Today’s episode brings together two extraordinary creatives whose work has helped shape contemporary culture through a shared commitment to curiosity, counterculture, and championing unique voices.

Ceri is joined by sisters Francesca Gavin and Seana Gavin, each working across different mediums but united by a belief in following instinct and staying close to what feels urgent and alive.

Francesca is one of the most influential figures shaping how contemporary art is written about and presented today. She is Director of Visual Arts at Murmur, Editor-in-Chief of EPOCH, and a regular contributor to publications including the Financial Times. Her curatorial work spans major international contexts, from co-curating Manifesta 11 in Zurich to exhibitions at institutions such as Somerset House and the Palais de Tokyo. She is the author of eleven books on art and visual culture and has hosted Rough Version on NTS Radio for the past nine years, exploring the intersections of art and music.

Seana is a London-based artist working primarily in collage, creating dreamlike worlds from vintage photographic material where past and future collide. Her work has been exhibited internationally, from Somerset House and the Serralves Foundation to the Nobel Prize Museum in Stockholm, with solo shows in Paris and London. Alongside this, her work features in major publications, brand collaborations, and collections including Soho House worldwide. Her photography monograph Spiralled, published by IDEA Books, is now in its fourth edition.

In this conversation, they talk about creative longevity, instinct, and how to build a practice that remains porous, rigorous, and true over time.

KEY TAKEAWAYS

• Creative longevity isn’t about having a perfect plan. It’s about staying close to what you’re genuinely curious about, paying attention to what keeps returning in your life, and trusting those repetitions enough to follow them.

• Work becomes more resilient when different strands feed one another - writing into curating, music into thinking, collage into archives, archives back into books and shows.

BEST MOMENTS

“For me, personally, originality is that unique point of view or something fresh that they're saying - there's often a spirit in there that you can sense in the way something's been made.”

““It’s very intuitive. It’s almost like I’m going into a meditative state… I gather up lots of material that might fit in with that imaginary world… and then something starts to happen.”

RESOURCES

https://www.presentfuture.be

https://www.francescagavin.com

https://www.instagram.com/seanagavin

https://murmur.earth

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

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