you're white, you play black music, and you didn't get the gig because the organizer wanted a black musician. is that reverse racism? is it fair? how do you hold it without making it about you? ben isaacs and i go deep on the gray area that working musicians navigate constantly, what it means to pass opportunities to black artists, and why the frame of liberation serves us better than the frame of butthurt.

white people, black music, and liberation is an independent podcast exploring race, music, and what it means to move from *programming* into liberation. 
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have a thought, a question, or a story of your own? reach out at whitepeopleblackmusic@gmail.com 
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follow the journey at whitepeopleblackmusic.com
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