
ยทS1 E8
Episode 8: Wanting To Hurt Stuff
Episode Transcript
The Miniwak Caves is intended for mature audiences.
It contains strong language and depictions of bullying, violence, and sexual assault that some may find disturbing.
Listener discretion is advised.
Also, this is an extremely immersive experience and headphones are recommended.
You're listening to The Maniwak Caves, a production of iHeartRadio, Blumhouse Television and Psycopia Pictures.
Speaker 2Were there any other injuries of love there were?
And can you describe these wounds?
Speaker 3There were puncture wounds and cuts.
Speaker 2Was there anything about the pattern of these injuries that would indicate that type of weapon used?
Speaker 3Insized wounds are caused most obviously by knives, but are also caused by well, scissors and even blunter instruments like screwdrivers.
These type wounds have certain They're usually slit like, but when the object is removed or pulled from the flesh, the skin contracts, leaving a wound that is slightly shorter than the blade width.
Also, the center wound often widens a bit.
Scissors stab wounds with closed scissors leave a Z shape like the ones found on these victims.
Speaker 2Yes, so scissors like this pair here found in James Pincher's house would certainly cause such injuries.
Speaker 3Ejection, your honor.
Speaker 4The expert is here to testify to factual matters.
Speaker 3Questions presented do not presuppose or suggests the answer.
Speaker 2Your honor.
We are only asking the expert's opinion.
Speaker 5Here overruled.
Speaker 2Can the prosecution please rephrase the question in your expert opinion?
Could scissors like these found in the home with the choosed all such injuries?
Speaker 6Yes, August tenth, it's almost midnight.
I'm at Denis Place.
I remember going to Solomon Smith's place.
I remember getting out of my car and walking around his house.
I remember strange, dear, and that's it.
Speaker 5That's it.
Speaker 6Next thing I know, I'm sitting in a jail cell duly arrested me for arson, But anyone could tell that they were just trying to hold me in place while they figured out all the short of details of how it happened, how the house burned down.
They had nothing to go on.
I called Joe Campbell and she called the Blanc.
Speaker 5Made veil your stuff.
Thanks, you got everything I believe, so you're freety, go mister Sauce, mister lebloc.
Speaker 6Look, I'm really sorry for all the trouble.
Speaker 5I don't know what happened exactly.
Speaker 6I was just trying to find out more about what Solomon Smith.
Speaker 7Yeah, let's not overthink it.
There's a lot happening and emotions are all on high.
Speaker 5How much was my veil?
Speaker 7Don't worry about that right now.
Pulled a few strings, I was able to get it considerably reduced.
You will have to come back for an arrangement, okay, But the important thing is that you're all right.
I want you to get some rest.
You and insisted you stay with her tonight.
But between us, I think it would be best for you not to overstay.
Speaker 5You're welcome.
Speaker 7We need her calm and collected right now.
We don't need her playing hostess this week.
Of course, she's outside.
You ride with her, and I'm gonna meet you all over there and every group in a bit after I take care of some court documents.
I still need your signature, though, right I'm afraid we're out of time for any changes.
But this clearly states that your two thousand and seven testimony was false.
Speaker 6And Julian.
Speaker 7They found Tyler Wilson were on Griff Washington's property.
Apparently he had some homemade explosives.
We think he was trying to blow up the entrance to the cave.
Speaker 5Is he he's dead?
Speaker 8The piece of.
Speaker 9Dom to you, the true blood, like the suit.
Speaker 8To leave behind.
Speaker 10They were about to press charges, but it was Dinah retaliated.
The DNA test proven Deacon was the father of her own born child.
She rebunded with a proof of the Happy Boy's own guilt if any legal moves were made against her brother, and so she created a stalemate.
Speaker 5If her brother was going to.
Speaker 10Jail, so were Bobby Hadley's sons.
And if Bobby would back down, she'd keep the right out of the papers and no one would ever know about it.
Speaker 8Somebody scream like, hell no, we'll see by Luke.
Speaker 11When you.
Speaker 12Totally I'm telling you that's no pluck, not run around feel get your hand right.
Speaker 3They can't.
Speaker 10We'll be held against you in a court of law, don't mocker.
Speaker 4Dina, I'm so sorry you keep saying that.
Jesus, what the fuck is wrong with you?
Speaker 11Jesus?
Could you believe this?
