In Part 3 of my multi-part deep dive re-exploration of William Friedkin's 1973 masterpiece 'The Exorcist' I take a detailed look at the filmmaking in the first half of the movie.  Considering the Northern Iraq sequence, the Georgetown sequences, Father Karras in NYC, and the Medical sequences featuring Regan up to and including the hypnotism scene.

The absolute mastery of camera movement choices and the spare use of score shows how the film eschews (I always wanted to use that word) "horror" film cliches.

Mentioned in this episode:

Jack Plotnick's Hilarious Exorcist Video