
Mosaic of China
·S2 E26
The Gourmet Coach (Crystyl MO, The World’s 50 Best Restaurants)
Episode Transcript
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[Trailer]
CM: Why isn't there
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a Gordon Ramsay of China?
OF: Oh.
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[Intro]
OF: Welcome to Mosaic of China,
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a podcast about people who are making their
mark in China. I’m your host, Oscar Fuchs.
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We talked briefly in last week’s episode with the
fire engineer Michael Kinsey about the delights
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of British cuisine. But for today’s episode
we’re moving on from the likes of steak and
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kidney pie with baked beans on the side, to the
equally majestic world of global fine dining.
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Today’s episode is with Crystyl Mo, who
is not only an expert in gourmet cuisine,
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but is also a coach. And maybe it’s because of
this that our conversation today spans not only
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the life of a professional foodie, but also the
story that has got Crystyl to where she is today,
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the China Academy Chair at The
World's 50 Best Restaurants,
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one of the most highly sought-after
positions in the world of food.
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As part of this story, we talk a lot about
Crystyl’s somewhat unconventional childhood.
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But I think the impression we
leave is a little unbalanced,
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so I wanted to add this quick
disclaimer right from the start
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that Crystyl did feel incredible love
and devotion from her parents as a child.
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There are some other updates about
Crystyl that I need to mention,
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but I’ll save those until the end of
the episode. So let’s get on with it.
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[Part 1]
OF: So I'm here with
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Crystyl Mo, thank you so much, Crystyl.
CM: Thank you, I'm excited to be here.
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OF: Me too. “You are Crystyl Mo, and you
are…” How would I complete that sentence?
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CM: Foremost, right now, I am a life coach and
public speaker on issues around self-awareness
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and mindfulness and meditation, and
how that overlaps with my other career,
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which is in food and fine dining and restaurants.
OF: Got it. And it reminded me of Michael Zee,
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who was the person who introduced you.
CM: Instagram celebrity Michael Zee,
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love you.
OF: Yes.
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[Start of Audio Clip]
Michael ZEE: I would like to hear
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more from my friend Crystyl Mo. She is
the chair of Asia's 50 best restaurants.
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She's extremely eloquent, and she's just been
someone that I've immediately clicked with.
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[End of Audio Clip]
OF: How did you meet Michael?
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CM: We must have crossed paths several times at
food events. He's just the ultimate food writer
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and food celebrity. And beyond that, we have a
very similar worldview politically and culturally.
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And so we just totally hit it off. I adore
him. I don't get to spend enough time with him,
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certainly not now. He just really knows his stuff.
OF: Absolutely. Well, before we get any further,
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the first question I would ask you
is, what object do you have with you
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that in some way represents what you do in China?
CM: Like I said, I work in food. And I am the
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Academy Chair for The World’s 50 Best Restaurants,
which is a very prestigious role. So in order to
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evoke that - and my career for 15 years, as
a food journalist - I chose for my object a
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knife, which represents, you know, food
and cooking and dining. And also pain and
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separation, which was a part of being an expat
for over 20 years, being cut off. Voluntarily,
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but also in some way psychologically forced to,
because I was escaping from the difficult parts of
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my childhood, and my relationship with my parents.
So there's a lot going on with this knife.
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And this happens to be my mother's knife,
which she's had for many many years,
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which I wouldn't have had if I was still in China.
OF: Wow.
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CM: So that's what I've chosen.
OF: And so tell us, where are you
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right now? Because you have been
stranded outside of China, right?
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CM: I have been stranded outside of China.
I am in my childhood home - in Cambridge,
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Massachusetts - and I'm sitting here in my
childhood room, actually. This is where I
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slept from age five to when I went to college,
16, I went to college early. So this is really
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interesting. And behind me is one of my mother's
paintings, my mother is an artist and a writer.
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OF: Right.
CM: And my daughter
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is sleeping in a loft above my head.
[Distant Voice]: I am not sleeping.
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CM: Oh, she's not sleeping.
OF: Great. With that knife in mind, you mentioned
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that you were part of the ‘Top 50 Restaurants,’
so could you explain what that situation is?
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CM: So The World's 50 Best Restaurants is
an organisation that started I think about
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18 years ago in London. It was started on a
lark by two young guys who wanted to create
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an award list for restaurants that wasn't
so stuffy and traditional like Michelin,
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but represented the kind of restaurants
and food that young people wanted to eat,
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but was still an incredible experience. So they
were seeking a new Academy Chair for China, and
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I had been a food journalist in China for about
15 years, and my name was suggested to them,
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they contacted me. I hadn't really known very
much about The World's 50 Best Restaurants when
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they wrote me their first email. I didn't
really know what it was, I was very very
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busy. I think I was still the food editor for
Time Out Shanghai, producing a 16-page section
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every month and just flat out. And I was like “I
really don't need another volunteer position”.
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So I never replied to them. And then they wrote
me three more times. And then finally the woman
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who had recommended me called me and was like
“Crystyl, can you please just return their email?”
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I was just like "Fine, I'll reply”. And then we
had a call. Anyways, it was a funny story because
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I was quite clueless about the opportunity that
was presented to me. And eventually I learned
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that it was, you know, one of the most highly
sought-after positions you could possibly have in
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the world of food. And you are suddenly invited
to restaurants and events all over the world.
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OF: Right.
CM: With the most genius
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chefs. I mean, it's been an astonishing ride.
OF: Well, you know, you played hard-to-get
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Crystyl, it's a lesson that we can all learn.
CM: Yes. They actually loved it. They were
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definitely far more interested, because they
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were like “Wait, you don't want to do this?”
OF: Maybe it's similar to how I got you onto
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Mosaic of China, but that’s probably elevating
my status a little bit too high, I think.
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Wonderful, so what does that role
entail for you on a practical level?
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CM: OK, well, right now, because of COVID, we
are not doing our regular events. But during
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the three years when we were, I would probably
once or twice a month travel to visit incredible
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chefs and restaurants around the world.
OF: I'm assuming that you also visit
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chefs and restaurants within China too, right?
CM: Yes, absolutely. Previous to being the Academy
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Chair, I focused almost exclusively on domestic
chefs and restaurants. In fact, when I discover a
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great chef in China, I would say it is the most
thrilling, because there are not enough chefs
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at that level in China. So if I discover one
in China, it's mind-blowing. Why isn't there a
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Gordon Ramsay of China? Why isn't there a
Massimo Bottura? Why isn't there a Rene Redzepi?
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With a country of over a billion people, and 5,000
years of history, and the most celebrated cuisines
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in the world - recognised by chefs - where are
our leaders? And the thing is, we don't have a
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single mainland Chinese chef who's known globally.
Why is that? And there are many reasons, but one
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crucial one is that we had a civil war, and we
had the Cultural Revolution. And so people did not
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continue this legacy of fine dining or exquisite
cuisine during that time. And people still do not
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think of being a chef as a respected career. So
if you are a brilliant person who gets into a
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top university, you will definitely not become
a chef. And the type of people who become chefs
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are - like my husband - people who were failing
out of school. So basically, when he was little he
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was a very poor student, because he had a horrible
abusive teacher. And so his choices were basically
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some kind of vocational school or the army. And
he chose to go to a culinary school, not because
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he had any interest in food or cooking, it was
basically just a way to make a living. And for
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most chefs of his generation - and also even now
- that is their story. They are not passionate
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about food. As soon as they get off work, they
go home and make, you know, 方便面 [fāngbiànmiàn].
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OF: How interesting. Because that explains,
I think, the experience that someone like me
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would have maybe going to a fancy restaurant
in China. Where you do get really good food,
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but then there's often that disconnect, right?
Where you can tell that the waiter there
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doesn't really care about what he's serving you.
CM: Right, even though the food might taste great,
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but they're not creating a fine dining experience.
The chef is not obsessed with every ingredient,
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the chef is not thinking “I can't wait to wow
every diner”. There are definitely becoming
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more and more.
OF: For sure.
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CM: But the question of why there aren't already
hundreds of well-known chefs, is that the social
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status of chefs is still very low. Therefore, it
creates this vacuum of talent in the F&B industry.
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Thanks to the booming economy in China over the
past 20 years, many chefs from all over the world
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came to Shanghai - Shanghai definitely is
the heart of fine dining in China - to open
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their own restaurants. And they trained a lot of
local chefs, and they also just brought the idea
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that being a chef could be a very prestigious
career. You can be considered an artist, you
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can be considered a thought leader in the greater
society, not just in your one restaurant. And so
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there are starting to be Chinese chefs who were
influenced by that, who were inspired by that.
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So you have five-star hotels, which were some
of the first to open fine dining restaurants.