Speaker 4Say the first time I've been to the shriff station today, Julian.
They also arrested my son last night.
Speaker 8Oh no, Dina, on you're what.
Speaker 4Oh wait, let me guess you're sorry.
He snuck out again and they caught him smashing windows at Carter High School.
What excellent question.
All he said was it wasn't his idea, said his friends told him to do it.
Speaker 13Well, that's the fucking thing, Julian.
Speaker 4I don't know who Jimmy's friends are, which is why I'm so fucking troubled.
And also I heard about Tyler.
I know he was your friend.
So now I guess it's my turn to say it.
I'm sorry, Julia.
Speaker 6Yeah, well I don't know what to think.
Speaker 11How about we just be quiet?
Speaker 13Sure you can't ever escape it, Dina was riding.
Speaker 6This town is like purgatory for her, most of all a series of winding pass all leading the dead hands unbreakable cycles.
The poor stay poor, the rich day rich, the victims stay victimized.
She might have made it out a long time ago, if it hadn't a been for what happened.
I found this yearbook on the table here in Dena's house, caught her high class of seven.
Speaker 5We were babies.
Speaker 6I've forgotten how long my hair was.
That finch was in there, his eyes like that of a child.
During the war, and Tyler with his mullet and shit eating grin, looking authentically tough.
I flipped past his picture before getting lost in thought, I'm not yet ready to deal with the idea that he's no longer here.
Then I saw Dina's picture, maybe the last picture taken of her previous self, last image from across the border and time and space that separates what she is now from who.
Speaker 5She could have been.
Now.
Speaker 6She's a single mom with a shit job, working her ass off to support her delinquente son, Jimmy, no family, no support in a town that scorns her, all for the slim hope that she can somehow right all the wrongs that she herself never committed, Long hours on her feet, bagging groceries for people who whisper behind her back, just to pay the rent on a rickety shthole house at the edge of town, Her child unclaimed by his paternal family, who, with the stroke of a pen could cast light into a dim present and give hope to an uncertain future.
Dina was isolated.
She and Jimmy were alone, alone in the world.
Why didn't you take Jimmy and leave this place?
Speaker 8A beast, get the hell out of Potsville for crass sakes.
Speaker 6I guess when you're alone in the world, running away to some other part of it doesn't really change much.
Speaker 11Probably a little clutter.
Speaker 6So oh, seriously, don't worry about it.
Speaker 4Jimmy, Caroline, Hey, miss Fincher, is is everything?
Speaker 11Okay?
Where's Jimmy?
Speaker 8He's in his room.
Speaker 11How was a lesson?
Speaker 14He wouldn't come out.
What do you mean he locked himself in his room and wouldn't let me in either.
Speaker 8He called me some nasty things, well things, It's okay.
Speaker 4I don't want to talk about it, so there was no lesson.
Speaker 8I tried to call you.
Speaker 4I'm sorry, Caroline.
I don't know what's gotten into him.
Speaker 8Well, if I may say so, I think it's his friends.
Speaker 11Friends.
Speaker 8He keeps talking about them, says they told him to call me.
Speaker 4What he called me were other kids over today?
Speaker 14No, I maybe his high school friends.
I don't I have to go home.
Speaker 8Now, let me just.
Speaker 11Thirty Okay, it's okay.
Speaker 8Like I said, there was no lesson.
Speaker 4So that's not your fault, though, please take it.
Speaker 8I'm sorry, Miss Fincher.
I think this is gonna need to be my last session.
Speaker 4Wait, what what did he say?
To you.
Speaker 8It wasn't that.
It's before he went to his room.
Speaker 11He was.
Speaker 8Inappropriate.
He he touched me, groped me.
Speaker 4Oh my god, Caroline, I don't know what to say.
Speaker 8Sorry, I need to go.
Speaker 11God damn it.
Speaker 4James Morgan Fincher get out here.
Now, you mind brewing some coffee filters above the coffee maker grounds or in that jar.
Joe and Ed are gonna be here any minute, Jimmy, I swear to God.
Speaker 15What the fuck'll comment?
Speaker 4God?
Speaker 6I tried not to listen in but that's when I noticed the yearbook on the table.
Speaker 5I picked it up in some truck.
Speaker 11Did you ever lock the door again?
Speaker 15I'll take it off the fucking hinges?
Now look at me, brook me in the eye.
What what did you do?
Speaker 4Nothing?
Speaker 11What the hell happened with Caroline?
Speaker 15Jimmy, what happened?
Speaker 6Said?
Nothing?
Speaker 4Did you touch her?
Speaker 15They made me do it?
Who made you do what?
It tacked me?
Had to tell her she was nothing but a fat breader.
I'm sorry what I didn't.
Speaker 5Want to say?
Why did you?
Speaker 15Because I damned me?
Speaker 10You called me a pussy?
Speaker 15They said that was gonna hurt my burn?
Speaker 2Who?
Speaker 4Who?
Speaker 16Jimmy?
Speaker 9Shots?
Speaker 15What times are these boys from your school?
No, then, boo, it's none of your damn business.
You are mistaken about that?
Who God's from a cane?
Speaker 5Wait?
Speaker 15What what did you just say?
I told you to never ever ever go there?
Have you been going there?
Speaker 4Jimmy?
Speaker 1No, I didn't go there.
Speaker 15They're just from there, Jimmy, we are and I've done with this conversation.
You are grounded in definitely.
Speaker 4No video games, no TV, and don't forget the feet and start to give the dog as medicine.
Speaker 5Hey, Dina, I'm fine to find another hotel.
Speaker 6Standing here is too much.
Speaker 11What's that?
Speaker 4Oh?
Speaker 6I saw this lying on the table with you're old year book.
Speaker 5I figured it was yours or finches.
Speaker 4No, my, mone come on in hope.
Speaker 11The driver wasn't too bad for you.
Speaker 14Ran some weather near Johnson City, But that's to be expected this time of.
Speaker 13Year, ain't Julian.
Speaker 16We were worried about.
Speaker 4Who the hell can that?
Speaker 8We expecting any more surprise guests?
Speaker 11There know nothing I know of?
Can I help you?
Comm well?
Speaker 4Who is it?
Speaker 11Jesus Christ?
Speaker 17Bobby Hadley, Hey, folks, this is Bobby Hadley of Hadley Pontiac Chevrolet.
Speaker 16And if there's one thing I know, it's the importance of family.
With my dad had Big Bobby first open Hadley Pontiac Chevrolet.
He had one goal in mind to give you and your family a safe, reliable ride home, had a fair price.
We've carried on that family tradition.
Isn't that right, honey, that's right baby.
Speaker 14This month we're running a special on these gorgeous family bands to take your kids to school or to camp out during summer break.
Speaker 16Oh you got something to add, Thomas, just as the prices are out of this world.
Good job, son, Hey Diacon, ain't you got something to say?
Speaker 2Adlee bonniec Chevrolet e't a family.
Speaker 6I don't know how Bobby had.
They couldn't have known he was raising monsters.
Speaker 5They're checking, but.
Speaker 6There's a kind of benign neglect that leads to malignancy.
Being't too soft to parent, leaving children to their own devices can make them into monsters.
Speaker 2Well, and not be such a pussy.
Speaker 5I'm just messing with you.
Speaker 6Bobby and Mona were soft parents.
Bobby busy with the dealership, Mona with her wine and the Women's Club of Pottsville.
Speaker 5The boys did as they pleased, and.
Speaker 6We all know how that ended.
Speaker 4At any rate.
Speaker 6After the Hathley brothers were found murdered at the mouth of the cave, Bobby Havley went underground for a little to mourn.
Speaker 5His whole future wiped away.
Speaker 6Mona dealt with the loss differently.
She left a week after the funeral, took half of their savings with her.
As the story goes, maybe she couldn't stand all the ghosts.
Bobby slowly returned to his business over the course of months, still made it to church Sundays, still went to the occasional town hall meeting, but he wasn't the same thinner, less joe, feel less, brash, just less, a man who had everything except the thing they counted.
I know he must have known about his grandson, Denis baby Jimmy.
Everyone else in town did.
But he couldn't seem to reconcile the thought of his beloved sons being involved in an act that would lead to Jimmy's existence.
And so he created a wall in his mind and in his heart.
Speaker 8A wall of denial, and he kept his distance.
Speaker 6Until Jesus Christ.
Speaker 5Bobby Hadley Deputy Campbell.
Speaker 12It's just miss Campbell.
