The London-based art rock band, Mary in the Junkyard, is getting ready to release their debut album after four years of trying to make sense of strange things in life through music. “I think that life is very surreal,” says the vocalist of the group, Clari Freeman-Taylor, as she explains why she enjoys “writing about things that may be a little bit unsettling”. Nothing about the order of life is rehearsed, so why should their music be? Their practice relies heavily on their songwriting and arranging rituals where they carefully piece each layer of sound together. But preparations for live performances are enforced with a spirit of spontaneity, which, as the viola and bass player Saya Barbaglia points out, is a big part of their sound. 

The duo blurred the rigid lines of classical music together as they grew into their teenage years with rock music. They traded hours of sight-reading for jam sessions that led to endless scraps of ideas. Those ideas would eventually become fully fleshed-out songs with the addition of drummer David Addison to the band. 

Mary in the Junkyard’s upcoming LP, Role Model Hermit, carries hints of Freeman-Taylor and Barbaglia’s classical music background, as dense string arrangements pop up every now and then. But in our studio, the trio reveals the core of each song they perform: raw, skeletal, dark, and light, all at the same time. (- Sırma Munyar)

Setlist: 1. New Muscles 2. Myrtle 3. Blood

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