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Episode Description
In this episode, No Film School host GG Hawkins speaks with director Charlie Tyrell and editors Davis Coombe and Daysha Broadway about The AI Doc: Or How I Became an Apocaloptimist. The conversation explores how the team shaped an essay-driven documentary around AI, parenting, authorship, and uncertainty, while also breaking down the collaborative editorial process, the ethics of making a film in real time about a rapidly changing subject, and the analog craft choices that gave the project its tactile visual identity.
In this episode, No Film School's GG Hawkins and guests discuss...
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How The AI Doc: Or How I Became an Apocaloptimist uses a filmmaker’s journey into impending parenthood as a narrative device for exploring AI anxiety and optimism
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Why the team chose an essay-documentary structure while still grounding the film in Daniel Roher’s on-camera perspective
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The challenges of shaping a documentary whose subject kept changing during production as AI news evolved in real time
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How Charlie Tyrell, Davis Coombe, and Daysha Broadway each found their way into filmmaking and documentary storytelling
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The creative and ethical complications of having a co-director also function as a subject within the film
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How the filmmakers balanced accessibility, complexity, and emotional honesty while making a movie about a massive technological shift
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The editorial collaboration behind the film, including remote workflows, shared creative decision-making, and leaving ego at the door
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Why the team intentionally avoided using AI in the film’s creative workflow
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How Premiere Pro Productions, transcription tools, Blender, After Effects, Dragonframe, stop-motion builds, and practical effects supported the film’s handmade aesthetic
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Where the guests currently land on the spectrum between AI optimism and AI anxiety as working filmmakers and editors
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Why the guests believe the biggest question is not just what AI can do, but how people choose to use it
Memorable Quotes:
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“It actively wrestles with it in real time, both thematically and in the way that it was made.”
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“Everyone kind of just left their ego at the door and showed up to do the work.”
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“Filmmaking only brings suffering.”
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“I don't feel like AI is the big bad. To me, the people are the big bad.”
Guests:
Resources:
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Synopsis: From the Academy Award-winning filmmakers behind Everything Everywhere All at Once and Navalny, a father-to-be tries to figure out what is happening with all this AI insanity. The AI Doc: Or How I Became an Apocaloptimist is a hand-made, eye-opening documentary about the most powerful technology humanity has ever created and what’s at stake if we get it wrong.
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For resources and ways to join the apocaloptimist community, visit theaidocgetinvolved.com
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