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And so this created an F&B scene which I think
is extremely sophisticated, and can compare with
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many other top-level cities around the world.
OF: Right. And what you're describing is not
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dissimilar to what happened in the UK. You know,
you mentioned Gordon Ramsay, it was only him and
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his predecessors over the last 20-30 years that
did the same thing in the UK. Except in the UK,
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you know, we had a cuisine which most
people across the world would laugh at.
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If we can say that there are the
likes of Gordon Ramsay from the UK,
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then it's only logical that there should
be the same coming up from China, right?
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CM: It is inevitable.
OF: You know, we're taking for granted that you
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are this writer here in China, knowing about the
food scene, knowing about restaurants. But how did
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that come about? Were you always in this world?
CM: Not always. I had this romantic idea that
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I wanted to be a writer. And it's hard to
get paid as a writer. So one shortcut is to
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become a journalist where - at the time at least
- journalists could make a living. Now it's very
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difficult, but at that time traditional media was
still booming. I was graduating from a UC Berkeley
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Chinese training programme at 清华 [‘Tsinghua’]
in Beijing. And I was in the right place at
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the right time, because the sleeping dragon
was awakening, and everyone wanted to know
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what was going on in this mysterious country of
China. I got a job as a China correspondent for
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one of the major Time Warner magazines in the
region, it was called Asiaweek. At that time,
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it was a very influential publication. And,
beginning of 2002, I wanted to go freelance,
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so I started pitching stories to travel magazines.
And when you write for a travel magazine, you
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always end up writing about food, because that's
what people do when they travel, they want to know
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where to go out to eat. And that was how I started
to write about food, serendipitously. I just
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started writing a bit about restaurants, and as
I started writing about restaurants, I discovered
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that I knew a lot about food and cooking. And
that was from my childhood, growing up with
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a creative artist chef mother, an organic garden,
and making everything from scratch. From grinding
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our own wheat to make bread, to making tofu, to
never having any processed food in the house.
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And so the fact that I grew up learning about
that way of cooking actually gave me a huge
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advantage in writing about the trendy ways of
cooking now. I'm very grateful to my mother for
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being this super far-out home cook.
OF: Let's go into that story then,
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because obviously you do have some Asian ancestry,
I can tell of course. What is your family's story?
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CM: My mother is originally from Shanghai. She
came to the U.S. when she was a teenager. My
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father's from New York. And they grew up in
these very opposite families, in some ways.
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My mother was very poor, my father was born into
a very wealthy New York family. But both of them
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had extremely traumatic childhoods,
with parents who were either absent or
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completely absorbed in other parts of their lives.
OF: Interesting. And so did that also transfer to
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your childhood, or was it relatively happy?
CM: I would say it was relatively happy.
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‘Relative’ being the key term. They were both
carrying the tragedies of their own childhoods.
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A lot of my parents’ pain was in the atmosphere
of the home. And I carried that with me very
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much. And I was also treated like an adult from
the time I could walk around. In some ways,
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I loved that, I had total independence.
But I also had no guidance. For example,
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from the time I was five, I was going on the
subway by myself, nobody to make me breakfast,
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nobody to dress me, I would take myself to
school. We had a bare-bones house with no heat
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in Boston, so I was freezing all winter long, I
couldn't sleep. I had no-one to take care of me,
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I took care of myself. My mother cooked a lot, we
had wonderful food, I certainly wasn't starving.
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But I had rags for clothes, I never had a decent
haircut. I had a lot of crazy people living in
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my house, because my father is this incredible
Jesus-like figure who wants to save everyone,
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from schizophrenic people to alcoholics and
drug addicts, to just very emotionally damaged
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people who we would have in the home all the
time, which drove my mother absolutely crazy.
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It was a very chaotic childhood. In retrospect,
I realise how unsafe I felt, although I did feel
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love from my parents, and they were certainly
never intentionally abusive. They didn't scream
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at me, they didn't beat me, they respected
me deeply. But they respected me as an adult,
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to just get everything done on my own.
OF: Gosh. So I'm guessing that with that
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background, you were destined to be somewhat
of a loner. Like, I'm just thinking about how
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you could possibly fit into a corporation?
Do you have a visceral reaction against that
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kind of mainstream life? Or actually,
do you long for that kind of life?
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CM: That is a good question. I don't long for that
life. I would say I'm pretty anti-establishment
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and anti-mainstream. The biggest reason
though, that I don't fit into corporate life,
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is that I am nocturnal.
