Frankenhiemer returns to podcast with a… weird art film?  Sort of.  All of the paranoia, threatened masculinity, mid-century gloss, and decaying middle-class domesticity of The Manchurian Candidate remain, but the potboiler-thriller plot is replaced with… vibes.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing John Cameron Mitchell’s Hedwig and the Angry Inch (2001).