Episode Description
Mono or stereo? For decades, the music industry has told us that mono is obsolete, the sonic equivalent of black-and-white television. How can one channel be better than two?
To the modern listener, paying a premium for a recording stamped “MONO” might sound like an intentional downgrade.
When it comes to the Beatles’ recorded catalog between 1962 and 1968, however, that assumption is flatly backwards.
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