OF: Oh.
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CM: And I operate on a nighttime schedule.
My whole life I’ve been nocturnal,
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my mother's nocturnal, her mother was
nocturnal. So it is very hard for me to
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wake up and go to an office in the morning.
OF: Goodness. I've never heard somebody
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give themselves that title. I've heard
people who are like “Oh yeah, I tend to
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function better in the evenings. I'm a bit
of a night owl.” But you are wholeheartedly
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embracing this as a way of life, are you?
CM: I am. And as a coach, one of the things I
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studied - learning more about bio-individuality
- is that we don't need to go by when the sun
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comes up and goes down. When you realise
what your ideal circadian rhythm is,
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it gives you a lot more power. For a long time,
I was seen as almost shameful to not wake up in
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the morning in this society, people would really
look down on that. And I'd always try to hide that
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fact. So people will be like “Oh, I'll call you
tomorrow at nine” and I'd be like “Oh, I'm busy”.
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Now I'm like “I will be asleep”. Instead of having
some kind of shame around that. I get as much - if
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not more - done each day as anyone else. I
just do it during different hours of the day.
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OF: Well, I can definitely see the strands
between what you do now and your previous
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life. And thank you so much for sharing that part
of your story. How did, then, you parlay this into
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what you're doing now in terms of coaching? Is
it because when you deal with people who work
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in the restaurant industry, the archetype is that
there are very highly-strung chefs. They are these
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angry, abusive, short-tempered, impatient
people. Is that just me creating a silly
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analogy? Or is that where it first came from?
CM: It's not, but there is a relationship. Chefs
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have definitely lots of psychological issues, they
have a lot of relationship issues, they don't see
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their family enough. There are so many divorced
chefs, or chefs who never see their kids. My
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epiphany was not sudden, but what I came upon was,
I was going to these very very crazy exclusive
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experiences at restaurants around the world, where
literally you will be picked up from the airport
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in a limo, and then taken somewhere - maybe by
helicopter - to this $1,000 meal with caviar and
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wine pairings, and luxury for the sake of luxury.
And that didn't feel like my purpose. And so
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that's when I started thinking “I don't know if
I want to continue doing this. I want something
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that really resonates with my purpose here, during
this short time I have on the planet, which is to
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help other people heal and to heal myself”. Hurt
people hurt people, but healed people heal people.
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OF: Nice.
CM: I won't ever
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say that I'm fully healed. But I want to be on
that journey. And so some chefs started to ask me
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to come to their restaurant and give mindfulness
workshops. And so I gave a workshop at the number
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one restaurant in the world - which is called
Mirazur, in southern France - on mindfulness,
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and on dealing with issues of childhood trauma,
even. Like, really asking some hard questions
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in a half-day workshop with their staff.
OF: Right. That is a great combination,
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the idea of using your knowledge of the restaurant
industry to then give them some coaching,
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which actually can be relevant in that world. That
is a great niche to springboard your career into
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the next stage. It's nice for you to talk about
that, because I think otherwise people would
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look at your life - you know, as you said, you're
going from helicopter to amazing meal - and it is
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good to know that there is something else going
on. Thank you so much Crystyl, on to Part 2.
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[Part 2]
OF:
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Good, well, Part 2, it is the same 10
questions that I ask everyone. Are you ready?
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CM: I am.
OF: OK, let's start.
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What is your favourite China-related fact?
CM: My favourite China-related fact is,
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the longer you stay in China, the more you realise
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how little you know about China.
OF: Because you have been then trying
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to know how many years?
CM: 23 or 24.
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OF: Ach, is that all?
CM: Yes.
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OF: And were you the kind of person who
at the beginning were the super expert,
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and you thought that you knew everything? Or did
you always have that humility from the start?
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CM: I never thought about how much I know
or don't know. But I have definitely met
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many people who feel they know a lot.
OF: Yeah. Can you remember one particular
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‘aha moment’ where you had this transition
from ‘Oh wait, what I thought I knew actually
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is 100% the opposite way around’?
CM: One interesting thing I learned
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is that when I first came to China, I thought
that the U.S. was perfect. And so coming to
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China and hearing another perspective on
the U.S. - seeing global geopolitics from
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outside the U.S. - was a very big ‘aha moment’.
OF: Yes, this is when American exceptionalism
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clashes with China exceptionalism. Question 2, do
you have a favourite word or phrase in Chinese?
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CM: A phrase that I love is 麻烦你 [máfan nǐ],
which is a very polite way of saying “So sorry to
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trouble you”. And Americans don't really say this,
we wouldn't off the cuff kind of say “Oh, I'm so
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sorry to trouble you”. But in Chinese, that's very
common. Like when you ask somebody to do a favour,
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or when someone just does something nice for you,
can say 麻烦你 [máfan nǐ], I'm so sorry to trouble
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you. And it's just a very kind and generous
recognition of someone doing something for you.
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OF: Yes. Although I would take exception
to say that the Americans are not polite.
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I think Americans can be very
friendly and polite, of course.
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CM: Very friendly.
OF: The Brits use their
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politeness as a weapon sometimes.
CM: I’m allowed to say that,
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but I will agree with you.
OF: What is your favourite
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destination within China?
CM: 云南 [Yúnnán],
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and 香格里拉 [‘Shangri-La’], where it's the
Switzerland of China. Absolutely stunning.
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OF: Every other person, when answering
that question, says 云南 [Yúnnán].
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I think I should call this podcast ‘Mosaic of 云南
[Yúnnán]’. Yeah, it's something else, isn't it?
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CM: I would say, if everyone says 云南 [Yúnnán],
then that's the right answer. I mean, 云南 [Yúnnán]
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is so diverse. I had my honeymoon in
西双版纳 [Xīshuāngbǎnnà], which is basically
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subtropical, and we were in the
rain forest in an orchid forest.
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And then I've also been to the northern parts
around 香格里拉 [‘Shangri-La’] up into the snow-capped
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mountains, you know, all in one province.
OF: Yes, and everything in between. Great,
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next question. If you left China - which
to you is actually the reality right now,
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hopefully temporarily, and not for much
longer - what would you miss the most,
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and what would you miss the least? So I should
reword that to ‘what do you miss the most,
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and what do you miss the least?’
CM: The people and the people.
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So, Chinese are not great as strangers. Americans
are very friendly and have a warmth to them, that
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you can have some kind of friendly interaction
with a stranger, which I think makes just walking
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around the city feel like more of a community.
And yet, Chinese - while they can be quite cold
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and selfish to strangers - they are so warm
and generous as soon as you are on any kind of
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friendly terms with them. You go to their house,
and they will cook you a banquet and take care of
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you. And so that kind of warmth and generosity
is something that struck me as a student when I
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first went to China and lived in Nanjing. And so
I would say that I don't miss being a stranger
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in China. But I do miss being a friend.
OF: Lovely. And there's quite a theme,
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isn't there? Because we're talking about this
politeness. We're talking about it in the
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context of America, UK and China. You could also
throw in Japan as well. I think the Japanese and
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the Brits can be similar with a politeness. But
it's still courteous. What they have in China,
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it lacks the courtesy. In many ways,
it’s more honest. Because, you know,
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the Brits don't care about you as a stranger
either. But you really feel it here, don't you?
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CM: I wouldn't say I'd exchange it for British
strangers either. They're both somewhat cold.
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OF: Yes.
CM: Actually, I would prefer the
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Chinese one, because you know where they stand.
OF: Exactly, exactly. On the metro in Shanghai,
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you are going to be steamrollered by a
Chinese stranger. In the metro in London,
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you’re not going to have anyone making eye contact
with you. It's a very different kind of rudeness.
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CM: Right.
OF: Is there anything that
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still surprises you about life in China?
CM: No. It feels like home.
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OF: Yeah. I guess the equivalent would
be, is there anything that surprises
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you about life in the U.S. in that case?
CM: More so. Because I have literally spent
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the last half of my life in China. So
being here, there are more surprises.
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I have been the recipient of so much generosity
here during COVID, and warmth from strangers
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who heard my story, and would deliver food
and clothing for my daughter, and a bicycle,
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and babysitting. I mean, it's been astonishing.
OF: And I've noticed as we've been talking that
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sometimes you refer to Shanghai as ‘home’
and sometimes you're saying ‘home’ as in
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the room you're in now. Do you have this
bifurcated ‘home’ existence? Or actually,
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it just depends on where you are?
CM: I very much feel that both places are
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home. I don't feel more or less comfortable.
OF: Nice. Next one's gonna be a hard one for
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you. What is your favourite place to
go out, to drink or eat or hang out?
