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Dear America — Happy Fucking Birthday: Christopher Hooks on an Exhausted United States at 250
Episode Description
“There’s a kind of exhaustion and resentment — maybe sometimes feeling a little foolish about still feeling attached to some idea of this country that seems like it’s maybe not holding that strong or that healthy anymore.” — Christopher Hooks
Happy fucking birthday, America. No, not my tasteless language. These words adorn the cover of the July 2026 issue of the 175-year-old Harper’s, America’s oldest monthly publication. From one alter kocker to another. It’s no fun getting old.
The Harper’s piece, written by the Texas-based journalist Christopher Hooks, is a funereal essay about his travels around an exhausted America. It began as a reported account of America250 — the bipartisan commission set up in 2015–2016, at the end of the Obama era, to organise the semiquincentennial celebrations. Bipartisan? Internal bureaucratic dysfunction. Disagreements about purpose. Trumpian lawsuits. NDAs. Blah, blah, blah. Hooks found it demoralising. The landscape of Washington DC, he writes mournfully, is didactic and insistent. Some alter kocker is always trying to teach you something.
But some people do, indeed, have something to teach us. Hooks’ piece ends with Thaddeus Stevens — the club-footed, cranky, ugly radical Republican congressman who was born a few years after the Constitution was ratified. Stevens spent most of his long life believing in perfect racial and ethnic equality, helped frame the 14th Amendment as a second founding father, and died deeply disappointed. And, of course, that disappointment would only be compounded if he could see what Christopher Hooks saw in his recent trip around the contemporary United States.
Dear America — happy fucking birthday. Love, uncle Thaddeus.
Five Takeaways
• Happy Fucking Birthday: The Title, the Feeling, and the Cover of Harper’s: Hooks’ editor at Harper’s came up with the title. Hooks is glad they did. It matches the feeling: exhaustion, resentment, and a kind of embarrassment at still feeling attached to an idea of America that seems like it’s not holding together. His father — a Republican for most of his life until 2016 — wakes up every morning and has to deal with the fact that America is maybe not the thing he thought it was. He feels humiliated. His son does too. Nobody likes to be fooled. And part of the unique indignity of the Trump era is the delight Trump and his people take in rubbing the noses of liberals in the abuse of American symbols.
• The America250 Commission: Dysfunction, Lawsuits, and a Startup Fund: America250 was a bipartisan commission set up at the end of the Obama era to organise the semiquincentennial celebrations. By the time Hooks arrived at their press briefing, they had survived internal dysfunction, disagreements about purpose, lawsuits, and NDAs. Trump’s people had been brought in; fighting followed. Their proudest achievement: a venture capital seed fund to help American college students start companies, as a way of repairing the lack of patriotism polling says younger Americans feel. It felt to Hooks like it came from a past political moment — discredited and distant. He came out of the briefing dispirited.
• The History of Semiquincentennials: 1876 Had Juice, 1976 Had Amnesia: Milestone commemorations have usually been emotionally complicated. 1926 was a disaster. 1976 — at the end of Vietnam and after Watergate — surprised many by producing an unexpected wave of patriotic sentiment that washed away, at least for a day, the gnawing doubts. That amnesia helped make possible both Jimmy Carter and the Reagan revolution. But the moment of maximum danger had passed by then. The one commemoration that had genuine juice, in Hooks’ view, was 1876 — the Centennial Exposition in Philadelphia, a world’s fair that was a genuine moment of national energy. The 250th is not that.
• Thaddeus Stevens: The Honest Version of America’s Story: Hooks ends his piece with Thaddeus Stevens — the radical Republican congressman, club-footed, cranky, and widely described as ugly by his contemporaries. Born a few years after the Constitution was ratified. Believed in perfect racial and ethnic equality when almost no one else did. Helped frame the 14th Amendment as a second founding father of American democracy. Died deeply disappointed. His story, Hooks suggests, is the most honest version of how to be attached to America: feeling profound anger about the country as it is, working for something better, not living to see it, and laying the groundwork for what comes after.
• Not Going to a Sanctioned Celebration Zone: Hooks will spend July 4 in New York, having a few beers with friends. Probably not going to a sanctioned celebration zone. Not setting off fireworks. His father will be in Texas, doing roughly the same. Both men share what Hooks calls a feeling of humiliation — a sense that they were fooled about what America was, and that the process of reckoning with that is long and ongoing. The Gilded Age was also pretty bleak, Hooks notes, and in time it was replaced by the progressive era and the New Deal. American history swings in big pendulum arcs. He wants to have hope. Some days it’s easier than others.
About the Guest
Christopher Hooks is a journalist who writes about Texas politics for Texas Monthly and national politics for Harper’s Magazine, The New Republic, and others. He divides his time between Austin, Texas and Brooklyn, New York. His piece “Happy Fucking Birthday: An Exhausted America Turns Two Hundred and Fifty,” is the cover story of the July 2026 issue of Harper’s Magazine.
References:
• “Happy Fucking Birthday: An Exhausted America Turns Two Hundred and Fifty” by Christopher Hooks, Harper’s Magazine, July 2026.
• Ben Fountain, Rasputin Swims the Potomac — referenced at the opening; recent KOA guest.
• Peter Wehner, “The Apotheosis of Donald Trump,” The Atlantic, June 14, 2026 — referenced; recent KOA guest.
• Thaddeus Stevens (1792–1868) — radical Republican congressman, abolitionist, framer of the 14th Amendment.
• America250 — the federal commission organising the US semiquincentennial celebrations.
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