When should a song be not too hard, and not too soft? This week, Mark and Nichole enjoy all the Philly steaks they can eat with Boyz II Men’s iconic 1991 jam “Motownphilly.” After looking at Motown’s role in pop culture of the 1990s, the hosts do a deep dive on a classic example of the verse-chorus form… maybe. Also, tune in for some top tier Stephanie Tanner-related content!

Other music heard in this episode: Josef Haydn - String Quartet in Eb Major, op. 33, No. 2, Hob. III:38, IV, “The Joke” (Doric String Quartet), Boyz II Men - “End of the Road”, Boyz II Men - “Water Runs Dry”, Boyz II Men - “Thank You”, Boyz II Men - “Sympin’”, Keith Sweat - “I Want Her”, Guy - “Don’t Clap… Just Dance”, Paula Abdul - “Opposites Attract (feat. The Wild Pair)”, Bell Biv DeVoe - “Poison”, Carter Family - “Keep On the Sunny Side”, Big Joe Turner - “Shake, Rattle and Roll”, Mariah Carey and Boyz II Men - “One Sweet Day”, Boyz II Men - “Jezebel”, En Vogue - “My Lovin’ (You’re Never Gonna Get It)

The final analysis, for your reference:

• Option 1: A B C D B E C’ D B A’ E’ F B A’’
• Option 2: Intro, Chorus 1, Verse 1, Pre-Chorus 1, Chorus 2, Rap 1, Verse 2, Pre-Chorus 2, Chorus 3, Re-Intro, Rap 2, Scat, Chorus 4, Outro
• Option 3: (Intro), Refrain, Episode 1, Refrain, Episode 2, Refrain, Episode 3, Refrain, (Outro)

Send us your thoughts at NeverMusicPod@gmail.com

Nevermind the Music is part of The Lorehounds Network. Join the Nevermind the Music Discord channel by visiting thelorehounds.com

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy