Ah… this one carries weight.

This is Exhibit III: The Resurrectionist’s Rope — a length of coarse hemp once used by William Calcraft, London’s most notorious executioner. It appears simple. Functional. The sort of object history rarely pauses to look at closely.

But this rope stood at the meeting point of two dark trades: those who stole the dead, and the man paid to create them.

This exhibit explores public execution in nineteenth-century London, the blurred line between justice and spectacle, and the machinery that turned death into routine. It is not a story about guilt or innocence. It is about process. About repetition. About what happens when killing becomes administrative.

Some objects remember hands.
This one remembers necks.

Step closer — but not too close.