In this Books with Hooks episode, Bianca, Carly, and CeCe dig into two submissions—a YA fantasy query and a memoir/nonfiction hybrid. They unpack why centering a protagonist matters, how to sharpen specificity in quests, what makes prologues succeed (or fail), and why memoir queries need a clear narrative arc. Expect candid advice on worldbuilding, dialogue, experimental structures, and how to position your author bio so agents take notice.

EPISODE UPDATE:

Dear TSNOTYAWers,

We recently made the difficult decision to remove one of the submissions from this episode.

Writers who submit to our show do so voluntarily for a chance to have their work shared on our platforms under our popular critique format. When a writer submits to our podcast, they are not only giving us permission to share and critique their work—indeed, they are requesting that their work be shared and critiqued on our show. When a writer has their work selected, that writer is taking a spot that could have gone to another writer.

The writer of the work that was featured in this now-edited portion of Books with Hooks contacted us claiming that they had not given permission to share their work on our podcast. This claim was extremely confusing to us, since our records indicate that they did, in fact, submit to our podcast. This writer also stated that we had violated their copyright, an accusation which is patently untrue.

We are upset by the comments made by this writer, as well as the fact that they took a coveted spot that could have gone to someone else.

We work very hard to offer a free service to writers. We are grateful to those who share their work with our show, thus allowing for a communal educational experience. Running a podcast is a costly endeavor, and producing an episode is expensive. Editing an episode after it airs is also expensive as it involves additional production time both for the audio of the podcast and for the video on YouTube.

Although we were under no obligation to do so, we have decided to take down the part of the episode in which we shared and critiqued this specific writer’s work. This decision is solely done out of kindness and empathy.

We have asked the writer in question to refrain from submitting to our podcast again.

We are very sorry that this Books with Hooks now only features one submission instead of two as we really try to get to as many submissions as we possibly can to give you as much value as you deserve.

Sincerely,

The Shit No One Tells You About Writing Team

Note: CeCe Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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