In this episode of Compost, Cotton & Cornrows, Dominique Drakeford sits in a powerful conversation with Ghanaian artist Serge Attukwei Clottey, the visionary behind Afrogallonism - a radical artistic practice transforming discarded yellow oil containers into monumental sculptures, performances, and communal rituals. Living and working in Accra, Ghana, Clottey unpacks how these everyday objects, once used to transport cooking oil from the West and later repurposed to store scarce drinking water, carry layered stories of migration, global trade, environmental degradation and survival. Through cutting, stitching, weaving, and performance, he reveals how materials dismissed as waste become cultural archives, documenting the afterlife of globalization on the African continent.

But Clottey’s work extends far beyond the gallery. Rooted deeply in the community, his practice has evolved into a living ecosystem where elders stitch, youth source materials, and entire neighborhoods participate in transforming plastic waste into art, architecture, clothing, and storytelling. What began as an artist’s intervention has become a collective act of environmental education, economic participation, and cultural reclamation. Together, Dominique and Serge explore sustainability as responsibility, the politics of global waste economies, and how tradition—from weaving to ceremonial performance can inspire contemporary solutions for a planet struggling under the weight of its own consumption.

Compost, Cotton & Cornrows: the space where Black & Afro-Indigenous Vanguards are redefining sustainability through storytelling!

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