Speaker 4Now, mister Hadley, can you remember Julian Solace from the trial alsoome, Oh well I am, and this is James's defense attorney, mister the blank, you remember my brother, James Fincher.
Speaker 7Let's see here to support our kids.
Speaker 5Uh no, I'm here to talk to miss Fincher Dina about what about the.
Speaker 11About the boy, about Jimmy.
Speaker 5Uh yeah, I was connor.
Speaker 4Let me get you some coffee.
Speaker 5Ok, okay, we.
Speaker 4Have sugar bowl.
Speaker 11We're out of milk.
Speaker 5Oh no, just black, thank you.
Speaker 6Dina went for the coffee and left Bobby standing there, sweat forming on his brow, his face red, struggling to Breathe normally staring at the pictures on the wall and on the mantel, pictures a little Jimmy in his baseball uniform, Pictures of James Fincher too, from when he was a boy.
I could see the wheel spinning behind his eyes.
Maybe the first time he'd ever considered either of those people, James Fincher or his grandson Jimmy, as actual human beings.
Nobody said a word until Dina came back with a mug of coffee.
Speaker 11Here you go.
Speaker 4What you got there the box?
Speaker 5Oh, it's just some family stuff for your son, for Jimmy, in case you in case you want him to know about the other side of his family, maybe we should step outside.
Speaker 4No, you can say, everybody stay.
What would you want him to know about the other side of his family, mister Hadley.
Speaker 5Well, I just I thought, I thought, why are.
Speaker 4You showing up right now here at my house?
Speaker 5I just can I put the box down?
Go on, Miss Spencer.
I didn't mean to intrude.
I mean, I didn't have your number, but I've been thinking about well, the past and the future, and I've been thinking about all that for a very long time now, and well, I didn't know.
I didn't know whether I should ever try to contact you, or if you'd even well, you'd even be willing to listen.
But now that I'm here, I'm just look, I'm really sorry about everything about how my God, about all the things that well, jeez, listen, I've been praying about it, yes I have.
And Reverend Perkins came to me and suggested that maybe I come talk to you, and he did it unbidden, and I thought, well, I just thought, I thought, maybe that's something.
Maybe that's the Lord telling me the Lord.
Look, all I'm saying is is I want to meet him, the boy Jimmy and and I don't know, just think about it, just pray on it.
Maybe I don't know if you pray anyway, I guess just consider it and well.
In the meantime, I brought some things about his history about us.
Look them over.
Please left my number in an envelope in the box.
I'm gonna leave you all to it.
Speaker 6Jesus Christ, cigarette break anybody.
Dina went through the box immediately.
Old pictures going back generations, xerox copies of diaries, birth certificates, an old copy of the Bible inscribed to Mona Hadley, a little cross section of history, and then video tapes three or four Thomas and Deacon's names written in a neat feminine hand on the label, and an envelope with Dina's name and a slop ofier hand inside, a slip of paper with Bobby's sell number on it, and a check for ten thousand dollars with the memo reading for the future.
We wrapped up the meeting shortly thereafter.
Speaker 11Wanna beer, I don't know whiskey.
Speaker 13Yes, you don't have to watch the tapes, of course I do.
Speaker 11Why do you think I'm offering you booze.
Speaker 6Huh, you're gonna consider letting them in?
Speaker 4I don't know.
Speaker 11On one hand, that family always seemed drawn to the core.
On the other, it's an escape plan.
Speaker 4He could go to college, he could get the fuck out of here.
Yeah, come, old James, think if I did let him in.
Speaker 6I feel like you do understand, Dina, I really do.
Speaker 11Well the courage Dan.
Speaker 10Here.
Speaker 6The videotapes were just what you'd think old family movies or with the people you hate most in the world Thomas and d can plain t ball, cub Scout.
Speaker 5Pine with derbies.
Speaker 6I watched Dina watch these boys at first with a cold glare and then an intense sort of curiosity, and then I fell asleep.
Speaker 17Okay, okay, now do the people.
Speaker 11Julian wake up?
Speaker 4I'm up.
Speaker 5I'm up, I'm up.
Speaker 11Hey, hey, hey, you fell asleep in front of the TV.
Speaker 6Well so I did.
Speaker 5Sorry, it's a whiskey.
Speaker 4Why don't you guy splash some water on your face and I'll finish up dinner.
Speaker 6That sounds good.
Speaker 4Yeah, thanks.
