion of his voice.
As I turned into my hotel, I knew that I would need a vacation after my work in Japan had finished.
Knew that I wanted to try my hand at big game fishing, and so nine weeks later I found myself on the open patio of Jane and Richard's new house, eating a homemade croiss on and drinking fresh ground coffee in the pale sunshine of an early morning in Queensland.
Oh please, and by the way, I congratulate you on your Crossah, they're delicious.
Speaker 6Not all even face today was just that inside of you.
Speaker 1It's a woman's records.
Well, I certainly couldn't face the day at sea with a stubbach for of bacon, sausage, eggs, tomato.
Don't get the tomato.
Speaker 6It keeps the corpuscles coming the right color.
At least, that's what my old Grannie used to say.
Speaker 1But mine said, they gave you a pen deciple before Vincent.
Now, I never seem to have had the time, and I've never been convinced that I had the patience.
Speaker 6I know what you mean, but this is nothing like ordinary angling.
You see, you don't just sit around and wait for the fish to come.
You have to go out and look for them.
Speaker 1Well, you have to know where to look.
Speaker 6Presumably, well, I seem to know where to look for shark.
Speaker 3Richard's landed more sharks in the past fortnight than anyone can remember.
Speaker 2He's making quite a name for himself.
Speaker 1What kind of sharks do you get in these waters?
Speaker 6All the worst sorts or best sorts, according to your point of view.
Tigers, mako, hammerheads.
I've even taken a couple of whites, small, of course, but even the small ones a man eaters.
Speaker 1What happens if you meet a big one.
Speaker 6I beg you've got a fight on your hand.
Speaker 1That could be real sport.
Speaker 6Yes, well i'll just go and learn if.
Speaker 1I'll give you a hand, Rich, see to it.
Speaker 2You've finished your coffee in peace?
Speaker 7Yeah, you stay put.
I know where everything goes.
Speaker 2Vincent, have you seen anything of Greg?
Speaker 1I saw him that night that I had dinner with you both in Sydney.
Speaker 2Not since then?
No, Why did he say anything about me?
Speaker 1Well?
He did say he'd follow you, follow me here anywhere to the end severe earth.
That's what he said.
Speaker 2Oh god, no, not again.
Speaker 1That's rare.
Speaker 2He's here.
He's in Brisbane.
Speaker 1You've seen When was that to?
Speaker 2No?
Nearly three weeks ago.
Speaker 1And you haven't heard from him since.
No.
Speaker 2I told him to keep, to go back to Sydney and forget me.
Do you really think so?
Speaker 1Do you?
No?
Go on?
Speaker 7Listen, kind to get moving.
Speaker 6Why did you come, Jane, there's only us two fishing.
You could try your hand?
Speaker 2No thanks anyway.
I want to go into town today.
Speaker 6Yeah, okay, drive carefully.
Speaker 2I will have a good day you too, Vincent.
Speaker 1Have a good day, have a good week, have a good year, have a good life.
What does it mean as if you can wish anything on anyone, or induce even the most mird no change in patterns of events that have been irrevocably pre cast in the unyielding concrete of too many yesterdays.
A good day it was, then, in the sense that the sky was blue and the sun was warm, and the swell of the ocean was at its most pacific.
Good boat and a good crew in the shape of Jack, a laconic x swagman from the northern territories.
All it needed was good fish.
I wish that had been all we've got.
Speaker 7Patience, mister Price, that's what's laid out here.
Speaker 1But they're not biting to day.
Jack.
Speaker 7I will I always do.
Speaker 1Give a bag another bank.
Yeck, right up?
What is that thing?
Speaker 7Yeah?
Speaker 5Just hang it over the side of the boat, and leaves a trail behind you for miles.
As soon as anything finds it, it turns and follows it right onto the hook.
Speaker 7At least that's the theory.
Speaker 1But have you got inside it?
Speaker 7That's what we call chum.
Speaker 5That's a sort of a polite way of saying smelly bits of fish and meat and awful, especially awful anything that'll lose blood and oil into the water.
Speaker 1But I wonder what it'll turn up today.
Speaker 7Shark, that's all.
He seems to be interesting.
Speaker 1They'll have to take what comes, though, won't he.
I mean he can't pick and choose.
Speaker 7He does, at least he seems to.
Speaker 1Well, how can he?
It's just not possible.
You can't just whistle up which fish you want.
Speaker 5No, but you can't take all the baked fish out of the dobby bag and just leave bloody meat in there.
Then what you put into the water is not so much an oil slick as a blood trial that'll bring the sharks running.
Speaker 1But kin Jack, I don't understand this obsession of his with sharks.
I really, don't, you.
Speaker 7Say, I do.
Speaker 5Yeah, they're not as good as milin a sailfish.
I don't have the heart the skippers said on fighting a big great white.
Speaker 1But I only hope that's not a death witch.
Speaker 4We got a visit a jack.
Speaker 1What is it?
Speaker 7Tiger?
About ten foot of him?
Better get into the chair, mister.
Speaker 1Pass, sir, There we go right, Aw, he's curtaining for the strike, steady.
Speaker 7Yeah, here he comes.
Let him run and don't holding onto him yet.
Speaker 5Don't strike until he stops and starts to bite on him and strike hard, and don't stop to pick the daisies.
Speaker 7I'll tell you when.
Okay, he slow wait for it.
Speaker 1Huh he's turning.
Speaker 7Here he.
Speaker 1Turn Oh what happened?
Speaker 7The line broke?
Speaker 1Is the breaking strain on that line?
Speaker 6Around one thousand pounds?
I had some fish, had there vincent til I rig another hook?
Yeah, Jack might as well.
Speaker 1Do you think he's still around?
Speaker 7It depends if he's still got the hook in him.
Speaker 6Hey, there he is where right under the sun?
Speaker 1Oh?
What's he doing that for?
Speaker 10He's circling what we would got nothing else?
Here he comes, he's going to attack the boat.
Hold on, hoss, he's crizy.
It's madness of bloody maters.
I I got it to get off, your prizy bastard.
Speaker 1Get off.
What the hell was all that about?
I've never known that happened before.
Whatever it was, I'd prefer it not to happen again.
Speaker 5Truth, he was after the dubby bank.
What see for yourself?
We looked over the stern of the boat.
Speaker 1The shark had indeed attacked the doubby bag.
He torn over half of it away from its rope.
The gristly gory bait or chum as Jack called.
It was already dispersing through the water.
And then I saw the canvas, a shredded piece of the bag that had been torn away from the rest.
It was floating precariously just below the surface of the water.
On it was a piece of meat, a small piece of meat with a yellowish bloodied skin.
And on the skin was a mark, a distinctive mark in the shape of an open rose.
Then the movement of the sea washed it off its canvas raft and committed it forever to the deep.
Well, next time you eat fish, you may care to remember this little episode, But I hope it doesn't quit you off.
I'm still a committed episcopore, with the single exception that I will never never eat fish and chips In Australia, flake and chips as they call it.
It's a great favorite out there.
But flake, of course is shark.
Meet goodbye, bona petite.
Speaker 4That was Vincent Price bringing you The Price of Fear with Bruce bebe Lewis, vander Amanda Mari and Bill Kerr.
The story Fish was first recounted and dramatized by Rainny Basilico and produced by John Dash