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CM: I'll just say one place that I love, which
was a cocktail bar I used to go to every Friday
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with my girlfriends for years. And that's
Senator Saloon in the French Concession.
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OF: Nice.
CM: Where they make perfect classic cocktails,
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including my signature drink, the sidecar.
OF: Oh, my one is the basil gimlet there,
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they do a great basil gimlet.
CM: Oh yes they do. They do.
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And it's just consistent every time. I love the
bartenders there. I love the guy who founded it,
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David Schroeder, a brilliant American bartender
and specialist. And they also have the most
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amazing bar snacks out of any bar.
OF: Even the freebie chips they give
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you seem to be elevated.
CM: Small and perfect.
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OF: Nice. What is your favourite WeChat sticker?
CM: Oh, right.
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OF: Oh, I like this. That's very good.
CM: Well, this is just a handy sticker.
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Because in WeChat groups,
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often people will accidentally send something, or
say something inappropriate. And you just need to
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have a sticker for that occasion. It literally
happens every day. So that's just a fun one.
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OF: Can you quickly describe it?
CM: So this is a sticker that has
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just a giant button that says ‘unsee’. So
this person is just frantically tapping this
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button. Unsee unsee unsee unsee. Like, please
just take me back to five seconds previous
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in time and let me not have seen that thing.
OF: I've never seen this used. I love it.
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CM: I hope you’ll start using it.
OF: Totally, how can I not? Next question,
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what is your go-to song to sing at KTV?
CM: I would rather stab my eyes
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out with forks than go to KTV.
OF: You have obviously been, though.
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You haven't been able to avoid it entirely.
CM: I really have only been maybe three times
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in my early career in China before I
realised that I will never go again.
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People who don't get paid
to sing, should not sing.
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OF: What about in your daily life? Like if you're
having a shower, if you're whistling down the
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street, do you have a song that you like to sing?
CM: Well, I'm thinking of a song that nobody
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will know. But it's a song by a wonderful
folk singer, which I've been listening to
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a bit more recently. Her name is Catie Curtis,
and the song is called ‘Magnolia Street’.
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OF: OK
CM: It’s a beautiful song, she’s an amazing singer
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songwriter. I love acoustic guitar folk singing.
OF: Yes. And finally, what other China-related
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media or sources of information do you rely on?
CM: Well, I do love the more long-form
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writing about China in The New Yorker. So
I will read their essays, written by some
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of the top writers like Peter Hessler.
OF: Well, thank you very much, Crystyl.
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CM: Thank you, Oscar. It's really
been a pleasure. I feel like I
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could talk to you for two more hours.
OF: Thank you so much. The only question I
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would have left to ask you is, out of everyone who
you know in China, who would you recommend that I
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interview for the next season of Mosaic of China?
CM: I would really love to recommend my dear
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friend Ricky Li, who is a
child prodigy businessman,
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started his first businesses literally as a grade
schooler. He's helped to build a natural gas line
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in Seattle. And he opened up an incredible
fine dining restaurant in 深圳 [Shēnzhèn],
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where he hired a three-star Michelin chef from
California to be the head chef, Christopher Kostow
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from The Restaurant at Meadowood. He's
brilliant, he’s very humble, he’s a visionary,
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incredible businessman, and also a connoisseur.
OF: Wow. Well, I thought that you had a busy
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life. It sounds like you've recommended
somebody who is going to be equally hard
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to pin down. Thank you so much.
CM: He does schedule his day
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in 15-minute increments.
OF: Oh wow. OK, gosh. Well,
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thank you so much. He sounds fascinating, I
can't wait to meet him. And thank you again,
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Crystyl, that was a real pleasure.
CM: It's been an incredible honour
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to chat with you.
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[Outro]
OF: At the beginning of today’s
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episode I mentioned that there were a few updates
to share since the recording of the conversation.
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Well sadly Crystyl is still stranded in the U.S.
because family reunion visas are still not being
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issued for China. She has been running groups
for people in this same situation on Facebook
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and WeChat this whole time, so please reach out
to her personally if you’d like to be added.
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She would love to connect with you, or
indeed with anyone who enjoyed this episode.
