·E1090
Bella Poarch on Finding Safety in Art, Imaginary Friends, and Debut Album ‘Picnic at the Cemetery’
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Episode Description
Bella Poarch returns for the second time and this time the US Navy veteran turned social media star turned pop powerhouse joins us to dig into her long-awaited debut album ‘Picnic at the Cemetery.’ An incredible visual artist and world-builder, Bella explains how the Filipino tradition of celebrating All Saints’ Day inspired the record, why cemeteries have always felt safe to her and the origin of the Bigheads — characters born partly from the imaginary friends who helped her through a childhood of bullying and abuse. She also opens up about depression, abandonment, maladaptive daydreaming (and what that is), and how writing ‘Ribcage’ made her realize the 20-plus songs she already had weren’t telling her full truth, ultimately changing the direction of the entire album.
Bella takes us inside songs including ‘Stay Gone,’ ‘Garden,’ ‘Tooth,’ ‘Nice to Meet Ya’ and ‘My Heaven Is Alone,’ reflecting on relationships, infidelity, and her experience in a military psychiatric ward, as well as the deeply personal story behind her angel wings and ship tattoos. A note before you watch — these tattoos are connected to her lowest point, when she came close to taking her own life. We also get into her taking control and becoming a producer, working with Lucas Sim and Melanie Martinez, her ‘Wednesday’ covers, deleting ‘M to the B,’ writing a Bigheads storybook, her cats Pee Pee, Wee Wee and Doo Doo, why her best ideas come in the bathroom and, crucially, when we’re finally going to teach Bella how to ride a bike.
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