Speaker 6A little fucking monstership.
Speaker 17That's right.
Speaker 5You're thinking we were born bad?
All right?
Speaker 6I mean that's out the old man things.
He thinks he made us monsters want the fuck.
Speaker 4Right.
Speaker 6Then the lightning strunk a transformer outside of Tina's house and the power went out.
Speaker 4Fuck.
Speaker 6I moved to the window and saw the fog was back, along with hundreds of screeching bats flapping by the window.
And minute, hey mm, put in the mailbox.
Speaker 13Oh shit, alright.
Speaker 5The bottles up.
Speaker 6Except for the TV.
That is, the images of young Thomas and Deacon still flickering across the screen.
Speaker 2I mean that try the best, I guess, but there's only so much you can do outside influences and all.
Speaker 4I ain't shit.
Speaker 5My earliest memories are wanting to hurt stuff.
I guess you can turn that out of a kid.
Speaker 4If you work hard enough.
Speaker 6It's called a beautiful Leacon.
Speaker 11Yeah, Jimmy, you'll okay.
Speaker 4I think a transformer bloo man.
Speaker 5She seems to be trying her best.
But that kid in the other room.
Speaker 10He's got in his blood.
Speaker 16He had no problem calling that fat bitch babysitter of his What she was, yny.
Speaker 6What the fuck are you talking about?
Speaker 5That's true?
Speaker 4True?
Speaker 17Oh all right, fucking now he's learning anatomy on.
Speaker 5That little bird.
It's too late to stop him.
The boy isn't quite right.
Speaker 16In the head.
Speaker 5Neither were we there it is.
Speaker 7He's a trouble now.
Speaker 10Jny, do you know everything?
Speaker 12Okay, Duday, you know you all right?
Speaker 6It was too late for the bird.
Apparently Jimmy had used a paris so and scissors to biseck the poor creature.
Speaker 9The ghost in a mirror, and the hounds of Hell Dancing in your.
Speaker 10Dancing in.
Speaker 1The Manawalk Caves stars Jonathan Tucker as Julian Sawas, Eddie Gatheggi as James Fincher, Clark Peters as Detective Solomon Smith, Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson, Jill Jane Clements as Jill can Hambell, Brad Carter as Dooleye Tappert, Scott Poythrus as Reverend Perkins, Samantha Ashley as Dena Fincher, Justin Matthew Smith as Paul Sallace, Tara Oakes as Laura Sallas, Jonathan Horn as Deacon Hadley, Alden Karanovitch as Thomas Hadley, Mike w Anderson as Griff Washington Body, Walterroff as Jimmy Fincher, Brian McClure as Ian Speinks, Larry Clark as Bobby Hadley, Payden Fallis as ed La Blanc, Vic Palisis as William Fowler, Nick Takosky as Richard Rydell, and Aileen Loy as The Darkness, with additional performances by Clint McGown, Dina Dill, Edward Howard, Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Hineman, David Mitchell, and Bernard Sataro Clark.
Created by Connell Byrne and Dan Bush.
Written by Dan Bush, Zoe Cooper and Nicholas Takosky, featuring our theme song Killer Inside, written produced and performed by lere Lynn.
Our executive producers are Matt Frederick, Alexander Williams, Michael Monty, and Courtney du Frees.
Our executive producers at Blumhouse Television are Jeremy Gold, Chris Dickey, and Noah Feinberg.
Produced by Dan Bush, music by Ben Lovett.
Additional music by Alexander Rodriguez, edited by Dan Bush, Chris Childs, Stephen Perez.
Speaker 5And David Chen.
Speaker 1Sound design by Benjamin Malcolm, Additional sound design by Alexander Rodriguez, Dialogue editing and sound mixing by Juan Campos.
Recorded at Studio Awesome in Los Angeles, sound Byte Studio in Atlanta, and Echo Mountain in Ashville.
Casting by Sunday Bowling, Kennedy and Meg Mormon.
Our dialect coach is Linda Bessesti, Assistant director Michael Monty, second assistant director, script supervisor and production coordinator Sarah Klein.
Supervising producer Josh Thame.
Special thanks to Mary Ellen and Jason Davis, Jonathan Dieter, and Joe Rickman.
The Manowau Caves is a production of iHeartRadio, Blumhouse Television, and Psycopia Pictures.
Speaker 9So