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And on a slightly happier note, Crystyl’s husband
who is Chinese was able to come to the States and
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return to China with their daughter Phoenix,
who is a dual citizen. This has left Crystyl
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with all the more time to focus on the biggest
project that she has run this year, which has been
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00:30:43,120 --> 00:30:49,600
producing and directing her mother's cooking show,
Mother Zen Chef. So if you want to check that out,
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00:30:49,600 --> 00:30:54,400
head to the transcript for today’s episode
at the Mosaic of China website, where you can
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scroll to this part of the conversation for the
direct links on YouTube, Facebook and Patreon.
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Speaking of Patreon, that’s one of the three
ways that you can also check out the PREMIUM
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00:31:04,720 --> 00:31:09,760
version of the podcast, which includes
an extra 10-15 minutes of extra content
346
00:31:09,760 --> 00:31:12,960
every episode. Here are some
clips from today’s show.
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[Clip 1]
CM: Much to their surprise,
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almost every chef came, including Ferran Adrià
of El Bulli, a God in the culinary world.
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[Clip 2]
CM: Ancient ways of cooking, using pickling
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and using the whole animal or the whole vegetable.
[Clip 3]
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CM: The most stereotypically rude and
arrogant and condescending service, I wrote a
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00:31:36,240 --> 00:31:38,667
scathing review for Time Out.
[Clip 4]
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CM: I have a superpower, which is that
I metabolise alcohol very efficiently.
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[Clip 5]
CM: It's the
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‘Oscars’ of food, to have a spot on that list
cements you in the firmament of great chefs.
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[Clip 6]
CM: He was in the kitchen,
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I went in the kitchen, I met him there. Basically
love at first sight, and I was like "Wrap him up,
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and I'm taking him home”.
[End of Audio Clips]
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And finally, you can see all the images from
today’s episode on all the usual places, including
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photos from Crystyl’s childhood; some from the
first time she stepped foot in China in 1995;
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00:32:13,360 --> 00:32:15,760
some shots with her husband, mother and daughter;
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00:32:16,400 --> 00:32:21,600
and of course there are also great photos of
Crystyl alongside some of the world's top chefs,
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00:32:21,600 --> 00:32:27,920
including Dan Barber, Rene Redzepi, The
Roca Brothers and Heston Blumenthal.
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00:32:27,920 --> 00:32:34,000
Mosaic of China is me, Oscar Fuchs, with artwork
by Denny Newell. A great accompaniment to today’s
365
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show is the interview with the China street food
tour guide Jamie Barys from Season 02 Episode 02.
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And you heard his voice at the beginning of
the show, well you’re about to hear it again,
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00:32:44,960 --> 00:32:49,920
because coming up is a catch-up recording
with the Instagram food writer Michael Zee
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from Season 01 Episode 07. So be sure
to listen to Michael’s original episode
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00:32:55,280 --> 00:32:59,120
if you haven’t done so already, and
I’ll see you back here again next week,
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where - who knows - there might
also be a connection to food…
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[Catch-Up Interview]
OF:
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Hello, Michael.
MZ: Hello. Back again.
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OF: Here you are. You're not in the studio, you're
at my house this time. For people who didn't
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necessarily hear our original interview, you are
the man behind @symmetrybreakfast, the Instagram
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account. What was your story during COVID?
MZ: I was having a haircut at the beginning of
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January 2020. And my barber is from 贵州 [Guìzhōu].
And he was saying “Oh have you heard about this
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virus in 武汉 [Wǔhàn]?” I was like “Yeah, I saw it
on the news”. "That is something we should keep
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an eye on”. But I was about to go on holiday to
Australia. And whilst we were in Australia, it all
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started of kicking off in China, everything was
starting to go into lock-down, until we were
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kind of watching it and looking at the news every
minute of the day. We got to the end of the two
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weeks in Australia, and we just made the decision
to delay returning. So we went to Indonesia. And
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then Mark had to go to Europe for work, so we came
to Europe. And seven weeks later, we ended up back
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in Shanghai after a lot of our friends said “It's
fine. Just come back”. So I actually came back
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before they asked me to quarantine. So I came
back and I just went home. And it was only a few
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weeks afterwards that the borders were closed.
It's very difficult to be in this position as a
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social media ‘share-all' position…
OF: That was exactly what
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I was going to ask you, yeah.
MZ: … When actually my 2020 was pretty good.
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OF: Yes.
MZ: And so I've been very cautious
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not to go overboard with “Oh my life’s totally
normal, having a great time”. Because I understand
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a lot of people are not in that situation. And
I took a step back from social media. I've been
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definitely a lot less on Instagram and social
media. and just kind of taking it day by day.
