Women in music are often celebrated for their honesty until that honesty becomes inconvenient.

From Nina Simone and Sinéad O’Connor to Courtney Love, Phoebe Bridgers, FKA twigs, Megan Thee Stallion and Chappell Roan, a familiar pattern emerges: when women assert creative control, speak politically, or refuse to be agreeable, they are labelled “difficult.”

This episode of The Last Mixed Tape explores where that label comes from and why it appears so consistently across genres, generations, and cultural moments.

Drawing on feminist theory, music history, and cultural criticism, we examine how “difficulty” has been used to discipline women in music, constrain their careers, and rewrite their legacies — often offering praise only once the damage has already been done.