In 1990, Sinéad O’Connor released Black Boys on Mopeds, a song written in response to state violence, national myths, and the stories governments tell after tragedy.

More than thirty years later, those stories feel disturbingly familiar.

In this episode of The Last Mixed Tape, we explore how Black Boys on Mopeds connects Thatcher-era Britain to the present day, examining how narratives around authority, legality, and morality are constructed, and why Sinéad O’Connor paid such a heavy price for speaking with clarity when silence was safer.