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Sometimes it's better just to be quiet.
OF: Which is interesting, because during
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our original conversation, you were saying
how there is no job description - you've
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made this job yourself - and there's no off-ramp
either. You don't know how this is going to end,
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you can't pass it off to anyone, you are
@symmetrybreakfast. So did this give you a
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little bit more insight into that end game?
MZ: Absolutely. I think I should have this
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escape route. Because ultimately, people get
trapped in social media because it's their income.
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I came to China four years ago and I remember my
agent emailed me a matter of months later saying
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“Are you ready to write a book about China?” And
I was “No, of course I'm not ready”. But then four
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years later, “Hmm maybe, yeah.”
OF: OK.
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MZ: OK, I feel I do have a lot of knowledge.
I do have a lot of opinions and perspective.
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I think I'm ready to do another project, another
book or something that's more than just Instagram
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and breakfasts.
OF: Yes.
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MZ: And we're leaving Shanghai. Now going to
Italy, it’s “How do I continue that energy?”
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And I have to just go for it.
OF: Are you going to have to
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finish everything while you're in China?
MZ: I'm definitely putting projects into place
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now, with the hope that I'm going to be
able to come back in September/October
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for research and for planning around those
projects. I haven't really seen any significant
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research on Anglo-Chinese food. You know, there
is just not the same breadth and depth compared
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to American-Chinese food. That is something I
really want to explore. If I'm going to be back
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in Europe, and back in the UK, I can use that to
interrogate my dad about those sorts of stories.
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And so I'm excited to see how moving away from
China physically can actually bring out certain
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projects that will enable me to come back.
OF: Yes. And of course, you're going from
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a country with a very important food culture
to another country with a very important food
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culture, right? Do you think that when it comes
to Italy, there are going to be some connections
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that you haven't thought about?
MZ: Oh, at the moment I can
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only think about the parallels. They're both very
hyper-local cuisines, very specific to certain
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communes or provinces or regions. And they're
both very much grounded in a sense of provenance
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and seasonality. But what I don't see in
Italian culture - that is so prevalent in
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Chinese food - is this connection to health, and
food as medicine. I don't know if actually any
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European culture has such a strong connection to
health. You know, I'm definitely going to go to
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Italy and probably still drink a lot of hot water.
OF: Yeah, you can't take that out of you now.
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MZ: No.
OF:
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Well, what little tidbits have you learned - I
guess this will be my last question for you - in
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the two years since we last met here on mic?
MZ: Oh, I think the biggest thing is that for
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every stereotype, it's also completely untrue. You
know, I've been to places like 成都 [Chéngdū] and
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you meet people who hate spicy food.
OF: Oh right.
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MZ: And I follow other Chinese food writers
- and Western food writers who write about
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China - and they say things like
“Chinese people don't eat salads”.
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With every statement about
China, the opposite is true also.
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OF: Right.
MZ: For me, some of the best food in the world
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is Chinese and some of the worst food and world is
Chinese. And there's no right or wrong here. China
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is the most beautiful and the ugliest country.
People here are the nicest and the meanest.
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And you can't make a generalisation.
OF: Well, this is the stage you should be,
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having been here for four years and on the way
out. You have to be leaving under a cloud of
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confusion. Because if you were leaving, like “Oh,
I know China” then you're not doing it right,
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Michael, right? Why would we even
try and encapsulate a country where,
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you meet a nice Chinese person, you meet a bad
Chinese person, just like you would anywhere else.
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MZ: Anywhere else.
OF: So on that note,
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and we've talked about the other food influencers…
One of them of course is the lady who you refer to
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me for Season 02, Crystyl Mo.
MZ: Oh, yeah.
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OF: And it will be alongside Crystyl’s
episode that we release this catch-up.
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MZ: Oh, amazing.
OF: So have you been in touch with Crystyl at all,
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since she's been locked out the whole time?
MZ: Yeah, I mean, we've only spoken a handful of
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times. I mean, I feel terrible for her situation.
OF: Yes. And she seems to have a very
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philosophical idea about how to live life. I mean,
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you have to just get on with it. I believe that's
what everyone who is in that situation is doing.
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MZ: Sure.
OF: But thank
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you. It has been great to have you as part of
this Mosaic. And this is the first catch-up,
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I hope there are many more in the future.
MZ: Brilliant. Thanks so much for having me.